The Trumpet Omnibook features transcriptions of solos as played by some of the world's leading jazz artists, including Dizzy Gillespie, Nat Adderley, Clifford Brown, Freddie Hubbard, Arturo Sandoval and others. Hi-Fly (Nat Adderley)Work Song (Nat Adderley)Rise (Herb Alpert)La Vie En Rose (Take Me To Your Heart) (Louis Armstrong)West End Blues (Louis Armstrong)Willow Weep for Me (Louis Armstrong)Comin' On (Chet Baker)There Will Never Be Another You (Chet Baker)Riverboat Shuffle (Bix Beiderbecke)Royal Garden Blues (Bix Beiderbecke)Falling in Love with Love (Randy Brecker)Cherokee (Indian Love Song) (Clifford Brown)Parisian Thoroughfare (Clifford Brown)Pent Up Horses (Clifford Brown)Seven Steps to Heaven (Miles Davis)So What (Miles Davis)After You've Gone (Roy Eldridge)Rockin' Chair (Roy Eldridge)Whisper Not (Art Farmer)Birdland (Maynard Ferguson)Cruisin' for a Bluesin' (Maynard Ferguson)A Night in Tunisia (Dizzy Gillespie)Salt Peanuts (Dizzy Gillespie)A String of Pearls (Bobby Hackett)Dewey Square (Roy Hargrove)The Nearness of You (Roy Hargrove)Strasburg St. Denis (Roy Hargrove)Invitation (Tom Harrell)When the Saints Go Marching In (Al Hirt)Byrd Like (Freddie Hubbard)Cantelope Island (Freddie Hubbard)Witch Hunt (Freddie Hubbard)Concerto for Trumpet (Harry James)Donna Lee (Ryan Kisor)Take the ?A? Train (Ryan Kisor)Feels So Good (Chuck Mangione)Delfeayo's Dilemma (Wynton Marsalis)What Is This Thing Called Love? (Wynton Marsalis)Ceora (Lee Morgan)Locomotion (Lee Morgan)Eb Pob (Fats Navarro)Nostalgia (Fats Navarro)Weather Bird (Nicholas Payton)Hot House (Arturo Sandoval)It's Only a Paper Moon (Jack Sheldon)Wild Man Blues (Rex Stewart)Mack the Knife (Clark Terry) / Trompette / Hal Leonard

Brown's unique contribution to the history of jazz and jazz trumpet playing is lovingly preserved in these artfully executed, meticulously edited transcriptions. The large, easy-to-read format (chord symbols are given) makes this ideal for the performing musician. / Trompette Ou Cornet

Level: easy / advanced Format: English / French / German Embouchure building Studies Elementary Intermediate Advanced High register training In the 17th century there were no studies in the modern sense of the word. Of J. S. Bach, however, we know that he wrote pieces of a study nature for his pupils, indeed he made them spend months, and in his own words preferably years, practising exercises for touch at the keyboard, that is, daily finger exercises, on the principle: There is little point in getting fit if you do nothing to stay fit. From this point of view, relating it to our instrument and to the lips, you ought to look at the following embouchure-building studies. They are not intended as warm-ups, although that term is quite appropriate for some of these exercises. Taken together they serve to build the muscles, rather like an athlete's training. Like him, we too must increase our capacity gradually. The muscles and organs involved adapt to the greater workload, but only if the increase proceeds systematically and rationally. Try to complete the full distance of each study, gradually reducing the time, like a long-distance runner. Adding one exercise, or at most three, according to the difficulty, to your daily workload will be enough. You should only start further exercises when you have fully mastered the preceding ones according to the directions in my embouchure method and have reached a satisfactory standard in rhythm and sound. The deliberately simple fingerings make it easier to check the actions of the diaphragm, the lips, and the tongue inside the mouth cavity. Form a mental picture of their movements and compare yourself constantly to an artist whose principle is: There are no secrets, at best some small tricks, which can be learned.

Partitions arrangées pour trompette + un CD audio contenant 2 versions de chaque titre: une démonstration complète puis une version sans la trompette qui vous permettra de jouer accompagné. / Trompette / Partition + Cd

Solo transcriptions can be an interesting document of a person's style but are also so personal and idiosyncratic that one can get frustrated in trying to play them without mistakes. This book contains a series of studies to extend the playing and reading techniques, to illustrate harmonic and melodic shapes and possibilities, bolster endurance, and most of all train the ear to hear moving often intricate melodic lines in a musical sense. These pieces are structured in a way that challenges the registers of the instrument but also allows the student to learn how to pace him/herself. The shapes of the line will naturally show the practising student where and how he/she can rest while still playing. The studies could serve as tutti passage or solos for brass and/or saxophones. / Trompette