Dramatic Music Part 2 (Paperback Edition)-Volume 20 of the ‘Purcell Society’ series Dramatic Music Part 2 contains 16 pieces by Henry Purcell for intermediate/advanced (Grades 6-8) Voice(s) String Instruments and Continuo. The collection includes (among others) At The Close Of The Evening (The Knight Of Malta) If Thou Wilt Give Me Back My Love (A Fool's Preferment) and The Danger Is Over The Battle Is Past (The Fatal Marriage). Edited under the supervision of the Purcell Society by Ian Spink.Henry Purcell was an English composer. Although incorporating Italian and French stylistic elements into his compositions Purcell'slegacy was a uniquely English form of Baroque music. He is generally considered to be one of the greatest English composers.The Purcell Society founded in 1876 is an organization dedicated to making the complete musical works of Henry Purcell available. Between 1876 and 1965 scores of all the known works of Purcell were published in 32 volumes.

Cantiones profanae Instrument : soloists (STBar), mixed choir (SATB), children's choir and orchestra Type : choral score Nombre de Pages : 72 Carl Orff's masterpiece composed in 1936 undoubtedly is one of the best-known musical creations throughout the world. By popular request, we now publish a comprehensive choral score uniting all choral parts in one volume of excellent quality and print. This choral score complements the hitherto available choral parts (ED 4920-01 and -02) presenting female and male voices in separate editions, as well as the piano score ED 2877. The new choral score makes rehearsing and studying this extraordinary work much easier for every singer and music lover. Content : Fortuna Imperatrix Mundi: 1. O Fortuna - 2. Fortune plango vulnera - I Primo vere: 3. Veris leta facies - 4. Omnia sol temperat - 5. Ecce gratum - Uf dem anger: 6. Tanz - 7. Floret silva - 8. Chramer, gip die varwe mir - 9. Reie - Swaz hie gat umbe - Chume, chum, geselle min - Swaz hie gat umbe - 10. Were diu werlt alle min - II In Taberna: 11. Estuans interius - 12. Olim lacus colueram - 13. Ego sum abbas - 14. In taberna quando sumus - III Cour d'amours: 15. Amor volat undique - 16. Dies, nox et omnia - 17. Stetit puella - 18. Circa mea pectora - 19. Si puer cum puellula - 20. Veni, veni, venias - 21. In trutina - 22. Tempus et iocundum - 34. Dulcissime - Blanziflor et Helena: 24. Ave formosissima - Fortuna Imperatrix Mundi: 25. O Fortuna

This definitive collection showcases twelve of the finest and most loved partsongs by Robert Lucas Pearsall (1795-1856); published in two volumes compiled and introduced by Ralph Allwood one of the UK’s pre-eminent choral directors.These works including the well known Lay a Garland In Dulci Jubilo Great God of Love and No! No! Nigella! are collected and published together for the first time. Suitable for choirs of all abilities the partsongs within this two volume collection are scored for four to eight parts and appropriate for sacred or secular usage. Beautifully engraved the original notation has been updated for contemporary use and clear rehearsalaccompaniments are provided.Both volumes will be an essential addition to any choir’s music library to be used over and over again.The Novello Choral Programme is the creation of a panel of advisors pre-eminent in the British music scene: Ralph Allwood Susan Digby David Hill Brian Kay and Barry Rose each with extensive experience in choral conducting concert work and music education. The aim is to publish essential editions from the best of the wealth of existing choral music ancient and modern while widening the repertoire with exciting new composers and new trends in music making.Ralph Allwood is one of the UK's most distinguished choral directors. He is Precentor and Director of Music at Eton College and a Choral Advisor to Novello.

This English folk song will be recognised instantly by British listeners as the tune formed the first few opening bars of the ‘Radio 4 UK Theme’ an orchestral arrangement of traditional British airs compiled by Fritz Spiegl which was played every morning at the switch-on of BBC Radio 4 for almost 28 years.The lyrics of Early One Morning can be found in publications as far back as 1787 but the well-known melody was not printed until ca. 1855-1859 in William Chappell’s publication of his ‘National English Airs’. As is usual with folk art of any kind no two versions of the song agree beyond the second line although the subject is always thesame - a damsel's complaint for the loss of her lover.In this Novello edition Early One Morning is arranged for SATB Voices with Piano accompaniment for practice only by Thomas F. Dunhill.