2 Pieces. Par MALDONADO RAUL. Grâce au compositeur Jean-Claude Soldano, les éditions du même nom ont pu voir le jour dans les années 2000 et ainsi publier des oeuvres de petits compositeurs essentiellement français. C'est le cas du recueil dénommé Una pagina rota / Para rezar en la noche (2 pièces) de Maldonado Raul qui a été composé pour Guitare / Niveau : Fin de 2ème et 3ème Cycle / Répertoire / Guitare Solo

Blanc-Noir, Escapade, Bart'S Blues, Humeurs Câlines, Entre Deux Songes, Le Tango Des Chausettes. Par COMERE FRANCK. Grâce au compositeur Jean-Claude Soldano, les éditions du même nom ont pu voir le jour dans les années 2000 et ainsi publier des oeuvres de petits compositeurs essentiellement français. C'est le cas du recueil dénommé Entre deux songes (7 pièces) de Coméré Franck qui a été composé pour Guitare / Niveau : 2ème Cycle / Répertoire / Guitare Solo

Media Type : DVD Musical Genre : Jazz Series : Mel Bay Records Number of pages : 128 Featuring: Jimmy Bruno, guitar; Chris Farr, tenor sax; Daniel Monaghan, drums; Lucas Brown, organ and keyboard bass Jimmy Bruno is one of the finest jazz guitarists of our time. From the first note of every performance he captures audiences with his electricity and presence. This most recent performance, filmed live at Chris' Café in Philadelphia, PA, presents the unique opportunity to witness Jimmy in an intimate jazz setting, while playing to a home town crowd. This new DVD features eight jazz standards performed live by Jimmy Bruno with a tenor sax/drums/organ quartet and includes an up-close and personal interview with the master himself.

Par NICOLAS BERNADETTE. Grâce au compositeur Jean-Claude Soldano, les éditions du même nom ont pu voir le jour dans les années 2000 et ainsi publier des oeuvres de petits compositeurs essentiellement français. C'est le cas du recueil dénommé 4 nouvelles histoires brèves de Nicolas Bernadette qui a été composé pour Guitare / Niveau : 1er et 2ème Cycle / Répertoire / Guitare Solo

Piano, 3 Flûtes, Violon, Vlc, Cb, Grosse Caisse, Cymbales et Tambourin. Par PONTHIEUX F.. Grâce au compositeur Jean-Claude Soldano, les éditions du même nom ont pu voir le jour dans les années 2000 et ainsi publier des oeuvres de petits compositeurs essentiellement français. C'est le cas du recueil dénommé 3 estampes ('Jugy Be', 'Good by Knokke', 'Lune rousse') de Ponthieux F. qui a été composé pour Guitare / Niveau : Fin de 2ème Cycle / Répertoire / Guitare Solo

Do you wonder why lots of practice on scales and arpeggios hasn't made you feel fluent and creative when soloing? If so, then this book is the missing link for you! Line Games is an organized series of practical studies for the development of single-note guitar technique and jazz vocabulary simultaneously. Many examples are transcribed from the recorded solos of great jazz guitarists (Wes Montgomery, Pat Martino, Joe Pass, etc.) and then the book gives you the tools to develop complete fluency in creating similar lines on your own! Randy Vincent's Line Games is a serious, well-conceived book on jazz guitar. It has a tremendous amount of useful information which can be truly helpful to guitarists seeking thorough knowledge and training in jazz music.? ? Kenny Burrell Topics Covered Include: Basic six-note scales commonly used by the jazz greats. How to use all of the chromatic notes to make playing inside the chord changes sound more interesting and melodic. Triad pairs for modern-sounding lines, as used by all the great players from Coltrane on. Exercises that will give you the tools to create many interesting chord extensions from a few simple arpeggios. How to build long lines across many chord changes. How to use thematic development for more cohesive solos. Fingerings often given to aid in getting these lines under your fingers. Plus much more! 156 pages. More Endorsements: This book is probably the most complete explanation of linear improvisation as applied to the guitar that I have come across. Randy Vincent goes into his subjects, which include a novel take on hexatonic applications, chromatic neighbor tones, and various scale forms and arpeggios, with unprecedented thoroughness. It is also refreshing to see the emphasis on thematic development, and I like how some of the great recorded guitar solos are often used as illustrative examples. I highly recommend it.? ? Ben Monder Randy has come up with another Winner. This is one of the most comprehensive studies I have ever encountered concerning single line improvisation!? ? Vic Juris With all the books on jazz improvisation available I didn't think it was possible to find one that offers a new perspective but Randy Vincent's Line Games does just that. It's a great book! There are many real- world examples of players using the archetypal bebop hexatonic sound and many examples of ways to practice and utilize the sound. In suggesting ways of practicing and using the scale Randy gets you started, but it's up to the reader to strike out on their own ? in my opinion the best way to really grasp a sound or concept. There is a whole lot of material here and I'm looking forward to working with it for a long time. Thanks, Randy!!? ? Bruce Saunders With the plethora jazz guitar books on the market today, one must sort through dozens to find one that yields the results of a tried and true method for learning to play jazz as applied to the guitar. I was pleasantly surprised to find a new book that I feel to have such qualities. This being the jazz guitar book written by Randy Vincent called Line Games for Sher Music Co. Inside, you'll find dozens of examples, explanations, techniques, and the application of the jazz language employed by all the great jazz guitarists we know and love. Great job, Randy!? ? Henry Johnson

Ondulations, Racines Douces, Estern, Preludium. Par PERISSINOTTO F.. Grâce au compositeur Jean-Claude Soldano, les éditions du même nom ont pu voir le jour dans les années 2000 et ainsi publier des oeuvres de petits compositeurs essentiellement français. C'est le cas du recueil dénommé 4 pièces et dépendances de Perissinotto F. qui a été composé pour Guitare / Niveau : Fin de 1er à Début de 2ème Cycle / Recueil / Guitare Solo

Par PERISSINOTTO F.. Grâce au compositeur Jean-Claude Soldano, les éditions du même nom ont pu voir le jour dans les années 2000 et ainsi publier des oeuvres de petits compositeurs essentiellement français. C'est le cas du recueil dénommé En dansant dans les nuages de Perissinotto F. qui a été composé pour Guitare / Niveau : Fin de 2ème Cycle / Répertoire / Guitare Solo

'Barques, Ombrelles et Canotiers', 'Le Bateau-Lavoir', 'Hommage À Frédéric Chopin', 'Rue Des Alpes', 'Port Aux Cerises', 'Rue De Langres', 'Le Kiosque À Musique'). Par LE GARS MARC. Grâce au compositeur Jean-Claude Soldano, les éditions du même nom ont pu voir le jour dans les années 2000 et ainsi publier des oeuvres de petits compositeurs essentiellement français. C'est le cas du recueil dénommé Valses sur Loire (volume 2) (7 pièces) de Le Gars Marc qui a été composé pour Guitare / Niveau : Début à Fin de 2ème Cycle / Répertoire / Guitare Solo

'Anakao', 'Sainte-Marie', 'Nosy Be', 'Ka', 'Waihi'. Par PONTHIEUX F.. Grâce au compositeur Jean-Claude Soldano, les éditions du même nom ont pu voir le jour dans les années 2000 et ainsi publier des oeuvres de petits compositeurs essentiellement français. C'est le cas du recueil dénommé Plages , vol2 : Sud (5 pièces) de Ponthieux F. qui a été composé pour Guitare / Niveau : Fin 1er Cycle à Fin 2ème Cycle / Recueil / Guitare Solo

The tenth concerto in B minor in L'Estro Armonico (best translated as The Harmonious Inspiration) which is edited here in A minor - for four solo guitars - is one of the most famous in the entire collection -- indeed inVivaldi's entire output. Scored for four solo violins two solo violas solo violoncello and an strings orchestra. Johann Sebastian Bach not only admired Vivaldi's Opus 3; he copied it openly. In a general sense the Vivaldipieces gave impetus to much that is in the German master's Brandenburg Concertos. More particulary six concertos of Vivaldi's Opus 3 were copied by Bach as the basis for six of his concertos: two for 0rgan (BWV 593 and 596 basedon Opus 3 nos. 8 and 11 respectively) three for solo harpsichord ) BWV 978 972 and 976 based on Opus 3 nos. 3 9 and 12 respectively) and one for four harpsichords and orchestra in A minor (BWV 1065 based on Opus 3 no. 10).Bach frequently rewrote concertos scored for one kind of instrument substituting another. It is evident that Bach thought not so much in terms of the violinistic nature of the originals but in their harmonic and rhythmicpotential which could be realized on any instrument. Since Bach has already justified an arrangement of Opus 3 number 10 by the great aesthetic success of his four-harpsichord version it serves to reason that an arrangementfor four guitars is equally valid. Just as Bach preserved everything of the original Vivaldi and added only a few doubling to accomodate the left hands of the harpsichordists so in this version the substitution of guitars is donewith little or no change of original-notes. The arpeggios especially prominent in the second movement lend themselves ideally to guitar playing and the ability of the guitar to play both lyrical lines as well as passage worksuits the violinistic lines and passages of the original.

/ Ensemble de guitare classique. Du Cordero ' Concierto Festivo 'pour orchestre de guitare et de la chaîne est son plus récent ouvrage, écrit en 2003. Il a été commandé par l'Université de Porto Rico pour célébrer le 100e anniversaire de sa fondation et la réouverture de son théâtre. Le concerto comporte trois mouvements, écrits dans un style modal et neo-romantique dans lequel les éléments contrapuntiques de la Renaissance espagnole combinent avec les harmonies contemporains, lui donnant une saveur distinctive qui est présente dans la plupart des oeuvres de Cordero. Comme dans ses précédents concertos, influences Afro-Antillais apparaissent parfois dans cette composition, avec leurs riches, rythmes somptueuses. Ernesto Cordero explore créative les ressources sonores de la guitare, il offre une fonctionnalité solo virtuose enrichie par les dialogues avec les autres instruments. Dans plusieurs sections lyriques de la pièce, les projets et brille de guitare romantique spirit, par le biais de belles phrases qui reflètent la passion du Cordero pour la vie et pour sa bien-aimée de Porto Rico. / Guitare Classique / 56 pages / niveau : Intermédiaire/Avancé / Partition - Format: 11 X 8,5

Par SERRANO JUAN. The legendary flamenco guitarist and best-selling Mel Bay Publications author, Juan Serrano, is well-known for his sound recordings, transcriptions of his music, and technical methods for flamenco guitar. Now the music that formed his technical repertory and was the musical foundation given to his by his father, Antonio el del Lunar, (guitarist for all the flamenco singers of his time including Pastora Pavon-Nina de los Peines) is at your fingertips in this book that contains completely unreleased flamenco puro that is the foundation of one of the world's leading guitarists. These falsetas or variations on flamenco forms (toques) are graded so they are valuable for beginners, intermediate, advanced, and professional flamenco guitarists--or for classical guitarists that want to learn flamenco. This book is a repertoire book that is a valuable supplement to other Juan Serrano books on Mel Bay, such as Flamenco Guitar: Basic Techniques, or The Flamenco/Classical Tradition: A Technical Guitar Method and Introduction to music. This new book includes standard notation and guitar tablature. This repertoire allows students to solidify right-hand arpeggios, rasgueados, and picados - and left-hand techniques such as ligados and apagados, while learning valuable repertoire that can be used by the concert artist. / Niveau : Tous Niveaux / Flamenco - Solos / Recueil / Guitare Classique

For the first time this edition presents work for Guitar solo and for Guitar duet by Graciano Tarragó grouped into different collections. Despite the fact that the composer published the set of works separately (with the exception of the collections of studies and the Catalan Christmas songs) it is not difficult to see that a natural classification surges from its formal structure from its source of inspiration and from its intent upon observing the works as a whole.The main objective of this revision was to update its presentation to meet the demands of the Guitar world today and to offer scores that ease the introduction to the study of this copious collectionof works. The works hold an indisputable musical beauty and demand technical virtuosic knowledge of the highest level.