Pique König-Lilalu (Stars In Your Eyes) by Gabriel Ruiz and Pique K?nig by Gunter Fuhlisch for Salon Orchestra. Score and parts for the following instruments:C-instrument (chord symbols and text); Guitar; Drums; 1/2/3. Violin; 1./3. Alto Saxophone; 2. Tenor Saxophone; 1-2. Trumpet; 1st Trombone; Bass; Piano (chord symbols and text)

You've not heard Jingle Bells until you've heard this showstopper by arranger Mark Hayes. Perfect for school choirs community choruses or church Christmas pageants the energy in this piece never stops. The openingfeatures mixed meters and a driving orchestral track with bells everywhere! Next Hayes sets this favorite holiday tune in waltz style with comical lyrics a big-band jazz chorus and a tongue-in-cheek classical sectioncomplete with an operatic soprano solo fit for the most demanding diva! The final chorus showcases the men on the melody with the women jingle-jangling in the treble register all at a presto tempo. AVAILABLE: SATB; SAB;TTBB; Orchestration; Handbell Part; Accomp/Perf CD.

The always-creative Mark Hayes brings us a fresh new arrangement of a holiday favorite. Gesu Bambino is always eagerly anticipated as a solo but here it has been beautifully harmonized for SATB choir. Your accompanist getsa chance to really shine as well or you may choose the fabulous orchestration or accompaniment/performance CD. A sparkling addition to your Christmas program or worship service.

Orchestration-One of the most performed sacred songs of our time is brilliantly arranged and orchestrated by master composer Mark Hayes. The words of Psalm 8 spring to life in this modern classic made all the more powerful by the arranger'stheatrical approach to the anthem. The full orchestration and the track options provide choirs of every size the opportunity to sing this amazing testament of praise!

From the dynamic opening measures this holiday classic calls its listeners to join in the magic of the yuletide. Mark Hayes has breathed new life into this old standard with an engaging jazz waltz feel lush choral harmonies creative countermelodies and a sparkling orchestration. Melodies are traded back and forth between men and women and there is a “vocal jazz” section that will make any ensemble show choir or chorus shine. Althoughthere are some divisi sections much of the arrangement features accessible unison and two-or three-part writing. The piano part is especially fun to play.

Words by William Morris (1834-1896); Traditional French Carol; Final Verse and Chorus Based on a Harmonization by Gustav HolstA truly dynamic interpretation of a wonderful French carol! ?Masters in This Hall ?in its original form is festive and full of life. This arrangement from Mark Hayes is even more exciting! Unexpected harmonies and a fabulous accompaniment make this lively Christmas carol a must for concert or festival. Foradvanced SATB choirs school or church use. Also available iPrint orchestration and StudioTrax CD.

A show-stopping get-the-congregation-on-their-feet medley of patriotic favorites An American Trilogy will bring down the house! Mark Hayes has arranged this mini-collection in gospel style with an awesome solo opening andfabulous orchestration. Voiced for SATB or TTBB ensembles this is a must for any general or patriotic presentations. Includes: “My Country 'Tis of Thee ” “America the Beautiful ” and “This Is MyCountry.”

With orchestrations by Tim Simonec Jack Hayes Larry Kenton Jennifer Hammond and Peter Boyer. Duration ca. 7:30

Les Cloches De Monsigneur Grieg (1993-99) for small Symphony Orchestra by Asbjørn Schaathun.'Edvard Grieg's 'Bell Ringing' for Piano Op.54 No.6... seen through Monsigneur A. Schaathun's half shut eyes...'Commissioned by the The Norwegian Radio Orchestra.

Orchestral & Instrumental Material for Choral Pieces-Cello part for Sarah Quartel's Snow Angel. This solo Cello part accompanies Sarah Quartel's evocative five-movement choral work Snow Angel which explores themes of love rebirth and beauty through the eyes of children and the heavenly army of angels that watch over them. The haunting and poignant Cello line is woven through the work. This Cello part is compatible with the upper and mixed voice versions of Snow Angel.

Traffic for 18 musicians (sinfonietta) dating from 1994. Parts are for hire: hire@ewh.dk Preface / Programme Note TRAFFIC is indebted to Satie Varese and Spike Jones. Having the title in mind you will hardly be surprised to hear a sometimes chaotic music. Surviving contemporary metropolitan traffic is aquestion of your position – standing walking running or sitting. And survival is also a question of being aware of – and keepingyour eyes and ears open for – the hidden rules and regulations systems and structures. Pelle Gudmundsen-Holmgreen 2009

Solo for Oboe or Violin-'The title only appears frivolous to those who have lived little. With the passage of time the seasons that pass the differences in quantity and quality of light of temperature and weather become of ever greater importance in the meaning of our individual existence. This transformation follows the path of our lives and often mimes in front of our very own eyes incredulous and wondrous events that we can only experience once in a lifetime: our birth our blossoming our aging and our death. Such a subject could well take up ten years of my life. This was the case. Nevertheless everything started very innocently with a proposition from my friend François Leleux to write him a double concerto that he could play with Natalia Gutman initially named ‘Musica Concertante’. It was with this second proposition from François for another double concerto this time with Lisa Batiashvili that the idea came to me for a cycle of four concertos with each time a different instrument from the string quartet to join the oboe. The automnal colours of the cello are a perfect match for the retrospective nature of the first completed concerto in the cycle. ‘concerto nostalgico l’automne’ whilst the love and the first child of the Leleux-Batiashvili couple could only bring Spring to mind hence the ‘Concerto amoroso le printemps’ was born. When Jean-Marc Bador asked me to be an associate of the Ensemble Orchestral de Paris for two years it was quite naturally that I thought of completing this cycle for François Leleux with winter ‘Concerto tenebroso’ created in January 2010 with Lise berthaud playing the viola. All that remained was for me to conclude with a work that reunited all four protagonsits. It was summer the ‘Concerto luminoso’ which took on this role’.