SKU: CL.CTS-7716-01
A quiet prelude begins this composition for three flutes and vibes accompanying the melody for alto sax. This melody is the basic building blocks for Prelude-Variations. An Allegro Vivo follows with variations on the original tune. The piece ends with original alto sax melody brought back with a harmonic ostinato in the brass and a captivating percussion pattern. The piece ends with the horns announcing the motive one last time. Be sure to put the horn bells up as they play the trill announcing a terrific climactic ending. An enjoyable challenge for your band!
SKU: CL.CTS-8041-75
SKU: CL.CTS-7705-00
An exciting and energetic snare drum solo begins this composition with the woodwinds foreshadowing material soon to come and a brass introduction, which is concluded by a beautiful bassoon cadenza. Credence prominently features the percussion section, especially the snare drum and timpani. With plenty of time signature changes, Credence gives the educator an opportunity to explain non-functional major chords, polychords and chromaticism. A concert and contest favorite.
SKU: CL.CTS-8047-01
The influence of Claude T. Smith is heavily present in this piece, a perfect addition to any festival or concert program. Safely scored for most any band, this work is easily accessible for both performers and audiences. The themes from the fast and slow sections ingeniously combine for a thrilling finale!
SKU: CL.CTS-8063-75
SKU: CL.CTS-7700-00
Smith’s first published march. A bravura opening fanfare punctuated with the percussion forces open this march. The first strain gives us a jaunty tune with baritones and trombones playing the countermelody. The second strain refers back to the opening fanfares with percussion section soli banding about. A reserved trio tune played by clarinets, first horn and baritone are assisted with chromatic runs played by flute, oboe, muted first trumpet and bells. The opening fanfares return in the break strain, which then gives us a terrific trio strain. Accessible and playable for all musicians!
SKU: CL.CTS-7712-01
A delightful three-movement work to show off the bandâ??s skill at playing different styles. The first movement marked Tarantella, includes an asymmetric 9/8 measure and a woodwind fugato. Nocturne features solos for flute, oboe and alto saxophone. Rondo begins with a fierce percussion section soli throughout the movement, and a reflection of developmental material from the Nocturne shows up in this movement as well. A challenging work, but your group will learn several musical concepts. A concert band classic.
SKU: CL.CTS-7706-75
SKU: CL.CTS-7718-01
Translated Sound of The Winds, Sonus Ventorum begins with a dramatic opening for full band. This gives way to an exciting Allegro with trombones and saxophones playing the ostinato. The secondary theme is fragmented and foreshadowed prior to the second announcement of the first theme. The piece ends with both themes being played together. Great teaching elements in Sonus Ventorum include the 7/8 measure, and several rhythmic challenges as well. One of Smithâ??s signature works.
SKU: CL.CTS-7716-75
SKU: CL.CTS-7747-01
This classic continues to be one of the Master composer’s most performed works. The dazzling opening theme full of harmonic devices and rhythmic zeal is classic Smith. A lush and delicate Andante section follows before returning to the sparkling main theme. This remarkable work is not to be missed!
SKU: CL.CTS-7704-00
A slow, solemn chorale opens in b-flat minor, which contains all of the material for the piece. The second statement with a countermelody played by first trumpet and trombone. A flute cadenza brings the opening to a close, and an Allegro is followed with fragments from the opening theme. The slow chorale is brought back one last time; the tune is then played Allegro Vivo, with the original countermelody played by Smith’s own instrument – the French horn. A piece easily playable for concert and contest.
SKU: CL.CTS-7709-75
SKU: CL.CTS-7735-75
SKU: CL.CTS-8031-75
SKU: CL.CTS-7701-01
Here is a work that was ahead of its time. If you are looking for a work filled with excitement and adventure, then Acclamation is your piece! Smith gets right into it with an energetic ostinato and a fragment of his original theme. The snare drumâ??s ruff is highlighted as a transition into a slow section in 6/4, with one of Smithâ??s most luscious melodies. English Horn is featured with flute in the slow section as well, but with optional cues for alto saxophone. Acclamation makes its way back to Allegro with the usual percussion section getting us to the original material. Several solos are highlighted. Well constructed and a piece to be used for contest; also one which will be enjoyed by audiences alike.
SKU: CL.CTS-8010-75
SKU: CL.CTS-7716-02
SKU: CL.CTS-7717-00
The second solo work with band accompaniment was written for Doc Severinsen.. A rousing tarantella-type ostinato in 6/8 with plenty of Latin percussion opens the piece, which then gives way to a beautiful Adagio showing the lyricism of the soloist. A Da Capo brings us to the beginning, and then Smith challenges the soloist with a very difficult cadenza. The band accompaniment is straightforward, however the solo part is very advanced.
SKU: CL.CTS-7746-00
This spectacular Christmas medley is one of the composer’s most remarkable works. Commissioned by the United States Marine Band, with solo opportunities in each section of the ensemble, popular carols are combined in a style that is uniquely Smith. It has become standard repertoire for mature bands.
SKU: CL.CTS-8032-00
Rondo from Incidental Suite is the third movement of this suite originally scored for concert band. This work is rhythmically engaging from beginning to end as the percussion establish the rhythmic motives that move and transform throughout. This flexible arrangement allows ensembles to perform the work with as few as thirteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
SKU: CL.CTS-7743-01
Smith’s inspirational setting of this popular carol is a shining rhapsody. A necessity for Christmas programing.
SKU: CL.CTS-8002-01
Declaration Overture has a five-note motive in an opening slow section, followed by a driving Allegro where the original five-note motive is put through a series of variations. This flexible arrangement allows ensembles to perform the work with as few as ten musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
SKU: CL.CTS-8059-75
SKU: CL.CTS-8032-75
SKU: CL.CTS-7717-01
SKU: CL.CTS-7700-75
SKU: CL.CTS-8029-75
SKU: CL.CTS-8056-00
Finale from A Rhapsody on Christmas Carols centers around a lively rendition of the widely known Christmas carol, Angels We Have Heard on High. This arrangement is a perfect opener, closer, or encore piece for a winter concert. This flexible arrangement allows ensembles to perform the work with as few as thirteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound.
SKU: CL.CTS-7741-00
Commissioned by the National Honorary Band Fraternity, Kappa Kappa Psi and the National Honorary Band Sorority of Tau Beta Sigma, this sparkling masterwork contains four distinctive movements highlighting Smith’s use of unique harmonic language, lavish melodies and imaginative rhythms. A virtuosic work for advanced wind ensembles.
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