Mass in Time of War-Haydn was in England in 1795 when he received word from his new Prince Nicolaus II Esterházy that the Esterházy orchestra was to be reformed and Haydn was to serve again as active Capellmeister.Prince Nicolaus II demanded little from his Capellmeister except the usual routine of administration; but Haydn was to compose every year a new Mass for the name day of the Princess Josepha Maria which was celebrated the Sunday afterwards in the Bergkirche at Eisenstadt. It is known that a new Haydn mass was performed before a packed congregation in the Piaristenkirche in Vienna on St. Stephen?s Day (26 December) 1796. The writer of these notes examined when preparingthis edition the music archives of the church and found contemporary parts on the Missa in tempore belli in the church; and it seems certain that this (and not the Heiligmesse) was the work performed on that occasion and thus also the work which Haydn had just finished and performed in Eisenstadt.Urtext from Joseph Haydn WerkeFull score parts (BA4652) vocal score (BA4652-90) and study score format 22.5 x 16.5cm (TP94) available for sale

Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Haydn WerkeIt is well known that Joseph Haydn wrote his late masses to the commission of his last employer Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt Haydn himself conducting.Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reason ofthe prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century.Full score and parts (BA4659) vocal score (BA4659-90) and study score format 22.5 x 16.5cm (TP97) available for sale.

Schöpfungsmesse. Par HAYDN FRANZ JOSEF. Within approximately six weeks Haydn, in 1801, composed his 'Creation Mass' as the fifth of altogether six late missae solemnes commissioned by his employer, Prince Nikolaus II. Esterházy. The sobriquet 'Creation Mass' is not authentic, but it is probably based on the quotation in the Gloria taken from the oratorio 'Die Schöpfung'. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet

Schöpfungsmesse. Par HAYDN FRANZ JOSEF. Within approximately six weeks Haydn, in 1801, composed his 'Creation Mass' as the fifth of altogether six late missae solemnes commissioned by his employer, Prince Nikolaus II. Esterházy. The sobriquet 'Creation Mass' is not authentic, but it is probably based on the quotation in the Gloria taken from the oratorio 'Die Schöpfung'. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet

Schöpfungsmesse. Par HAYDN FRANZ JOSEF. Within approximately six weeks Haydn, in 1801, composed his 'Creation Mass' as the fifth of altogether six late missae solemnes commissioned by his employer, Prince Nikolaus II. Esterházy. The sobriquet 'Creation Mass' is not authentic, but it is probably based on the quotation in the Gloria taken from the oratorio 'Die Schöpfung'. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet

Schöpfungsmesse. Par HAYDN FRANZ JOSEF. Within approximately six weeks Haydn, in 1801, composed his 'Creation Mass' as the fifth of altogether six late missae solemnes commissioned by his employer, Prince Nikolaus II. Esterházy. The sobriquet 'Creation Mass' is not authentic, but it is probably based on the quotation in the Gloria taken from the oratorio 'Die Schöpfung'. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet

Cecilia Mass-Missa Cellensis in honorem Beatissimae Virginis Mariae Hob.XXII:5 'Cecilia Mass'The 'Cecilia Mass' is a milestone in Haydn's compositional work. It marks the beginning of a series of great church music works and is the most important completely preserved composition from the years 1750-66.- Urtext from Joseph Haydn Werke.- Full score parts and vocal score available for sale.

Schöpfungsmesse. Par HAYDN FRANZ JOSEF. Tonalité : B-Dur - Hob. XXII:13/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet

Schöpfungsmesse. Par HAYDN FRANZ JOSEF. Tonalité : B-Dur - Hob. XXII:13/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet

Schöpfungsmesse. Par HAYDN FRANZ JOSEF. Tonalité : B-Dur - Hob. XXII:13/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet

Schöpfungsmesse. Par HAYDN FRANZ JOSEF. Tonalité : B-Dur - Hob. XXII:13/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet

Schöpfungsmesse. Par HAYDN FRANZ JOSEF. Tonalité : B-Dur - Hob. XXII:13/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet

Schöpfungsmesse. Par HAYDN FRANZ JOSEF. Tonalité : B-Dur - Hob. XXII:13/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet

Nicolai-Messe. Par HAYDN FRANZ JOSEF. With the 'Missa St. Nicolai' and the 'Missa St. Joannis de Deo', his last two missae breves, Haydn also achieved masterworks in this category, and during his lifetime they numbered among his most popular works - as is shown by the numerous copies that have come down to us. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2