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John Field
VIOLONCELLO - CELLO
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Swing, Swing, Swing (WILLIAMS JOHN)
Marching band
[Score]
Hal Leonard
Par WILLIAMS JOHN. From the motion picture 1941, this is John Williams' tongue-i...
(+)
Par WILLIAMS JOHN. From the motion picture 1941, this is John Williams' tongue-in-cheek tribute to the big band era. Jay has adapted his arrangement for the Cadets Drum and Bugle Corps into a stunning production for marching band that will leave the crowd breathless! Featuring the sax section, a trumpet solo, and hot ensemble punches, it's just like having a mega jazz band on the field! / Date parution : 2023-06-01/ Répertoire / Marching Band
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New Real Book Vol 2 Version En Do (instrumental Et Vocal)
C Instruments
Sher Music Company
Partial list of songs: JAZZ CLASSICS John Coltrane - Giant Steps, Impressions,...
(+)
Partial list of songs: JAZZ CLASSICS John Coltrane - Giant Steps, Impressions, Naima, Moment's Notice, Bass Blues, Equinox, Wise One, Tunji, Expression, Mr. P.C., Some Other Blues, Bessie's Blues, etc. Horace Silver - Senor Blues, Song For My Father, Ecaroh, Nutville, Moonrays, Strollin', Peace, Nica's Dream, Horacescope, Filthy McNasty, Silver's Serenade, Quicksilver, etc. Bill Evans - Time Remembered, Turn Out The Stars, Peri's Scope, Detour Ahead, etc. Wayne Shorter - Beauty And The Beast, Night Dreamer, Mahjong Benny Golson - Killer Joe, Along Came Betty, Stablemates, Whisper Not Duke Ellington - Isfahan, Star Crossed Lovers, Mood Indigo, Sophisticated Lady, etc Miles Davis - Seven Steps To Heaven, Bye Bye Blackbird ...and many more! CHOICE STANDARDS Memories Of You Let's Fall In Love She's The Talk Of The Town After You've Gone Body And Soul Day By Day Fly Me To The Moon III Wind Lullaby Of The Leaves My Ship Bye Bye Blackbird I'll Be Around Get Happy Sweet And Lovely More Than You Know Ain't Misbehavin' The Boy Next Door Exactly Like You Honeysuckle Rose I'm Glad There Is You Manha De Carneval Once In A While Harlem Nocturne I Hadn't Anyone Til You What A Difference A Day Made While We're Young Unforgettable I Believe In You Black Coffee Cherokee Flamingo It's Only A Paper Moon The Masquerade Is Over That's All Them There Eyes There Is No Greater Love Stardust ...and many more! CONTEMPORARY JAZZ Chick Corea - Spain, Windows, Waltse For Dave, Morning Sprite, Sea Journey, Time Track, 500 Miles High, Friends, Got A Match?, etc. Billy Childs - Quiet Girl, Midland, Like Father Like Son, etc. Eddie Gomez - Loxodrome, Power Play, Delgado, Forever John Scofield - Wabash III, Time Marches On Michael Brecker - Dogs In The Wine Shop, Choices, Escher Sketch, Peep, Ode To The Doo Da Day, etc. Bob Berg - I Thought About You, Words, etc. John Patitucci - Growing, Baha Bajo, Wind Sprint Dave Sanborn - Lisa, It's You ...and many more!
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Charles Chapman: Interviews with the Jazz Greats and More: Instrumental
Mel Bay
Here is a collection of insightful interviews with many of the most prominent fi...
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Here is a collection of insightful interviews with many of the most prominent figures in today's guitar world. Presents 25 articles selected from Charles Chapman's extensive work as a music journalist including legends such asJohnny Smith Tim May Martin Taylor John Abercrombie George Benson John Scofield and Howard Alden. An interview with renowed luthier Robert Benedetto is included as an added bonus. This book illustrates the passion theseguitarists have for their art the respect they have for music and one other and their desire to pass their art and sentiments on to others.
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JOHN MILLER - HILLBILLY FINGERSTYLE BLUES GUITAR
Guitar notes and tablatures
Mel Bay
The musical appeal of the Blues, as they began to be heard in the early twentiet...
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The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio.
1. Hillbilly Fingerstyle Blues Guitar ? An Introduction
2. Learning the Songs
3. Understanding the Tablature
4. The Songs
5. 1) Knoxville Blues?Sam McGee
6. 2) Easy Rider?Sam McGee
7. 3) Railroad Blues?Sam McGee
8. 4) Sally Long?Sam McGee
9. 5) Fuzzy Rag?Riley Puckett
10. 6) Worried Blues?Frank Hutchison
11. 7) Train That Carried The Girl From Town?Frank Hutchison
12. 8) The Miner?s Blues?Frank Hutchison
13. 9) K. C. Whistle?Lester McFarland
14. 10) John Hardy Was A Desperate Little Man?The Carter Family
15. 11) Johnson City Blues?Clarence Greene
16. 12) Brown Skin Blues?Dick Justice
17. 13) Cocaine?Dick Justice
18. 14) She Lied To Me?Emry Arthur
19. 15) Everyday Dirt?David McCarn
20. 16) Take Them For A Ride?David McCarn
21. 17) Jailhouse Rag?David Miller
22. 18) Match Box Blues?Larry Hensley
23. 19) New Chattanooga Mama?Lake Howard
24. 20) Soap Box Blues?Debs Mays
25. 21) Rabbit Blues?Debs Mays
26. 22) Graveyard Blues?Hobart Smith
27. 23) Railroad Bill?Hobart Smith
28. 24) K. C. Moan?Hobart Smith
29. 25) Mississippi Heavy Water Blues?Roscoe Holcomb
30. 26) Riley And Spencer?Fields Ward
31. 27) Raggin? The Wires?E. C. Ball
32. 28) Ain?t No Grave Can Hold My Body Down?E. C. Ball
33. Appendix?Default Chord Positions
34. ABOUT THE AUTHOR
35. Afterword
36. ACKNOWLEDGEMENTS
/ Partitions variété - pop - rock / Variété internationale / Guitare tablatures / MEL BAY
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John Williams: Scherzo for X-Wings: Concert Band: Score
Concert band
Hal Leonard
from Star Wars: The Force Awakens-In the 2015 blockbuster film Star Wars: The Fo...
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from Star Wars: The Force Awakens-In the 2015 blockbuster film Star Wars: The Force Awakens John Williams reprises a few earlier themes along with dynamic new material. This exciting piece of music is featured in the climactic battle scene with our heroes and their X-wing fighters. A dynamic tour de force for mature bands.Watch Scherzo For X-Wings performed by The United States Army Field Band:
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John Tavener: Lament For Jerusalem: SATB: Vocal Score
Choral SATB
[Vocal Score]
Chester
The Vocal score for John Tavener's beautiful work Lament For Jerusalem arranged...
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The Vocal score for John Tavener's beautiful work Lament For Jerusalem arranged for Soprano Countertenor and SATB Chorus with a Piano Accompaniment. This score can be used for both the 'Original'and 'Jerusalem' versions of the work. The composition was commissioned by Father Arthur E. Bridge OAM for Ars Musica Australis and was first written in 2002. The 'Jerusalem' version was arranged for theChoir of London in 2004. Tavener himself calls the work 'a mystical love-song' that reflects the 'mystical sacred and sublime nature of the texts'. Lament For Jerusalem isdivided into seven stanzas each of which contain Christic Judaic and Islamic inspirations making this work truly innovative and interesting. The piece is around 45 minutes long and it is recommended to be performed in a spacein which there are generous acoustics that will allow each individual voice as well as the collective whole to 'breathe' and dissolve into the air. The work is a wonderful one receiving greatcritical acclaim upon its premiere and impressing audiences the world over for its soaring Soprano melodies and its left-field Middle-Eastern harmonies. The composition is one in a long line of Tavener pieces thatimmediately silences audiences and captivates their attention throughout. Any performance of Lament For Jerusalem is guaranteed to be a special event and one that audiences willremember for a long time.
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John O'Neill: The Jazz Method For Flute: Flute: Instrumental Tutor
Flute
[Book + CD]
Schott
The Jazz Method for Flute will guide beginners of all ages from producing their ...
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The Jazz Method for Flute will guide beginners of all ages from producing their first note on the instrument to the performance of full-blown pieces including 'classics' by Thelonious Monk Charlie Parker Sonny Rollins and Horace Silver.With step by step instruction and a progression of specially written tunes and exercises the fundamental elements of good flute technique are introduced alongside the rhythmic subtleties of jazz. Improvisation is encouraged from an early stage given direction through the study of scales and arpeggios and advice on ear-training and chord patterns.With supplementary suggestions for listening and reading and an Appendix (also included on a separate insert) containing all the chord progressions for 'live' accompaniment of the tunes The Jazz Method for Flute is ideally suited both to students working alone and those learning with a teacher. The accompanying CD includes recorded accompaniments for you to play along with.Author John O'Neill is an established performing musician and instrumental teacher in the jazz field.
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John Williams: Scherzo for X-Wings: Concert Band: Score & Parts
Concert band
[Score and Parts]
-
Advanced
Hal Leonard
from Star Wars: The Force Awakens-In the 2015 blockbuster film Star Wars: The Fo...
(+)
from Star Wars: The Force Awakens-In the 2015 blockbuster film Star Wars: The Force Awakens John Williams reprises a few earlier themes along with dynamic new material. This exciting piece of music is featured in the climactic battle scene with our heroes and their X-wing fighters. A dynamic tour de force for mature bands.Watch Scherzo For X-Wings performed by The United States Army Field Band:
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Chopin F. - Nocturnes (recueil) - Piano
Français
Piano solo
-
Intermediate
Lemoine, Henry
Les musiques de Nuit instrumentales du XVIIIe siècle, destinées à être joué...
(+)
Les musiques de Nuit instrumentales du XVIIIe siècle, destinées à être jouées en plein air, sont à l'origine du Nocturne. Mozart et Haydn ont composé des Notturni pour divers ensembles. Cependant, John Field est considéré comme le créateur du Nocturne pour piano. Chopin le tenait en grande estime et faisait souvent travailler à ses élèves les Nocturnes de ce pianiste et compositeur irlandais au même titre que les siens pour qu'ils se familiarisent avec le legato et qu'ils acquièrent un beau son. Frédéric Chopin compose 21 Nocturnes. L'année de composition de chaque Nocturne ne peut pas toujours être certifiée avec précision mais celle de leur publication est une référence exacte. Trois Nocturnes ont été édités après sa mort. Chopin a l'âme romantique et la musique de ses Nocturnes en exprime les états. L'ambiance crépusculaire est en effet propice aux tendres épanchements, à la mélancolie, aux improvisations poétiques et musicales, comme le dialogue de la Muse et du Poète dans la Nuit de Mai d'Alfred de Musset. Tout en conservant une forme classique (forme Lied A.B.A. généralement), Chopin s'éloigne de la romance et sublimise le Nocturne par son inspiration et son sens pianistique: la mélodie, influencée par le bel canto italien est plus ample et se développe en variations ornementales expressives, souvent chromatiques - l'harmonie est plus raffinée et plus audacieuse par ses dissonances et les dessins d'accompagnement de la basse en forme d'arpèges ou d'accords brisés sont plus ingénieux. Les Nocturnes de Chopin ont beaucoup contribué à sa célébrité et, malgré les difficultés techniques de certains, ils apparaissent comme une bonne introduction à la connaissance et à l'étude de ses autres oeuvres. Sources La présente édition des Nocturnes de Frédéric Chopin se réfère aux sources authentiques suivantes, à savoir: 1) Autographes, copies 2) Premières éditions 3) Exemplaires annotés (ayant appartenu à Ludwika Jedrzejewicz, soeur de F. Chopin, Société Chopin, Varsovie (M.l74), Camille Dubois O'Meara (1830-1907), élève de F. Chopin, Bibliothèque Nationale, Paris Res.F. 980 et Jane Stirling (1804-1859), élève de F. Chopin, Bibliothèque Nationale, Paris Res. Vma 241 Vol. 1 à 7. Edition en Fac Simile (J.J. Eigeldinger) B.N. Paris (1982) 4) Editions critiques (Oxford University Press (E. Ganche), Londres (1928-1932), Bibliothèque de l'Université Jagiellone, Cracovie (depuis 1943), Edition complète des oeuvres (Paderewski) - Vol. VII et XVIII P.W.M., Varsovie (1949), Wiener Urtext (Jan Ekier) éd. Schott-Universal, Mainz Wien (1980), et Editions Urtext Henle Veriag (E. Zimmermann) München (1966)Contenu : Chopin: Nocturnes Op.9 n°1 à 3 - Nocturnes Op.15 n°1 à 3 - Nocturnes Op.27 n°1 et 2 - Nocturnes Op.32 n°1 et 2 - Nocturnes Op.37 n°1 et 2 - Nocturnes Op.48 n°1 et 2 - Nocturnes Op.55 n°1 et 2 - Nocturnes Op.62 n°1 et 2 - Nocturne Op. posthume 72 n°1 - Nocturnes Op. posthume (index Brown n°49 et 108)Compositeur/Auteur : CHOPIN FrédéricDiscipline/Instrument : pianoCollection : UrtextSupport : PartitionStyle/Genre : classiqueDate de parution : juin-94Niveau de difficulté : 4Nombre de pages : 101
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16 Nocturnes for Piano: Piano: Instrumental Album
Piano solo
Schirmer
Schirmer Library of Classics Volume 2140-Some of the best-loved nocturnes by Cho...
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Schirmer Library of Classics Volume 2140-Some of the best-loved nocturnes by Chopin Faur? Liszt and others in a slim affordable volume.Contents: Fr?d?ric Chopin: Nocturne in B-flat minor Op. 9 No. 1 ? Nocturne in E-flat Major Op. 9 No. 2 ? Nocturne inC-sharp minor Op. 27 No. 1 ? Nocturne in D-flat Major Op. 27 No. 2 ??Nocturne in C minor Op. 48 No. 1 ? Claude Debussy: Nocturne ? Gabriel Faur?: Nocturne No. 4 in E-flat Major Op. 36 ? John Field: Nocturne No. 3 in A-flatMajor ? Nocturne No. 4 in A Major ? Nocturne No. 6 in F Major ?Cradle Song? ? Nocturne No. 9 in E minor ? Edvard Grieg: Notturno from Lyric Pieces Op. 54 No. 4 ? Franz Liszt: Liebestraum No. 1 ? Liebestraum No. 2 ? LiebestraumNo. 3 ? Pyotr Il'yich Tchaikovsky: Nocturne in F Major Op. 10 No. 1
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Erik Satie: Nocturnes: Piano: Instrumental Album
Piano solo
G. Henle
With the five Nocturnes composed in 1919 Satie concluded the series of cyclical...
(+)
With the five Nocturnes composed in 1919 Satie concluded the series of cyclically organized Piano pieces which in a way constitute the backbone of his oeuvre. As his models he chose the eponymouspieces by John Field and Frédéric Chopin borrowing not only the romantic elegiac inflections but also the tripartite form and rocking movement. Totally original in turn is the harmony which he devised according to his ownsystem.Commenting on his Nocturnes Satie once said: ?This is a different expression of myself?. Indeed the pieces which are not difficult to play seem unusually serious and far removed from thenonsense parody and cabaret atmosphere that colour such a large part of his oeuvre.
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Howard Ferguson: A Keyboard Anthology Third Series Book IV: Electric Keyboard:
Piano solo
-
Intermediate
ABRSM Publishing
Fifteen pieces of Grade 6 standard. Includes works by J.S. Bach John Field Fra...
(+)
Fifteen pieces of Grade 6 standard. Includes works by J.S. Bach John Field Franz Liszt and Scriabin.
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Gabriel Fauré: Nocturne No 6 In D Flat Major Op 63 Piano: Piano: Instrumental
Piano solo
G. Henle
Fauré?s 13 Nocturnes form the most significant group of piano character pieces ...
(+)
Fauré?s 13 Nocturnes form the most significant group of piano character pieces in his oeuvre. Despite their title which places them in the tradition of John Field and Frédéric Chopin Fauré here develops a genre all of his own.These are no dreamy scenes of the night but carefully structured iridescent pieces that alternate between lyrical elegance and passionate drama. Fauré composed the 6th Nocturne in 1894 while spending the summer at the house ofhis parents-in-law. With its strong contrasts of tempo metre and harmony it is by far the most significant and best-known of his Nocturnes. In a letter that he wrote after completing it Fauré wrote: ?Modern piano music that isa little interesting is an extremely rare thing? a state of affairs that seems to have been a good enough incentive for him to enrich the repertoire with his Nocturne op. 63!
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Nocturnes (Recueil) (CHOPIN FREDERIC)
Français
Piano solo
[Sheet music]
-
Intermediate
Lemoine, Henry
Par CHOPIN FREDERIC. Les musiques de Nuit instrumentales du XVIIIe siècle, dest...
(+)
Par CHOPIN FREDERIC. Les musiques de Nuit instrumentales du XVIIIe siècle, destinées à être jouées en plein air, sont à l'origine du Nocturne. Mozart et Haydn ont composé des 'Notturni' pour divers ensembles. Cependant, John Field est considéré comme le créateur du Nocturne pour piano. Chopin le tenait en grande estime et faisait souvent travailler à ses élèves les Nocturnes de ce pianiste et compositeur irlandais au même titre que les siens pour qu'ils se familiarisent avec le 'legato' et qu'ils acquièrent un beau son. Frédéric Chopin compose 21 Nocturnes. L'année de composition de chaque Nocturne ne peut pas toujours être certifiée avec précision mais celle de leur publication est une référence exacte. Trois Nocturnes ont été édités après sa mort. Chopin a l'âme romantique et la musique de ses Nocturnes en exprime les états. L'ambiance crépusculaire est en effet propice aux tendres épanchements, à la mélancolie, aux improvisations poétiques et musicales, comme le dialogue de la Muse et du Poète dans la Nuit de Mai d'Alfred de Musset. Tout en conservant une forme classique (forme Lied A.B.A. généralement), Chopin s'éloigne de la romance et sublimise le Nocturne par son inspiration et son sens pianistique: la mélodie, influencée par le 'bel canto' italien est plus ample et se développe en variations ornementales expressives, souvent chromatiques - l'harmonie est plus raffinée et plus audacieuse par ses dissonances et les dessins d'accompagnement de la basse en forme d'arpèges ou d'accords brisés sont plus ingénieux. Les Nocturnes de Chopin ont beaucoup contribué à sa célébrité et, malgré les difficultés techniques de certains, ils apparaissent comme une bonne introduction à la connaissance et à l'étude de ses autres oeuvres. Sources La présente édition des Nocturnes de Frédéric Chopin se réfère aux sources authentiques suivantes, à savoir: 1) Autographes, copies 2) Premières éditions 3) Exemplaires annotés (ayant appartenu à Ludwika Jedrzejewicz, soeur de F. Chopin, Société Chopin, Varsovie (M.l74), Camille Dubois O'Meara (1830-1907), élève de F. Chopin, Bibliothèque Nationale, Paris Res.F. 980 et Jane Stirling (1804-1859), élève de F. Chopin, Bibliothèque Nationale, Paris Res. Vma 241 Vol. 1 à 7. Edition en Fac Simile (J.J. Eigeldinger) B.N. Paris (1982) 4) Editions critiques (Oxford University Press (E. Ganche), Londres (1928-1932), Bibliothèque de l'Université Jagiellone, Cracovie (depuis 1943), Edition complète des oeuvres (Paderewski) - Vol. VII et XVIII P.W.M., Varsovie (1949), Wiener Urtext (Jan Ekier) éd. Schott-Universal, Mainz Wien (1980), et Editions Urtext Henle Veriag (E. Zimmermann) München (1966) / Niveau : Intermédiaire / classique / Répertoire / Piano
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Nocturne Op. 72 #1 En Mi Min. (CHOPIN FREDERIC)
Français
Piano solo
[Sheet music]
-
Intermediate
Lemoine, Henry
Par CHOPIN FREDERIC. Les musiques de Nuit instrumentales du XVIIIo siècle, dest...
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Par CHOPIN FREDERIC. Les musiques de Nuit instrumentales du XVIIIo siècle, destinées à être jouées en plein air, sont à l'origine du Nocturne. Mozart et Haydn ont composé des 'Notturni' pour divers ensembles. Cependant, John Field est considéré comme le créateur du Nocturne pour piano. Chopin le tenait en grande estime et faisait souvent travailler à ses élèves les Nocturnes de ce pianiste et compositeur irlandais au même titre que les siens pour qu'ils se familiarisent avec le 'legato' et qu'ils acquièrent un beau son. Frédéric Chopin compose 21 Nocturnes. L année de composition de chaque Nocturne ne peut pas toujours être certifiée avec précision mais celle de leur publication est une référence exacte. Trois Nocturnes ont été édités après sa mort. Chopin a l'âme romantique et la musique de ses Nocturnes en exprime les états. L'ambiance crépusculaire est en effet propice aux tendres épanchements, à la mélancolie, aux improvisations poétiques et musicales, comme le dialogue de la Muse et du Poète dans la 'Nuit de Mai' d'Alfred de Musset. Tout en conservant une forme classique (forme Lied A.B.A. généralement), Chopin s'éloigne de la romance et sublimise le Nocturne par son inspiration et son sens pianistique: la mélodie, influencée par le 'bel canto' italien est plus ample et se développe en variations ornementales expressives, souvent chromatiques, l'harmonie est plus raffinée et plus audacieuse par ses dissonances et les dessins d'accompagnement de la basse en forme d'arpèges ou d'accords prisés sont plus ingénieux. Les Nocturnes de Chopin ont beaucoup contribué à sa célébrité et, malgré les difficultés techniques de certains, ils apparaissent comme une bonne introduction à la connaissance et à l'étude de ses autres oeuvres. Nouvelle Edition revue et corrigée (1993) sous la direction de Dominique Geoffroy. / Niveau : Intermédiaire / classique / Répertoire / Piano
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Frédéric Chopin: Nocturne In E Minor Op. Post. 72 No. 1: Piano: Instrumental
Piano solo
G. Henle
The Nocturne In E Minor Op. Post.72 No.1 was Frédéric Chopin?s first Nocturne ...
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The Nocturne In E Minor Op. Post.72 No.1 was Frédéric Chopin?s first Nocturne to be written and his 19th to be published. The Nocturne was composed in 1827 and was published after Chopin?sdeath in 1855.In his book The Life and Death of Chopin Casimir Wierzyknski explains more about the history of the piece:?Up until then this form [the nocturne] had been the exclusive domain of John Field anIrish-born composer. But his Nocturne in E minor did not satisfy him [Chopin] and was published only posthumously.?This Henle Urtext Edition for solo Piano has been edited by Ewald Zimmermann and includes fingering byHans-Martin Theopold.
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Frédéric Chopin: Nocturnes: Piano: Instrumental Album
Keyboard
G. Henle
Nocturnes-Time and again Chopin succeeded in giving different Piano music genre...
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Nocturnes-Time and again Chopin succeeded in giving different Piano music genres their own individual characters whether etudes preludes waltzes scherzi or Nocturnes. The Irishman John Field had alreadycomposed over 20 nocturnes which presumably greatly influenced Chopin. The latter continued to develop the light song-like Piano writing and created works whose dreamy longing atmosphere came to embodyChopin???s music. Our volume contains the works that were published during Chopin???s lifetime as well as ones which were only published posthumously including the famous Lento con gran espressione in c sharpminor in two authentic versions.
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3 Nocturnes Op. 9 (CHOPIN FREDERIC)
Français
Piano solo
[Sheet music]
-
Intermediate
Lemoine, Henry
Par CHOPIN FREDERIC. Les musiques de Nuit instrumentales du XVIIIo siècle, dest...
(+)
Par CHOPIN FREDERIC. Les musiques de Nuit instrumentales du XVIIIo siècle, destinées à être jouées en plein air, sont à l'origine du Nocturne. Mozart et Haydn ont composé des 'Notturni' pour divers ensembles. Cependant, John Field est considéré comme le créateur du Nocturne pour piano. Chopin le tenait en grande estime et faisait souvent travailler à ses élèves les Nocturnes de ce pianiste et compositeur irlandais au même titre que les siens pour qu'ils se familiarisent avec le 'legato' et qu'ils acquièrent un beau son. Frédéric Chopin compose 21 Nocturnes. L année de composition de chaque Nocturne ne peut pas toujours être certifiée avec précision mais celle de leur publication est une référence exacte. Trois Nocturnes ont été édités après sa mort. Chopin a l'âme romantique et la musique de ses Nocturnes en exprime les états. L'ambiance crépusculaire est en effet propice aux tendres épanchements, à la mélancolie, aux improvisations poétiques et musicales, comme le dialogue de la Muse et du Poète dans la 'Nuit de Mai' d'Alfred de Musset. Tout en conservant une forme classique (forme Lied A.B.A. généralement), Chopin s'éloigne de la romance et sublimise le Nocturne par son inspiration et son sens pianistique: la mélodie, influencée par le 'bel canto' italien est plus ample et se développe en variations ornementales expressives, souvent chromatiques, l'harmonie est plus raffinée et plus audacieuse par ses dissonances et les dessins d'accompagnement de la basse en forme d'arpèges ou d'accords prisés sont plus ingénieux. Les Nocturnes de Chopin ont beaucoup contribué à sa célébrité et, malgré les difficultés techniques de certains, ils apparaissent comme une bonne introduction à la connaissance et à l'étude de ses autres oeuvres. Nouvelle Edition revue et corrigée (1993) sous la direction de Dominique Geoffroy. / Niveau : Intermédiaire / classique / Répertoire / Piano
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John Philip Sousa: The U.S. Field Artillery: Concert Band: Score & Parts
Concert band
[Score and Parts]
Southern Music Ltd
The U.S. Field Artillery
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John Philip Sousa: The U.S. Field Artillery: Concert Band: Score
Concert band
Southern Music Ltd
The U.S. Field Artillery
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Timothy Johnson: Expedition: Concert Band: Score & Parts
Concert band
[Score and Parts]
Curnow Music
A powerful new work for beginning band! The words ?exciting? and ?accessible? d...
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A powerful new work for beginning band! The words ?exciting? and ?accessible? don?t always go together in the band literature field but Timothy Johnson?s new composition honoring Zebulon Pike?s historic exploration brings these words together with masterful style. Your young band students will love playing this forceful and mysterious music. Don?t forget the cross-curricular possibilities offered by this piece!Interesting Percussion parts support carefully controlled range and rhythm demands in the Woodwinds and Brasses making EXPEDITION! attainable by every young band.
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Johnny Cash: Field Of Diamonds: Piano Vocal Guitar: Book-Digital
Hal Leonard
Field Of Diamonds
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John Lennon Paul McCartney: Drive My Car: Marching Band: Score & Parts
Marching band
[Score and Parts]
Hal Leonard
As heard on the recent Beatles: Love CD (the basis for the Cirque du Soleil prod...
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As heard on the recent Beatles: Love CD (the basis for the Cirque du Soleil production) this exciting opener juxtaposes Drive My Car along with brief passages of What You're Doing and The Word. An exciting and edgy way to make an impressive statement on the field.
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John Lennon Paul McCartney: Penny Lane: Marching Band: Score & Parts
Marching band
[Score and Parts]
Hal Leonard
Here is a medium swing treatment of this familiar Beatles' tune that provides pl...
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Here is a medium swing treatment of this familiar Beatles' tune that provides plenty of variety and impact for the field. The low brass is featured at the start and later the full band gets a chance to really open up. Alsoincluded is an optional small band feature section.
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John Williams: Music from the Star Wars Saga: Orchestra: Score & Parts
Orchestra
[Score and Parts]
Hal Leonard
I. The Asteroid Field (4:50) II. Parade of the Ewoks (4:10) III. Cantina Band (2...
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I. The Asteroid Field (4:50) II. Parade of the Ewoks (4:10) III. Cantina Band (2:15) IV. Here They Come (2:15) V. Luke and Leia (4:45) VI. The Forest Battle (4:05) (Total performance time - ca. 24 minutes)
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John Lennon Paul McCartney: Michelle: Marching Band: Score
Marching band
Hal Leonard
This sensitive and carefully paced chart is a beautiful change of pace for the f...
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This sensitive and carefully paced chart is a beautiful change of pace for the field. Creatively scored in a very musical setting.
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John Lennon Paul McCartney: Penny Lane: Marching Band: Score
Marching band
Hal Leonard
Here is a medium swing treatment of this familiar Beatles' tune that provides pl...
(+)
Here is a medium swing treatment of this familiar Beatles' tune that provides plenty of variety and impact for the field. The low brass is featured at the start and later the full band gets a chance to really open up. Also included is an optional small band feature section.
2.75 GBP - Sold by Musicroom UK
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