für großes Ensemble. Par HAAS GEORG FRIEDRICH. / Date parution : 2023-03-11/ Répertoire / Ensemble de Chambre

Par WOLFF CHRISTIAN. Composed, as the title suggests, for the 80th birthday of Alvin Lucier on May 14, 2011, At 80, Plus for Alvin Lucier by Christian Wolff is largely open in form and can be performed by any players, with variable duration. The performing score, published here as a facsimile of the autograph manuscript, consists of 14 short phrases to be performed in any sequence, followed by a 15th concluding phrase. In addition, all but one of the phrases may be performed in any clef or any transposition. / Date parution : 2022-09-07/ Répertoire / Ensemble de Chambre

Peter Maxwell Davies pensait de la vulnérabilité individuelle et collective lors de la composition de cette pièce, en particulier en ce qui concerne le problème du changement climatique et de son domicile, dans les îles Orcades, qui est menacée par la montée des eaux. Toutefois, ce thème n'est pas un fait négatif: Davies prétend que nous devons tous entrer dans la dernière porte de la lumière, mais le voyage est plein de lumière et de joie. La mélodie au début de l'oeuvre, qui compose Davies dans les années 70 et n'a jamais utilisé, pourrait être une mélodie populaire île et est soumis à une transformation constante tout au long de la pièce avant d'atteindre l'apothéose à la fin. / Orchestre De Chambre

American composer Philip Glass is widely known as one of the most celebrated influential and prolific of the modern composers. He is frequently referred to as a minimalist though he prefers to call himself a composer of?music with repetitive structures.?Façades is a work that describes superficial qualities. Philip Glass wrote this piece as part of the soundtrack for the film Koyaanisqatsi but it was not used and so became anindependent work. In fact it became a staple of live performances of the Philip Glass Ensemble during its era (1981). Originally its eerily flowing sonorities were to have accompanied visual scenes of New York?s Wall Streetapocalyptically deserted. The piece was given a new name Glasspiece #2 when it was choreographed for the New York City Ballet.This work is for Flute 1 & 2 OR Saxophone 1 & 2 with string ensemble Violin 1 & 2 Viola andCello. You will receive one of each with the set of parts.