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ENGLISH
VIOLONCELLO - CELLO
Choral SSAATTBB
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Felix Mendelssohn Bartholdy: Mein Gott warum hast du mich verlassen (Ps 22):
Choral SSAATTBB
SSAATTBB A Cappella
Barenreiter
Mendelssohn’s Three Motets Op.69 and Three Psalm Settings Op.78 belon...
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Mendelssohn’s Three Motets Op.69 and Three Psalm Settings Op.78 belong to the standard repertoire of many choruses and vocal ensembles. Our editions the work of two leading Mendelssohn specialists Hiromi Hoshino and Michael Cooper present these pieces in separate volumes reflecting the latest state of scholarly research.Each edition contains the original German text and the English translation authorised by the composer himself.A two-stave reduction of the vocal parts has been added as an aid in rehearsal. Complete editions are available with critical reports and introductions in German and English.- Urtext at the forefrontof musical scholarship- Complete editions with critical reports and introductions in German and English- With piano reductions for rehearsal purposes
60.00 GBP - Sold by Musicroom UK
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Felix Mendelssohn Bartholdy: Psalm 2 Why Rage Fiercely The Heathen Op.78: Vocal:
Choral SSAATTBB
SSAATTBB A Cappella
Barenreiter
Psalm No.2 Why rage fiercely the Heathen Op.78 (1st & 2nd versions)Mendelssohn&r...
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Psalm No.2 Why rage fiercely the Heathen Op.78 (1st & 2nd versions)Mendelssohn’s Three Motets Op.69 and Three Psalm Settings Op.78 belong to the standard repertoire of many choruses and vocal ensembles. Our editions the work of two leading Mendelssohn specialists Hiromi Hoshino and Michael Cooper present these pieces in separate volumes reflecting the latest state of scholarly research.We also offer a separate edition of Psalm 91 “For He shall give His angels charge” in its original setting for eight-part a cappella chorus. (Mendelssohn later incorporated it into “Elijah” with an orchestral accompaniment).Eachedition contains the original German text and the English translation authorized by the composer himself.A two-stave reduction of the vocal parts has been added as an aid in rehearsal. Complete editions are available with critical reports and introductions in German and English.- Urtext at the forefront of musical scholarship- Complete editions with critical reports and introductions in German and English- With piano reductions for rehearsal purposes
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Felix Mendelssohn Bartholdy: Judge Me O God Op.78 Psalm No. 43: Vocal: Vocal
Choral SSAATTBB
SSAATTBB A Cappella
Barenreiter
Mendelssohn’s Three Motets Op.69 and Three Psalm Settings Op.78 belon...
(+)
Mendelssohn’s Three Motets Op.69 and Three Psalm Settings Op.78 belong to the standard repertoire of many choruses and vocal ensembles. Our editions the work of two leading Mendelssohn specialists Hiromi Hoshino and Michael Cooper present these pieces in separate volumes reflecting the latest state of scholarly research.Each edition contains the original German text and the English translation authorised by the composer himself.A two-stave reduction of the vocal parts has been added as an aid in rehearsal. Complete editions are available with critical reports and introductions in German and English.- Urtext at the forefrontof musical scholarship- Complete editions with critical reports and introductions in German and English- With piano reductions for rehearsal purposes
4.50 GBP - Sold by Musicroom UK
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Herbert Howells: Creep Afore Ye Gang: SATB: Vocal Score
Choral SSAATTBB
SSAATTBB A Cappella
Boosey and Hawkes
Two part songs by the eminent English choral composer Herbert Howells setting t...
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Two part songs by the eminent English choral composer Herbert Howells setting the words of James Ballantine and Seumas O’Sullivan.
3.25 GBP - Sold by Musicroom UK
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Felix Mendelssohn Bartholdy: For He Shall Give His Angels Charge Over Thee:
Choral SSAATTBB
SSAATTBB A Cappella
Oxford University Press
Paperback-Felix Mendelssohn's For He Shall Give His Angels Charge Over Thee for ...
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Paperback-Felix Mendelssohn's For He Shall Give His Angels Charge Over Thee for SSAATTBB unaccompanied.Written in 1844 in thanksgiving for the preservation of the life of the Prussian King Friedrich Wilhelm after an unsuccessful assassination attempt this is the original a cappella version of the well-known chorus from Elijah. This edition presents both English and German texts.
3.35 GBP - Sold by Musicroom UK
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We Are The Music Makers
Choral SSAATTBB
SSAATTBB A Cappella
Peters
'for the National Youth Choirs of Great Britain'for junior-upper voice SSSA Choi...
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'for the National Youth Choirs of Great Britain'for junior-upper voice SSSA Choir and Double SATB Choir a cappella (Score)Commissioned by the National Youth Choirs of Great BritainText is by Arthur W. E. O'Shaughnessy, adapted by Jessica Duchen.Composer's NoteWhen the National Youth Choirs of Great Britain requested a short piece for their gala concert at Birmingham's Symphony Hall, I was particularly excited about the prospect of writing for 300 singers. A recent research trip to Estonia resulted in somewhat of a revelation: having heard and seen their world-renowned choirs in action (literally!) has resulted in We are the Music-Makers having the less mainstream 'surround-sound' of upper voices/junior choir at the back and sides of the audience and a further stereophonic double-choir on stage.This poem was sent to me by Tim Williams (my ex Head of English at school), and immediately seemed to fit this occasion. This text has already been set magnificently by Elgar, so partly to avoid any kind of comparison and also to bring its timeless message up to date, I asked my poet friend Jessica Duchen to give it a sligtly more contemporary feel.A poem about global music-making (which ties in with the NYCGB's recent World-Music CD), it speaks about humankind, nation to nation, and the mention of Babel inspiring a 'speakng of tongues' effect by using as many different international words for 'music' as possible as an accompaniment (not an easy task, as many of them are similar to our own word!). These are: French (Musique), Romanian (Muzica), Swahili (Mahewa), Polish (Muzka), Estonian (Muusika), German (Muzik), Japanese (Ongaku), and Spanish (Música). / Choeur Mixte (SSAATTBB) A Cappella
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Song Of Cherubin - Ize Cheruvimi (PENDERECKI KRZYSZTOF)
Choral SSAATTBB
Schott
Für Gemischten Chor (Ssaattbb) A Cappella. Par PENDERECKI KRZYSZTOF. Durée: 8'...
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Für Gemischten Chor (Ssaattbb) A Cappella. Par PENDERECKI KRZYSZTOF. Durée: 8', Langue: Slavonic (liturgical), English, Format: DIN A4/ Répertoire / Choeur Mixte (SSAATTBB)
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Though Love Be A Day
Choral SSAATTBB
SSAATTBB A Cappella
Schott
The musical setting of the poem Though Love be a Day by the English writer E. E....
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The musical setting of the poem Though Love be a Day by the English writer E. E. Cummings is both graceful and solemn at the same time. The composer Matthew Brown interpreted it sometimes light, sometimes tonally powerful and archaic for mixed a cappella choir. / Choeur Mixte (SSAATTBB) A Cappella
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Karl Jenkins: The Spirit of the Lord: Double Choir: Vocal Score
Choral SSAATTBB
SSAATTBB, Organ
Boosey and Hawkes
A serene setting of Luke 4: 18 19 (English text) suitable for Pentecost and gen...
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A serene setting of Luke 4: 18 19 (English text) suitable for Pentecost and general use.
3.25 GBP - Sold by Musicroom UK
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Mark Sirett: Veni Sancte Spiritus: Double Choir: Vocal Score
Choral SSAATTBB
SSAATTBB A Cappella
Walton Music
Respected Canadian composer Mark Sirett masterfully juxtaposes English and Latin...
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Respected Canadian composer Mark Sirett masterfully juxtaposes English and Latin passages and men's and women's voices in this stunningly beautiful piece for concert festival and worship venues. Best for more accomplished choirs.
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Eric Banks: Voices: SATB: Vocal Score
Choral SSAATTBB
SSAATTBB A Cappella
Boosey and Hawkes
Voices written in memory of Fenno Heath (1926-2008) who served as the conductor...
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Voices written in memory of Fenno Heath (1926-2008) who served as the conductor of the Yale Glee Club for almost 40 years is based on a poem by Greek poet Cavafy best known for his poetic recreations of classic images of ancient Greece. This moving a cappella work uses both Greek (IPA pronunciation provided) and English texts.
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Benjamin Britten: A Hymn To The Virgin: Double Choir: Vocal Score
Choral SSAATTBB
SSAATTBB A Cappella
Boosey and Hawkes
A Hymn To The Virginfor unaccompanied chorus is one of Benjamin Britten's earlie...
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A Hymn To The Virginfor unaccompanied chorus is one of Benjamin Britten's earliest works. It is in fact one of the earliest surviving pieces of church music written by the composer. The piece was first performed at a concert given by the Lowestoft Musical Society in St. John's Church on January 5 1931. The anonymous text was taken out of the Oxford Book of English Verse. This piece is written for unaccompanied SATB.
74.85 GBP - Sold by Musicroom UK
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John Tavener: Androcosme Movement 10 From Miroir Des Poemes: Double Choir: Vocal
Choral SSAATTBB
SSAATTBB A Cappella
[Sheet music]
Chester
Androcosme is the tenth movement of the wider work Miroir Des Poèmes a work ...
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Androcosme is the tenth movement of the wider work Miroir Des Poèmes a work which sets 22 poems by the French poet and philosopher Jean Biès. This piece is arranged for unaccompanied double SATBChoir and lasts around 3 minutes. Miroir Des Poèmes was commissioned by the Vancouver Chamber Choir to mark their 40th anniversary in 2011 with major funding coming from the Arts Partners inCreative Development. The lyrics of Androcosme include a refrain which depicts the progression of man's life through various emotions comparing them to the natural world in a beautifully poetic metaphor.Tavener himself describes this piece as part of the central section which is 'the metaphysical and mystical centre of the piece'. Please note the words are in French but an Englishtranslation is provided.
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