The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable collection of diverse tunes that have descended from the folksongs across the British Isles. A variety of arrangements are included, both old and new, of well-loved tunes as well as some lesser-known pieces. All 34 tunes are arranged for SATB Chorus with Piano accompaniment, making this a brilliant way to enhance your choir's repertoire.This Book Of British Folksongs offers a grand selection of favourite folk tunes arranged by composers such as Ralph Vaughan Williams, Gustav Holst, Paul Mealor and George Dyson. Tunes like A-Hunting We Will Go, Auld Lang Syne, Bonny At Morn, Come Lasses And Lads and Scarborough Fair suggest the sheer diversity on offer here. From sad tunes to happy songs, the arrangements here are at once beautiful and touching, coming truly to life when sung by a Mixed-Voice Choir. These thirty four folk songs will enrich a performance programme, whether as one part or the entirety. Choirs of all types and abilities will be able to discover their favourite arrangements, either the most beautiful, the funniest, or the most enjoyable to sing. With the country experiencing a revival in singing traditional folksongs, this collection is a great way to experience the unabashed joy that performing these British tunes can bring. With a great number of favourite tunes as well as some lesser-known songs, this collection includes songs like There Were Three Ravens, Yarmouth Town, My Love Is Like A Red, Red Rose, Dance To Your Daddy and The Rio Grande, as well as an extensive and fascinating introduction by Jeremy Summerly.The wonderful thing about singing folksongs is they are like a window into our country's history. They are occasionally funny, often dramatic, but always enjoyable to sing, and their diversity reflects the different people, landscapes and cultural history of the British Isles. These folk tunes can be traced back through British history, evolving through the oral tradition, continually changing lyrics and melody, being amended and sculpted according to the people who sung them. These timeless tunes have been recorded in this innovative Novello Book Of British Folksongs For Mixed-Voice Choir, however, the joy of these songs is you can put your own spin on them, adapting them to how you want them sung and continuing their legacy. This wonderful collection is a fantastic addition to any choir's performance repertoire, and is sure to lead to success for the choir and audience for many years to come. / Choeur Mixte (SATB) Et Piano

Words by William Morris (1834-1896); Traditional French Carol; Final Verse and Chorus Based on a Harmonization by Gustav HolstA truly dynamic interpretation of a wonderful French carol! “Masters in This Hall ”in its original form is festive and full of life. This arrangement from Mark Hayes is even more exciting! Unexpected harmonies and a fabulous accompaniment make this lively Christmas carol a must for concert or festival. Foradvanced SATB choirs school or church use. Also available iPrint orchestration and StudioTrax CD.

Best known for his exemplary exuberant orchestral work The Planets Gustav Holst’s diverse gamut also included hymns pastoral songs and folk music. He and the poet Robert Bridges became great friends over time their friendship blossoming after Holst sought copyright of one of Bridges’ works in May 1925. This is a terrific hymn set to a poem of Bridges' typical of the combined workings of these two great English artists and has been edited here for SATB mixed choir and organ pedals by Alan Gibbs.

One of Holst's most under-appreciated works Ode To Death (Op. 38) was written in 1919 in response to the First World War and mourned his friends who had died in that conflict. Scored for SATB Chorus and Orchestra it is a setting of the elegiac poem When Lilacs Last in the Dooryard Bloom'd by Walt Whitman. Gustav Holst (1874-1934) was an English composer and teacher. Having studied under Stanford and Parry he became a close friend of Vaughan Williams they would often critique each other’s work and influenced composers such as Tippet and Britten. He is best remembered for his Planets suite.

In the Bleak Midwinter-A beatutiful arrangement of Christina Rossett's famous Christmas carol set by Gustav Holst and arranged by Philip Lawson. This carol will be popular with choirs and audiences alike.

This accompanied anthem for SATB voices from classical composer Gustav Holst includes: A Babe Is Born; Now Let Us Sing; Jesu Thou the Virgin-born; The Saviour of the World Is Born.

Holst's choral fantasy on old carols Christmas Day arranged for mixed voice choir SATB with organ accompaniment.

This set comprises many of Holst's lesser known choral settings. Her Eyes The Glow Worm Lend Me and Come To Me are published here for the first time and the others were previously out of print. The selection will offer choirs a varied selection of pieces that will prove both interesting and rewarding. Repertoire well worth exploring.

Work for SATB Chorus and Orchestra. Revised by Colin Matthews in 1973 in consultation with Imogen Holst. Words by Walt Whitman.

So clever and satisfying to bring in Parry's “Jerusalem” hymntune along with Holst's “Thaxted” from “The Planets” to carry the majestic text “I Lift Up Mine Eyes” from the Psalms.There is a regal excellence from start to finish. A superb traditional church choir anthem.

The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable collection of diverse tunes that have descended from the folksongs across the British Isles. A variety of arrangements are included both old and new of well-loved tunes as well as some lesser-known pieces. All 34 tunes are arranged for SATB Chorus some with Piano accompaniment making this a brilliant way to enhance your choir's repertoire. This Book Of British Folksongs offers a grand selection of favourite folk tunes arranged by composers such as Ralph Vaughan Williams Gustav Holst Paul Mealor and George Dyson.Tunes like A-Hunting We Will Go Auld Lang Syne Bonny At Morn Come Lasses And Lads and Scarborough Fair suggest the sheer diversity on offer here. From sad tunes to happy songs the arrangements here are at once beautiful and touching coming truly to life when sung by a Mixed-Voice Choir.  These thirty four folk songs will enrich a performance programme whether as one part or the entirety. Choirs of all types and abilities will be able to discover their favourite arrangements either the most beautiful the funniest or the most enjoyable to sing. With the country experiencing a revival in singing traditional folksongs this collection is a great way to experience the unabashed joy that performing these British tunes can bring. With a great number of favourite tunes as well as some lesser-known songs this collection includes songs like There Were Three Ravens Yarmouth Town My Love Is Like A Red Red Rose Dance To Your Daddy and The Rio Grande as well as an extensive and fascinating introduction by Jeremy Summerly. The wonderful thing about singing folksongs is they are like a window into our country's history. They are occasionally funny often dramatic but always enjoyable to sing and their diversity