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VIOLONCELLO - CELLO
Violin and Piano
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Piano, Vocal and Guitar (3473)
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Music Theory (68)
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All Instruments (61)
Guitare (61)
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High voice, Piano (50)
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Piano Trio: piano, violin, cel… (46)
Percussion (46)
School Ensemble (46)
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Biography (30)
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Voice, Guitar (19)
Piano, Bass, Drums (trio) (19)
DVD Show / Broadway (18)
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Big Note Piano (18)
Piano Accompaniment (18)
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Guitare Electrique (18)
Saxophone and Piano (17)
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String Trio: violin, viola, ce… (16)
Woodwind Quintet: flute, oboe,… (16)
Orchestra, Violin (16)
Musical Awakening (16)
Children choir, Piano (16)
2 Recorders (duet) (16)
Flexible Instrumentation (16)
Trombone and Piano (16)
Lap Steel Guitar (16)
Cello, Orchestra (15)
Clarinet Quintet: Clarinet, St… (15)
Treble (Alto) Recorder (15)
Clavecin (14)
Tuba (14)
2 Choeurs Mixtes (SATB Et SATB… (13)
Mezzo-Soprano voice (13)
2 Saxophones (duet) (13)
High voice (13)
Autoharp (13)
2 Trumpets (duet) (13)
B Flat, E Flat and C Instrumen… (13)
Recorder Quartet (13)
DVD concert (13)
Recorder, Piano (13)
Soli (ATB), Choeur Mixte (SATB… (12)
2 Oboes, 2 Horns and 2 Bassoon… (12)
Bassoon (12)
Piano Quartet: piano, violin, … (12)
Piano, Voice, Guitar tablature… (12)
Piano Quartet: piano, 2 violin… (12)
Cajon (12)
French Horn and Piano (12)
Soli (STB), Choeur Mixte (SSAT… (11)
Solo A, Choeur SATB/SATB, 2 Or… (11)
Dobro (11)
SATBasse (2 Grands Choeurs Mix… (11)
Djembe (11)
Violin, Cello (duet) (10)
Oboe, Piano (duet) (10)
Solistes (STB), Choeur Mixte (… (10)
Solistes SATB, Choeur SATB, Ha… (10)
Concert Band/Harmonie (10)
Baritone Ukulele (10)
Flute Trio: 3 flutes (10)
Tenor voice (10)
Piano, Guitar (Chords) (9)
Treble (Alto) Recorder, Piano (9)
2 Trombones (duet) (9)
ENS::Ensemble (9)
2 Guitars (duet) (9)
Choral SSAATTBB (9)
Flute ensemble (9)
Ocarina (8)
Piano, Violin, Bandoneon, Guit… (8)
Chant et Guitare (8)
Clarinet, Violin, Cello, Piano… (8)
Clarinet Quartet: 4 clarinets (8)
Solistes SATB, Choeur SATB, 2 … (8)
Organ, Piano (duet) (8)
Flûte Traversière, Clarinett… (8)
Solistes SATB, Choeur SATB, 2 … (8)
Soli (SATB, Soprano Aussi Chor… (8)
Clavier Electronique et Ligne … (8)
Soli (STB), Choeur Mixte (SATB… (8)
Trio à Cordes (8)
Snare drums (8)
Saxophone Quartet: 4 saxophone… (8)
Bodhran (8)
Voice and Orchestra (8)
Flute, Violin, Violoncello and… (7)
Quatuor de Cuivres, Orgue et V… (7)
Choeur Mixte (SATB) Et Instrum… (7)
Clavecin Et Instruments A Cord… (7)
String Quintet: 2 violins, 2 v… (7)
Conducteur (7)
2 Choeurs Mixtes Et Orchestre … (7)
Bassoon, Piano (duet) (7)
Accessoire (7)
Oboe and Orchestra (6)
Bassoon, Orchestra (6)
Clarinet, Cello, Piano (trio) (6)
String Trio: 2 violins, cello (6)
Violin, Basso continuo (6)
Soli (SATB), Choeur Mixte (SAT… (6)
Solo S, Choeur SATB, 2 Violons… (6)
Horn, Trumpet, Trombone (trio)… (6)
Soprano voice, Orchestra (6)
Guitar Tab, Voice, Bass, Drum (6)
Solistes SATB, Choeur SATB, 4 … (6)
Baryton ou Tuba, Cor et Fanfar… (6)
2 Sopranos, Choeur Mixte (SATB… (6)
Fake Book (6)
Xylophone or Marimba or Vibrap… (6)
3 Clarinets (trio) (6)
Clavier (6)
Solistes (SATB), Choeur Mixte … (6)
Piano Quintet: piano, violin, … (6)
CD (6)
Cornet and Piano (5)
Jazz Ensemble (5)
Flute, Cello, Piano (trio) (5)
Solo à (B), 2 Violons et Bass… (5)
Percussion Ensemble (5)
Entraînement Auditif (5)
Voix et Piano Réduction (5)
Mariachi (5)
Baritone voice (5)
Violon 2 (5)
3 Recorders (trio) (5)
2 Violas (duet) (5)
2 Sopranos, 2 Flûtes A Bec (A… (5)
Percussions (5)
Clarinet Ensemble (5)
Basse (5)
Bongos (5)
Trompette et Concert Band ou H… (5)
Descent (Soprano) Recorder, Pi… (5)
2 Violons, Instruments à Cord… (4)
S, A, A, T, B, Choeur Mixte A … (4)
Flûte Traversière, Clarinett… (4)
Flûte Traversière, Hautbois,… (4)
Flûte Traversière Clarinette… (4)
Choral SSATB (4)
Clarinette, Violoncelle, Percu… (4)
2 Violons, Instruments A Corde… (4)
Saxophone Alto 2 (4)
Educatif (4)
Violon, Piano, Guitare Basse e… (4)
Oud (4)
Voix Mixtes (4)
Soprano Saxophone (4)
Alto, Flûte Traversière (Aus… (4)
Brass Quartet: 2 trumpets, 2 t… (4)
Electric bass, Drums (4)
Sextuor (4)
3 Trompettes, 2 Cors, 3 Trombo… (4)
Trumpet and Guitar (4)
Vocal duet (4)
Saxophone Baryton (4)
Scores (4)
String Trio: 2 violins, viola (4)
Clarinette, 2 Violons, Alto et… (4)
Trumpet, Orchestra (4)
Euphonium, Piano (duet) (4)
Tenor Banjo (4)
Violin, Guitar (duet) (4)
Percussions Diverses (4)
Piano Trio: piano, violon, vio… (4)
Choral, Orchestra (4)
Cello, String Bass (duet) (4)
Piano, Chant et Guitare Tablat… (4)
Trombone 2 (4)
Tenor Saxophone and Piano (4)
Orchestre à Cordes et Cor Ang… (4)
Brass Quartet (2 Trumpets, Ho… (4)
Trombone 3 (4)
Quintette à vent (4)
Matériel D'Orchestre (4)
Guitare Tablatures Flatpick et… (4)
Recorder Ensemble (4)
Ensemble A Vent (4)
Flûte à Bec et Piano (4)
Conga (4)
Handbells (4)
Guitare et Voix (4)
Guitare Fingerpicking (3)
Concert Band et Piano (3)
Flute, Oboe, Piano (trio) (3)
Double bass, Piano (duet) (3)
Violon, Cordes et Basse Contin… (3)
Flute, Harp en Piano (3)
Flute Quartet: 4 flutes (3)
Trombone and Orchestra (3)
Violin, Clarinet, Piano (trio)… (3)
Woodwind Quartet: any 4 woodwi… (3)
Livre Musical (3)
Euphonium (3)
Marimba (3)
Clarinette Cor Basson 2 Violon… (3)
Guitare Flatpick et Fingerpick… (3)
Batterie et Percussions (3)
Trompette 3 (3)
Concert Band ou Harmonie et Tr… (3)
Tout Instrument (3)
Trumpet, Trombone (duet) (3)
Saxophone Quintet: 5 Saxophone… (3)
Diverses Formations (3)
Choeur Mixte Et Orgue (3)
Voice (3)
Voice Mezzo-Soprano, Orchestra… (3)
Violin, Horn and Piano (3)
2-part Chorus and Piano (3)
Flute, Basso continuo (3)
Travaux Pour Choeurs (3)
Voix Mixtes SAB et Piano (3)
Concert Band ou Harmonie et Ba… (3)
Xylophone (3)
Clarinette, Quatuor Pour Instr… (3)
Guitare Tablatures Classique (3)
Cello, Guitar (duet) (3)
Voix et Orchestre (3)
Ensemble Mixte (3)
Ukulélé Soprano (3)
Vibraphone (3)
Viola da Gamba (3)
Piano Trio: Violin, Viola, Pia… (2)
Fiddle (2)
Chamber Music (2)
Clarinette (2)
Clavier et Clavier Electroniqu… (2)
Bass Trombone (2)
Folk Ensemble (2)
Clarinet, Trumpet (duet) (2)
Choeur d'Enfants ou de Femmes … (2)
Trombone 1 (2)
Ensemble (2)
Concert Band ou Harmonie et Cl… (2)
Children choir, Instruments (2)
Chanson (2)
Ensemble Flexible à 5 Parties… (2)
Xylophone et Concert Band ou H… (2)
Trumpet and String Quartet (2)
Choeur d'Enfants et Petit Orch… (2)
Piano 2 Ou 4 Mains (2)
Tenor, Choeur Mixte Et Orchest… (2)
2 Choeurs et 2 Orgues (2)
5 Part Ensemble Variable à Ve… (2)
VLN/VLC/PF DUET::Violon, Violo… (2)
Saxophone Ténor et Piano (2)
Soprano Solo/2 Soprani/Contral… (2)
12 Voix (2)
Recueil de Chansons (2)
Trombone or Euphonium (2)
Viola and orchestra (2)
Woodwind Quintet (2)
Cornet et Brass Band (2)
Baryton ou Tuba. Cor et Brass … (2)
Brass Quartet: 4 horns (2)
Soli (STB) Et Orchestre (2)
Nursery rhyme (2)
BAR/STR QUARTET::Baryton, Quat… (2)
Balalaika (2)
Bass Clarinet, Piano (2)
1 Piano, 6 hands (2)
Flute, Oboe (duet) (2)
Concert band, Choral (2)
String Trio: 3 violins (2)
Guitare Tablatures Electrique (2)
Medium Voice (2)
Clarinet, Double bass (duet) (2)
Piano, Clavier ou Orgue (2)
4 Trumpets, Horn, 4 Trombones… (2)
Piano/Vocal/Guitare (PVG) (2)
Ensemble flexible à 4 parties… (2)
Violon Et Harpe (Ou Piano) (2)
2 Marimbas (2)
Trombone 4 (2)
4 Flûtes Et Guitare (2)
Exemplaire Complet (2)
Soli and Orchestra (2)
Madrigaux (2)
Big band (2)
Drum set and Piano (2)
:: (2)
E Flat Instruments (2)
Opéra Full Score (2)
Concert Band / Harmonie (2)
Tuba En Do Ou Saxhorn En Sib E… (2)
Clarinet, Orchestra (2)
Choeur De Femmes (Ou D'Hommes)… (2)
Soprano et Orchestre de Chambr… (2)
Flute, Clarinet (duet) (2)
Voice, Piano (2)
Drums/Percussion (2)
Flûte Traversière et Piccolo… (2)
Choeur SATB et Basse Continue (2)
Choeur de Femmes a Cappella ou… (2)
3 Parties Voix Aigues (SSA) A … (2)
Harmonie et Fanfare (Marches-P… (2)
Conducteur De Poche (2)
Voix solo - piano (2)
Harmonie (2)
Choral, Organ (2)
Solo and Duet Guitar (2)
Tous instruments (2)
Clavier ou Piano (2)
Tuba and Piano (2)
Parties Supplémentaires (2)
Trompette et Guitare (2)
Baryton et Orchestre (2)
2 Cellos, Piano (2)
Guitare (Fingerpick) (2)
Percussions et Concert Band ou… (2)
Organ, Voice (2)
Clarinet, Saxophone, Piano (2)
Mezzo-Soprano Et Quatuor A Cor… (2)
Voix Et Instruments Divers (2)
Flute, Orchestra (2)
Brass Quartet: 4 trombones (2)
Saxophone ensemble (2)
Melody instruments (2)
Brass ensemble, Organ (2)
Violin, Organ (2)
2 Parties Voix Aigües (SS) et… (2)
Partition D'Orchestre (2)
Chorale (2)
Partition Complète / Full Sco… (2)
Clarinette, Basson, Cor, Quatu… (2)
Orchestre Batterie Fanfare (2)
Brass Quartet (2 Trumpet, Hor… (2)
Orchestre et Piano Solo [main … (2)
Trompette04 (2)
A Cappella (2)
Chœur Mixte SATB et Ensemble (2)
Viole de Gambe (2)
Flute, Violin, Guitar (2)
Timpani (2)
Chœur d'Hommes [TTBB/TTBB] et… (2)
Lyrics only (2)
Ensemble Instrumental (2)
Concert Band ou Harmonie et 3 … (2)
Oboe, Flute (2)
String quartet: 4 violins (2)
Partie Séparée (2)
Cornet (2)
2 Flûtes (2)
Piccolo (2)
Ukulélé Baryton (2)
Cor, 2 Trompettes, Trombone Et… (2)
3 Saxophones (trio) (2)
TTBB a Cappella (2)
2 French horns (duet) (2)
Didgeridoo (2)
Soprano, Piano (2)
Clarinette, Orchestre et Piano… (2)
Guitare Tablatures Résonateur… (2)
Tenor, 2 Trompettes, 2 Trombon… (1)
Orgue (Harmonium) (1)
Choeur d'Enfants (1)
Melody Line, Lyrics & Chords (1)
CLT/TPT/EUPH/TSAX::Clarinet/Tr… (1)
Flûte Traversière (Flûte A … (1)
Piano et Hautbois ou Instrumen… (1)
Triangle et Brass Band (1)
Choral SSATBB (1)
FLT/CLT/OB/BSN/HN/PERC::Fl?te … (1)
Carte Postale (1)
Chœur Mixte [SATB] et Orchest… (1)
Chœur à 4 parties de Voix Eg… (1)
Orgue Sans Pédale (1)
Soprano, Choeur Mixte (SATB), … (1)
Voix Moyenne ou Voix Basse et … (1)
1 A 3 Saxophone(s) (1)
Choeur Mixte (SA Hommes) Et Or… (1)
VLA/PF::Viola, Piano (1)
Mandoline Country (1)
Guitare (Résonateur) (1)
Choeur Mixte Et Orgue (Ou Pian… (1)
Instruments En Ut (1)
Contrebasse (Partie séparée)… (1)
Bugle et Piano (1)
Guitare Résonateur (1)
Voix Elevées (Soprano) et Pia… (1)
Oboe, Clarinet and Guitar (tri… (1)
Choeur SS Et Piano (1)
Solo Trompette En Do Ou Sopran… (1)
3 Parties Voix Aigües, Hautbo… (1)
Tiefe Singstimme und Klavier (1)
Choeur Mixte (Choeur De Femmes… (1)
5 Solistes, Choeur, Cordes et … (1)
Posters (Set of Five) (1)
Choral SSAB a cappella (1)
Guitare Classique et Fingerpic… (1)
2 Tubas (duet) (1)
Guitare Tablatures Flatpick et… (1)
TBN/EUPH/BSN::Trombone/Euphoni… (1)
Choeur d'Enfants, Choeur d'Hom… (1)
2 Clarinettes Et Plus (1)
Voix Et Orff-Instruments (1)
VCE/PV::Voice, Piano & Vocal (1)
ENS::Ensemble d'cole (1)
Unison Choir and Piano (1)
Voices, Children's Chorus, Ch… (1)
Voix Moyenne(s), 2 Flûtes Tra… (1)
Oboe, Organ (1)
Timbales (Batterie) Et Piano (1)
VLC/ORCH::Violoncelle/Orchestr… (1)
Piano, Harpe Et Orchestre A Co… (1)
Choeur Mixte (SAB), Percussion… (1)
2 Clarinets, Piano (1)
Clarinette, Basson, Cor Et Cor… (1)
Choeur De Femmes Et Orgue (1)
Soli (SATB), Choeur Mixte (SAT… (1)
Voix, Stikking Instruments, Pe… (1)
Lute (1)
SOP/SATB/ORGA::Soprano/SATB/Or… (1)
Saxophone Solo (1)
Trio De Flûtes A Bec (SAA) (1)
Cuivres (1)
Trio De Cuivres (1)
Carillon, Xylophone, Vibraphon… (1)
5-String Banjo (1)
2 Flûtes A Bec (SS/AT/TT/AA) … (1)
Bugle, Cor En Eb, Baryton Et B… (1)
Choeur D'Enfants (Ou De Femmes… (1)
Clarinet and Strings (1)
Soli (STB), gemischter Chor (S… (1)
Instruments en Clé de Sol, Sa… (1)
Guitare Tablatures Country - S… (1)
Basson Et 3 Trompettes (1)
Cassette (1)
Cornemuse (1)
Voix ou Plus et Piano 2 ou 4 M… (1)
Guitare Acoustique (1)
Solistes (STB) et Orchestre (1)
Horn and Orchestra (1)
4 Voix Mixtes (1)
Livre et CD (1)
Klavierauszug - Sopran solo, … (1)
Gesang und Orgel (1)
Soli (SSA), gemischter Chor (… (1)
Clavier, Guitare Et Voix (1)
Choeur et Voix (1)
Solistes SATB, Choeur SATB, 2 … (1)
Voix Moyenne et Basse et Piano… (1)
Saxhorn and Piano (1)
Musique De Chambre (1)
Trombone, Piano Et Percussions… (1)
FLT/OB/BSN/HN/PERC::Fl?te Trav… (1)
2 Bassoons (duet) (1)
voix soprano, voix alto (1)
Soprano, Alto Tenor, Bass, Pia… (1)
Choeur Mixte (SATB) Et Clarine… (1)
2 Percussions (1)
2 Parties Mixtes (1)
Lignes Mélodiques/Paroles/Acc… (1)
Voix de femme (Soprano ou Mez… (1)
TSAX/ACDN::Saxophone Tenor, Ac… (1)
Livres Education (1)
Voice, Guitar, Bass guitar, Dr… (1)
2 Trompettes, Cor (Ou Trompett… (1)
Piano et Orchestre (1)
Alto Et Quatuor A Cordes (1)
Stationery (1)
DVD (1)
Flûte A Bec Soprano Et Flûte… (1)
Guitare Lap Steel (1)
Choeur D'Enfants Unisson (1)
Chœur Mixte et Percussions Co… (1)
Vibraphone, Marimba and Cello (1)
Guitare et Guitare Electrique (1)
Music movie (1)
Violon I (1)
Soprano (Tenor) Et Petit Orche… (1)
Soprano Solo, Cordes Et Basse … (1)
Baryton, Choeur Mixte (SATB), … (1)
Instruments Mélodiques (1)
Melody line, Piano (1)
Rythme (1)
Voix Elevée(s) Et Orchestre A… (1)
Voix et Orchestre à vent (1)
2 Voix et Piano (1)
Basse Electrique (1)
Paroles et CD (1)
Baryton, Flûte, Guitare et Pe… (1)
VLN(4)/STR ORCH::Violin (Quart… (1)
Brass Band (Conducteur) (1)
Clarinette et Orchestre (1)
Orgue Et Choeur (1)
Flûte A Bec (S/A/T) (1)
Quintette de Cuivres (1)
SOP/GTR::Soprano, Guitar (1)
Voix à L'Unisson et Piano ave… (1)
VLN/VLC/ACDN::Violon/Violoncel… (1)
5 Solistes, Choeur D'Hommes Et… (1)
Voix AigüeS Basse et Basse Co… (1)
2 Sopranos, 2 Flûtes à Bec (… (1)
Petit Ensemble Contemporain (1)
VLC/ACDN::Cello, Accordion (1)
2 Ukuleles (1)
Clarinette Basse Solo (1)
Livret (1)
Voix Basse Et Orgue (1)
Chant Et Piano (Réduction) (1)
Violin, Viola (duet) (1)
String trio (1)
Piano ou Clavecin ou Orgue (1)
K7 (1)
Hautbois, Clavecin, Contrebass… (1)
Voix Hautes (1)
Hohe Singstimme und Klavier (1)
Instruments à Cordes Pincées… (1)
1 A 4 Flûte(s) A Bec Soprano … (1)
Chant Et Guitare Basse (1)
4 Flûtes à Becs (1)
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Play Showtime Book 1 (Violin)
Violin and Piano
[Sheet music]
Faber Music Limited
Play Showtime Book 1 presents hits from some of the greatest shows of all time, ...
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Play Showtime Book 1 presents hits from some of the greatest shows of all time, arranged for solo violin with piano accompaniment. Contents include Memory from Cats, Maria from West Side Story and On My Own from Les Miserables. / Instrumental Music / Recueil / Violon et Piano
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Benj Pasek Justin Paul: The Greatest Showman: Medley for Violin & Piano: Violin
Violin and Piano
[Sheet music]
Hal Leonard
Arranged by Lindsey Stirling for Violin and Piano-Lindsey Sterling has created h...
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Arranged by Lindsey Stirling for Violin and Piano-Lindsey Sterling has created her own medley of songs penned by Benj Pasek and Justin Paul for the hit movie The Greatest Showman. This medley for Violin and Piano includes: A Million Dreams • Never Enough • Rewrite the Stars. Includes a separate pull-out Violin part.
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Herbert Howells: Three Dances: Violin: Instrumental Work
Violin and Piano
[Sheet music]
Novello & Co Ltd.
Violin and Piano reduction of Three Dances Op. 7 for Violin and Orchestra. The T...
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Violin and Piano reduction of Three Dances Op. 7 for Violin and Orchestra. The Three Dances are delightful miniatures written in 1915 in relatively carefree student days (relatively because the Great War was already a year old and Howells through ill health which nearly killed him in 1917 was exempted from active service). They were composed for a young fellow-student George Whittaker a highly gifted violinist who had entered the College aged only eleven. Certainly the music has no hint of the momentous events beginning to take shape and which would fundamentally affect one of his closest friends Ivor Gurney and kill a number of others.
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Herbert Howells: Sonata No.2: Violin: Instrumental Work
Violin and Piano
Novello & Co Ltd.
Sonata No.2 for Violin and Piano by Herbert Howells.
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Howard Blake: Walking In The Air (The Snowman) - Violin/Piano: Violin:
Violin and Piano
[Sheet music]
-
Intermediate
Chester
Raymond Briggs' charming Christmas story about the adventures of a boy and the s...
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Raymond Briggs' charming Christmas story about the adventures of a boy and the snowman that comes to life is a modern children's classic. The tales popularity has been further enhanced by frequent television broadcasts of theaward-winning cartoon film The Snowman.In this music booklet of the classic theme song Walking In The Air for Violin and Piano composer Howard Blake recreates the story in music based on thescenes from the film.
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Howard Blake: The Snowman Suite (Violin/Piano): Violin: Instrumental Work
Violin and Piano
[Score and Parts]
-
Easy
Chester
Raymond Briggs' charming Christmas story about the adventures of a boy and the s...
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Raymond Briggs' charming Christmas story about the adventures of a boy and the snowman that comes to life is a modern children's classic. The tales popularity has been further enhanced by frequent television broadcasts of theaward-winning cartoon film The Snowman.In this suite for Violin and Piano composer Howard Blake recreated the story in music based on the scenes from the film. The music includes the hit songWalking In The Air.
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Favorite Christmas Carols for Classical Players: Violin and Accomp.:
Violin and Piano
[Sheet music + Audio access]
Hal Leonard
With online audio of piano accompaniments-Twenty favorite Christmas carols arran...
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With online audio of piano accompaniments-Twenty favorite Christmas carols arranged for solo instrumentalists with online accompaniments available for download or streaming. Songs: Angels We Have Heard on High - Away in a Manger - Coventry Carol - Deck the Hall - The First Noel - God Rest Ye Merry Gentlemen - Good Christian Men Rejoice - He Is Born - In the Bleak Midwinter - Infant Holy Infant Lowly - Joy to the World - Lo How a Rose E'er Blooming - O Come All Ye Faithful - O Come O Come Emmanuel - O Holy Night - Once in Royal David's City - Silent Night - Still Still Still - Sussex Carol - What Child Is This?
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Mendelssohn F. - Concerto In E Minor Op.64 (1844) - Violon and Piano
Violin and Piano
Barenreiter
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 e...
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Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 erste Fassung 1844 Edition no.BA 9099-92 ISMN 9790006565733 Editor Todd, R. Larry / Brown, Clive Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the ?child prodigy? Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn?s approval. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. Mendelssohn is full of praise for Léonard?s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)
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Mendelssohn F. - Concerto In E Minor Op.64 (1845) - Violon and Piano
Violin and Piano
Barenreiter
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Z...
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Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Zweite Fassung 1845 Edition no.BA 9099-90 ISMN 9790006564347 Editor Todd, R. Larry / Brown, Clive Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the ?child prodigy? Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn?s approval. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. Mendelssohn is full of praise for Léonard?s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)
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Felix Mendelssohn Bartholdy: Konzert In E - Performing Edition: Violin:
Violin and Piano
Barenreiter
Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is...
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Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the premi?re; the ‘child prodigy’ Joseph Joachim; and Hubert L?onard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to L?onard.The letter informs us that the composer invited L?onard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to L?onard.The recently discovered proofs reveal how L?onard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how L?onard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for L?onard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)
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Snowman Suite, The (Violin And Piano) (BLAKE HOWARD)
Violin and Piano
[Sheet music]
Faber Music Limited
Par BLAKE HOWARD. Histoire de Noël charmant Raymond Briggs du garçon qui a con...
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Par BLAKE HOWARD. Histoire de Noël charmant Raymond Briggs du garçon qui a construit un bonhomme de neige qui vient à la vie et leurs aventures ensemble, est devenue classique pour les enfants. Sa popularité a été rehaussée par des émissions de télévision fréquentes de la caricature film de primé le bonhomme de neige. Suite pour le violon et piano a été arrangé par David Mather. La musique se compose de la danse du Bonhomme de neige, marchant dans l'Air et de la danse de la boîte à musique./ Recueil / Violon et Piano
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Wieniawski H. - 2eme Polonaise Brillante Op. 21 - Violon Et Piano
Violin and Piano
PWM (Polskie Wydawnictwo Muzyczne)
2me Polonaise brillante pour violon avec acompagnement de piano op.21 Henryk Wi...
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2me Polonaise brillante pour violon avec acompagnement de piano op.21 Henryk Wieniawski wrote only two polonaises. The first one, op. 4 in D minor, is one of his youthful works; the other, op. 21 in A major, is one of the last works he composed. Moreover, H. Wieniawski is the co-author of another polonaise, op. 8, for violin and piano, which he wrote with his brother Józef Wieniawski, a pianist. The latter polonaise, like the Polonaise in D minor op. 4, is also a youthful composition (1852). The polonaise as a genre, therefore, does not occupy much space in Wieniawskis heritage. Nonetheless, both polonaises, in D minor and A major, constitute an essential part of his artistic inheritance. Likewise, both polonaises had been composed in two versions: for violin and orchestra, and for violin and piano. The Polonaise in A major was completed in 1870. It is not known precisely which of the versions, the one with the piano, or the one with the orchestra first came into being. It was the version with orchestra that the composer performed for the first time on 17 March 1870, in the Grand Theatre in St. Petersburg. But merely two months later he performed the Polonaise in Warsaw, accompanied by his brother Józef at the piano. It is quite possible that Wieniawski had already performed this version of the Polonaise. It is certain, nonetheless, that both versions either appeared simultaneously, or one was composed shortly after the other. From its first public performance until the end of his concert career, Wieniawski often included this Polonaise in his concert repertoire, playing one version or another, the choice depending on the needs and circumstances. Just to mention one occasion, he played the orchestral version during a concert tour of Sweden in 1870, when he dedicated and presented a manuscript of this piece to King Charles XV of Sweden. The dedication, however, was changed in print, and both versions were eventually dedicated to François van Hal. Both versions were published simultaneously, by Schott Publishers in Mainz, with the same plate number, though the orchestral version appeared only in parts, which was a common practice in those days. The piece was most probably not published earlier than 18751. The Polonaise was praised by the critics. The reviews reported that it was a magnificent piece2, and this opinion was shared by later critical reviews, both Russian and West European. The Polonaise remained popular after the composer had died, which is evident from the number of later editions of the piece (more than ten) issued by different publishers, mostly German, and prepared by different editors. In Poland, the Polonaise was published twice after the Second World War. All the editions introduced some more or less significant changes into the text, mostly concerning performance indications, but in a sense blurring the composers intentions. All those changes were pertinent to the violin and piano version, and it was mostly in this form that the piece appeared in concert and teaching repertoires. The performances with an orchestra were much more seldom which was, among other factors, due to limited availability of the orchestral version, as it had never been published again after the first edition, until now. The Polonaise in A major was composed approximately at the same time as the Violin Concerto No. 2 in D minor3. This convergence in time had influenced a certain similarity with regard to both composition and technical means, and also to the themes. In particular, the similarity becomes quite obvious in the second theme of the Allegro in the Concerto, and in the theme of the Polonaise. The Polonaise in A major is also in a certain way similar to the first Polonaise (in D minor), the motifs of the themes in both polonaises are alike. However, both pieces differ in style. The Polonaise in D minor shows the composers fascination with technical writing. Wieniawski makes the most of double-stops, chords, and all other sophisticated virtuoso techniques. The Polonaise in A major, written 18 years later, is much more mature. Although it is a virtuosic piece as well, the techniques used are somewhat more limited and subordinated to the expression. The virtuoso character of this piece is more fragile, much closer to the brillant style. At the same time, the Polonaise is typical of Wieniawskis violin playing technique. Here the composer uses the means regarded by his contemporaries to be typical of him, e.g., long staccato fragments played with one bow. The Polonaise is a concert piece in one movement extended form with a considerably abbreviated return of the first section at the end. The middle section is contrasting in character, due to the modulation to F major, change of tempo (meno mosso) and the reduction in the number of instruments (in the orchestral version). All the sections show thematic similarity. The first section, too, consists of three subsections, including a contrasting middle subsection (in E major). Zofia Chechlińska Footnotes 1. See The Critical Commentary, p. ? and onward. 2. See V. Grigoriev, Henryk Wieniawski. Życie i twórczość. [Life and Work] Warszawa - Poznań 1986, p. 184. 3. The first version of the Concerto No. 2 in D minor was completed in 1862, but in 1870, i.e., not until the Polonaise in A major was completed, Wieniawski had been working on the Concerto and implemented quite a few changes. Publisher: PWM/Towarzystwo Muzyczne im. Henryka Wieniawskiego w Poznaniu Series: Henryk Wieniawski - Complete Works Cover: softback Nr ISMN: 979-0-2740-0753-9 Number of pages: 34+8 Format: N4 stoj. 235x305 Language version of text: pol., Eng.
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Forme di Felicita (CAMPOGRANDE NICOLA)
Violin and Piano
[Sheet music]
Breitkopf & Härtel
Par CAMPOGRANDE NICOLA. For a long time after Romanticism had come to the fore, ...
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Par CAMPOGRANDE NICOLA. For a long time after Romanticism had come to the fore, it was generally agreed that Brahms somehow ?did not get it?: History and Progress ? it was thought - were proceeding along one clear path and Brahms ? who was composing sonatas and symphonies instead of nocturnes and symphonic poems ? had taken the wrong way. Almost one century later, Schönberg wrote an essay, Brahms, der Fortschrittliche ( Brahms, the progressive ), in which he explained that it wasn?t like that at all. Fully assuming the risk to appear somehow irreverent, I have to confess: Over the years, I came to the conclusion that the present ? and the future ? can be created only by loving the past. As Brahms had shown us, it is only by accepting the challenge of taking our heritage into our own hands, that we can create something new. We cannot avoid engaging with the past. Therefore, starting with my Sinfonia n. 1 , I began to flirt with such a strong and effective musical structure like the sonata form. I re-read and freely transformed it, because it is a sturdy and resilient structure, but also a theatrical and colorful one. For me, it is a happy structure. And I think that today more than ever we need something like this: We need to find places ? even imaginary ones ? where we can give happiness a form of its own. Nicola Campogrande, December 2020 / Date parution : 2022-10-12/ Répertoire / Violon et Piano
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Red Hot Violin (Grade 3-4): Violin: Instrumental Album
Violin and Piano
[Sheet music]
-
Easy
Faber Music Limited
Red Hot Violin is an exciting new series of graded performance repertoire with a...
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Red Hot Violin is an exciting new series of graded performance repertoire with a difference featuring sizzling arrangements of contemporary show-stoppers for intermediate Violin with Piano. With pieces in a wide variety of styles violinists of all ages will enjoy showing off these sparkling takes on popular favourites. They're perfect for inspiring students as a refreshing change from exam repertoire and would go down a storm at any concert or recital. Arranger and composer Rachel Jennings has been playing the violin since the age of six studying with Susan Sheppard and Jean Harvey and theory with Jonathan Rathbone. She runs a private teachingstudio in Nottingham.Danny Boy; Eye Of The Tiger; It's Only A Paper Moon; King Of The Road; On The Street Where You Live; Rudolph The Red-Nosed Reindeer; The Sleeping Beauty Waltz; Summer Holiday; You'd Be So Nice To Come Home To; YMCA.
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Red Hot Violin. Grades 5-6: Violin: Instrumental Album
Violin and Piano
[Sheet music]
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Intermediate
Faber Music Limited
Red Hot Violin is an exciting new series of graded performance repertoire with ...
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Red Hot Violin is an exciting new series of graded performance repertoire with a difference featuring sizzling arrangements of contemporary show-stoppers for intermediate violin with piano. With pieces in a wide variety of styles violinists of all ages will enjoy showing off these sparkling takes on popular favourites. They’re perfect for inspiring students as a refreshing change from exam repertoire and would go down a storm at any concert or recital. Arranger and composer Rachel Jennings has been playing the violin since the age of six studying with Susan Sheppard and Jean Harvey and theory with Jonathan Rathbone. She runs a private teachingstudio in Nottingham.The A Team; Canarios; Cotton-Eyed Joe; Dream A Little Dream Of Me; I Wanna Be Like You; If Only I Had A Brain; One Day Like This; Sleigh Ride; Summer Nights.
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Georges Delerue: Le Concerto De L'Adieu 'Farewell Concerto': Violin:
Violin and Piano
[Sheet music]
Leduc, Alphonse
Composed by Georges Delerue a French composer specialised in film music Le L...
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Composed by Georges Delerue a French composer specialised in film music Le Le Concerto De L'Adieu is a piece for Violin and Piano accompaniment. Edited by Roberto Cani it lasts 9 minutes. This concerto is part of the original soundtrack of “Dien Bien Phu” (1992) by Pierre Schoendoerffer. It is used in the film for a scene which represents the loss of Dien Bien Phu: a concert is going to happen and while the music starts some sporadic images of the battle are shown. The concert finishes with the audience applauding and the next scene shows some soldiers having their last drink knowing the battle is already lost.The concerto goes through different phases to express what is seen through the images alternating melancholy desperation desolation and the feeling of lost power.
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Johann Christian Bach: Concerto en ut mineur: Violin and Accomp.: Instrumental
Violin and Piano
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Intermediate
Salabert
Henri Casadesus was passionate about early instruments, as we know from a number...
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Henri Casadesus was passionate about early instruments, as we know from a number of photographs showing him with viola d?amore, the subject of a manual he wrote entitled Tecnique de la viole d?amour. The Concerto en Ut mineur was first published in 1947 by Mica Salabert. The first edition gives the so-called ?original? part for solo violocello together with the score which, according to the preface, has been adapted for viola or cello or violin by Casadesus. However, stylistic analysis of the piece, together with some musicological research carried out after the appearance of the first edition reveals that the ?original? version for violoncello, on which the adaptation was supposed to be based, cannot be attributed to Johann Christian Bach, but is rather a work imitating his style written two centuries later. In spite of this, Concerto en Ut mineur encountered considerable success and continues to be studied and performed by both violinists and violoncellists today.
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Jones: Viennese Fiddler: Violin: Instrumental Album
Violin and Piano
[Score and Parts]
Boosey and Hawkes
Viennese music has become almost synonymous with Johann Strauss II and his great...
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Viennese music has become almost synonymous with Johann Strauss II and his great waltzes. But of course there were other luminaries: his father Johann Strauss I his talented brothers Josef and Eduard as well as their colleagues friends and rivals. This collection includes music by some of these; and apart from waltzes we have polkas (slow and fast) a couple of melodies from operettas and a march. The selection ranges from shorter eminently playable miniatures to a handful of more extended and challenging arrangements. The waltz kings were first and foremost fiddlers. They led their orchestras from the front instrument and bow in hand. As a young man JohannStrauss II used to practise his Violin in a full-length mirror so he would look every inch the part. They knew how to write for the Violin how to make it sing and dance and this helps to make the repertoire a perfect foil to the other volumes in this series. The arrangements in this collection can be performed as solos duets or trios or by larger ensembles. In fact here are all the resources to recreate a Viennese café orchestra! The full range of traditional fiddle repertoire is now at your fingertips! Using these generous collections you can create your own ceilidh barn dance jazz club Sarajevo street-café or Gypsy gathering. Some of this music is familiar some more exotic but all of it is absolutely authentic faithfully arranged and above all hugely enjoyable. Each title in the series is available in two formats: the Violin edition (with an optional easy Violin part and Guitar chords); or the complete edition which also includes both Keyboard and Violin accompaniments. Either format is hugely flexible which means the music can be played as solos duets or trios as well as with larger ensembles. Edward Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style giving his own suggestions for a lively performance. And to help recreate the spirit of the music every book in the series is beautifully illustrated.
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Ravel Maurice - Tzigane - Violon and Piano
Violin and Piano
Barenreiter
Ravel, Maurice Tzigane Concert rhapsody for violin and piano In 1922 Maurice Ra...
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Ravel, Maurice Tzigane Concert rhapsody for violin and piano In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D?Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D?Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel?s virtuoso classic ?Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated ?Tzigane? and both versions remain a ?must? for music-lovers and aspiring violinists today. Jelly D?Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel?s masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer?s earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition; one of the available sources, consulted for the first time, was a copy of ?Tzigane? from the estate of Jelly D?Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D?Aranyi. D?Aranyi?s alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D?Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto. - First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano - Includes Jelly D?Aranyi?s fingering
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