Evelyn Rothwell (1911-2008) was a British musician who was considered one of the best oboists of her generation. She arranged Two Songs by Mozart for Oboe and Piano in 1969.Das Lied DerTrennung (?Song of Separation? K. 519) was written in 1787 for Male Voice and Piano setting a text by Klamer Eberhard Karl Schmidt. Set in a minor key it explores the feelings of angst and pain created as two lovers areseparated. Un Moto Di Gioia Mi Sento (?I feel a surge of Joy? K. 579) by contrast is a much happier piece. It was written in 1789 when Mozart was revising his famous opera?The Marriage of Figaro and was originally written as a Soprano Aria.

Par EWAZEN ERIC. Originally composed for Trumpet and Piano, A Song from the Heart is one of those rare new works that immediately captures performers and listeners in a wide range of settings. A beautiful melodic solo sings over a lush piano accompaniment, with passages that stick in the mind well after the performance. A Song from the Heart will be at home on any program, whether memorials, recitals, or weddings. For intermediate to advanced performers./ Répertoire / Hautbois et Piano

Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'éditer la partition Song of Abaï de Bestybaev. Idéale pour les musiciens pratiquant Hautbois et ayant un niveau proche de Cycle 2, cette pièce se classe dans la catégorie Classique sous la référence BEST02948. / Hautbois / niveau : Cycle 2 / Partition

Description Solos For The Oboe Player Selected and edited by Whitney Tustin. Fifteen pieces offer the player a variety of period and styles. Songlist Andante And Allegro (Sonata No.15) [Loeillet, Jean-baptiste] Aria (St. Matthew Passion) [Bach, Johann Sebastian] Concerto No. 8 In B Flat [Handel, George Frideric] Kuruka-kuruka [Yamada, Koscak] Largo [Fausch, Johann Friedrich] Mazurka [Debussy, Claude] Romance No.1 (Three Romances) [Schumann, Robert] Sonata In A Minor [Telemann, George Philipp] Song (Two Pieces) [Gliere, Reinhold] Theme (Symphony In C, 2nd Movement) [Bizet, Georges] Toadinha (A Little Song) [Berger, Jean] Traume [Wagner, Richard] Two Arabian Dances [Laurischkus, Max] Two Songs [Liszt, Franz] Vocalise Op.34 No.14 [Rachmaninov, Sergei]

Or Organ-Born in Geneva of a jeweller father (and excellent flautist) and singer mother Marguerite Roesgen-Champion (1894-1976) was one of those rare women who reconciled family life (in 1926 she settled in Paris with her husband a philately merchant) with a professional activity devoted to music. Her abundant output graced all genres with a predilection for sacred pieces the art song the Piano and chamber music. Published respectively in 1950 and 1953 the two Nocturnes for Oboe and Piano (or Organ) have their place in the glorious tradition of French music from the between-the-wars period. The first Nocturne subtitled 'Noël' is dedicated to Pierre Bajeux(1899-1961) who taught the oboe class at the Paris Conservatoire as of 1941. Of classic ABA construction this piece as simple as it is expressive is in the form of a pastorale: here the gentle opening recitative unfolds its dreamy melancholic volutes of which the modal character would have appealed to Charles Koechlin. The second Nocturne presents subtle modulations that give it a refined elegance. In both cases this tastefully polished music invites us to stroll in an Arcadian landscape bathed in azure: 'There all is order and beauty / Luxury calm and voluptuousness'.

Two cruises around the Norwegian Fiords on which I played and lectured were the foundation for this work. As I explored Grieg's piano music I became increasingly fascinated by the freshness of his melodies (well suited to the oboe) and the imaginative use of chromatic harmonies in the accompaniments. Of the ten items in this suite six are from his collections of Norwegian folk songs; the others from his Lyric Pieces. - Bryan Kelly

This title is taken from Dvorak. However. The models from which the songs are derived are clearly identifiable as are the composers from whose language they have been derived. The piece appears to be in one movement though it is in fact two with a coda. The first is French in style a sort of Waltz. It is quick and harks upon the likes of Françaix and where its idiom becomes more advanced Messaien. The other is Germanic a slow movement with echoes of German expressionism - perhaps Richard Strauss perhaps Mahler. The two movements are partly complete; the cod reconciles their differences and completes them. I see the piece as my own version of En blanc et noir.

L'édition fait partie du syllabus Trinity 2007 (grades 2,3,4) / Hautbois Et Piano

Par CARLIN ALEXANDRE. 1’45’’ / Niveau : Débutant / Répertoire / Hautbois et Piano