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Piano, Voice
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Clavier Ou Piano (31)
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Musique de chambre (28)
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Autoharp (27)
Flûte Et Instruments Divers (27)
Choeur a Cappella (27)
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Clarinet and Strings (27)
Instruments Acoustiques (27)
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Clarinette, Alto et Piano (26)
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Ferré, Léo : Intégrales Coffrets Léo Ferré
Français
Piano, Voice
[Sheet music]
Editions Méridian
Coffret regroupant 8 Volumes / Variété / Partitions /
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Alison Bauld: Bauld Alison Two Shakespeare Songs Vce/pf: Voice: Score
Piano, Voice
[Vocal Score]
Novello & Co Ltd.
Two Shakespeare Songs were written in 1989-1990. Cry Cock-a-Doodle-Doo was writ...
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Two Shakespeare Songs were written in 1989-1990. Cry Cock-a-Doodle-Doo was written first and is scored for Soprano Voice and Piano. It takes its text from a song by Ariel in The Tempest. The Witches’ Song is for solo Soprano with the text coming from Macbeth. Both are dramatic works which allow the performer to showcase her virtuosity; either would be a perfect audition piece or both could be combined as complementary items on a recital programme. Alison Bauld (b. 1944) is an Australian-born composer and writer who lives and works in London. Her compositions are distinguished by their dramaticstructure partly inspired by musical theatre. She has also written a three-volume tutor for keyboard and composition.
10.99 GBP - Sold by Musicroom UK
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Stephen Collins Foster : 60 Favorite Songs (SMOLKO JOANNA)
Piano, Voice
-
Beginner
Bill's Music Shelf
Par SMOLKO JOANNA. Soixante du compositeur américain Stephen Collins Foster (18...
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Par SMOLKO JOANNA. Soixante du compositeur américain Stephen Collins Foster (1826-1864) des chansons plus appréciées dans les arrangements originaux du compositeur pour piano avec cordes de guitare ajouté. Les textes ont été révisées pour capturer le prévue Foster esprit, éliminant les paroles obsolètes ou répréhensibles. Une introduction détaillée par le musicologue Steven Saunders décrit les traditions qui entourent les chansons populaires du XIXe siècle et la biographie de Foster. Les chansons Foster connues comme les courses de football, Oh Susanna et Jeanie with the Light Brown Hair sont inclus, avec un certain nombre de pièces qui ont été popularisée par les enregistrements contemporains tels que sommeiller My Darling et Hard Times Come Again No More. Chansons jamais incluses dans les collections publiées, comme The Voice of par Gone Days, tourner pas loin et Willie nous ont manqué vous, fournissent des chanteurs l'occasion de se familiariser avec les nouveaux titres. La collection montre la gamme de Foster comme auteur de chansons de salon, ballades comiques, airs de la guerre civile et religieuse hymne... / Niveau : Débutant / American - Songbooks / Recueil / Chant et Piano
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Giacomo Puccini: Madame Butterfly: Opera
Piano, Voice
Ricordi
Testo Cantato In Italiano-Madama Butterfly took wing under turbulent circumstanc...
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Testo Cantato In Italiano-Madama Butterfly took wing under turbulent circumstances. The premiere (Milan Teatro alla Scala 17 February 1904) was a disaster; while a second production only months later (Brescia Teatro Grande 28 May 1904) was instead a resounding success. Inthe intervening period the composer had made considerable changes to the score enough that the result qualifies as a ?second version?. Still other changes were to come however as the opera toured in successive productions. The definitive version which is reflected in this edition was produced in 1906 at the Opéra Comique in Paris and published by Ricordi the following year. Puccini thus invested considerable effort into the creation of his favorite opera ? and into shaping the fate of theheroine herself a manifestation of the extremes of patient waiting and steadfast love. The music is a complete and masterful expression of the pity and disillusionment that surround the figure of Cio-Cio-San: her absolute but misguided hope herpathetic pretence in the name of love her miserable demise.
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Le Willis (PUCCINI GIACOMO)
Piano, Voice
Ricordi
Ed. critica di Martin Deasy - Riduzione per canto e pianoforte. Par PUCCINI GIAC...
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Ed. critica di Martin Deasy - Riduzione per canto e pianoforte. Par PUCCINI GIACOMO. Here, appearing for the first time, is the piano vocal score of Le Willis, Giacomo Puccini’s first stage work, whose full score remained unpublished until 2020, when it was issued by Casa Ricordi (NR 139546).The critical edition by Martin Deasy is based, as far as the first six Numbers are concerned, on the autograph score that Puccini reutilized for composing Le Villi. The autograph pages incorporating the final Number – pages that were later removed, in order to make space for the new material produced for Le Villi– are also proposed as the principal text.Pursuing an innovative philological approach, the editor has, furthermore, taken into due consideration the contemporaneous printed editions of the piano vocal score, on the assumption that they constitute the principal collateral sources, if one considers the particular genesis of this work. For it is certain that Puccini, upon entering the Sonzogno competition, submitted a score of Willis that lacked proper orchestration in a few pages and displayed, above all, incomplete vocal lines. However, he also provided a manuscript reduction for piano and vocal score (now lost, except for the final Number of Willis) that was undoubtedly more detailed, as far as the vocal lines were concerned. The editor proves that the vocal material produced for the first performance of Willis was not copied from the autograph score, but from the lost score reduction. The latter also served as the basis for the preparation of Ricordi’s printed edition of the piano vocal score./ Répertoire / Chant et Piano
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Giuseppe Verdi: Macbeth - Vocal Score: Opera: Vocal Score
Piano, Voice
Ricordi
Soft Cover ed 1960-Verdi's tenth Opera Macbeth had its premiere at the Teatro...
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Soft Cover ed 1960-Verdi's tenth Opera Macbeth had its premiere at the Teatro alla Pergola in Florence on 14 March 1847. That the composer himself had a high opinion of the work is confirmed both by his correspondence and by his dedication of the vocal score to his father-in-law Antonio Barezzi.Seventeen years later long after Macbeth had firmly established itself in the repertoiry of Italian and foreign theatres Verdi agreed to revise the Opera for its first Paris production at the Theatre-Lyrique on 21 April 1865. The revisions were far more extensive than he had initially anticipated but the self-criticism he brought to the processindicated his continuing belief in the viability of the Opera. The Paris premiere of the revised version was not a success and even after the publication of a vocal score of the 1865 Opera many Italian theatres continued to perform the original version. Nevertheless since Verdi considered the revisions definitive Ricordi chose to market the 1865 version which has thereafter always remained in the catalogue.
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OPERARIA MEZZOSOPRAN 2 Dramatique
Piano, Voice
[Sheet music]
Breitkopf & Härtel
Par . “Una voce poco profonda”: Curtain up for Trouser Roles and Heroines Wh...
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Par . “Una voce poco profonda”: Curtain up for Trouser Roles and Heroines Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential – in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that’s simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi! “Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.” (Peter Anton Ling and Marina Sandel, editors) OperAria – repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera’s plot an evaluation from the singer’s point of view with “phonetic assistant” and “text assistant” aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2022-11-04/ Recueil / Chant et Piano
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Come Ye Sons Of Art Away Vocal Score (PURCELL HENRY)
Piano, Voice
[Sheet music]
Novello & Co Ltd.
Par PURCELL HENRY. This new edition by Bruce Wood of the University of Wales, is...
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Par PURCELL HENRY. This new edition by Bruce Wood of the University of Wales, is intended to directly compliment the full score included in Purcell Society Volume 24. The piece is an ode to the birthday of Queen Mary, 1694, and is set for Soprano, 2 Counter-Tenor (Alto) and Bass soloists, with SATB and Orchestra. This vocal score features a piano/organ reduction of the orchestral score which also functions as a realisation of the original basso continuo. / Rép Classique / Répertoire / Chant et Piano
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Le Villi (PUCCINI GIACOMO)
Piano, Voice
Ricordi
Ed. critica di Martin Deasy - Riduzione per canto e pianoforte. Par PUCCINI GIAC...
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Ed. critica di Martin Deasy - Riduzione per canto e pianoforte. Par PUCCINI GIACOMO. What is being presented here is the piano vocal score of Le Villi, Giacomo Puccini’s first stage work, the full score of which was published by Casa Ricordi (NR 141755) in 2020.The premiere of Le Villi took place at the Teatro Regio in Turin on 27 December 1884, and was followed by a Milanese performance at Teatro alla Scala on 24 January 1885: both productions were quite well received by critics and public alike.The critical edition by Martin Deasy is based on the autograph score that Puccini initially prepared for the one-act version (Willis), and later modified for the two-act, revised version (Villi). Pursuing a groundbreaking philological approach, the editor has, furthermore, taken into proper consideration the contemporaneous printed editions of the piano vocal score, which constitute, in his view, the principal collateral sources, if one is to consider the particular genesis of this work. For it is certain that Puccini, upon entering the Sonzogno competition, submitted a score of Willis that lacked proper orchestration in a few pages and displayed, above all, incomplete vocal lines. However, he also provided a manuscript reduction for piano and vocal score (now lost, except for the final Number of Willis) that was undoubtedly more detailed, as far as the vocal lines were concerned. The editor demonstrates that the vocal material realized for the first performance of Willis was not derived from the autograph score, but from the lost score reduction. The latter also served as the basis for the preparation of Ricordi’s printed edition of the piano vocal score./ Répertoire / Chant et Piano
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Piano Treasury Of Hymns Cd
Piano, Voice
[Sheet music + CD]
-
Intermediate
Amsco Wise Publications
The Piano Treasury of Hymns is designed to be the cornerstone of your personal m...
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The Piano Treasury of Hymns is designed to be the cornerstone of your personal music library. This tremendous collection contains 400 pages of the best-loved Christian hymns from Europe and America. From traditional favourites to contemporary worship songs, here you'll find the music that has inspired praise and worship for over four centuries. This sacred folio will provide years of enjoyment for everyone who loves the music of the church. Rediscover the beauty and power of the great songs that are a part of the fabric of the church and music history. / Piano
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Henry Purcell: Te Deum In D (Latin): SATB: Vocal Score
Piano, Voice
Novello & Co Ltd.
This setting of the Te Deum was written for St Cecilia’s day in 1694 almo...
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This setting of the Te Deum was written for St Cecilia’s day in 1694 almost exactly a year before the composer’s death. Composed in a highly flamboyant style it was originally scored for adult and boy choirs soloists strings bass and trumpets but has been scored here for SSAATB soli SSATB chorus and Piano accompaniment. It was edited by the organist of Westminster Abbey J. F. Bridge for a bicentennial commemoration in 1895 at which time the 18th century changes were replaced and the original version restored. The Latin text was provided by the musicologist R. R. Terry.Henry Purcell (1659-1695) held numerousappointments at the Royal court and Westminster Abbey and is considered by many to be the greatest ever English-born composer. His prolific work covered all fields: orchestral ecclesiastical operatic theatrical incidental and chamber music were all enriched by his output.
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Adina: Vocal Score Based on the Critical Edition by Fabrizio Della Seta
Piano, Voice
[Vocal Score]
Ricordi
Edizione critica F. Della Seta - Riduzione per canto e pianoforte-Composed in 18...
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Edizione critica F. Della Seta - Riduzione per canto e pianoforte-Composed in 1818 on commission from an unknown individual in Lisbon Adina was left to languish some years until its premiere in 1826 with a single performance in that city remaining virtually the only one on record until the opera's revival in 1963. The present vocal score is based on the critical edition of the orchestral full score prepared by Fabrizio Della Seta and published by the Fondazione Rossini of Pesaro in collaboration with Casa Ricordi. This Edition reconstructs for the first time the structure of the autograph score which reflects the collective contributions of at least five different hands: having composed only four entirely new numbers andrepurposed another three from Sigismondo Rossini relied upon collaborators and copyists for the remainder of the music. Della Seta's detailed examination of this fundamental document (housed at the Fondazione Rossini) together with an informed assessment of the secondary sources including a complete manuscript copy (housed at the British Library in London) various manuscript vocal parts with Rossini's autograph interventions (housed in the Royal Conservatory of Brussels) and the first edition of the vocal score published by Ricordi between 1855 and 1859 additionally reveals how the libretto printed in Lisbon for that single historic performance in 1826 differed substantially from the narrative disposition of the autograph score with ample cuts and modifications (among those the suppression of the Aria Alì and the addition of a Coro). While neither attributable to Rossini himself nor pertaining to his original conceptual design of the opera this Coro the music of which survives in the first vocal score is included as an Appendix to the edition.
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The Piano Treasury Of Children?s Songs
Piano, Voice
[Sheet music + CD]
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Beginner
Amsco Wise Publications
Nb de Pages : 400 Niveau : Intermediaire Langue : Anglais
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Antonio Vivaldi: Salve Regina RV 616 RV 617 RV 618: Vocal: Score
Piano, Voice
[Vocal Score]
-
Intermediate
Ricordi
Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé-The pre...
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Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé-The present volume contains all three settings by Vivaldi of the Marian antiphon Salve Regina that have come down to us. All three are for solo voice: soprano in the case of RV 617 and contralto in that of RV 616 and RV 618. The last two settings are scored for two instrumental cori and introduce woodwind instruments respectively a flute and a pair of oboes whereas the instrumentation of the first is confined to strings disposed in a single coro although a solo violin is employed in three movements. RV 617 preserved in a non-autograph source in Brno belongs to Vivaldi?s first period of sacred music composition at the Pietà (1713-1717) while RV 616 and RV 618 are works of his maturity dating from the years around 1730. RV 617 is laid out in four movements RV 616 and 618 in six movements. All three works are noteworthy for the tenderness of their expression and skilful writing for both the voice and the instruments. The Introduction and Critical Commentary for these vocal scores prepared by Antonio Frigé are closely based on those of the Critical Editions by Michael Talbot published in 1998 1990 and 1994.
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Gioachino Rossini: La Cenerentola - Opera Vocal Score: Voice: Vocal Score
Piano, Voice
[Sheet music]
Ricordi
Vocal Score-In the days just before the Christmas of 1816 Rossini was still loo...
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Vocal Score-In the days just before the Christmas of 1816 Rossini was still looking for the subject and the libretto for an opera that he was contractually obliged to stage at the Teatro Valle in Rome in just over a month's time. Jacopo Ferretti proposed a libretto he had himself written based on the famous fairytale by Perrault Cinderella. Rossini composed the opera in less than a month completing it on the 24th January 1817 the day before its public debut. Removed from its original fairytale context Ferretti and Rossini's La Cenerentola is a comedy with some credible situations where comedy and sentiment come together brilliantly. The opera was a fantastic hit rightfrom the start and is still one of the composer's absolute masterpieces!This is the Vocal Score of Rossini and Ferretti's famous collaboration La Cenerentola.
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Funeral Music For Queen Mary Vocal SATB Score (PURCELL HENRY)
Piano, Voice
[Sheet music]
Novello & Co Ltd.
Par PURCELL HENRY. A compilation of the music composed for and played at the fun...
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Par PURCELL HENRY. A compilation of the music composed for and played at the funeral of Queen Mary in Westminster Abbey on March 5th 1695. Edited and reconstructed by Bruce Wood. / Rép Classique / Répertoire / Chant et Piano
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Complete Piano Player All Time Favourites
Piano, Voice
[Sheet music]
-
Easy
Amsco Wise Publications
Arrangements faciles pour piano : partitions doigtées, paroles et accords
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Easiest Keyboard Collection Disco Classics
Piano, Voice
[Score]
Amsco Wise Publications
Vingt-deux classiques disco hits en mélodie simple ligne arrangements pour clav...
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Vingt-deux classiques disco hits en mélodie simple ligne arrangements pour clavier électronique. Idéal pour les débutants, chaque chanson a symboles de corde, paroles, enregistrement suggérée, rythme et tempo. Les diagrammes de clavier facile à suivre sont regroupés au début de chaque pièce et montrent toutes les voicings gauche corde utilisés. / Clavier
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Regina Coeli Vocal Score
Piano, Voice
Novello & Co Ltd.
This exuberant work for soprano soloist, SATB chorus and accompaniment was compo...
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This exuberant work for soprano soloist, SATB chorus and accompaniment was composed in 1771 (at the age of 15) in Salzburg and is the first of several settings Mozart made for these words. In Latin only - vocal score with piano accompaniment, edited by Richard Platt. / Chant Et Piano
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The Most Happy Fella - Vocal Score And Libretto
Piano, Voice
Amsco Wise Publications
Complete vocal score of the whole show, including libretto. Includes 'Standing O...
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Complete vocal score of the whole show, including libretto. Includes 'Standing On The Corner', 'My Heart Is So Full Of You' and 'Don't Cry'. / Voix Et Piano
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Giacomo Puccini: Madame Butterfly: Voice: Vocal Score
Piano, Voice
Ricordi
Testo Cantato In Italiano-Inglese-Full Vocal score of Giacomo Puccini's favourit...
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Testo Cantato In Italiano-Inglese-Full Vocal score of Giacomo Puccini's favourite opera Madame Butterfly. With Italian lyrics and synopsis in Italian English French and German. The definitive version which is reflected in this edition was produced in 1906 at the Opéra Comique in Paris and published by Ricordi the following year. Puccini thus invested considerable effort into the creation of this his favorite opera—and into shaping the fate of theheroine herself a manifestation of the extremes of patient waiting and steadfast love. The music is a complete and masterful expression of the pity and disillusionment that surround the figure of Cio-Cio-San: her absolute butmisguided hope her pathetic pretence in the name of love her miserable demise.
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Au Coin de la Rue Volume 2
Français
Piano, Voice
[Sheet music]
Fortin
Les plus grands succès de l'Edition rassemblés dans 3 recueils d'une cinquanta...
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Les plus grands succès de l'Edition rassemblés dans 3 recueils d'une cinquantaine de pages avec les paroles, la ligne de chant, l'accompagnement piano et les accords chiffrés. Très facilement exploitable pour accordéon. / Partitions /
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