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HARP
Piano and Orchestra
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Dobro (17)
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2 Hautbois, 2 Violons, Alto, V… (16)
Musique de chambre (16)
Flûte Traversière, Violon et… (16)
Flûte à Bec F1, Hautbois et … (16)
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2 Petits Choeurs Mixtes A 4 Vo… (16)
Trio de Cordes (16)
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Euphonium and Orchestra (16)
5 A 9 Instruments A Vent (16)
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Soprano Saxophone and Piano (15)
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Alto Et Orchestre A Cordes (13)
Ocarina (13)
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Children choir, Instruments (13)
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Flûte A Bec Alto, Cordes Et B… (13)
Solistes SATB, Choeur SATB, 2 … (13)
2 Clarinets, Piano (13)
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Quatuor De Flûtes A Bec (13)
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3 Hautbois, 2 Violons, Alto et… (12)
Solistes SATB, Choeur SATB, (C… (12)
Choeur SATB/SATB, 2 Orgues et … (12)
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Quintette à Cordes (12)
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Tenor (12)
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2 Flûtes à Bec (11)
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Piano Concerto In A Minor And Other Works For Piano And Orchestra (SCHUMANN ROBERT)
Piano and Orchestra
[Sheet music]
Dover Publications
Par SCHUMANN ROBERT. Clara Wieck's sincerest wish was that her future husband, R...
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Par SCHUMANN ROBERT. Clara Wieck's sincerest wish was that her future husband, Robert Schumann, turn his extraordinary genius toward the larger and more challenging task of composing orchestral music. Confiding in her diary in 1839, just one year before her marriage, she explained that ; it would be best if he composed for Orchestra: his imagination cannot find sufficient scope in the Piano… In the years that followed their marriage Robert Schumann continued to devote much of his attention to Piano music, but he also found the time to comply with his beloved Clara's wish by creating a number of musical pieces composed specifically for Piano andOrchestra. Although Schumann 's genius is most in evidence in his masterful solo Piano compositions and superb lieder, his lively and provocative imagination manifests itself with equal aplomb in the works composed for Piano and Orchestra. The same compelling romantic and lyrical qualities that captivate lovers of Schumann 's Piano music are evident in these compositions. Three of his finest are presented here in full score, including the A Minor Piano Concerto, one of the most popular and frequently performed concertos ever written. All demonstrate his remarkably innovative approach to music, diverting substantially from the classic models of the day, and display his immense creativity as well as his warmth and sensitivity. Included in this collection of Schumann 's compositions for Piano and Orchestra are: Piano Concerto In A minor, Op. 54 (published 1846) Concertstuck, Op. 92 (Introduction and Allegro appassionato; published 1852) Introduction and Allegro, Op. 134 (published 1855) These three works by one of the greatest masters of romanticism will delight musicians, music lovers and students, as well as devotees of Schumann. Pianists will be especially pleased to have these appealing Schumann works in one convenient edition available at / Date parution : 2019-12-12/ Répertoire / Piano et Orchestre
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Concerto #23 For Piano And Orchestra In A Major KV 488
Piano and Orchestra
Music Minus One
Un joli, populaire concerto complet de la mélodie et de magnifique orchestratio...
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Un joli, populaire concerto complet de la mélodie et de magnifique orchestration, particulièrement remarquable pour sa belle utilisation de bois pour compléter le piano. Vraiment, une des plus belles réalisations absolues de Mozart, il a été éternellement populaire depuis sa publication un / Piano Et Orchestre
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Klavierkonzert A-Moll
Piano and Orchestra
Breitkopf & Härtel
/ Piano Et Orchestre A Cordes
8.40 EUR - Sold by LMI-partitions
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Klavierkonzert A-Moll
Piano and Orchestra
Breitkopf & Härtel
/ Piano Et Orchestre A Cordes
8.40 EUR - Sold by LMI-partitions
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Klavierkonzert A-Moll
Piano and Orchestra
Breitkopf & Härtel
/ Piano Et Orchestre A Cordes
8.40 EUR - Sold by LMI-partitions
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Klavierkonzert A-Moll
Piano and Orchestra
Breitkopf & Härtel
/ Piano Et Orchestre A Cordes
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Rapsodia Argentina (LECUONA ERNESTO)
Piano and Orchestra
[Score]
Lauren Keiser Music Publishing
for Piano and Orchestra Full Score. Par LECUONA ERNESTO. Rapsodia Argentina is b...
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for Piano and Orchestra Full Score. Par LECUONA ERNESTO. Rapsodia Argentina is based on traditional older Argentinian tangos, the most famous being_x001A_Buenos Aires,_x001A_which is heard at the outset. The whole piece is a kind of huge rondo and is divided into several sections, most of which recur during the course of the composition. One of them is a milonga, a native peasant dance of Argentina (and Bolivia) that is a variation of the tango. Rapsodia Argentina is probably the least known of the three rapsodias for piano and orchestra by Lecuona. For sale is the solo piano part. It is not a 2-piano version or a piano reduction. The solo part matches the available orchestration as arranged and recorded by Thomas Tirino. / Date parution : 2023-06-01/ Répertoire / Piano et Orchestre
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Concerto (RAVEL MAURICE)
Piano and Orchestra
[Score]
Barenreiter
For The Left Het For Piano et Orchestra. Par RAVEL MAURICE. In 1929 Paul Wittgen...
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For The Left Het For Piano et Orchestra. Par RAVEL MAURICE. In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel's most thrilling compositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career. This scholarly-critical edition of Ravel's Concerto for the Left Hand is based on previously inaccessible and unknown sources. The editor, Douglas Woodfull-Harris, was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace the work's evolution from Ravel's autograph working copy to the first printededition. The piano reduction in our edition contains both Ravel's and Wittgenstein's fingerings. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein. In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel 's most thrilling compositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career. This scholarly-critical edition of Ravel 's Piano Concerto For The Left Hand is based on previously inaccessible and unknown sources. The editor, Douglas Woodfull-Harris, was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace thework's evolution from Ravel 's autograph working copy to the first printed edition. A source of key importance to our new edition is a handwritten French copy of Ravel 's own Piano reduction (the autograph is inaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein's own interpretation and containing his changes to the final cadenza. It also helps us to understand omissions in the first edition of the score as well as the Piano reduction, and enabled the editor, amongst other things, to correct a great many notes which could be found in previous editions, including the solo Piano part. The Piano reduction in our edition contains both Ravel 's and Wittgenstein's fingering. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein. Score and orchestral parts in large format (25. 5 x 32. 5 cm) Includes source descriptions and a Critical Commentary with alternative readings (Eng) Informative Introduction on the work's history and genesis (Ger/Eng/Fr) With facsimile pages Piano reduction with separate Urtext solo part enclosed Full score & parts (BA7881) and two-Piano reduction (BA7881-90) available for sale./ Répertoire / Piano et Orchestre
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Concerto For Pianoforte And Orchestra #5 E-Flat Major Op. 74
Piano and Orchestra
[Set of Parts]
Barenreiter
Beethoven's fifth and final piano concerto is at the same time the culmination o...
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Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven's sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano.- Many wholly new corrections in the solo and orchestral parts- Piano reduction with a separate solo part, as was customary in Beethoven's day- With Beethoven's continuo figures for the first time in a modern edition / Ensemble A Vent
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Concerto For Pianoforte And Orchestra #5 E-Flat Major Op. 73
Piano and Orchestra
Barenreiter
Beethoven's fifth and final piano concerto is at the same time the culmination o...
(+)
Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven's sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano.- Many wholly new corrections in the solo and orchestral parts- Piano reduction with a separate solo part, as was customary in Beethoven's day- With Beethoven's continuo figures for the first time in a modern edition / Score
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Concerto For Pianoforte And Orchestra #5 E-Flat Major Op. 77
Piano and Orchestra
Barenreiter
Beethoven's fifth and final piano concerto is at the same time the culmination o...
(+)
Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven's sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano.- Many wholly new corrections in the solo and orchestral parts- Piano reduction with a separate solo part, as was customary in Beethoven's day- With Beethoven's continuo figures for the first time in a modern edition / Alto
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Concerto For Pianoforte And Orchestra #5 E-Flat Major Op. 76
Piano and Orchestra
Barenreiter
Beethoven's fifth and final piano concerto is at the same time the culmination o...
(+)
Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven's sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano.- Many wholly new corrections in the solo and orchestral parts- Piano reduction with a separate solo part, as was customary in Beethoven's day- With Beethoven's continuo figures for the first time in a modern edition / Violon 2
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Concerto For Pianoforte And Orchestra #5 E-Flat Major Op. 75
Piano and Orchestra
[Solo Part]
Barenreiter
Beethoven's fifth and final piano concerto is at the same time the culmination o...
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Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven's sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano.- Many wholly new corrections in the solo and orchestral parts- Piano reduction with a separate solo part, as was customary in Beethoven's day- With Beethoven's continuo figures for the first time in a modern edition / Violon 1
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Lamentate (PART ARVO)
Piano and Orchestra
[Study Score / Miniature]
Universal Edition
Homage to Anish Kapoor and his sculpture 'Marsyas'. Par PART ARVO. Arvo Pärt ab...
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Homage to Anish Kapoor and his sculpture 'Marsyas'. Par PART ARVO. Arvo Pärt about Lamentate: 'Lamentate is music for piano solo and orchestra. With respect to its form, however, the composition cannot really be described as a typical piano concerto. I chose the piano to be the solo instrument because it fixes our attention on something that is 'one'. This 'one' could be a person, or perhaps a first-person narrative. Just as the sculpture leaves the viewer with a light and floating impression in spite of its overwhelming size, the piano, as a large instrument, allowed me to create a sphere of intimacy and warmth that no longer seems anonymous or abstract. Overall, it could be said that my work is marked by two diametrically opposed moods. By way of slight exaggeration, I would characterize these two poles as being 'brutal-overwhelming' and 'intimate-fragile'. The two characters are not simply placed opposite one another, much rather being left to develop themselves in a conflict that runs throughout the entire work.'/ Répertoire / Piano et Orchestre
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Konzert In Es Für Klavier Und Orchester Nr. 9 (MOZART WOLFGANG AMADEUS)
Piano and Orchestra
[Sheet music]
Barenreiter
KV271 'Jeunehomme'. Par MOZART WOLFGANG AMADEUS. Concerto For Piano And Orchestr...
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KV271 'Jeunehomme'. Par MOZART WOLFGANG AMADEUS. Concerto For Piano And Orchestra No. 9 E-flat major K. 271 'Jeunehomme'. Piano Solo, Oboe (2), Horn (2), Violin (2), Viola, Violoncello, Double bass. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart 's autograph manuscripts). At the same time, it also serves as an aid to authentic performances. The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Urtext Study Scores, format 16. 5 x 22. 5cm, are ideal for musical analysis, rehearsalpurposes and even conducting. The Study Scores are distinguished by high quality paper and binding as well as an excellent layout. In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices!/ Répertoire / Piano et Orchestre
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