Original key for high voice-Rachmaninoff composed his collection of 13 songs Op. 34 in 1912 but it was only three years later that he added a little closing piece without any text: the Vocalise which soonoutshone the other songs in terms of popularity and renown. Since its first performance in 1916 this expressive melancholy piece has circulated in countless arrangements by others.Rachmaninoff himself made anarrangement for Orchestra and Voice as well as one for orchestra alone. Our Urtext edition contains the original version for High Voice and Piano and is based on the autograph sources in the Glinka Museum in Moscow. A particularhighlight is the separate vocal part that not only serves singers well but also all those instrumentalists who wish to play this wonderful piece using the original solo part.

Highlights Edition-Herbert Hughes was an Irish born music critic composer and an active participant in the Irish Cultural Revival. An avid supporter of folk music he helped to found the Irish Folksong Society and became known for his collections and arrangements. This is fabulous edition that contains the best-loved of Hughes' classic settings of traditional Irish melodies featuring delightful piano accompaniments and a vocal melody line and lyrics. This is a typically varied and interesting collection of beautiful and evocative polkas jigs reels and shanties. Set for Voice and Piano these will entertain and amuse audiences and are certainly a pleasure toplay.

Am Flusse An Den Mond An Die Entfernte An Mignon An Schwager Kronos Auf Dem See Bundeslied Der Fischer Der Goldschmiedsgesell Der Gott Und Die Bajadere Der Konig In Thule Der Musensohn Der Rattenfanger Der Sanger Der Schatzgraber Die Liebe Die Liebende Schreibt Die Spinnerin Erlkonig Erster Verlust Fischer, Der Ganymed Geheimes Geistes-gruss Gesange Aus Wilhelm Meister Gesange Des Harfners Goldschmiedsgesell, Der Gott Und Die Bajadere, Der Grenzen Der Menschheit Gretchen Am Spinnrade Harfenspieler Harfenspieler I Harfenspieler Ii Harfenspieler Iii Heidenroslein Hoffung Jagers Abendlied Konig In Thule, Der Leibende Schreibt, Die Liebe, Die Liebhaber In Allen Gestalten Lied Der Mignon Meeres Stille Mignon Mignon I Mignon Ii Mignon Und Der Harfner Musensohn, Der Nachtgesang Nahe Des Geliebten Prometheus Rastlose Liebe Rattenfanger, Der Sanger, Der Scene Aus Goethe's Faust Schafers Klagelied Schatzgrager, Der Schweizerlied Sehnsucht Spinnerin, Die Suleika I Suleika Ii Tischlied Trost In Thranen Versunken Wanderers Nachtlied (Wanderer's Night Song) Wer Kauft Liebesgotter Willkommen Und Abschied Wonne Der Wehmuth

Ed. Critica F. Della Seta - Riduzione per canto e pianoforte ? softcover 2 volumi-I Puritani is the last work of Vincenzo Bellini: composed in nine months from April 1834 to January 1835 (a gestation unusually long for that time) was performed for the first time in Paris Théâtre Italien 24 January 1835. During this period the dramatic structure suffered radical transformations: initially structured in two acts the work was divided into three acts just before the premiere but on the eve of the first performance and immediately after that theexcessive length of the title imposed the cut of three pieces and other minor sections. Simultaneously with the release for Paris Bellini prepared a version designed for a planned exhibition for Naples at Teatro S. Carlo whose protagonist had to beMaria Malibran and in which the part of Riccardo had to be supported by a tenor. The exhibition did not take place as the score came late in Naples: the Neapolitan version was rediscovered and performed only in the eighties of the twentieth century.The new Critical Edition is based on the autograph on the libretto of the first performance and on four manuscript copies produced in the context of the Théâtre Italien in the first months of life of the work three of which contain autographinterventions (these sources are now kept at the Biblioteca Comunale in Palermo at the Museo Civico Belliniano in Catania at the Archivio Storico Ricordi in Milano and at the Staatsbibliothek zur Preussischer Kulturbesitz in Berlin). This Edition presents for the first time all the music composed by Bellini it restores the sections deleted before or after the first performance in Paris and returns the modified sections of the Naples version; it consists of three-score volumes- introduced by a detailed reconstruction of the historical context - and of a ?Apparati? volume with a description of the Sources and the Critical Commentary to the musical text.