Contains 20 songs of comfort hope and encouragement for piano and voice or piano solo. Designed to help encourage and strengthen during solemn occasions this volume includes arrangements of such tunes as 'Abide with Me ' 'Does Jesus Care? ' 'He Leadeth Me' and more.

A selection of jazz pieces arranged for Keyboard and Guitar (both chord symbols and tablatures are included). For every piece you will find three versions: A simplified version: with the melody in the right hand and an easy accompanying line in the left hand (for beginners) A version for organ: with the melody in the right hand chords in the left and bass line for the pedal a version for solo piano for use with the piano or keyboard (medium difficulty) VOICE: It is possible to use the version contained in the CD for singing the pieces. The texts are found in the sheets inserted at the end of the volume and themelodies are given in the keyboard parts (right hand) GUITAR: All the guitar boxes for the chords are given in the single sheets inserted at the end of the volume. The sheet for each piece contains besides the guitar chords the text and a table with the melodic line (right hand) of the keyboard versions. OTHER INSTRUMENTS: It is also possible to play the melody parts or to improvise with other instruments such as flute violin etc. It should be noted that for instruments such as the clarinet or the saxophone the melodies will have to be transposed. A bass can be added to the group playing from the pedal part of the organ versions.

HLSPL Intermediate Showcase Solo Intermediate Piano Solo-This rich arrangement for the intermediate level student is a joy to learn. Students of all ages are sure to fall in love with the elegant style of this version of Irving Berlin's classic song. The introduction includes a cascade of first inversion chords and leads into a graceful rendition of the song itself. These chord cascades return later to introduce a delightful modulation to F Major and to put the final touches on the brief coda. Hal Leonard Student Piano Library Level 5 (Intermediate); 4/4; upbeat tempo; first inversion chord patterns; dual voices in one hand; Key of C Major/F Major; 3 pages.

for solo piano-Huang Ruo has been lauded by the New Yorker as 'one of the worlds leading young composers' and by the New York Times for having ?a distinctive style.? His vibrant and inventive musical voice draws equal inspiration from Chinese ancient and folkmusic Western avant-garde experimental noise natural and processed sound rock and jazz to create a seamless organic integration using a compositional technique he calls ?Dimensionalism.? Huang Ruo?s diverse compositional works span fromorchestra chamber music opera theater and dance to cross-genre sound installation multi-media experimental improvisation folk rock and film.

These Six Viennese Sonatinas were not originally composed by Mozart for the piano. They are a contemporary arrangement of the Wind Divertimentos K 439b which Mozart wrote in 1783. The Divertimentos are notable for their conciseness of form and their melodic richness. They therefore make an excellent introduction to Mozart's piano music even though they are not completely typical of Mozart's piano writing. We do not know for certain who made the arrangement but Alexander Weinmann has shown that it was probably Ferdinand Kauer. The order of movements is not the same as in the original; moreover some of the Trios have been exchanged and recapitulations have been shortenedin some instances. The original voice leading has been replaced by voice leading suitable to the piano. The 2oth_century editions by Rehberg (Schott) Rowley (Peters) and the old edition by Kapral (originally published by Universal Edition) are based on a Ricordi reprint edited by Muggelini in 1907; its musical text is unreliable and there are many arbitrary alterations. The present edition is therefore based on the first edition of the arrangement published by Artaria of Vienna in 1803. By comparing it with the score of the Divertimentos (Mozart Complete Edition Series XXIV No. 62 1905) and with the first edition of the parts it was possible to establish the precise articulation and dynamic markings and to add them where needed. For piano pupils simpler versions are suggested in footnotes as are possible executions of ornaments. Metronome markings have been provided by the editor; like the footnotes they should be taken only as suggestions.

Enfin une méthode pour apprendre toutes les techniques et s?entraîner en Live sur des bandes VOICE UP !
Le piano est trop souvent considéré comme un instrument soliste. C'est en partie vrai, mais cela ne reflète pas réellement toutes les possibilités qu'offre ce fabuleux instrument. Les pianistes sont généralement trop seuls avec leur compagnon de jeu et se retrouvent très vite prisonniers de la partition. Beaucoup d'entre eux sont vite déstabilisés lorsque l'on parle de jeux en ACCORDS.
Grâce à cette méthode, vous allez apprendre les différentes leçons et techniques pour découvrir, comprendre et jouer les différents styles d'accompagnements. Cette autre façon de jouer du Piano vous permettra de développer le sens de l'écoute, du rythme, et vous habituera, entre autre, à vivre et ressentir votre jeu différemment.
Avec les bandes d'accompagnement VOICE UP LIVE SONG , vous allez faire vos premières armes en accompagnant de vraies voix sur des morceaux connus et variés. Bien plus d'une simple technique, l'accompagnement fait le régal de beaucoup de musiciens et vous allez vivre une expérience unique que trop peu de pianistes ont l'habitude de pratiquer. / Méthodes et pédagogie / Piano et instrument à clavier / Piano / F2M Editions

17 well-known original pieces in progressive order of difficulty with practical comments-Schumann was a poet at the piano and the best known of his piano pieces bear programmatic titles such as ?Träumerei? (?Reverie?) ?Von fremden Ländern und Menschen? (?Of foreign lands and people?) or ?Vogel als Prophet? (?Thebird as prophet?). His whole oeuvre exudes a sense of poetic freedom making him the Romantic composer par excellence. Whether in his easiest pieces for children from his Album for the Young or in the more demanding Papillons wecan hear Schumann?s own distinctive voice everywhere a voice whose many registers can be experienced in this selection which ranges from the easy to the moderately difficult.

The Movie: Mugen Train. This book includes ?Homura? by LiSA in3 different arrangements! The arrangement for Intermediate truly depicts the sound of the original music. Entry level is easy to play if you are not good at reading sheet music. Voice with Piano version will help you better understand impressive lyrics. It might be a good idea that you bask in the afterglow of this movie by playing the piano.

2nd Movement-Transcription of the slow movement of Rachmaninov's First Piano Concerto op 1. Programme note by Murray McLachlan: Rachmaninov's first concerto in F sharp minor op 1 was composed in 1891 and dedicated to Alexander Siloti. The work was substantially revised in 1917 with textures made much lighter. The revised version is also more concentrated and disciplined with the material eliminating some of the earlier episodic sections entirely from the score. The second movement is an exquisite 74 bar miniature a nostalgic nocturne that is contrapuntally rich. In this soloversion the use of all three pedals and the middle pedal in particular make it possible to project the multifaceted textures the 'colour counter-point' that along with Rachmaninov's chromaticism enhances his considerable melodic gifts. Was Rachmaninov the 'Russian Bach?' Certainly his genius for 'inner voices' 'inner melodies' and counter-melodies make his music an inexhaustible treasure house of possibility for the creatively charged solo pianist. In Rachmaninov's piano writing there is simply no such thing as 'padding' or anonymous accompaniments- every line can be vocally or orchestrally charged making the music glow with richness and inspiration. This transcription was given its world premiere on April 1- Rachmaninov's birthday- in 2017 in New York as part of a recital for the Lezetizky society. Further performances were given on what was an intense US Easter tour in Washington Texas Boston and Vermont. I've also performed the transcription in Canada and the UK.

This C major Glorioso 'victory over the dragon ' was taken from the 130th cantata and is scored for full orchestra (including trumpets and timpani).The number of different voices and counterpoints made it difficult to arrangethis piece for piano solo. Two versions have therefore been chosen one easier than the other. Herr Gott dich loben alle wir.

As the title suggests Quiet Waters is a beautiful piece that offers a gentle flowing melody. Enchanting piano solo promotes legato playing careful balance between voices and much opportunity for expression and rubato effects.

J S Bach’s original scoring of the work included Voices with Trumpet Oboes Strings and Continuo. This movement has been extracted and has frequently been performed separately. Arrangements exist for solo Organ and many other instrument combinations. This Chorale is one of Bach’s most enduring works familiar to the public and popular as a voluntary at church services and at weddings.

This is the second volume of Modern Piano miniatures by American-Armenian composer Dianne Goolkasian Rahbee and is intended for Intermediate to early Advanced pianists. The natural musicality present in this tremendous collection of studies demands the same kind of careful attention that we expect from the standard canon of repertoire. These teaching pieces follow in the modern tradition of pedagogical works by Bartók Kabalevsky and others; they are written to challenge a student's mind fingers imagination and soul. The style is varied allowing students to tackle a broad range of study and practice such as Perfect fourths Staccato and Seconds. Contents include:Floating In Space Here and There Harlequin Waltz Popcorn Toccatina and more! Arranged in order of difficulty it is a practical volume that offers students interesting and absorbing study material. The FJH Contemporary Keyboard Editions Series focuses on the best contemporary music for the keyboard form the late 20th and early 21st centuries. These collected works have all been chosen for their strong musical voices and their artistic and pedagogical merits.