A Conductor's Guide to Program Development Featuring the Top 100 Intermediate and Advanced Works-This comprehensive guide of intermediate and advanced repertoire highlights 100 of the best compositions and arrangements in print. Annotated in detail – metric and key design performance and program notes alternatechoices of music – it represents all styles of classical and popular music. A grading scale considers both stylistic and technical challenges. Performance topics include repertoire selection program design rehearsaltechniques and score preparation. Music lists from the Renaissance string folios patriotic music arranged for string orchestra and a current contact list of publishers/distributors are included. An invaluable resource for thestring teacher performer and conductor.

Easy music for string groups. Playstrings provides an enjoyable and varied repertoire for young string orchestras carefully structured in two levels. The ‘Easy’ level does not normally exceed Grade 2 in difficulty with most partsplayable in first position while the ‘Moderately Easy’ level includes some parts of around Grade 3 standard. At easy level alternative parts are provided so that the absence of viola or a double bass does not prevent the piecefrom being performed. Available in score or sets of instrumental parts. There are over 30 titles covering a wide range of styles including classical pieces folk tunes and Christmas collections. Playstrings is an idealintroduction to orchestral playing for young string players.Available here is the Full Score of Light Music as arranged by Barrie Carson Turner for String Orchestra. Parts available on CH55818

Easy music for string groups. Playstrings provides an enjoyable and varied repertoire for young string orchestras carefully structured in two levels. The ‘Easy’ level does not normally exceed Grade 2 in difficulty with most partsplayable in first position while the ‘Moderately Easy’ level includes some parts of around Grade 3 standard. At easy level alternative parts are provided so that the absence of viola or a double bass does not prevent the piecefrom being performed. Available in score or sets of instrumental parts. There are over 30 titles covering a wide range of styles including classical pieces folk tunes and Christmas collections. Playstrings is an idealintroduction to orchestral playing for young string players.Available here is the Full Score for Sounds from Scotland for String Orchestra. Parts are available on CH55724

This striking setting by Trans-Siberian Orchestra combining Pachelbel's famous 'Canon in D' with original vocals is sure to delight performers and audiences alike! This string parts arranged by Bob Phillips allow a joint performance by the orchestra and choir. The vocal parts arranged by Andy Beck are available in several voicings and may be performed without the orchestra accompanied by keyboard or an optional SoundTrax CD. The orchestra arrangement does require vocals for a complete performance.

Aulis Sallinen's Chamber Music VI Op. 88 '3 Invitations au Voyage’ was first performed in October 2006 by Quatuor Debussy and L’Orchestra d’Auvergne conducted by Arie van Beek.This piece is scored for solo String Quartet and String Orchestra.

This Concert music for string orchestra and brass instruments op. 50 was commissioned for the 50th anniversary of the Boston Symphony Orchestra in 1930. It stands in a series with the Concert music for solo viola and large chamber orchestra Op. 48 and the Concert music for piano brass instruments and two harps Op. 49. All three works show Hindemith endeavouring to explore new possibilities in concert repertoire with the aim of revitalising the vary nature of concert-going – an aim which is still relevant today. The printed music in the study edition of the score is based on the complete edition of Paul Hindemith’s works.

A favorite in the violin ensemble repertoire now available for string orchestra! In this Telemann masterpiece made up of four short movements, everyone gets a chance to play the melody! Perfect for that year when advanced lower string players are ready to shift into upper positions, it allows your orchestra to explore the creativity and beauty of Baroque music. (6:30) / Orchestre A Cordes

Learning Together consists of sequential unison repertoire for string instruments of the orchestra and is intended for use in string classes, group ensembles, and private lesson settings. Harmony parts and bass lines complete the arrangements and are composed so that any mixed string ensemble, as well as ensembles of like instruments, can perform the pieces. Piano accompaniments are included and can be added to any of these combinations. Performance possibilities include individual solo or unison groups, class ensembles, and district or festival sized orchestras. The Learning Together repertoire can be used to establish solo technique, introduce ensemble skills, develop aural skills, and can serve as a foundation for learning to read music. Each instrument book comes with a CD that includes solo performances, string ensemble performances, and piano accompaniment tracks of the featured repertoire. The authors of Learning Together are award-winning teachers with over 100 years of combined recognized success. They share extensive experience as performers, conductors, clinicians, and studio and classroom teachers. This book demonstrates their commitment to providing rich musical experiences for all students in classroom and studio settings. / Orchestre A Cordes

Suite For String Orchestra Op.1 was composed by Carl Nielsen in 1888. Score incl. preface and critical commentary corresponding to The Carl Nielsen Edition vol. 8.

Dvo ák?s Serenade In E Major for String Orchestra is one of his most popular and frequently played works. It was written in the spring of 1875 when he had just experienced his first successes at the conductor?s podium and had received a state arts scholarship. The score and parts were published by Bote & Bock Berlin in 1879.This Urtext edition is based on the composer?s autograph score. It corrects mistakes found in the first edition and so for the first time the editor incorporates omitted passages from the autograph marking them with Vi-de. This reconstruction makes it possible to clarify the piece?s structure. The author of theForeword Kate ina Nová is head of the Dvo ák Museum in Prague.Detailed Foreword by Kate ina Nová (Cz/Eng/Ger) and Critical Commentary by the editor (Eng)Including Vi-de passages from the autograph scoreFull score & parts (BA10423) available for sale

A Peninsula Grace Notes commission for and premiered by The Franz Liszt Chamber Orchestra of Hungary. Also performed by The New England String Ensemble Susan Davenny-Wyner Director.