Par BORDONNEAU GILLES / GUIET J.. Un répertoire pour saxophone pour jouer en s'amusant tous les styles de musiques. Chaque pièce développe un aspect technique particulier de l'apprentissage de l'instrument, ce recueil peut donc être le complément pédagogique et ludique de toute méthode traditionnelle. Existe pour tous niveaux et tous cycles. Livre CD Autres volumes disponibles dans la collection : 1er cycle volume 1. / Répertoire / Répertoire / Saxophone

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ? Maintenance ? Reeds ? Mouthpieces ? Ligatures ? Sound ? Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW?s alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it?s all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here?s the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book?s 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn?t think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, ?Now the Fun Begins?. There are also interesting side comments we don?t often hear like: in the 70s so many young players like Ponzol were trying to get Trane?s recorded sound by working on metal Links because that?s what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn?t have as much spit in the sound for him. It?s interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I?ve never heard anyone else recommend these exercises and yet here they are in Peter?s book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So ?the circle is unbroken? LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

Cette édition propose jazz, salsa, tango, le boléro, le blues et la musique Candombe par le compositeur et instrumentiste Jorge Polanuer, l'un des musicien argentin meilleur contemporaine. Son ensemble, composé de musiciens de la plus haute classe, offre un CD pour le fond nécessaires. Ecoutez l'enregistrement complet d'abord, puis jouer le 'play-along' avec le CD. La musique vous emmènera dans la nuit 'Paris de l'Amérique du Sud', Buenos Aires, à côté de la scène du club de jazz merveilleux. / Saxophone

A superb collection of fifty-eight jazz hits arranged for Eb and Bb saxophones, complete with two sets of chord symbols for accompaniment. / Saxophone

Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar. \'Take the Lead 90s Hits\' features idiomatic arrangements of 90s pop classics offering fun repertoire that young instrumentalists will love to play. Students have a choice of playing along with CD, Piano or Guitar and all pieces are fully integrated with arrangements for other instruments in the series, making this the ideal resource for school bands and small ensembles. Used as a solo book these pieces will encourage technical progression and confidence in playing. Ideal pieces for performance, or just for fun. Contents: Air That I Breathe; Angels; Frozen; How Do I Live; I Don\'t Want To Miss A Thing; I\'ll Be There For You; My Heart Will Go On; Something About The Way You Look Tonight

Voici 19 facile-intermediate arrangements de mélodies familiers en classique, folklorique et styles de jazz. Chaque morceau est présenté comme un trio, mais ces arrangements ingénieux travail tout aussi bien que les solos ou duos - avec ou sans accompagnement. Vous pouvez même inviter les autres instrumentistes à jouer le long en utilisant les flûte, clarinette, violon et laiton éditions dans le livre 2 de cette série. Cette série très souple de livres instrumentales coordonnées a été conçue pour donner aux jeunes la chance de jouer ensemble dans diverses combinaisons de chiffres et d'instruments. * Parfait pour un, deux ou trois saxophones - avec ou sans accompagnement * peut aussi servir en respectant les dispositions dans les éditions du livre 2 de cette série pour Flute, clarinette, violon ou de laiton * livre d'accompagnement Piano avec les symboles de corde de guitare disponibles * idéal pour usage individuel ou en classe / Saxophone

Gordon Lewin's collection of pieces for saxophone Grades 3 to 6 combines a popular mix of original pieces arrangements and traditional songs from Bach Paganini and Rossini to folksongs. Selected for the ABRSM Alto and Tenor Saxophone examinations grades 4 5 and 6.

This celebratory 70th Anniversary instrumental edition of one of the most famous MGM movie musicals features an historical essay and colour and black and white movie photos.Included are classic titles Over the Rainbow We're Off to See the Wizard as well as the song deleted from the movie The Jitterbug and more all arranged and edited for the Level 2-3 instrumental player.Also included is a CD which features live demonstration performances of the instrument tracks.

Par DELAGE JEAN-LOUIS. La collection Welcome to, c'est de la musique de films, de la musique classique, de la variété, du jazz... le meilleur de la musique, spécialement adapté pour chaque instrument dans une tonalité simple avec des play-back d'une grande musicalité pour s'entraîner et même un tempo de travail ralenti pour plus de confort d'apprentissage./ Recueil / Saxophone en Sib

Premiered in 2013 Sweet And Go for solo Saxophone elegantly explores the poetic and technical resources of the instrument Armando Ghidoni knows so well (Concerto pour saxophone et orchestre à cordes; Concerto Grosso pour saxophone alto piano et orchestre).    The diptych approximately five minutes in length opens with an Adagio a free de­clamation in recitative that is an oasis of tenderness to which the glissandi bring a whiff of the Orient. In contrast to this voluptuous dream the second section marked Vivo brilante ben ritmato allows the soloist to display a sparkling virtuosity – slapsincluded! – without betraying the underlying spirit of improvisation. Melodies rhythms nuances and colours all contribute to this festival of ingenuity.

Description The excitement of a musical career spanning over 30 years is captured here in the 22 solos composed by Gordon and transcribed directly off his recordings. Chord changes for tenor sax and 'in concert' key are provided along with Gordon's own articulations. Apple Jump Backstairs Benji's Bounce Boston Bernie Cheesecake Daddy Plays The Horn Dexter Digs In Fenja For Regulars Only Fried Bananas Girl With The Purple Eyes Ltd Mischievious Lady Montmartre Setting The Place Soy Califa Stanley The Steamer Sticky Wicket The Apartment The Chase The Rainbow People Valse Robin

8 swinging play-along pieces with live band!. Par VELDKAMP ERIK. Take a nostalgic trip back to the era of Count Basie, Glenn Miller and Duke Ellington. In this book you will find eight wonderful new pieces written in the big band tradition. The play-along tracks available online in mp3 format contain a live jazz band together with a complete version of each piece to show you exactly how it should be done. / Date parution : 2022-04-26/ Recueil / Saxophone Alto ou Ténor

La référence GB6087 de l'éditeur Billaudot dont l'auteur célèbre est Bach Johann Sebastian, qui a pour titre CONCERTO ITALIEN BWV 971, a été écrite et composée pour Saxophone et plus particulièrement pour Quatuor De Saxophones. Cette partition musicale appartient à la catégorie Classique. / Quatuor De Saxophones / Partition