Oratorio, edition of selected works, Urtext edition. Par TELEMANN GEORG PHILIPP. Composed around 1760, Die Auferstehung und Himmelfahrt Jesu is one of Telemann ’s last large-scale vocal works. The libretto, by Karl Wilhelm Ramler, recounts the Biblical events from the Resurrection to the Ascension in seven sections. Alternating between recitative, da capo arias and festive choruses, Telemann succeeds in producing a vivid and effective musical interpretation of the libretto. Our edition of this oratorio is based on the Urtext from Georg Philipp Telemann Musical Works. The score contains a realisation of the continuo part. The work is ideal for performances in church and concert hallalike. Complete scholarly-critical edition based on Georg Philipp Telemann Musical Works An attractive addition to the repertoire with a view to the Telemann Year 2017 Bilingual Foreword (Ger/Eng) Idiomatic Piano reduction Full score (BA5851) and vocal score (BA5851-90) available for sale Performance material (BA5851-72) available for hire / Oratorio / Répertoire / Solistes, SATB et Orchestre

Vl2. Par TELEMANN GEORG PHILIPP. Editeur(s) d'origine: Thom, E./ Répertoire / Orchestre

Symphonies. Par RAMEAU JEAN-PHILIPPE. The heroic pastoral Daphnis et Eglé was performed only once, on 29 October 1753, for the entertainment of King Louis XV at Fontainebleau and remained unpublished until today. Our complete edition (BA 8862) is based on Rameau's autograph manuscript, a copy of the separate parts, and the libretto published by Ballard in 1753. A comparison of the sources reveals two versions of the work: the original version and the one revised for Fontainebleau, whereby the differences lie mainly in the final divertissement. This edition recommends the Fontainebleau version—which is actually more complete in its musical form, in particular with its overture and two ariettas—but alsoreconstructs the original state of the final divertissement (presented in the appendix) before it was revised. Here we present the instrumental numbers from both operas for concert performance. Based on the first scholarly-critical edition, published as part of “Opera Omnia Rameau Instrumental numbers in order of performance, but also grouped by key in the list of contents, enabling them to be combined freely into orchestral suites Published with performance material on hire/ Répertoire / Orchestre

Musikalisches Drama. Par TELEMANN GEORG PHILIPP. Musikalisches Drama/ Répertoire / Orchestre

Vl2. Par TELEMANN GEORG PHILIPP. Editeur(s) d'origine: Fleischhauer, Günter/ Répertoire / Orchestre

Vl2. Par TELEMANN GEORG PHILIPP. Editeur(s) d'origine: Hobohm, Wolf/ Répertoire / Orchestre

Par RAMEAU JEAN-PHILIPPE. Richer than ever – Rameau’s “Zoroastre” in the version of 1756. Opera in five acts. Rameau’s revised version of his opera “Zoroastre”, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today’s point of view the work profits dramaturgically from many of the changes and seems altogether richer and more tightly woven than the original of 1749. The subject matter of the libretto, derived from Ancient Persian sources, is timeless: the struggle between good and bad. The good is embodied by the religious reformer Zoroastre, a representative of the supreme light being Orosmade. He is opposed by the ambitious magician Abramane who serves Ariman, the spirit of the dark. The opera includes some of Rameau’s most ecstatic and spiritual musical numbers, such as the episode of sun worship in Act 3 with the sublime „Hymne à la Lumière“, which, for unknown reasons, was not integrated in the revision of 1756. It is therefore included in Appendix 3 of this Bärenreiter edition. Incidentally, with “Zoroastre” the prologue, wh ich had been customary since the beginnings of French opera in the 1670s, was abandoned. Instead Rameau was the first to introduce an overture which set the scene for the entire drama and thereby anticipated Gluck’s opera reform by many years. Here we present the instrumental numbers for concert performance. - Based on the first scholarly-critical edition, published as part of “Opera Omnia Rameau” - Instrumental numbers in order of performance, but also grouped by key in the list of contents, enabling them to be combined freely into orchestral suites - Published with performance material on hire / Date parution : 2022-11-08/ Répertoire / Orchestre

Tragédie in one Prologue and Five Acts. Par RAMEAU JEAN-PHILIPPE. Rameau Castor et Pollux RCT 32A-B (Versions from 1737 and 1754) Symphonies (Full Score) Symphonies / Versions from 1737 and 1754 This collection of all instrumental numbers from 'Castor et Pollux' (tragédie in a prologue and five acts) brings together the movements and dances of all versions based on the volumes of the ?Opera Omnia Rameau? IV.3 (version 1737, BA08874-01) and IV.23 (version 1754, BA08864-01). Orchestras can use this to compile a suite to meet their needs aided by a register which offers a separate overview sorted by key. The performance material of the 'Symphonies' is available on hire in the accustomed high quality of the ?Opera Omnia Rameau?. - Compilation of the instrumental numbers from all opera versions - Overview of the keys to enable a tailor-made compilation of orchestral suites - Based on the scholarly-critical new edition of all original versions - Performance material available for hire / Date parution : 2023-06-01/ Répertoire / Orchestre