This is a Porro Chocoano from the Chocó region in Colombia's Pacific coast that tells the story of Maximína and a broken sewing machine. A great multicultural choice for mixed and treble choirs! In Spanish with notes and English translation. Perform it a cappella or add piano guitar bass or percussion ad lib. Available separately: SATB SSA. Duration: ca. 2:30.

POD-A Torrent Of Gold is a work for SSA Chorus and Piano Accompaniment by Peter Maxwell Davies. Commissioned by Hurstpierpoint College the first performance was on 15th January 2016. A setting of apoem by George Mackay Brown a full performance lasts around 2 minutes.

This exceptional original anthem by Jay Althouse has an inspiring message for all believers to stand together as One Church, united in faith and in service to Christ. Opening with unison voices singing a statement of faith, 'We are a church. We are a congregation,' it gradually builds in vigor, climaxing in a glorious refrain: 'O Lord, we praise you with our voices and with song.' / Choeur SAB

Paul Mealor's If Ye Love Me for upper Voices and Organ. Commissioned by St Marylebone Parish Church in memory of Miss Joie Macauley the 900th Anniversary of the parish and the 200th Anniversary of the present parish church; first performed at the parish church by the Choir of St Marylebone Parish Church on 23rd July 2017. 'This is simple beautiful and outstandingly effective. The simple melody is sung unison throughout except for a single two-part chord at the climax with a top G in the upper part (otherwise the top note is E). The organ is rooted with G and C pedal semibreves alternating and the whole piece forms ahuge arc from pianissimo to fortissimo and back to pianissimo.'  - ‘Sunday by Sunday’ Paul Mealor's upper voice setting of the familiar words If ye love me. It offers a gentle unison melody over held chords on the organ building to a climax on the words 'may abide with you' - the emphasis on the pronoun marking out a difference from most other settings. This is an effective somewhat plaintive setting which any upper-voice choir would find attractive and not too demanding. - 'Organists' Review'

The wonderful How Lovely Are The Messengers taken from the Oratorio St. Paul. Arranged here for Soprano Mezzo Soprano and Alto Voices with Piano accompaniment by Max Spicker.

This beautiful piece by Tobin Stokes is loosely based on the five stages of grieving by Elisabeth Kubler-Ross. The first section of the music set for 6-part treble choir on the text ?Hear my prayer Oh Lord ?is polyphonic at a subdued dynamic level. The second phrase of the verse ?and let my crying come unto thee ? is homophonic and builds to a full climax before diminishing to a very soft and passionate ending.

I Dreamed A Dream is one of the most successful musical numbers of all time, having transformed its popularity from the stage into a global chart topper for the numerous artists who have covered and performed it. Taken from 'Les Misérables', the song is a lament sung by the anguished Fantine, who thinks back to happier days and wonders at the path her life has taken. Arranged for SAB choruses, this is an excellent piece for choirs looking for a well-known emotional highlight for their repertoire or climax to a choral pop concert programme. / Choeur Mixte (SAB) Et Piano

And I Love Her is a beautiful lilting ballad from the McCartney/Lennon partnership. Its use of major and minor keys as well as a complete key change in the final verse gives it a sense of drama that can create the perfect climax in a choral program.This arrangement has been specially crafted for SSA choir with piano accompaniment.

And I Love Her is a beautiful, lilting ballad from the McCartney/Lennon partnership. Its use of major and minor keys, as well as a complete key change in the final verse, gives it a sense of drama that can create the perfect climax in a choral program. This arrangement has been specially crafted for SSA choir with piano accompaniment. / Choeur SSA Et Piano

“Some Glad Morning” allows us to see spring through the poet's eyes: the early green like “leafy birds ” the ground breaking open as “dark as coffee beans” and the clouds in a spirited ballgame with the sun. The choir should portray all of the contrasting moods by following the expressive directions throughout the piece. The piano is a significant collaborator as the work builds up to a grand climax. Duration: ca. 3:45

Uses: General Peace SundayScripture: Luke 2:14; John 16:32-33; Romans 14:17A winsome melody melts hearts with gentle grace in this prayer for inner peace. This folk-like tune is supported by several interesting harmonictwists adding a distinctive quality to the overall effect. A simple canon adds variety and a mesmerizing cello obbligato makes this anthem special. Voiced for maximum efficiency choirs of every size will find this irresistible piece to be essentialfor services of reflection.

Featured on the 'Maximum Backstreet Boys' album that was released in 2000. Arranged for one tenor and two bass vocals.

from Frozen II. The award-winning songwriting team of Kristen Anderson-Lopez and Robert Lopez crafted this introspective showpiece for Queen Elsa (Idina Menzel) in Disney's smash hit animated sequel, Frozen II. Elsa wanders the halls of her castle in Arendelle, thoughtfully considering following a mysterious voice (AURORA) that has been calling out to her. Powerful, cerebral vocal lines ascend and weave in this strong and skillful arrangement, with an ending climax for the ages!

With a message that seems to become more and more important with each passing year Michael Jackson's 1991 ballad championing the power of healing and acceptance has stood the test of time. A powerful arrangement features four soloists interweaving with the choir leading to a dynamic climax!

Players gonna play haters gonna hate but I'm just gonna shake it off! Taylor Swift's irresistible #1 hit from 2014 is pure pop delight! SSA and 2-part choirs just can't get enough of this brilliant young artist! Duration: ca. 3:45 ScorePlay - click to view score with recording.