Sandra Ford is masterful with a melody. Here she sets text from Acts and Romans for mixed chorus with keyboard and optional violin or flute. The choral textures are varied throughout and the lovely melody always predominates quite a stirring work.

Fred Bock's setting of this famous Samuel Wesley tune was a classic from the start. It has been newly released as part of Fred's “Classics” series. A tasty keyboard accompaniment as only Fred could write supports awarm and rich choral part. Useful as an anthem offertory or service piece it is easy to medium in learning difficulty. Also available in SAB 2 Part and SSA.

David Angerman's expertise as an organist is evident in this new choral Heritage of Faith. The power and sound of that instrument is expertly showcased in this exultant anthem of praise though the piece works equally wellwith piano or keyboard if organ is unavailable. Heritage of Faith is an anthem of thanksgiving and gratitude for all that God has done and for the people who have gone before us laying the foundations of our faith andguiding our lives on the path to grace. Resounding alleluias peal forth in this majestic song of pride and praise. It is ideal for All Saints' Day Reformation Sunday or any festive worship event.

Transfiguration Sunday is sometimes a difficult day to fill musically. This fabulous text tells the story joined with a lesser-known early hymn tune. A minimalist keyboard part gives support but also decorates the lyric with delightful word painting. A splendid addition to the sacred choral repertoire!

Because of Love will be spectacular anytime of the year and it can also serve well during the Easter season. Questioning why God would choose to leave the peace of heaven to come to earth to suffer and die at Calvary theanswer resounds over and over – because of love! J. Paul Williams has quoted John 3:16 which beautifully connects the text with scripture. Lanny Allen's lush vocal writing including soprano and tenor divisi supports themessage while the accompaniment supplies the basis for an outstanding choral presentation. Orchestration by Larry Mayfield is available or accompaniment may be supplied by keyboard.

Sheet music for John Harle's Lookout!. This is a full score for Children’s Voices Mixed Chorus Soprano Saxophone Double Bass and Keyboard.Lookout! was written for TheFolkestone Futures Choir and was realised by The Sidney de Haan Research Centre for Arts and Health Canterbury Christ Church University at the invitation of Folkestone Triennial 2014 with a grant from the Creative Foundation.The piece incorporates lyrics by the poet Tom Pickard.'Lookout! is a set of five songs written for the Folkestone Futures Choir for FolkestoneTriennial 2014. Within the culture of songs written for'Complaints Choirs' the lyric material is drawn from actual notes made by the residents of Folkestone about living in their town - its beauty its community spirit - and of course its drawbacks.It has been purposely written to beable to be rehearsed and performed on a minimum of rehearsal time as the logistics of large-scale community events means that the singers and musicians often come together only on the day of performance.The accompanyinginstrumental parts are straightforward the role of the saxophone line being tosupport the vocal line most of the time. Future performances of the work could involvearrangement of the musical material for other instrumental forcesor simply a keyboard or pianoaccompaniment.' - John Harle

Ave Verum Corpus for SATB chorus with keyboard accompaniment. Edited by Ralph Allwood and David Hill. Latin text.

A sacred evergreen is given new life in the capable hands of a master arranger. Lush vocal harmonies and emotive keyboard writing create a pleasing ambience of warmth and community. Treasured by many as a closer for Lord's Supper observances this adaptation expands beyond the typical one verse congregational moment and brings about a choral offering of beauty and grace. Two presentation options are provided: one as an anthem and shortened version for benediction usage. Score and Parts (vn vc) available as a digital download.

This is a beautiful setting of Lullay Mine Liking by Richard Rodney Bennett. It is arranged here for SATB choir a cappella and includes a Keyboard reduction for rehearsal purposes.

9 anthems for mixed voices-Mack Wilberg Anthems: 9 Anthems For Mixed Voices is for SATB and Organ or Orchestra or unaccompanied.This anthology of 9 mixed-voice anthems combines new material written specially for the collection with established favourites from the Oxford catalogue some of which appear here for the first time with SATB scoring. Containing both accompanied and A Cappella pieces and with festive anthems (with Keyboard or Orchestral accompaniment) alongside short gentle blessings Mack Wilberg Anthems: 9 Anthems For Mixed Voices contains an attractive selection of pieces suitable for a variety of liturgical seasons and will appeal to allmixed-voice church choirs.

The setting of an early 15th century text commissioned by the Choir Of St. John's College Cambridge for the Advent carol services 2004. Written for SATB chorus with a Keyboard accompaniment provided for rehearsal purposes.

Praise The Lord O My Soul; O Lord My God is an anthem by Henry Purcell for SATB Choir Strings and Keyboard. Taken from the Purcell Society Edition Volume 17: Sacred Music Part III this work has been edited by Lionel Pike and lasts around 20 minutes.

Three well-loved Christmas carols arranged for SATB a cappella.The first carol Boar's Head Carol is arranged for mixed voices with brass choir or keyboard. The second and third carols Gaudete and Joy To The World are also arranged for optional brass choir.

Place Names-The Chester Books Of Madrigals offer an exciting collection of secular European madrigals partsongs and rounds from the 16th and ear;y 17th centuries newly edited from early sources by Anthony G. Patti who contributescopious historical notes to each volume.The majority of the settings are for SATB and simplified keyboard reductions. Texts are in the original languages with an English translation (for non-English texts) provided at thehead of each piece.