Schubert for clarinet Together with Ludwig van Beethoven, Franz Schubert is considered to be the founder of romantic music in German-speaking countries. He mainly owes this reputation to the composition of more than 600 songs, many of which, even today, are an integral part of every singers repertoire. For this album James Rae has selected some of Schuberts most beautiful melodies from both his vocal and instrumental works and arranged them for clarinet. Its expressive sound, coupled with Schuberts unique melodies, is a homage to the great composer and should enrich every clarinet players repertoire. Heidenröslein An die Nachtigall An die Musik Das Wandern Ständchen Du bist die Ruh Entre-Acte aus Rosamunde Ballett aus Rosamunde Menuetto und Trio aus Symphonie Nr. 5 Marche Militaire Schubertiade (Coverfoto von Schmid)

Volume 9 of the new Urtext edition of Schubert???s lieder contains lieder composed during the spring and summer of 1816 some of which follow upon series started in 1815. They are available in separate books for high medium and low voice. The volume was completed by the eminent Schubert scholar Walter D?rr who passed away at the beginning of 2018.It was in 1816 that Schubert completed his settings of Ossian's songs and added lieder on texts by Johann Georg Jacobi Johann Peter Uz and Matthias Claudius. Also included are the lieder from the Grob family songbook. In the summer 1816 Schubert produced his first settings of poems by Christian Friedrich Daniel Schubart(???Grablied auf einen Soldaten??? and 'An mein Klavier???) the author of the words to one of his most famous songs ???Die Forelle???/ 'The Trout??? (see Volume 2).Based on the Urtext of the ???New Schubert Edition???Clear and uncluttered engravingForeword by Walther D?rr on the genesis and history of the work as well as an explanation of the sources for each individual lied (Ger/Eng)Includes English translations of the lieder texts by Richard Wigmore

With the new Urtext Primo series, the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116), Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8), each volume contains works by three different composers, with the aim of offering piano pupils (or even adults who want to resume piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. In contrast to conventional piano anthologies, the pieces' range of levels of difficulty is relatively narrow so that the volume can be used continuously over a period of about two years. The selected repertoire takes into account not only pieces of the classic canon of lessons, but also lesser known works which are in no way of less importance for piano lessons. The explanations included at the end of each volume shall help to deepen the knowledge of musical styles, music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces.After Vol. 1 with works by Bach, Handel and Scarlatti and Vol. 2 with compositions by Haydn, Mozart and Cimarosa, Vol. 3 contains pieces by Beethoven, Schubert und Hummel, including popular pieces such as Beethoven's 'Für Elise' and lesser known, yet stimulating settings by Johann Nepomuk Hummel. / Piano

Par SCHUBERT FRANZ. Presented for alto recorder and piano, the two most famous Ave Marias in music. Gounod’s, based on Bach’s first prelude and Schubert’s equally well known composition. They offer an undemanding blow for treble recorder in these arrangements by Sylvia Corinna Rosin or, perhaps a little more challenging, the Schubert will fit the tenor recorder, whose mellower tone will suit the music perfectly./ Répertoire / Flûte à Bec Alto et Piano

Urtext von Erwin Ratz. Par SCHUBERT FRANZ. Das Besondere an dieser Ausgabe ist ein ausführliches Vorwort des Herausgebers Erwin Ratz, der mit seinen intensiven Recherchen über die Entstehungsgeschichte der vorliegenden Werke interessante Hintergrundinformationen liefert, die einen besonderen Bezug zu Schuberts Klaviersonaten schaffen./ Recueil / Piano

Franz Schubert (1797-1828) fut l'un des compositeurs les plus prolifiques de la musique de piano d'ensemble. Certaines de ses oeuvres les plus populaires pour piano à quatre mains (pour un piano à quatre mains) sont inclus dans cette collection. / Piano 4 Mains

Der Cellist Friedrich August Kummer gehörte zu den bekanntesten Virtuosen des 19. Jahrhunderts. Unter seinen zahlreichen Kompositionen, Bearbeitungen und Konzertparaphrasen finden sich diese eingängigen Bearbeitungen von Schubert-Liedern. Die vorliegende Ausgabe vereint die beliebtesten, darunter bekannte Lieder wie 'Die Forelle', 'Die Ungeduld', Ständchen, ?Wanderers Nachtlied' und vieles mehr. Die Bearbeitungen sind gut spielbar für das Cello eingerichtet und dankbare Konzertstücke. / Violoncelle Et Piano

Par SCHUBERT FRANZ. Neue Ausgabe Sämtlicher Werke. Urtext/ Répertoire / Chant et Piano

An anthology of 45 songs for low voice from Franz Schuberts's celebrated compositions many of which are widely regarded as the finest ever written. Essential repertoire for the accomplished singer.

Op. Post. 147 - D 575. Par SCHUBERT FRANZ. La Sonate en Si majeur fait partie des premières Sonates pour piano de Schubert. Composée en août 1817, elle ne fut cependant publiée que longtemps après sa mort. La tonalité inusitée à son époque témoigne de la juvénile envie d?expérimentation de Schubert; de la même manière et la même année sont ainsi nées également des sonates en Ré bémol majeur, La bémol majeur et fa dièse mineur. Les surprenantes modulations ainsi que les abrupts changements de caractère entre passages lyriques et explosions dramatiques sont typiquement schubertiens. Le manuscrit autographe de la partition ayant disparu, cette édition repose sur les esquisses autographes ainsi que sur des copies provenant de l?entourage du compositeur. La préface rédigée par l?experte de Schubert Andrea Lindmayr-Brandl ainsi que toute la partie de remarques et commentaires fournissent des renseignements détaillés sur l?origine de l??uvre, les sources ainsi que leurs variantes. Un autre point fort réside dans les doigtés du pianiste Martin Helmchen. / Date parution : 2023-03-11/ Répertoire / Piano

Les Impromptus de Franz Schubert op. 90 (D 899) font partie des oeuvres les plus jouées de Franz Schubert et ont leur place de droit dans les programmes du cours et du concert. L'Édition Wiener Urtext (texte original) présente maintenant une nouvelle version revue sous les aspects les plus actuels de la recherche et de l'interprétation pratique. L'édition précise le texte par de nombreux détails, des problèmes de base comme celui de la distinction entre accents et signes de decrescendo, ou bien la question de l'assimilation de rythmes pointés à des triolets, sont résolus en prenant appui sur le manuscrit schubertien original de façon nouvelle et non dogmatique.Pages : 56Niveau : avancéop. 90 / Piano / Wiener Urtext Edition

Franz Schubert's scherzos were right at the beginning of a development that, in the course of the 19th century, resulted in the separation of the scherzo from the sonata and its emancipation as an independent piano piece. These traces become apparent in the three pieces compiled in this volume: the two popular Scherzos in B flat major and D flat major (D 593) and the Scherzo in D major (D 570) which has survived, together with an allegro fragment, in the composer's autograph. With its pleasantly flowing melody, its typically Schubertian harmony and the modest technical demands, this piece might soon outrank its well-known sister work in B flat major. / Piano

Nach Texten Von Franz Schubert. Par HOLLIGER HEINZ. I was in the middle of a recording project featuring Franz Schubert’s complete symphonies and other orchestral works, when I received a request from Anna Lucia Richter asking if I could compose a companion piece for Schubert’s The Shepherd on the Rock. I was inspired by the movingly simple yet profoundly mysterious musical text Schubert had published by Robert Schumann under the title Reliquien [Relics], and a composition in three sections was born which oscillates between recitative-like sections and expansive ariosos. The beginning of Schubert’s enigmatic funeral march Franz Schuberts Begräbnis- Feyer [Franz Schubert’s funeral ceremony] for nine winds, written when Schubert was only 16, wanders like a phantom as a tonal shadow through the score. Heinz Holliger / Niveau : Avancé / Répertoire / Soprano, Clarinette et Piano

This collection contains the most beautiful and technically easy of Schubert's piano pieces and dances. These miniatures can be used to enliven piano instruction and convey valuable insight into the richness of the composer's music. Schubert: Allegretto in C minor D915 Schubert: Andante in C D29 Schubert: Deutscher Tanz in A major (No. 2 from 12 Deutsche Tänze D420) Schubert: Deutscher Tanz in A major (No. 3 from 3 Deutsche Tänze D972) Schubert: Ecossaise in B flat major (No. 4 from 12 Ecossaises D421) Schubert: Ecossaise in C major (No. 8 from 12 Ecossaises D299) Schubert: Ecossaise in D major (No. 2 from 3 Ecossaises D816) Schubert: Ecossaise in D minor/F major D158 Schubert: Ecossaise in E major (No. 7 from 12 Ecossaises D299) Schubert: Ecossaise D145 No. 4 Schubert: Eight Ländler in B flat D378 Schubert: German Dance D365 No. 28 Schubert: Ländler (No. 5 from Ländler D681) Schubert: Ländler (No. 7 from Ländler D681) Schubert: Ländler (No. 8 from Ländler D681) Schubert: Ländler in A minor (No. 3 from 17 Ländler D366) Schubert: Ländler in G major (No. 15 from 16 Ländler D734) Schubert: March in B minor D deest Schubert: Minuet in A major D334 Schubert: Minuet in C sharp minor D600 Schubert: Scherzo in B flat major D593 No. 1 Schubert: Theme in F major D156 Schubert: Valse noble in F major (No. 10 from Waltzes D969)

In autumn 1827 Schubert composed eight 'Impromptus' for publication as a complete collection by Haslinger in Vienna. When the plan fell through Schubert offered his 'Impromptus' to Schott as pieces which 'could be issued individually or all four together'. The name of the works probably originated from the publisher Haslinger and Schubert also used it for his collection published later as op. posth. 142. The lyrical-romantic works are suitable for advanced piano students and have the character of sonata movements. Robert Schumann who regarded them as parts of a four-movement sonata drew attention to the second collection published by Diabelli in 1839 in hisreview.For the first time this scholarly-critical Urtext edition presents the musical text of the 'New Schubert Edition' in new engraving and with optimum page-turns. The fingering takes essential aspects of performance practice of Schubert’s time as well as performance on the modern concert grand piano into consideration.A detailed foreword suggestions for performance and notes on the evaluation of the primary sources complete the edition.- Scholarly-critical editions based on the Urtext of the New Schubert Edition taking all known sources into account- Newly engraved editions with optimum page-turns- With fingering and suggestions for performance (Ger/Eng) by Mario Aschauer- With a detailed foreword (Ger/Eng) and critical commentary (Eng)Mario Aschauerstudied piano historical keyboard instruments conducting and musicology in Linz Salzburg and Vienna. He performs as a soloist and chamber musician with groups including the Austrian Calamus Consort presenting a wide-ranging repertoire on fortepiano harpsichord and organ. Four Impromptus op. 90 - D 899: I. Impromptu C minorII. Impromptu E flat majorIII. Impromptu G flat majorIV. Impromptu A flat majorFour Impromptus op. post. 142 - D 935: I. Impromptus F minorII. Impromptus A flat majorIII. Impromptus B flat majorIV. Impromptus F minor Critical Commentary