Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et Basse Continue

Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et B.C.

Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et B.C.

Compositori Italiani del XX secolo Vol. 1-• New volume of the Ricordi Instrumental Library series dedicated to the instrumental repertoire of the Twentieth Century. The series includes publications for piano violin/piano guitar and now cello/piano.• This anthology fills an editorial void by re-proposing a series of pieces that would otherwise be difficult if not downright impossible to find and yet have played a special role in the evolution of music for cello and piano in Italy.• The criteria adopted in choosing these pieces are: their musical value their interest from a piano teacher’s point of view and their ability to represent a given period in the history of Italian music and culture.

a cura di | edited by Italo Vescovo. Par PAGANINI NICCOLO. Nicolò Paganini?s Trio in G major for viola and cello ? the autograph manuscript of which is preserved in the Biblioteca Casanatense in Rome ? represents the only work of the Genoese composer expressly scored for these instruments. In addition to expanding Paganini?s treasured catalogue, its rediscovery could provide scholars with new insights into the famed virtuoso?s chamber music output. / Date parution : 2023-07-31/ Répertoire / Alto et Violoncelle

for solo 'cello with 2 bows. Par LIM LIZA. / Date parution : 2023-06-01/ Répertoire / Violoncelle Solo

per violoncello. Par FRANCESCO FILIDEI. / Date parution : 2023-06-01/ Répertoire / Violoncelle

Szenen für Streichquartett. Par EOTVOS PETER. / Date parution : 2023-03-11/ Répertoire / Quatuor à Cordes

für verstärktes Ensemble bzw. Kammerorchester nach dem Scherzo aus der 2. Sinfonie von Beethoven. Par NEMTSOV SARAH. / Date parution : 2023-03-11/ Répertoire / Orchestre de Chambre

dished up for Brass Ensemble and Percussion. Par NEUWIRTH OLGA. / Date parution : 2023-03-11/ Répertoire / Ensemble de Cuivres et Percussion

12 Lieder für Sopran und Ensemble - Worte von Else Lasker-Schüler. Par POPPE ENNO. / Date parution : 2023-03-11/ Répertoire / Ensemble et Soprano

Oper in 4 Akten- Libretto von Bernhard Lang nach William Shakespeare und Arrigo Boito. Par LANG BERNHARD. / Date parution : 2023-03-11/ Répertoire / Ensemble de Chambre

Series Six: Theory of Games. Par LANG BERNHARD. / Date parution : 2023-03-11/ Répertoire / Ensemble de Chambre