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HARP
Soli, Mixted choir and accompaniment
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Johann Sebastian Bach: Magnificat D BWV 243: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Peters
Vocal Score of Johann Sebastian Bach's Magnificat BWV 243 for Soli Choir and O...
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Vocal Score of Johann Sebastian Bach's Magnificat BWV 243 for Soli Choir and Orchestra.
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Johann Sebastian Bach: Johannes-Passion (St. John Passion) BWV 245: Mixed Choir:
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
The St. John Passion was first performed in Leipzig on Good Friday of 1724. Writ...
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The St. John Passion was first performed in Leipzig on Good Friday of 1724. Written three years before the St. Matthew Passion it was a work Bach revised during the rest of his life in fact he did not leave us a definitive version either in print or fair copy. The sources give evidence of four different versions used at four performances - 1724 1725 around 1730 and during the last years of Bach's life. They often contain two or more readings for the same passage or even different movements that on different occasions occupied the same place in the work.Barenreiter's edition uses the final version IV as its basis with alternativemovements and readings contained in the appendices. A comprehensive preface in the study score (German/English) TP197 gives full information.- Full score performance material (BA5037) vocal score (BA5037-90) and study score (TP197) available for sale.
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Litaniae De Venerabili Altaris Sacramento In Es (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Tonalité : Es-Dur - Horn, Paul (Arr.) - Kv 243. Par MOZART WOLFGANG AMADEUS. Ga...
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Tonalité : Es-Dur - Horn, Paul (Arr.) - Kv 243. Par MOZART WOLFGANG AMADEUS. Gattungen: Litaneien - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Eucharistie, Abendmahl, Marienfeste, Marianische Gesänge - Verwendung / Kirchenjahr: Fronleic cor am - Langue : Latin / Hymnes et chorals / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
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Weihnachtsoratorium (L'oratorio de Noël)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Kantaten I-Iii. Par BACH JOHANN SEBASTIAN. Horn, Paul (Arr. ) BWV 248/ Répertoi...
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Kantaten I-Iii. Par BACH JOHANN SEBASTIAN. Horn, Paul (Arr. ) BWV 248/ Répertoire / Solistes SATB, Choeur SATB, 3 Trompettes, Timbales
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Franz Schubert: Mass In B-Flat Major Op.Post.141 D 324: Mixed Choir: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Barenreiter
Despite the pressures of his teaching position Franz Schubert created a particu...
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Despite the pressures of his teaching position Franz Schubert created a particularly large number of works in the year 1815. Besides around 140 new Lieder he composed the second and third symphonies four stage works the first important compositions for piano the String Quartet in G minor (D 173) and two Masses: the Mass in G major (D 167) and the Mass in B-flat major the object of this edition. Considering that the Mass in F major (D 105) was written from May to July 1814 and the Mass in C major (D 452) during June and July 1816 we can see that Schubert composed four of the six complete Mass settings which have survived from his hand within the short span of twoyears.The Mass was presumably first performed in Lichtental shortly after its completion. The fact that some partly autographic parts the organ part three soprano and three alto parts were made around 1820 seems to point to a second performance. And from Schubert’s brother Ferdinand we know that the Mass was performed a third time at the parish church in Hainburg at the beginning of October 1824 since Ferdinand played the organ on that occasion. The Mass was first issued in 1837 as Opus 141 by the Viennese publisher Tobias Haslinger.Urtext of the New Schubert EditionFull score performance material (BA5621) and vocal score (BA5621-90) available for sale
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Georg Friedrich Händel: Let God Arise HWV 256b Chapel Royal Anthem: Mixed Choir:
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloist...
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Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God Arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text waswritten in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
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Georg Friedrich Händel: O Sing Unto The Lord HWV 249a Chapel Royal Anthem: Mixed
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Anthems for the Chapel RoyalO Sing Unto The Lord A New Song HWV 249a for Soloist...
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Anthems for the Chapel RoyalO Sing Unto The Lord A New Song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text was written inMarch 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the Organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
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Johann Sebastian Bach: C: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Barenreiter
Motets BWV 225-230. Choral Score without piano reduction. The six Motets of J S ...
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Motets BWV 225-230. Choral Score without piano reduction. The six Motets of J S Bach rank among the highpoint of standard choral repertoire. This edition brings together for the first time all six works in the original text of the New Bach Edition in handy format (19 x 27 cm). Â Performance material including chorus scores for all Motets is available for sale Complete vocal score with piano reduction large format 31 x 24.3cm (BA5193-90) available for sale
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Johann Sebastian Bach: Matthäus Passion BWV 244: SATB: Vocal Score
Soli, Mixted choir and accompaniment
Peters
Edition Peters Urtext: EP4503 - J.S. Bach St. Matthew Passion (Matthaus-Passion)...
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Edition Peters Urtext: EP4503 - J.S. Bach St. Matthew Passion (Matthaus-Passion) BWV 244. Soli Chor und Orchester. Klavierauszug/Vocal Score. In German.
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Kantate 24 Ein Ungefärbt Gem. (BACH JOHANN SEBASTIAN)
Soli, Mixted choir and accompaniment
[Sheet music]
Breitkopf & Härtel
BWV 24. Par BACH JOHANN SEBASTIAN. / Répertoire / Soliste, Choeur Mixte et Orch...
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BWV 24. Par BACH JOHANN SEBASTIAN. / Répertoire / Soliste, Choeur Mixte et Orchestre
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Johann Sebastian Bach: Kantate 124 Meinen Jesum lass: Score
Soli, Mixted choir and accompaniment
Breitkopf & Härtel
Kantate 124 Meinen Jesum lass
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Wolfgang Amadeus Mozart: Missa longa in C KV 262 (246a): Study Score
Soli, Mixted choir and accompaniment
Breitkopf & Härtel
Missa longa in C KV 262 (246a)
12.80 GBP - Sold by Musicroom UK
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Franz Schubert: Messe B-dur D 324: Score
Soli, Mixted choir and accompaniment
Breitkopf & Härtel
Messe B-dur D 324
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Wolfgang Amadeus Mozart: Missa longa in C KV 262 (246a): Score
Soli, Mixted choir and accompaniment
Breitkopf & Härtel
Missa longa in C KV 262 (246a)
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Hector Berlioz: Messe Solennelle: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
The 20 year old Berlioz wrote his Messe solennelle in 1824 his first large scal...
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The 20 year old Berlioz wrote his Messe solennelle in 1824 his first large scale work for chorus and orchestra. His later Memoirs suggest he burnt the manuscript due to his doubts about its quality. However the manuscript had made its way to Antwerp and the Church of St Carolus-Borromeus where it was catalogued by church officials probably in 1956. But it was not until 1991 when Franz Moors a retired teacher organist and choir master discovered it in a wooden chest on the organ platform and gradually began to realise its status as a work of some significance. The work was published by Bärenreiter in the 'New Berlioz Edition' and modern premieres were givenduring 1993 and 1994. Urtext of the New Berlioz Edition Full score (BA5463) vocal score (BA5463-90) and study score format 22.5 x 16.5cm (TP333) available for sale Performance material (BA5463-72) available for hire
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Christmas Oratorio, Part III (BACH JOHANN SEBASTIAN)
Soli, Mixted choir and accompaniment
[Score]
Carus Verlag
Herrscher des Himmels, erhöre das Lallen - BWV 248 III, BWV3 248.3. Par BACH JO...
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Herrscher des Himmels, erhöre das Lallen - BWV 248 III, BWV3 248.3. Par BACH JOHANN SEBASTIAN. The Christmas Oratorio with just organ instead of orchestral accompaniment? Can this work with such a festive and colorfully orchestrated piece? This arrangement shows that it can, and surprisingly well!Carsten Klomp has carefully transcribed the orchestral writing for organ. Staying close to the original score goes hand-in-hand with a transcription brilliantly suited to the organ, with full use of the tonal and performing possibilities of the instrument.The first three parts of the Christmas Oratorio are now available from Carus in this form. So for the first time, a complete performance of Parts I?III of the work can now be given in an arrangement for soloists, choir and organ.Each of the organ parts is available to match the scores. These allow for optimal page-turns, as the choral parts are not printed, but the da capo sections are always written out in full.The editions are available individually or as a set (including the three scores with the individual organ parts).The vocal parts (for soloists and choir) are identical to the original version, so that the vocal score and choral score of that version can be used.This work (original version) is also available in carus music, the choir app! / Date parution : 2022-10-12/ Répertoire / Solistes, SATB et Orgue
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Mass in F minor - WAB 28 (BRUCKNER ANTON)
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Carus Verlag
Par BRUCKNER ANTON. Bruckner?s mighty Mass in F minor is one of his most signifi...
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Par BRUCKNER ANTON. Bruckner?s mighty Mass in F minor is one of his most significant creations and one of the great 19th-century choral works. The composer uniquely succeeds in exploring faith through the lens of music. In doing so, he ventures into extreme forms of expression, which caused some disgruntlement among the musicians at rehearsals for the premiere in November 1868. In subsequent years, however, the work has gradually become more accepted, and today presents a highly appealing challenge to advanced choirs. The Carus edition presents the Mass in F minor as the final 1893 version based on the autograph and the surviving copies from the copyist. As an Urtext edition it follows the latest scholarly standards ready for the Bruckner anniversary year in 2024! / Date parution : 2023-06-01/ Répertoire / Solistes [SATB], Double Choir et Piano
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Franz Schubert: Alfonso und Estrella D 732: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Romantische Opera in three acts-Alfonso und Estrella D 732Romatic Opera in 3 Act...
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Romantische Opera in three acts-Alfonso und Estrella D 732Romatic Opera in 3 ActsIn late September or early October 1821 Schubert and his close friend Franz von Schober vacationed in the countryside of Lower Austria. Their first stopover was at Ochsenburg Castle which belonged to the Bishop of St. Pölten (a close relative of Schober?s) after which they moved on to St. Pölten itself. Roughly a year earlier two stage works by Schubert had been performed in Vienna: the one-act singspiel Die Zwillingsbrüder and the melodrama Die Zauberharfe. The librettos were both written by the seasoned Viennese playwright Georg von Hofmann who blamed the press for the indifferent reception the two works weregiven by the audience. Schubert and Schober now decided it would seem to write a grand romantic opera uninfluenced by the workaday world of the theatre and beholden solely to their own ideas of what an opera should be.Not until 24 June 1854 was the opera finally performed in Weimar under the baton of Franz Liszt. It only achieved success however in an arrangement by Johann Nepomuk Fuchs that was staged on many German and Austrian stages in 1881 2 allegedly with 'brilliant acclaim'.Urtext of the New Schubert EditionFull score (BA5540) and vocal score (BA5540-90) available for salePerformance material (BA5540-72) available for hire
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Christmas Oratorio, Part II (BACH JOHANN SEBASTIAN)
Soli, Mixted choir and accompaniment
[Score]
Carus Verlag
Und es waren Hirten in derselbigen Gegend - BWV 248.2. Par BACH JOHANN SEBASTIAN...
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Und es waren Hirten in derselbigen Gegend - BWV 248.2. Par BACH JOHANN SEBASTIAN. The Christmas Oratorio with just organ instead of orchestral accompaniment? Can this work with such a festive and colorfully orchestrated piece? This arrangement shows that it can, and surprisingly well!Carsten Klomp has carefully transcribed the orchestral writing for organ. Staying close to the original score goes hand-in-hand with a transcription brilliantly suited to the organ, with full use of the tonal and performing possibilities of the instrument.The first three parts of the Christmas Oratorio are now available from Carus in this form. So for the first time, a complete performance of Parts I?III of the work can now be given in an arrangement for soloists, choir and organ. Each of the organ parts is available to match the scores. These allow for optimal page-turns, as the choral parts are not printed and the da capo sections are always written out in full.The editions are available individually or as a set (including the three scores with the individual organ parts).The vocal parts (for soloists and choir) are identical to the original version, so that the vocal score and choral score of that version can be used.This work (original version) is also available in carus music, the choir app! / Date parution : 2022-10-12/ Répertoire / Solistes, SATB et Orgue
31.44 EUR - Sold by LMI-partitions
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