SKU: AP.36-M362291

ISBN 9798892705783. UPC: 676737997571. English.

Camille Saint-Saëns (1835-1921), while most well-known for his chamber and orchestral works, also composed much for the organ, having himself been appointed organist at both Saint Merri (1853-1857) and Madeleine (1857-1877), the latter post he held for 20 years. He is one of the 19th century's most important composers and performers for the organ, counted together with other greats such as Gigout, Guilmant, and Widor. Saint-Saëns wrote MARCHE RELIGIEUSE, Op. 107, for organ in 1897. Reprint edition.

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SKU: AP.36-M334891

ISBN 9798892702157. UPC: 659359663536. English.

Camille Saint-Saëns (1835-1921), while most well-known for his chamber and orchestral works, also composed much for the organ, having himself been appointed organist at both Saint Merri (1853-1857) and Madeleine (1857-1877), the latter post he held for 20 years. He is one of the 19th century's most important composers and performers for the organ, counted together with other greats such as Gigout, Guilmant, and Widor. Saint-Saëns wrote BÉNÉDICTION NUPTIALE in F Major for organ in 1859.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

SKU: AP.36-M241991

ISBN 9798892703802. UPC: 659359546006. English.

Camille Saint-Saëns (1835-1921), while most well-known for his chamber and orchestral works, also composed much for the organ, having himself been appointed organist at both Saint Merri (1853-1857) and Madeleine (1857-1877), the latter post he held for 20 years. He is one of the 19th century's most important composers and performers for the organ, counted together with other greats such as Gigout, Guilmant, and Widor. Saint-Saëns wrote the FANTAISIE No. 3 in C, Op. 157 for organ in 1919.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

SKU: HL.48186559

UPC: 888680797324. 8.0x11.5x0.243 inches.

At just 34 years of age, Theodore Dubois was installed as a professor of harmony at the Paris Conservatoire. Whilst much of his compositional works have disappeared from primary classical repertoire, his 12 New Pieces for Organ remain prominent. Whilst being a significant figure in the field of teaching, Dubois was also a revered organist, occupying the post of organist at the Madeleine. Dubois' 12 New Pieces vary in character, beginning with a helpful index of performance directions. For all aspiring, advanced organists, Dubois' 12 New Pieces ensure variety and versatility within the repertoire..

SKU: CA.2731515

ISBN 9790007201739. Key: C major. Language: Latin.

Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and part available separately - see item CA.2731500.

SKU: CA.2731513

ISBN 9790007201715. Key: C major. Language: Latin.

Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and part available separately - see item CA.2731500.

SKU: M7.DOHR-20476

ISBN 9790202044766.

Der Danse Bacchanale aus dem zweiten Bild des dritten Aktes der biblischen Oper Samson und Dalila zählt zu den bekanntesten und populärsten Kompositionen von Camille Saint-Saëns. Den bacchantischen Tanz hat Saint-Saëns in typisch orientalischem Kolorit gehalten: die lyrisch-freie Einleitungsmelodie der Oboe bedient sich mit ihren Halbton- und übermäßigen Sekundschritten morgenländischer Skalen. Die orientalischen Melodien ertönen überwiegend einstimmig, doch in unterschiedlichen Klangfarben und mit charakteristischen Rhythmen unterlegt. Saint-Saëns hatte die orientalische Musik auf zahlreichen Reisen in der arabischen Welt kennen und schätzen gelernt. Die Orgelbearbeitung erschließt dieses fulminante Tanzstück für die Königin der Instrumente und zielt damit auf eine attraktive Bereicherung des konzertanten Repertoires. Der versierte Organist wird die Gelegenheit nutzen, die Klangfarben seiner Orgel zur differenzierten Entfaltung zu bringen. Die Registrierungshinweise orientieren sich an der Disposition einer typischen Orgel von Cavaillé-Coll, wie sie auch dem Maître der Kirche St. Madeleine in Paris zur Verfügung stand. (Otto Depenheuer).

SKU: CA.2731511

ISBN 9790007201692. Key: C major. Language: Latin.

Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and part available separately - see item CA.2731500.

SKU: CA.2731514

ISBN 9790007201722. Key: C major. Language: Latin.

Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and part available separately - see item CA.2731500.