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HARP
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
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Soli (SATB), Choeur Mixte (SAT… (57)
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ENS::Ensemble (44)
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Voix et Instruments Divers (43)
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Quintette avec Piano (40)
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Choeur d'Enfants (39)
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Quintette (39)
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Djembe (38)
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Choeur SATTB (37)
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Lute (35)
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Edition Critique des oeuvres d… (33)
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Solo S, Choeur SATB, 2 Flûtes… (32)
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Quintette à Cordes (32)
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Livret (32)
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Tuba en Do et Piano (30)
Bagpipe (30)
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Pocket, Study conductor (29)
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2 Clarinettes, 2 Violons, Orgu… (28)
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Trompette ou Flûte à Bec ou … (28)
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Flûte Traversièreou Piccolo,… (28)
Flûte Traversière Violon et … (28)
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Quatuor à vent (28)
C Trumpetor et Trompette Sib/C… (28)
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Orgue, 2 Hautbois, 2 Violons, … (28)
2 Hautbois, 2 Clarinettes, 2 B… (28)
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Chorale (28)
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SATB, (4 InstrumentS Basse et … (27)
Solistes SATB, Choeur SATB, 2 … (27)
Choeur SATB, 2 Trompettes, 2 T… (27)
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Soprano Saxophone and Piano (27)
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Ukulélé Soprano (27)
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Xylophone (26)
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Saxophone Alto Solo (26)
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Quatuor Variable (26)
Voix d'Hommes et Piano (26)
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Choeur SATB, 2 Violons, Alto e… (25)
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Choeur SATB/SATB, (8 Instrumen… (25)
2 Violons, Alto, Violoncelle o… (25)
Choeur SAT (25)
Accessoire (25)
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Quatuor avec Piano (25)
3 Trombones (trio) (25)
2 Clarinets, Piano (25)
Soprano, Piano (25)
Choeur et Orchestre (25)
Partition D'Orchestre (25)
Clavier Electronique et Ligne … (25)
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Choeur SSATTB et Basse Continu… (25)
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Flûte à Bec, 2 Violons, Alto… (24)
Solistes ATB, Choeur SATB, FlÃ… (24)
Hautbois et Quatuor à Cordes (24)
Petit Choeur SATB, 2 ViolonSBa… (24)
Hautbois, Flûte à Bec F1 ou … (24)
Hautbois 3 Clarinettes Sib 1 C… (24)
Trompette 2 Violons 1 Alto 1 V… (24)
Quatuor de Cordes (24)
Flûte Traversière 3 Clarinet… (24)
Quartette Pour Flûtes à Bec … (24)
2 Violons, Alto, Violoncelle e… (24)
Hautbois (Flûte), Violon, Alt… (24)
Hautbois 2 Violons 1 Alto 1 Vi… (24)
Trompette 3 Clarinettes Sib 1 … (24)
Flûte à Bec F2, 2 Violons et… (24)
Flûte Traversière, Clarinett… (24)
2 Violons, 2 Altos, Violon ou … (24)
Flûte Traversière et 4 Clari… (24)
Clarinette ou Trompette ou Vio… (24)
2 Violons, Alto, Violoncelle e… (24)
Choeur Mixte (SATTB/SATTB), So… (24)
Trompette, Instruments à Cord… (24)
Solistes SATBB, Choeur SATB, 2… (24)
Clarinette 2 Violons 1 Alto 1 … (24)
Quatuor de Cuivres et Orgue (24)
Basson, 2 Violons, 2 Altos et … (24)
Flûte Traversière 2 Violons … (24)
String Trio: 3 cellos (24)
Solistes SATTB, Choeur SSATTBB… (24)
Guitar Tab, Voice, Bass, Drum (24)
Hautbois et 4 Clarinettes (24)
Hautbois, 2 Violons, Alto, Vio… (24)
Cor en Fa (24)
Oboe, Bassoon (duet) (24)
Instruments Acoustiques (24)
Viola, Guitar (duet) (24)
Brass Quartet: 4 trumpets (24)
Guitare Tablatures Electrique (24)
Soli and Orchestra (24)
Cello Ensemble (24)
Choeur SATB, 2 Trompettes, Tim… (23)
String trio (23)
Solistes SST, Choeur SATB/SATB… (23)
Hautbois, 2 Flûtes Traversiè… (23)
Trombone Solo (23)
Choeur SATB/SATB, (8 Instrumen… (23)
Solistes SAB, Choeur SATB, 3 F… (23)
Solistes (SATB), Choeur Mixte … (23)
2 Violins and Basso (23)
Solo A, Choeur SATB/SATB, 2 Or… (23)
English horn, Piano (23)
Medium Voice (23)
5 Solistes, Choeur(s) Et Orche… (23)
Choeur SATB/SATB, ou Basse Con… (22)
Orchestre: Choeur TTBB, 2 Flû… (22)
Affiche (22)
Orchestre: Solistes SATB, Choe… (22)
Mandolin, Guitar (duet) (22)
Choeur à 4 Voix Mixtes (22)
Oboe, Organ (22)
Trompette Solo (22)
Viola da Gamba (22)
Saxophone Baryton (22)
Viola, Cello (duet) (22)
Horn Ensemble (22)
Oboe, Clarinet, Bassoon (trio)… (21)
Parties Séparées (21)
Flûte Traversière, Hautbois,… (21)
Children choir, Instruments (21)
Solo B, Choeur SATB, 2 Flûtes… (21)
Violon, Ensembles de Cordes et… (21)
Harpsichord and Strings (21)
Saxhorn and Piano (21)
Quintette Mixte (21)
A Cappella (21)
Solistes SATB, Choeur SATB/SAT… (21)
Choeur SATB, (Basse Continue) (21)
Euphonium Ensemble (21)
Choeur SSATB et Basse Continue… (21)
Solistes SS et Basse Continue (21)
Flute Quartet: Flute, Violin, … (21)
Flûte à Bec F1 (Hautbois), 1… (20)
Flûte Traversière ou Violon)… (20)
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Choeur d'Enfants à 1 à 3 Par… (20)
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Flûte Traversière, Hautbois,… (20)
String Quintet: 2 violins, vio… (20)
Clarinette, Violon, Alto et Co… (20)
Flûte à Bec Alto ou Flûte T… (20)
Choeur SATB, 2 Violons et Bass… (20)
Flute, Oboe, Clarinet, Bassoon… (20)
Mandoline et Orchestre à Cord… (20)
Harpe, 2 Violons, Alto et Viol… (20)
2 Violons ou 2 Hautbois, Alto,… (20)
Bassoon, Orchestra (20)
Choeur d'Enfants SSA, Récitan… (20)
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Choeur à 2 Voix (20)
Quatuor à Cordes ou Orchestre… (20)
Flûte à Bec et Piano (20)
Flûte Traversière et Trio à … (20)
Vocal duet (20)
Ensemble Instrumental (20)
Guitare Tablatures Classique e… (20)
Ensemble Divers (20)
Concert Band ou Harmonie et Ba… (20)
4 Voix Mixtes Sans Accompagnem… (20)
Bass Trombone and Piano (20)
Petit Choeur SATB, 2 Violons, … (19)
Solistes s TB, Choeur SATB, Pi… (19)
Bandoneon, Guitar (19)
Violoncelle Solo, 2 Flûtes Tr… (19)
Solistes TB, Choeur SATB, 2 Fl… (19)
Soprano, Basse, Choeur Mixte e… (19)
Solistes SB, Choeur SATB, 2 Ha… (19)
Soprano Solo, Alto Solo, Téno… (19)
Flûte Traversière Violon, Al… (19)
Choeur SATB, 2 Violons, Alto, … (19)
Solo Baryton, Choeur SATB, 2 H… (19)
Choeur De Femmes (SS) Et Piano… (19)
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Flûte Traversière Alto et Ha… (19)
Solistes SATB, Choeur SATB, 2 … (19)
Voice, String Quartet (19)
String Quartet : 4 violas (19)
Opéra Full Score (19)
Hautbois Solo (19)
Guitare Tablatures Classique (19)
2 Bassoons (duet) (19)
Choeur SATB, 2 Trompettes, 2 T… (18)
Petit Choeur AT, 2 Flûtes Tra… (18)
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Euphonium ou Saxhorn Solo (18)
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Flûte à Bec F1, Hautbois et … (16)
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Petit Choeur SMsT, Cornet à B… (16)
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Johann Sebastian Bach: Cantata BWV 12 Weinen Klagen Sorgen Zagen: Mixed
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying ...
(+)
Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying Sorrow Sighing) BWV 12Cantata for the Sunday Jubilate- Performance material (BA10012) vocal score (BA10012-90) & study score (TP1012) available for saleBarenreiter's editions of Bach's Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year aswell as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
4.00 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Cantata BWV 12 Weinen Klagen Sorgen Zagen: Mixed
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying ...
(+)
Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying Sorrow Sighing) BWV 12Cantata for the Sunday Jubilate- Performance material (BA10012) vocal score (BA10012-90) & study score (TP1012) available for saleBarenreiter's editions of Bach's Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year aswell as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
4.00 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Cantata BWV 12 Weinen Klagen Sorgen Zagen: Mixed
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying ...
(+)
Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying Sorrow Sighing) BWV 12Cantata for the Sunday Jubilate- Performance material (BA10012) vocal score (BA10012-90) & study score (TP1012) available for saleBarenreiter's editions of Bach's Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year aswell as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
7.50 GBP - Sold by Musicroom UK
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3 sellers
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Details
Johann Sebastian Bach: Cantata BWV 12 Weinen Klagen Sorgen Zagen: Mixed
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying ...
(+)
Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying Sorrow Sighing) BWV 12Cantata for the Sunday Jubilate- Performance material (BA10012) vocal score (BA10012-90) & study score (TP1012) available for saleBarenreiter's editions of Bach's Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year aswell as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Cantata BWV 12 Weinen Klagen Sorgen Zagen: Mixed
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying ...
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Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying Sorrow Sighing) BWV 12Cantata for the Sunday Jubilate- Performance material (BA10012) vocal score (BA10012-90) & study score (TP1012) available for saleBarenreiter's editions of Bach's Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year aswell as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Cantata BWV 45 Es Ist Dir Gesagt: Mixed Choir: Part
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the 8th Sunday after Trinity-Es Ist Dir Gesagt Mensch Was Gut Ist ...
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Cantata for the 8th Sunday after Trinity-Es Ist Dir Gesagt Mensch Was Gut Ist BWV 45Cantata for the 8th Sunday after Trinity- Performance material (BA10045) vocal score (BA10045-90) and study score (TP1045) available for sale.Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year aswell as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Cantata BWV 45 Es Ist Dir Gesagt: Mixed Choir: Part
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the 8th Sunday after Trinity-Es Ist Dir Gesagt Mensch Was Gut Ist ...
(+)
Cantata for the 8th Sunday after Trinity-Es Ist Dir Gesagt Mensch Was Gut Ist BWV 45Cantata for the 8th Sunday after Trinity- Performance material (BA10045) vocal score (BA10045-90) and study score (TP1045) available for sale.Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year aswell as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Cantata BWV 45 Es Ist Dir Gesagt: Mixed Choir: Parts
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the 8th Sunday after Trinity-Es Ist Dir Gesagt Mensch Was Gut Ist ...
(+)
Cantata for the 8th Sunday after Trinity-Es Ist Dir Gesagt Mensch Was Gut Ist BWV 45Cantata for the 8th Sunday after Trinity- Performance material (BA10045) vocal score (BA10045-90) and study score (TP1045) available for sale.Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year aswell as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Cantata BWV 45 Es Ist Dir Gesagt: Mixed Choir: Part
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the 8th Sunday after Trinity-Es Ist Dir Gesagt Mensch Was Gut Ist ...
(+)
Cantata for the 8th Sunday after Trinity-Es Ist Dir Gesagt Mensch Was Gut Ist BWV 45Cantata for the 8th Sunday after Trinity- Performance material (BA10045) vocal score (BA10045-90) and study score (TP1045) available for sale.Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year aswell as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Cantata BWV 45 Es Ist Dir Gesagt: Mixed Choir: Part
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the 8th Sunday after Trinity-Es Ist Dir Gesagt Mensch Was Gut Ist ...
(+)
Cantata for the 8th Sunday after Trinity-Es Ist Dir Gesagt Mensch Was Gut Ist BWV 45Cantata for the 8th Sunday after Trinity- Performance material (BA10045) vocal score (BA10045-90) and study score (TP1045) available for sale.Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year aswell as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: St Mark Passion BWV247: Mixed Choir: Score
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
[Sheet music]
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Rezitative und turbae von Reinhard Keiser (1674-1739)-St Mark Passion (BWV 247):...
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Rezitative und turbae von Reinhard Keiser (1674-1739)-St Mark Passion (BWV 247): A reconstruction.Recitatives and turbae by Reinhard Keiser (1674-1739). Although all that survives of Bach's “St. Mark Passion” is Picander's libretto virtually all the arias and choruses can be reconstructed from “parody” versions. The original recitatives and turbae however are probably lost forever. Rather than rewriting these numbers “in Bachs's style” the editor Austin Harvey Gomme has added passages from Reinhard Keiser's setting of the Passion (a setting highly esteemed by Bach who performed it several times) thereby allowing this lost work to be performed in its entirety. A detailed prefacesheds further light on this unique reconstruction based on the New Bach Edition. Full score (BA5209) and vocal score (BA5209-90) available for sale Performance material (BA5209-72) available for hire.
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Wolfgang Amadeus Mozart: Missa brevis in G major K.140: Continuo: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that i...
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The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that it comes close to a pastoral mass a type not otherwise represented in Mozart?s mass oeuvre. As in no other setting of the Ordinary songlike graceful melodies predominate; only the main part of the Credo and the first section of the Agnus Dei stand out with their serious solemn mood.New important evidence for the work?s authenticity has come to light through the discovery of old parts that were written at a time in which a false attribution of another composer?s work to Mozart would not have been possible: a copy at Kremsmünster Monastery which according to Altman Kellner was writtenin Salzburg ?ca. (soon after) 1770? and a copy from Heilig Kreuz Kloster Augsburg of which thirteen parts contain autograph markings by W. A. Mozart. The master?s hand is unmistakable.Urtext of the New Mozart EditionFull score performance material (BA4736) and vocal score (BA4736-90) available for sale.
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Wolfgang Amadeus Mozart: Missa brevis in G major K.140: Mixed Choir: Parts
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that i...
(+)
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that it comes close to a pastoral mass a type not otherwise represented in Mozart?s mass oeuvre. As in no other setting of the Ordinary songlike graceful melodies predominate; only the main part of the Credo and the first section of the Agnus Dei stand out with their serious solemn mood.New important evidence for the work?s authenticity has come to light through the discovery of old parts that were written at a time in which a false attribution of another composer?s work to Mozart would not have been possible: a copy at Kremsmünster Monastery which according to Altman Kellner was writtenin Salzburg ?ca. (soon after) 1770? and a copy from Heilig Kreuz Kloster Augsburg of which thirteen parts contain autograph markings by W. A. Mozart. The master?s hand is unmistakable.Urtext of the New Mozart EditionFull score performance material (BA4736) and vocal score (BA4736-90) available for sale.
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Wolfgang Amadeus Mozart: Missa brevis in G major K.140: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that i...
(+)
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that it comes close to a pastoral mass a type not otherwise represented in Mozart?s mass oeuvre. As in no other setting of the Ordinary songlike graceful melodies predominate; only the main part of the Credo and the first section of the Agnus Dei stand out with their serious solemn mood.New important evidence for the work?s authenticity has come to light through the discovery of old parts that were written at a time in which a false attribution of another composer?s work to Mozart would not have been possible: a copy at Kremsmünster Monastery which according to Altman Kellner was writtenin Salzburg ?ca. (soon after) 1770? and a copy from Heilig Kreuz Kloster Augsburg of which thirteen parts contain autograph markings by W. A. Mozart. The master?s hand is unmistakable.Urtext of the New Mozart EditionFull score performance material (BA4736) and vocal score (BA4736-90) available for sale.
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Wolfgang Amadeus Mozart: Missa brevis in G major K.140: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that i...
(+)
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that it comes close to a pastoral mass a type not otherwise represented in Mozart?s mass oeuvre. As in no other setting of the Ordinary songlike graceful melodies predominate; only the main part of the Credo and the first section of the Agnus Dei stand out with their serious solemn mood.New important evidence for the work?s authenticity has come to light through the discovery of old parts that were written at a time in which a false attribution of another composer?s work to Mozart would not have been possible: a copy at Kremsmünster Monastery which according to Altman Kellner was writtenin Salzburg ?ca. (soon after) 1770? and a copy from Heilig Kreuz Kloster Augsburg of which thirteen parts contain autograph markings by W. A. Mozart. The master?s hand is unmistakable.Urtext of the New Mozart EditionFull score performance material (BA4736) and vocal score (BA4736-90) available for sale.
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: SATB: Parts
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
(+)
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
(+)
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
(+)
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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Franz Joseph Haydn: Creation Mass in B-flat Major Hob.XXII: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Creation Mass-Creation Mass in B-flat major Hob.XXII:13The Creation Mass was com...
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Creation Mass-Creation Mass in B-flat major Hob.XXII:13The Creation Mass was composed and first performed during the last decade of Haydn's life in September 1801 at the Bergkirche at the Esterhazy estate in Eisenstadt on the occasion of the nameday of Princess Maria Hermenegild. The nickname 'Creation' stems from Haydn's incorporating into the Gloria movement (at the words 'Qui tollis peccata mundi') a quotation from Adam and Eve's duet in his oratorio The Creation.- Full score (BA4656-01) performance material (BA4656) and vocal score (BA4656-90) available for sale- Urtext from Joseph Haydn Werke G. Henle Verlag
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Franz Joseph Haydn: Creation Mass in B-flat Major Hob.XXII: Mixed Choir: Parts
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Creation Mass-Creation Mass in B-flat major Hob.XXII:13The Creation Mass was com...
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Creation Mass-Creation Mass in B-flat major Hob.XXII:13The Creation Mass was composed and first performed during the last decade of Haydn's life in September 1801 at the Bergkirche at the Esterhazy estate in Eisenstadt on the occasion of the nameday of Princess Maria Hermenegild. The nickname 'Creation' stems from Haydn's incorporating into the Gloria movement (at the words 'Qui tollis peccata mundi') a quotation from Adam and Eve's duet in his oratorio The Creation.- Full score (BA4656-01) performance material (BA4656) and vocal score (BA4656-90) available for sale- Urtext from Joseph Haydn Werke G. Henle Verlag
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Franz Joseph Haydn: Creation Mass in B-flat Major Hob.XXII: Mixed Choir: Score
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Creation Mass-Creation Mass in B-flat major Hob.XXII:13The Creation Mass was com...
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Creation Mass-Creation Mass in B-flat major Hob.XXII:13The Creation Mass was composed and first performed during the last decade of Haydn's life in September 1801 at the Bergkirche at the Esterhazy estate in Eisenstadt on the occasion of the nameday of Princess Maria Hermenegild. The nickname 'Creation' stems from Haydn's incorporating into the Gloria movement (at the words 'Qui tollis peccata mundi') a quotation from Adam and Eve's duet in his oratorio The Creation.- Full score (BA4656-01) performance material (BA4656) and vocal score (BA4656-90) available for sale- Urtext from Joseph Haydn Werke G. Henle Verlag
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Franz Joseph Haydn: Creation Mass in B-flat Major Hob.XXII: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Creation Mass-Creation Mass in B-flat major Hob.XXII:13The Creation Mass was com...
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Creation Mass-Creation Mass in B-flat major Hob.XXII:13The Creation Mass was composed and first performed during the last decade of Haydn's life in September 1801 at the Bergkirche at the Esterhazy estate in Eisenstadt on the occasion of the nameday of Princess Maria Hermenegild. The nickname 'Creation' stems from Haydn's incorporating into the Gloria movement (at the words 'Qui tollis peccata mundi') a quotation from Adam and Eve's duet in his oratorio The Creation.- Full score (BA4656-01) performance material (BA4656) and vocal score (BA4656-90) available for sale- Urtext from Joseph Haydn Werke G. Henle Verlag
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Johann Sebastian Bach: Cantata BWV 80 Ein feste Burg ist unser Gott: Mixed
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the Feast of Reformation-Ein feste Burg ist unser Gott BWV 80 (A Mig...
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Cantata for the Feast of Reformation-Ein feste Burg ist unser Gott BWV 80 (A Mighty Fortress is our God)Cantata for the Feast of ReformationThere are practically no surviving original sources for Bach's great Reformation Cantata 'Ein feste Burg ist unser Gott'. It is possible that the original form of the Cantata was written in Weimar in 1715 to which Bach later made various additions and alterations to transform it into a Reformation Cantata for Leipzig. Although scholarly opinion as to the sources is divided there is no doubt that the opening chorus based on Martin Luther's chorale melody 'Ein feste Burg' is one of Bach's greatest achievements.Urtext ofthe New Bach EditionPerformance material (BA10080) vocal score (BA10080-90) & study score format 22.5 x 16.5cm (TP1080) available for sale
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Johann Sebastian Bach: Magnificat in E-flat major BWV 243a: Mixed Choir: Score
Soli (SSATB), Choeur Mixte (SSATB) Et Orchestre
[Sheet music]
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Bach's original setting of the Magnificat in E-flat major written for Christmas ...
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Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts placed at the end of the score to give a dramataic representation of the Nativity.Although the later D major version is most often performed today this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition.
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Johann Sebastian Bach: Magnificat in E-flat major BWV 243a: Mixed Choir: Part
Soli (SSATB), Choeur Mixte (SSATB) Et Orchestre
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Bach's original setting of the Magnificat in E-flat major written for Christmas ...
(+)
Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts placed at the end of the score to give a dramataic representation of the Nativity.Although the later D major version is most often performed today this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition.
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Johann Sebastian Bach: Magnificat in E-flat major BWV 243a: Mixed Choir: Part
Soli (SSATB), Choeur Mixte (SSATB) Et Orchestre
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Bach's original setting of the Magnificat in E-flat major written for Christmas ...
(+)
Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts placed at the end of the score to give a dramataic representation of the Nativity.Although the later D major version is most often performed today this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition.
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Johann Sebastian Bach: Magnificat in E-flat major BWV 243a: Mixed Choir: Part
Soli (SSATB), Choeur Mixte (SSATB) Et Orchestre
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Bach's original setting of the Magnificat in E-flat major written for Christmas ...
(+)
Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts placed at the end of the score to give a dramataic representation of the Nativity.Although the later D major version is most often performed today this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition.
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Johann Sebastian Bach: Magnificat in E-flat major BWV 243a: Mixed Choir: Parts
Soli (SSATB), Choeur Mixte (SSATB) Et Orchestre
Barenreiter
Bach's original setting of the Magnificat in E-flat major written for Christmas ...
(+)
Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts placed at the end of the score to give a dramataic representation of the Nativity.Although the later D major version is most often performed today this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition.
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