SKU: CA.2705212
ISBN 9790007199531. Language: Latin.
Brixi came from a widespread family of Bohemian musicians which included composers whose works were well known among rural communities. The present edition of this short mass (known as the Missa aulica), which is published here for the first time, is a typical example of this type of music: scored for a small ensemble, which makes only modest demands of the soloists - melodious, popular, playful. Score and part available separately - see item CA.2705200.
SKU: CA.2705219
ISBN 9790007138875. Language: Latin.
Brixi came from a widespread family of Bohemian musicians which included composers whose works were well known among rural communities. The present edition of this short mass (known as the Missa aulica), which is published here for the first time, is a typical example of this type of music: scored for a small ensemble, which makes only modest demands of the soloists - melodious, popular, playful. Score and parts available separately - see item CA.2705200.
SKU: CA.2705209
ISBN 9790007199517. Language: Latin.
SKU: CA.2705213
ISBN 9790007199548. Language: Latin.
SKU: CA.2705205
ISBN 9790007109202. Language: Latin.
Brixi came from a widespread family of Bohemian musicians which included composers whose works were well known among rural communities. The present edition of this short mass (known as the Missa aulica), which is published here for the first time, is a typical example of this type of music: scored for a small ensemble, which makes only modest demands of the soloists - melodious, popular, playful. Score available separately - see item CA.2705200.
SKU: TM.11593SET
ObII/ViolinII on same prt Ed by Wolfgang Auler Cond Sc.
SKU: CA.3113949
ISBN 9790007208295. Text language: German/English. Text: Rube, Johann Chr.
Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score and part available separately - see item CA.3113900.
SKU: CA.4068211
ISBN 9790007220235. Key: C major. Language: Latin.
Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Grosse Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Gottweig. As in other of his late works, the strict royal style, which essentially characterizes Zechner's compositions, is tempered through the use of elements of the galant style of composition. The organ plays solistically in all of the movements. Score and part available separately - see item CA.4068200.
SKU: CA.4068212
ISBN 9790007220242. Key: C major. Language: Latin.
SKU: CA.2703549
ISBN 9790007023256. Key: C major. Language: Latin.
Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer's lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character (Dittersdorf was a professional violinist). Score and part available separately - see item CA.2703500.
SKU: CA.2706012
Text language: Latin.
Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and part available separately - see item CA.2706000.
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