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You've Selected:
David
HARP
Violin and Piano
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Piano, Vocal and Guitar (725)
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Musical course - Solfege (23)
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Orchestre Scolaire (Piano ad L… (10)
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Banjo (9)
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Choeur d'Enfants, 9 Solistes, … (7)
Descant (Soprano) Recorder (7)
Choeur SATB, 2 HautboiSBasson,… (7)
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2 Violins (duet) (7)
Saxophone Quartet: 4 saxophone… (7)
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Xylophone, Piano (6)
Woodwind Quintet (6)
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Choeur d'Enfants, Solistes, In… (6)
Fifre (Méthode) (6)
Mandolin (6)
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Medium voice, Piano (6)
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Music Theory (5)
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Quatuor à Cordes et Enregistr… (4)
DVD concert (4)
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2 Oboes, Piano (4)
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Baritone voice (4)
Flûte Traversière, Violon, B… (4)
High voice, Piano (4)
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2 Cornets et Piano (3)
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High voice (3)
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2 Saxophones, Piano (3)
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8 Tubas (3)
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Ensemble (3)
Trio A Cordes (3)
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Petit Choeur SSAT/ATBarB, Cont… (3)
Mezzo-Soprano voice (3)
Petit Choeur SSMsT/ATTB, Contr… (3)
CD (3)
2 Flutes (duet) (3)
B Flat, E Flat and C Instrumen… (3)
2 Parties Voix Aigues (SS) Et … (3)
Voice and Orchestra (3)
Tenor Saxophone and Piano (3)
Ensemble Moyen Contemporain (3)
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Chanson (3)
Clarinet, Guitar (duet) (2)
Low voice (2)
Harp, Flute (duet) (2)
Batterie et Percussions (2)
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Descent (Soprano) Recorder, Pi… (2)
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Opéra (2)
Choeurs Sans Accompagnement (2)
Flûte A Bec Soprano (Solo Ou … (2)
3 Chanteurs Et Petit Ensemble … (2)
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Double Choeur Mixte (2)
Percussions solo (2)
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Choeur d'Enfants (SSA) et Pian… (2)
Piano, Guitar (Chords) (2)
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2 Trombones Basse et Piano (2)
Oboe, Basso continuo (2)
Saxophone Mi B et Piano (2)
Solo Piano (2)
Choral SSAATTBB (2)
3 Guitars (trio) (2)
Brass Quartet: 4 trombones (2)
Euphonium, Tuba (duet) (2)
Viola and orchestra (2)
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Pennywhistle (2)
Vocal duet, Piano and Guitar c… (2)
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Cor en Fa (2)
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Snare drums, Piano (2)
Chant et Basse Continue (2)
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Violin, Organ (2)
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Soli (SST), 2 Choeurs Mixtes (… (2)
Oboe and Orchestra (2)
Recorder, Guitar (duet) (2)
SmezTB et Ensemble de Chambre (2)
Viola, Guitar (duet) (2)
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Orgue et Orchestre (2)
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Symphonic Band (2)
Voix, Instruments (2)
Accordéon et Orchestre (2)
3 Altos (2)
Oboe, Organ (2)
Guitare Electrique (2)
Clarinette Et Clarinette Basse… (2)
Orchestre de Cordes et Alto (2)
SA, Piano et Ensemble (2)
Trumpet, Orchestra (2)
Choeur Mixte Et Instrument Div… (2)
4 Cellos (2)
Choeur Mixte, Hautbois Et Pian… (2)
Cello, Organ (2)
Chant et Guitare (2)
Flute Trio: 3 flutes (2)
Choral SSAA (2)
Ensemble A Cordes (Piano Ad Li… (2)
Bass Clarinet (2)
Petit Choeur ST, 3 Cornets à … (2)
3 Parties Voix Aigues (SSS) Et… (2)
Clarinet, Violin (duet) (2)
Quatuor De Tubas (2 Euphoniums… (2)
Orgue Et Choeur (2)
Saxophone Alto, Saxophone Teno… (2)
Flûte à Bec ou Flûte Traver… (1)
Voix, Piano, Guitare Et Flûte… (1)
15 Instruments A Vent (1)
BTBN/PFA::Bass Trombone with P… (1)
Paroles et accords (1)
Petit Choeur SATB/SATB, (8 Ins… (1)
Clarinette, Violon, Violoncell… (1)
SSAATTB et Orgue (1)
Solo Soprano, Choeur SSAB Et O… (1)
Double Choeur Mixte, Soprano e… (1)
3 und 4 Singstimmen mit Basso… (1)
Baryton Basse (1)
Saxophone Baryton (1)
Saxophone Quartet (1)
Mezzo-Soprano et Quatuor à Co… (1)
Harmonica Diatonique (1)
Choral SSATTB (1)
Hautbois, Guitare Et Violoncel… (1)
Orgue Et Vents (1)
Carillon, Xylophone, Marimba 1… (1)
2 Parties Choeur Mixte Et Orgu… (1)
Petit Choeur SSATTB, Basson, 2… (1)
Diverses Formations (1)
Voix et Harpe ou Piano (1)
Clavier Ou Orgue Electronique (1)
4 Batteries Et Accessoires (1)
Xylos, tri-toms, cloche, afuc… (1)
Contrebasse (Partie séparée)… (1)
Soprano, Choeur Mixte (SATB), … (1)
SATB a Cappella (1)
Clarinette et Violon (1)
Cor, Trombone et Orchestre (1)
Baryton et Guitare (1)
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Quatuor De Tubas (2 Euphoniums… (1)
A Cappella (1)
Choeur De Femmes (SA), Percuss… (1)
Choeur (12 SATB) (1)
Choeur TTBB et 4 Trombones (Or… (1)
String Trio: 3 cellos (1)
Flûte Traversière, Hautbois,… (1)
Choeur Mixte (Orgue) (1)
Piano, Harpe, Vibraphone Et Ca… (1)
Choeur De Femmes (1)
Choeur De Femmes Et Orgue (1)
Petit Choeur T, 3 Cornets à B… (1)
Recorder, Bass Continuo (1)
Flexible Instrumentation (1)
Voix Solo, Choeur Mixte et Orc… (1)
Vocal duet (1)
Euphonium (1)
Trombone ou Trompette et Piano… (1)
DVD (1)
Livres Education (1)
Choeur D'Enfants (Ou Choeur Mi… (1)
Trombone et Brass Band (1)
Handbells (1)
Accordéon et 2 Percussions (1)
3 Saxophones (Aaa/Att) (1)
Saxophone ensemble (1)
2 Saxophones (S/A) (1)
Déchant et Flûte à Bec Alto… (1)
Flûte, Hautbois, Clarinette E… (1)
Soprano et 2 Chœurs (1)
Trompette et Cordes (1)
1 Instrument en Do et Piano (1)
Choeur D'Hommes (TTBarB) (1)
2 Flûtes Traversières ou FlÅ (1)
Saxhorn and Piano (1)
SSATBB Choeur Et Ensemble De M… (1)
Saxophone Ténor et Piano (1)
Trombone et Orchestre à Vent (1)
Soliste, Choeur Mixte (1)
Cordes, Instrumentation Variab… (1)
Choeur de Femmes (SSA) et Pian… (1)
Trompette Orchestre (Accompagn… (1)
2 Trompettes, Cor (Ou Trompett… (1)
Choeur D'Enfants (SSA) (1)
Tambour, Caisse Claire (1)
4 Flûtes à Bec (AATB) (1)
Flûte à Bec ou Flûte Traver… (1)
Voix A Cappella (1)
Clarinettes (1)
Voix, Clarinette, Guitare et P… (1)
Violoncelle et 2 Violons Ad Li… (1)
Soprano Et 13 Instruments (1)
Choeur Mixte, Soprano, Trombon… (1)
4 Trombones Et Piano (1)
8 Trombones (1)
SAB (1)
Soprano, Narrateur Et Instrume… (1)
Alto ou 2 Altos (1)
Solo T, 2 Violons et Basse Con… (1)
Trombone Solo (1)
9 Instruments (1)
MENSVOICES/PFA::Men's Voices/P… (1)
Opéra Livret (1)
Choeur SSAM (1)
Matériel D'Orchestre (1)
Madrigaux (1)
4 Voix Et 3 Altos (1)
Horn, 2 Trompeten, Posaune, B… (1)
Choeur D'Enfants (SS) (En Part… (1)
2 Parties Voix Aigues (SS), Pi… (1)
Mélodie, Chant Et Piano (1)
Quatuor De Pianos (1)
Flûte Traversière Et Orchest… (1)
2 Hautbois et Orchestre (1)
Solistes SSBar et Orgue (1)
Flute ensemble (1)
Children choir (1)
Choeur Mixte Et Orgue (Ou Pian… (1)
Flûte Traversière ou Harmoni… (1)
Ensemble Flexible, Piano Ad Li… (1)
Méthodes Diverses (1)
Alto Seul (1)
Carillon, Xylophone, Vibraphon… (1)
Accessoire (1)
Soprano, Saxophone Ténor, Cla… (1)
Voix, Cor Et Harpe (1)
2 Violas (duet) (1)
Mixed Choir (SATB) and Piano, … (1)
Flûte, Hautbois Et Violoncell… (1)
Soprano Saxophone (1)
Orchestre Scolaire (1)
Voix Avec Piano (Ou Guitare) (1)
Timpani (1)
Soprano Solo et Choeur Mixte (1)
Recorder, Piano (1)
Voix, 2 Flûtes A Bec Soprano … (1)
Piano Ou Piano Duo (1)
Voix et Piano Réduction (1)
Choeur Mixte a Cappella (1)
Tambour et Piano (1)
Soli Et Choeur Mixte Sans Acco… (1)
Choeur D'Enfants (SSAA) Et Pia… (1)
Orgue Et Musique De Chambre (1)
Tambour et Grosse Caisse (1)
Melody line, Piano (1)
Soprano et Orgue (1)
Flûte Traversière, Clarinett… (1)
Rythme (1)
Soprano, Rock Group, Choeur Mi… (1)
Actres et Piano (1)
Choeur et Orgue (1)
Choeur de Femmes (SA) (1)
Choeur de Chambre (1)
Ocarina (1)
Soprano, Cor et Orchestre de C… (1)
2 Parties Voix Aigues (SS) Et … (1)
Clarinettes Et Autres Instrume… (1)
Choeur Mixte, Alto et Orgue (1)
SAATB sans Accompagnement (1)
Grand ensemble 2.2.2.1 / 2.2.1… (1)
Flûte Traversière, Hautbois,… (1)
Bass Clarinet, Piano (1)
Chant Solo, Choeur, 2 Pianos e… (1)
Quintette (1)
Guitare Tablatures Flatpick et… (1)
Petit Orchestre (1)
Trompette et Guitare (1)
Saxophone Seul (1)
Voix Et Piano (Ou Guitare) (1)
Choeur SSATTTBB (1)
Cors Et Autres Instruments (1)
Ensemble de Voix et Basse Cont… (1)
Chorale (1)
4-stimmigen Männerchor mit B… (1)
Pièce Pour Ensemble de Percus… (1)
Chant Et Piano (Réduction) (1)
Chœur et Soliste (1)
Violon et Accompagnement Piano… (1)
Soprano voice (1)
2 Parties Voix Aigues (SS) Et … (1)
3 Trombones (trio) (1)
Bagpipe (1)
Flûte Traversière, Hautbois,… (1)
Voix Masculines (1)
Guitare Et Ensemble De Musique… (1)
Voix Hautes (1)
Flûte Traversière, Cor Et Or… (1)
Lyrics only (1)
Piano 2 Et 4 Mains (1)
Soprano, 2 Voix Aigues (SS) Et… (1)
2 Trompettes, Cor en Fa, Tromb… (1)
3 Flûtes A Bec Soprano (1)
Choeur SSATB et Basse Continue… (1)
Voix et Instruments (1)
Clarinette En Sib Et Quatuor Ã… (1)
Unison Voix et Piano (1)
Flûte Traversière (Ou Hautbo… (1)
4 Accordéons (1)
2 Parties Voix Aigues (SA), Ha… (1)
Guitare ou Luth (1)
6 Voix de Femmes et Percussion… (1)
Guitare (Fingerpick) (1)
Alto Et Orchestre De Chambre (1)
3 Flûtes A Bec Alto (1)
Recorder Quartet (1)
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Choeur SATB, (Basse Continue) (1)
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Tambour, Caisse Claire (Caisse… (1)
Nursery rhyme (1)
5 Saxophones (1)
2 Hautbois Et Cor Anglais (1)
Choeur à L'Unisson (Congregat… (1)
4 mehrchörige Psalmvertonung… (1)
Soprano, Alto et Violoncelle (1)
DVD Opera and Ballets (1)
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Clarinette Basse Seule (1)
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Best Of Violin (GARRETT DAVID)
Violin and Piano
[Sheet music]
Schott
16 Wonderful Songs From Classic To Rock. Par GARRETT DAVID. Sa manière d'allier...
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16 Wonderful Songs From Classic To Rock. Par GARRETT DAVID. Sa manière d'allier le classique à la pop et au rock a rendu David Garrett célèbre dans le monde entier. Pour la première fois, il donne sa version personnelle écrite de succès planétaires. Il en résulte un volume inspirant mais aussi exigeant pour violon et piano. Parmi les 16 transcriptions, on compte aussi bien des chef-d'oeuvres classiques de Beethoven et Paganini que des chansons pop et rock de Justin Timberlake, Metallica ou Led Zeppelin. Grâce à sa collaboration avec Franck van der Heijden et John Haywood, David a pu créer une partie de piano qui retranscrit l'essence d'un arrangement pour orchestre./ Recueil / Violon et Piano
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Bach For Violin (BLACKWELL KATHY / BLACKWELL DAVID)
Violin and Piano
Oxford University Press
Par BLACKWELL KATHY / BLACKWELL DAVID. Bach for Violin is a varied collection of...
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Par BLACKWELL KATHY / BLACKWELL DAVID. Bach for Violin is a varied collection of 14 attractive and popular pieces arranged for upper-intermediate standard violinists (Grades 5-7). The collection covers simpler dance movements and chorale melodies, as well as the solo Gigue from the Partita in E major. Each piece is accompanied by background notes explaining provenance and points of style. Bach for Violin contains a varied collection of 14 attractive and popular pieces arranged for upper-intermediate standard violinists (Grades 5-7), exploring a range of keys, finger patterns, styles, and moods. The collection covers simpler dance movements and chorale melodies, as well as the solo Gigue from the Partita in E major. Other popular pieces include arrangements of Jesu, Joy of Man's Desiring and the Bach/Gounod Ave Maria. Each piece is accompanied by background footnotes explaining provenance and points of style. / Classique / Répertoire / Violon et Piano
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Discover The Lead. Xmas Carols (Vln/Cd) (GREEN DAY)
Violin and Piano
[Sheet music]
I.M.P.
Par GREEN DAY. Découvrez que le plomb est une série intégrée pour saxophone ...
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Par GREEN DAY. Découvrez que le plomb est une série intégrée pour saxophone alto, clarinette, flûte, piano, saxophone ténor, trompette et violon. Dans chaque édition, toutes les chansons sont dans la même clé au concert pitch, permettant aux différents instruments à jouer ensemble. Symboles de corde sont inclus au concert pitch pour utilisation par piano ou de la guitare. ' Découvrir les chants de Noël de conduire ' est une collection de grands succès populaires de Noël et chants arrangé pour le Grade 1-2 joueur. Les étudiants ont le choix de jouer avec CD, Piano ou guitare et toutes les pièces sont entièrement intégrés avec des arrangements pour les autres instruments de la série, ce qui en fait la ressource idéale pour les groupes scolaires et les petits ensembles. Utilisé comme un livre solo ces idiomatique arrangements ne manquera pas d'être un succès sur la plate-forme de concert. Contenu include: ' Away In A Manger ', ' The First Nowell ' et ' Une fois au Royal de David City '. / Date parution : 2005-05-27/ Recueil / Violon et Piano
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Duo (RAKOWSKI DAVID)
Violin and Piano
[Score]
Peters
Par RAKOWSKI DAVID. Violin, Piano - Durée: c. 8. 5 min / Contemporain / Réper...
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Par RAKOWSKI DAVID. Violin, Piano - Durée: c. 8. 5 min / Contemporain / Répertoire / Petit Ensemble Contemporain
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Little Suite for Violin and Piano (EDWARDS DAVID)
Violin and Piano
[Sheet music]
-
Intermediate
Forton Music
Par EDWARDS DAVID. / Niveau : Intermédiaire / Date parution : 2021-11-03/ RÃ...
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Par EDWARDS DAVID. / Niveau : Intermédiaire / Date parution : 2021-11-03/ Répertoire / Violon et Piano
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Vélocités (REYES DAVID)
Français
Violin and Piano
[Sheet music]
-
Intermediate/advanced
Bayard-Nizet
Par REYES DAVID. / Niveau : 4 / Partition / Violon et Piano
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Spinning Song, V (POPPER DAVID)
Violin and Piano
[Sheet music]
Carl Fischer
Par POPPER DAVID. / Répertoire / Violon et Piano
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Montana Taylor's Blues (MATTHEWS DAVID)
Violin and Piano
[Sheet music]
Faber Music Limited
Par MATTHEWS DAVID. / Recueil / Violon et Piano
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Aria (MATTHEWS DAVID)
Violin and Piano
[Sheet music]
Faber Music Limited
Par MATTHEWS DAVID. / Répertoire / Violon et Piano
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Concerto For Violin And Orchestra E Minor Op. 64 (MENDELSSOHN-BARTHOLDY FELIX)
Violin and Piano
[Sheet music]
Barenreiter
Piano Reduction Of The Well-Known Late 1845 Version. Par MENDELSSOHN-BARTHOLDY F...
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Piano Reduction Of The Well-Known Late 1845 Version. Par MENDELSSOHN-BARTHOLDY FELIX. (replaces BA 9050-90) Mendelssohn' s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première- the 'child prodigy' Joseph Joachim- and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David- now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn' s approval. That the young violinist made a positive impression on the composer is confirmed in the latter' s correspondence following their joint performance. Mendelssohn is full of praise for Léonard' s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)/ Répertoire / Violon et Piano
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Concerto For Violin And Orchestra E Minor Op. 64 (MENDELSSOHN-BARTHOLDY FELIX)
Violin and Piano
[Sheet music]
Barenreiter
Piano Reduction Of The Early 1844 Version. Par MENDELSSOHN-BARTHOLDY FELIX. Mend...
(+)
Piano Reduction Of The Early 1844 Version. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn' s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première- the 'child prodigy' Joseph Joachim- and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David- now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn' s approval. That the young violinist made a positive impression on the composer is confirmed in the latter' s correspondence following their joint performance. Mendelssohn is full of praise for Léonard' s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)/ Répertoire / Violon et Piano
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Mendelssohn F. - Concerto In E Minor Op.64 (1844) - Violon and Piano
Violin and Piano
Barenreiter
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 e...
(+)
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 erste Fassung 1844 Edition no.BA 9099-92 ISMN 9790006565733 Editor Todd, R. Larry / Brown, Clive Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the ?child prodigy? Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn?s approval. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. Mendelssohn is full of praise for Léonard?s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)
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Mendelssohn F. - Concerto In E Minor Op.64 (1845) - Violon and Piano
Violin and Piano
Barenreiter
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Z...
(+)
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Zweite Fassung 1845 Edition no.BA 9099-90 ISMN 9790006564347 Editor Todd, R. Larry / Brown, Clive Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the ?child prodigy? Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn?s approval. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. Mendelssohn is full of praise for Léonard?s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)
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Romance Op. 11 (Arrangement For Violin And Piano)
Violin and Piano
Barenreiter
First ever publication based on the autographOriginally written for violin and o...
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First ever publication based on the autographOriginally written for violin and orchestra between 1873 and 1877, Dvorák's 'Romance? immediately followed his String Quartet in F minor (1873) and draws on the theme from its slow movement. He probably wrote the 'Romance? for his friend, the violin virtuoso Franti?ek OndrÃcek, who later premiered Dvorák's Violin Concerto in 1883.Our edition is the first to avail itself of the recently rediscovered autograph of Dvorák's own version for violin and piano. Compared to the well-known piano reductions, it differs from the orchestral version in several important respects and is also one bar shorter.Our new edition, containing the composer's more authentic version, can nevertheless also serve as a piano reduction to the orchestral version.- First edition of the piano version based on Dvorák's autograph- Foreword by David R. Beveridge (Cz/Eng/Ger)- Critical Commentary (Eng) by the editor / Violon Et Piano
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Rêverie Et Caprice (Violin And Piano)
Violin and Piano
Classical guitar
Faber Music Limited
Following the composition of Harold En Italie for Viola and orchestra in 1834, B...
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Following the composition of Harold En Italie for Viola and orchestra in 1834, Berlioz began work on the opera Benvenuto Cellini , which subsequently failed on its first performances at the Paris Opera in 1838. Berlioz withdrew the opera for substantial revision, and from some of the discharged material he later fashioned this Reverie Et Caprice (in versions both for Violin and orchestra and Violin and Piano). Dedicated to Berlioz's violinist friend Alexandre-Joseph Artot, the piece was quickly taken up by several celebrated violinists of the time, including David, Joachim and Wieniawski, and was played all over Europe. This new edition for Violin and Piano, by the musicologist and performer Neil Heyde, is based on the first edition of the score.
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Romantic Pieces For Violin And Piano Op. 75
Violin and Piano
Barenreiter
Composé en 1887, le 'Romantic Pieces', op. 75 ont été initialement prévu pou...
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Composé en 1887, le 'Romantic Pieces', op. 75 ont été initialement prévu pour deux violons et alto. Immédiatement après la réalisation de ces quatre pièces courtes, Dvorák les réécrit pour violon avec accompagnement de piano et a publié la nouvelle version très années. Cette nouvelle édition présente le texte musical de la 'Complete Edition des oeuvres d'AntonÃn Dvorák' avec une nouvelle préface de David R. Beveridge. La partie de violon contient doigté par Josef Micka. - littérature standard pour les étudiants de violon - Nouvelle préface de Dvorák chercheur David R. Beveridge (Eng / Cz / Ger) - Violon partie avec doigté / Violon Et Piano
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