for Chamber Ensemble. Par FIRMI MATTEO. / Date parution : 2022-03-15/ Répertoire / Ensemble de Chambre

Chamber Orch. Par TROTTA MICHAEL JOHN. A wonderfully expressive a cappella setting of the traditional Christmas text. Carefully prepared dissonances and use of close harmonies thoughtfully paint the text as a sense of awe and wonder permeate the setting. The work concludes with the opening material sung on 'Alleluia ' with a soaring soprano descant. May be performed in English or Latin. / Date parution : 2021-11-30/ Répertoire / Orchestre de Chambre

Chamber Orch - Fl. Ob, Horn, 2-Bb Tpt., hp. timp 1 perc. Str.. Par TROTTA MICHAEL JOHN. / Date parution : 2021-11-30/ Répertoire / Orchestre de Chambre

Arrangeur: Joseph Knaus. Par SUZUKI SHINICHI. Comprised of works from Volumes 1, 2, and 3 of the Suzuki Violin School, which have been arranged for string quartet by violinist/arranger Joseph Knaus. With lower string parts providing melodic and rhythmic counterpoint to set off the simple melodies (which match the Suzuki Method repertoire), these quartets are nevertheless simple enough for beginning level players ready for their first chamber music experience. String Quartets for Beginning Ensembles are sold in sets including full score and one part book per instrument. Volume 3 contents are: Gavotte (P. Martini) * Minuet, BWV Anh. II 114/Anh. III 183/Anh. II 115 (J. S. Bach) * Gavotte in G Minor, Gavotte en Rondeaufrom Suite in G Minor for Klavier, BWV 822 (J. S. Bach) * Humoresque, Op. 101, No. 7 for Piano (A. Dvorák) * Gavotte (J. Becker) * Gavotte from Orchestral Suite No. 3 from Overture in D Major, BWV 1068 (J. S. Bach) * Bourree, Bourrees I and II from Suite III in C Major for Violoncello, BWV 1009 (J. S. Bach). / Niveau : Intermédiaire / Recueil / Orchestre de Chambre

Par SCHOENBERG ARNOLD. Here the fourths, springing from an entirely different expressive urge, shape themselves into a defi nite horn theme, spread themselves out architectonically over the whole piece, and place their stamp on everything that happens. Thus it turns out that they do not appear here merely as melody or as a purely impressionistic chord effect; their character permeates the total harmonic structure, and they are chords like all others.' (Arnold Schoenberg, Theory of Harmony, 1911) The Chamber Symphony Op.9 heralded a breakthrough in Schoenberg's compositional style. While the work did not go hand in hand with the complete destruction of the old tonal system it does show an extension in chordal and melodic constructions. It's focus on the interval of the fourth rather than the third is stated right at the start with the horn fanfare and this leads into the use of the whole tone scale soon after. These two elements open up a new sound space which he would explore further in the works to follow. Certainly not a work to be missing from any library where contemporary music is one of the main focuses./ Répertoire / Ensemble de Musique de Chambre

for Strings and Clarinet Quintet-Two sextets (Opp. 18 36) two quintets (Opp. 88 111 116) and two quartets (Opp. 61 67).