20 Traditional Pieces-Irish Folk Songs is a collection of 20 arrangements for 1 or 2 voices and piano of traditional tunes. Put together by the highly regarded singer and arranger Philip Lawson the volume contains well-known songs such as The Star of the County Down and Danny Boy as well as many lesser known pieces.The volume is accompanied by a CD with a recording of all tunes performed by Philip and Sophie Lawson. German and French translations of all texts are available as pdf downloads from the Schott Music website. Suitable for singers of grades 3-8.

Song cycle by Philip Glass for piano and voice. Lyrics by Paul Simon Suzanne Vega David Byrne and Laurie Anderson. Piano reduction with words. Suitable for advanced pianists.

Director?s Score-A terrific classroom musical by Susan and Philip Kern. Story suggested by the Hans Christian Andersen tales about the Snow Queen’s mirror which breaks falls over a village like snow and makes the townsfolk argumentative. Twelve lively songs plus useful suggestions for costumes sets props and choreography.

Single Sheet music for Rififi by M. Philippe-Gérard from the eponymous French feature film (1955) for Voice and Piano with chord symbols. French and German text (R. M. Siegel/K. Feltz).

Compositeur(S): Philippe Prohom. Par PROHOM PHILIPPE. Auteur: PHILIPPE PROHOM/ Feuillet / Chant et Piano

Compositeur(S): Philippe Prohom. Par PROHOM PHILIPPE. Auteur: PHILIPPE PROHOM/ Feuillet / Chant et Piano

Compositeur(S): Philippe Prohom. Par PROHOM PHILIPPE. Auteur: PHILIPPE PROHOM/ Feuillet / Chant et Piano

Compositeur(S): Philippe Prohom. Par PROHOM PHILIPPE. Auteur: PHILIPPE PROHOM/ Feuillet / Chant et Piano

Compositeur(S): Philippe Prohom. Par PROHOM PHILIPPE. Auteur: PHILIPPE PROHOM/ Feuillet / Chant et Piano

Compositeur(S): Philippe Prohom. Par PROHOM PHILIPPE. Auteur: PHILIPPE PROHOM/ Feuillet / Chant et Piano

Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Rameau?s ?Zoroastre? in the version of 1756. Opera in five acts. Rameau?s revised version of his opera ?Zoroastre?, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today?s point of view the work profits dramaturgically from many of the changes and seems altogether richer and more tightly woven than the original of 1749. The subject matter of the libretto, derived from Ancient Persian sources, is timeless: the struggle between good and bad. The good is embodied by the religious reformer Zoroastre, a representative of the supreme light being Orosmade. He is opposed by the ambitious magician Abramane who serves Ariman, the spirit of the dark. The opera includes some of Rameau?s most ecstatic and spiritual musical numbers, such as the episode of sun worship in Act 3 with the sublime ?Hymne à la Lumière?, which, for unknown reasons, was not integrated in the revision of 1756. It is therefore included in Appendix 3 of this Bärenreiter edition. Incidentally, with ?Zoroastre? the prologue, wh ich had been customary since the beginnings of French opera in the 1670s, was abandoned. Instead Rameau was the first to introduce an overture which set the scene for the entire drama and thereby anticipated Gluck?s opera reform by many years. - One of Rameau?s main works for the stage, now available with all its versions - With a straight-forward piano reduction in the vocal score by François Saint-Yves - Available on sale full score (B0A8867-01) and vocal score (BA08867-90) - Performance material available for hire BA08867-72 - Jean-Philippe Rameau - Opera Omnia (OOR) IV/26 / Date parution : 2022-07-30/ Répertoire / Chant et Piano