Instrumental Play-Along-9 songs from this blockbuster hit movie musical are included in this collection for instrumentalists. Each book features online access to audio demonstration and play-along tracks for download or streaming to help you hear how the song should sound and then play along and sound like a pro!Songs include: 'Come Alive' 'From Now On' 'The Greatest Show' 'A Million Dreams' 'Never Enough' 'The Other Side' 'Rewrite the Stars' 'This Is Me' 'Tightrope'.

Music from the Motion Picture Soundtrack-Solo arrangements for 8 tunes from the 2019 sequel to Disney's mega-hit movie Frozen are featured in this collection perfect for budding instrumentalists. It features online access to audio demonstration tracks for download or streaming to help you hear how the song should sound. Songs include: All Is Found â?¢ Into the Unknown â?¢ Lost in the Woods â?¢ The Next Right Thing â?¢ Reindeer(s) Are Better Than People (Cont.) â?¢ Show Yourself â?¢ Some Things Never Change â?¢ When I Am Older.

Instrumental Play-Along-This songbook features 13 tunes from the Disney blockbusters Frozen Tangled and Enchanted arranged for solo Cello.The pieces featured in this collection are perfect for budding cellists. Songs From Frozen Tangled And Enchanted comes complete with online access to audio demonstration tracks for download or streaming to help musicians hear how the song should sound.Songs include: Do You Want to Build a Snowman? For the First Time in Forever Happy Working Song I See the Light In Summer Let It Go Mother Knows Best That's How You Know True Love's First Kiss When Will My Life Begin and more.

Instrumental Play-Along-Solo arrangements of a dozen jazz blues tunes are featured in this collection for beginning to intermediate instrumentalists.It features online access to audio demonstration tracks for download or streaming to help you hear how the song should sound and so you can sound great while playing along with the backing tracks!Songs include Basin Street Blues C-Jam Blues Freddie Freeloader Night Train One for Daddy-O The Swingin' Shepherd Blues Tenor Madness and more.The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK a multi-functional audio player thatallows you to slow down audio without changing pitch set loop points change keys and pan left or right.

Easy Instrumental Play-Along Book with Online Audio Tracks-This volume in the Easy Instrumental Play-Along series contains 10 Christmas Carols carefully selected and arranged for first-year Cello players.Audio demonstration tracks featuring real instruments are available to download helping you to hear how the song should sound. Once you've mastered the notes download the backing tracks to play along with the band.This songbook includes the favourites Angels We Have Heard on High Christ Was Born on Christmas Day Jingle Bells Jolly Old St. Nicholas On Christmas Night Up on the Housetop and more.

Version B-Niels Rosing-Schow's 2014 piece Views From A High Place for solo Cello. Version B. The work ‘Views from a High Place’ is a rhapsodic piece revisiting characteristic solo passages from both of my Cello concertos. The different musical ‘views’ share the instrument’s high register as the point from which there is a view. Version B was written for the Danish String Players Contest 2014. - Niels Rosing-Schow

10 Songs from 6 Musicals-Intermediate-level arrangements for solo instruments and Piano accompaniment in a range flattering to each instrument. The music has been edited with added dynamics articulations and phrasing making it appropriate for lessons or performances. The accompaniments have been recorded on an acoustic Grand Piano and are available online for download or streaming.Includes: 'Memory from Cats 'Don't Cry for Me Argentina' from Evita 'Hosanna' from Jesus Christ Superstar 'I Don't Know How to Love Him' from Jesus Christ Superstar 'The Last Supper' from Jesus Christ Superstar 'Close Every Door' from Joseph and the Amazing Technicolor Dreamcoat 'All I Ask of You' fromThe Phantom of the Opera 'Angel of Music' from The Phantom of the Opera 'The Music of the Night' from The Phantom of the Opera 'Unexpected Song' from Song

Instrumentalists will delight in this collection, which features thematic interpretations of 28 selections from Howard Shore's brilliant scores to The Hobbit motion picture trilogy. Shore masterfully expands upon the musical palette of Middle-earth, blending familiar motifs from the Lord of the Rings trilogy with an exciting array of memorable new themes. This beautifully produced folio features an array of colorful photos from the film. / Violoncelle

With Online Audio-A step-by-step method written for beginning Cello students of any age with or without a teacher.The left page gives information about the tune: where the hard spots are various techniques and some music theory.The right page provides different bowing patterns and a line of music at the bottom showing you all the notes that are used in the tune. Scales and arpeggios are included with most tunes.The downloadable online audioteaches all of the tunes studies scales and arpeggios in this book by ear. Learn to read notated music in the first position of the Cello playing classical American Celtic and blues tunes as well as how to follow a chordchart and accompany other musicians.

The arrangements are completely compatible with each other and can be played together or as solos. Each book contains a carefully edited part that is appropriate for the Level 2-3 player. The arrangements in the string instrument books, however, are not compatible with those in the wind instrument books due to level considerations regarding keys and instrument ranges. Titles are: Breakaway * Bridge Over Troubled Water * Everything Burns * Inside Your Heaven * The Notebook (Main Title) * The Prayer * To Where You Are * Untitled (How Can This Happen to Me?) * When You Say You Love Me * When You Tell Me That You Love Me * You Raise Me Up.

The most important source for Bach’s Cello Suites is a copy made by his wife Anna Magdalena because the autograph is no longer extant. As further copies show the actual musical text is scarcely problematic. However the slurs which are particularly important for string instruments are very inexact and compel the editor to make difficult decisions.Henle's practical edition HN666 is in two parts. It not only offers the Urtext edition withpreface and critical commentary but also a part for playing. The new study edition contains the Urtext part but in addition offers a reproduction of Anna Magdalena’s copy. This means that both cellists and music lovers alikeare able to form their own opinion about the much discussed problems.

Get Your Band Together-This is the first-ever method that teaches you how to play in a rock band. Learn what all the great musicians seem to know intuitively – how to listen interact and respond improvise and become part of the groove. The book and play-along CD will help improve your timing technique and reading ability. Become the great player that everyone wants to have in their band!Lessons throughout the book guide you through technique that's specific to learning to play Cello in a contemporary ensemble complete with daily practice routines. The CD features outstanding Berklee players and covers a wide variety of styles: rock funk jazz blues swing and bossanova!

for solo cello. Par LARCHER THOMAS. I do not compose my pieces for a certain voice range or orchestration, but for musicians, for people. It is almost impossible for me to produce a piece without having a particular person in mind or to hear him/her inwardly. No matter how standardized the interpretation of classical music is, and no matter how many coordinates have been fixed and defined, I do not want to have them seen (and therewith the notation) as determining and limiting signs, but rather as guideposts towards the creation of vital, organic music. In differentiated music, two participants are necessary in order for a piece to evolve-- the composer and the musician. Just as there is no one way for a composer to express himself or to notate music, etc., neither is there one way for a musician to read the notation, to interpret, or to live. We find ourselves, for this reason, in a network of meanings, gestures, and signs which have to be fathomed and expanded together. The tone, the breath, the gestures, the dedication, and the potentialities of a musician were also ultimately decisive for the form of this piece. It is music which pushes the expressive and technical possibilities of the instrument to its very limits. It is music in which the musician has to transport the contexts and expression over and above the notation. It was not necessary for me to find a new form for this piece; it is a work which can and should be performed in a ‘normal’ concert situation. I deliberately wanted to integrate the perhaps new and unusual content into a familiar form (thus the title ‘Sonata’) And I also wanted to embed the aforementioned extreme situations (in which the technical extremes are synonyms for tension, isolation, loss or tenderness) in an organic process in order for the listener to be able to empathize with and comprehend what is expressed in the piece. I would like to thank Natalie Clein, to whom the Sonata is dedicated, for inspiring this piece and for the path that led to the realization of the music. Thomas Larcher/ Répertoire / Violoncelle