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Time Will Pronounce For Violin Cello And Piano (NYMAN MICHAEL)
Scores
[Sheet music]
Chester
Par NYMAN MICHAEL. For violin, cello and piano 'The title 'Time Will Pronounce'i...
(+)
Par NYMAN MICHAEL. For violin, cello and piano 'The title 'Time Will Pronounce'is taken from the last lines of Joseph Brodsky's poem 'Bosnia Tune' which deals with the horror of the unnecessary, unacceptable daily deaths in Bosnia during 1992 (and still in 1993): 'Time, whose sharp blood-thirsty quill parts the killed from those who kill, will pronounce the latter tribe as your type'. The violin and cello are (generally) treated as a unit independent of the piano. The form (generally) alternates slow and fast tempi, without motivation. The musical ideas are (generally) carried over from section to section. (Generally) the harmonic, melodic and textual materials features third and semitones derived (generally) from the movement of the bass part in the opening bars. / Rép Classique / Répertoire / Scores
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Arrangements For Chamber Orchestra
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Schott
Arnold Schönberg is the central figure in the musical world of this century. Hi...
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Arnold Schönberg is the central figure in the musical world of this century. His musical significance was already apparent during his life-time, but his posthumous influence has increased immensely. His work paved the way for ground-breaking changes in musical perception. This complete edition aspires to be equally indispensable for research as well as for performance. The edition is published in two series: series A in folio format contains all completed works, all piano scores prepared by the composer himself and all unfinished works suitable for performance - also fragments (large scores) which are better suited to be printed in such a format. Series B, in quarto format, contains early versions, sketches, ideas and fragments as well as genesis and a Critical Commentary. / Scores
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Ballette II
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Schott
The work of Paul Hindemith is encyclopedic in nature. From the outset, he worked...
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The work of Paul Hindemith is encyclopedic in nature. From the outset, he worked in all musical genres and devised several of his musical ideas and projects not as individual, self-contained works but as work cycles with different functional relationships. These contrasting pieces complement each other if experienced as part of the overall structure. Hindemith himself not only wanted a complete edition of his collected works but had begun planning it - at his death he left a detailed list of ?Unpublished pieces for an eventual complete edition'.The Complete Works contain all finished works in all extant versions, newly engraved for the edition. Sketches and fragments are published in appendices of the relevant volume, and are evaluated in the Introduction and Critical Commentary by the respective volume editor.Each volume contains a preface by the editorial directors and an introduction by the volume editor, delineating the genesis and performance history of the work, with authentic performance instructions, an evaluation of extant recordings by Paul Hindemith himself and a Critical Commentary.The Complete Works of Paul Hindemith are thus presented in a critical, scholarly edition which is equally appropriate for study and performance. Hindemith researchers will welcome the numerous first publications of works by the composer, and practical musicians will appreciate the newly prepared, philologically ordered performance material. / Score
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