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VIOLONCELLO - CELLO
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Violin and Piano
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Johann Sebastian Bach: Bach - Violin Concertos: Violin: Instrumental Album
Violin and Piano
[Sheet music]
-
Intermediate/advanced
Schirmer
Violin(s) and Piano Reduction-Collection of three concertos for the Violin edit...
(+)
Violin(s) and Piano Reduction-Collection of three concertos for the Violin edited and fingered by Eduard Herrmann. Includes a Piano accompaniment Violin part and Violin 2 part for the Concerto For Two Violins In D Minor BWV 1043Concertosincluded: A minor Concerto BWV 1041; E Major Concerto BWV 1042; Concerto for Two Violins in D minor BWV 1043.
19.99 GBP - Sold by Musicroom UK
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Ludwig van Beethoven: Violin Concerto in D Major Op. 61: Violin: Score
Violin and Piano
[Sheet music + Audio access]
Schirmer
Book/Audio with Orchestral Performances and Accompaniments. This edition of Beet...
(+)
Book/Audio with Orchestral Performances and Accompaniments. This edition of Beethoven's violin concerto includes online audio of full orchestral performances and accompaniments, an insert containing the solo violin part, and an additional insert with the popular cadenzas by Fritz Kreisler. Performers in the audio recordings are violinist Geoffrey Applegate and the Stuttgart Symphony, conducted by Emil Kahn.
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Album Of Violin Pieces: Violin: Instrumental Album
Violin and Piano
[Sheet music]
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Intermediate
Music Sales
This book of violin pieces provides a wide variety of style color and characte...
(+)
This book of violin pieces provides a wide variety of style color and character including the most noteworthy compositions in musical history all carefully revised and edited. While the student will find the contents of thisbook invaluable for recreation and practice the virtuoso will recognise this set of selections as indispensable to his library. Includes Piano accompaniment. Suitable for intermediate standard (grade 4-5).
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The Library Of Violin Classics: Violin: Instrumental Album
Violin and Piano
[Sheet music]
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Intermediate
Music Sales
A compendium of classic solos for the Violin. This expansive volume contains the...
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A compendium of classic solos for the Violin. This expansive volume contains the great masterpieces of the world's foremost composers. Over 50 favourite Violin solos with full Piano accompaniment and a separate matching solo partfor the violinist. Carefully selected to provide a lifetime of playing pleasure for every performer.
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Antonio Vivaldi: The Four Seasons - Complete Edition: Violin: Instrumental Work
Violin and Piano
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Intermediate/advanced
Schirmer
A special edition of Vivaldi's celebrated set of four Concertos For Violin toge...
(+)
A special edition of Vivaldi's celebrated set of four Concertos For Violin together in one sumptuous volume. First composed in 1725 the pictoral themes and textures of Vivaldi's The Four Seasons have become some ofthe most widely performed and familiar musical moments ever composed. From the swift and blossoming delights of Spring to the sparse tensions of Winter the concertos have become required repertoire for anyconcert Violinist with globally popular performances from Nigel Kennedy Yehudi Menuhin and many more. This new edition from Schirmer's Library Of Musical Classics brings together all four concertos in one volume at anexcellent price complete with Piano reductions - the perfect opportunity to add these wonderful and historically significant works to your own repertoire.
16.99 GBP - Sold by Musicroom UK
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Antonio Vivaldi Nigel Kennedy: Movements From The Four Seasons: Violin:
Violin and Piano
[Sheet music]
Chester
Nigel Kennedy. Seven of the most popular movements from The Four Seasons select...
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Nigel Kennedy. Seven of the most popular movements from The Four Seasons selected and arranged for violin and piano by Jerry Lanning.
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Tunes You'Ve Always Wanted To: Violin: Instrumental Album
Violin and Piano
[Sheet music]
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Intermediate
Chester
Easy classics for violin with piano accompaniment. Over 20 all-time favourites i...
(+)
Easy classics for violin with piano accompaniment. Over 20 all-time favourites including Beethoven's 'Minuet In G' 'Eine Kleine Nachtmusik' and 'The Four Seasons'. Grades 3-5.
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Violin Classics: Violin: Instrumental Album
Violin and Piano
[Sheet music]
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Intermediate
Schirmer
Schirmer's Library of Musical Classics - Volume 2078-Compilations of Violin lite...
(+)
Schirmer's Library of Musical Classics - Volume 2078-Compilations of Violin literature appropriate for students arranged by difficulty level.
19.99 GBP - Sold by Musicroom UK
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Kuchler F. - Concertino In D Op.15 - Violin, Piano
Violin and Piano
[Sheet music]
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Intermediate
Bosworth
8.99 EUR - Sold by Woodbrass
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Songe
Français
Violin and Piano
[Sheet music]
Billaudot
Cette partition SONGE de Fleurette Bernard a été éditée par les éditions Bi...
(+)
Cette partition SONGE de Fleurette Bernard a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB6598. Cette oeuvre d'une durée de 00:02:20 est idéale pour les musiciens pratiquant Violon. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Violon Et Piano / Partition
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Portnoff - Fantaisie Russe N°2, Re Mineur - Violon / Piano
Français
Violin and Piano
[Sheet music]
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Beginner
Bosworth
8.00 EUR - Sold by Woodbrass
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Rieding O. - Concerto In B Minor Op.35 - Violon, Piano
Violin and Piano
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Intermediate
Bosworth
8.99 EUR - Sold by Woodbrass
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Rieding Oscar - Concertino Op.21 En La Majeur - Violon,piano
Violin and Piano
[Score and Parts]
-
Intermediate
Bosworth
8.99 EUR - Sold by Woodbrass
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Rieding Oscar - Gipsies' March Op.23 N°2 - Violon, Piano
Violin and Piano
[Sheet music]
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Intermediate
Bosworth
8.99 EUR - Sold by Woodbrass
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Ravel Maurice - Tzigane - Violon and Piano
Violin and Piano
Barenreiter
Ravel, Maurice Tzigane Concert rhapsody for violin and piano In 1922 Maurice Ra...
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Ravel, Maurice Tzigane Concert rhapsody for violin and piano In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D?Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D?Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel?s virtuoso classic ?Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated ?Tzigane? and both versions remain a ?must? for music-lovers and aspiring violinists today. Jelly D?Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel?s masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer?s earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition; one of the available sources, consulted for the first time, was a copy of ?Tzigane? from the estate of Jelly D?Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D?Aranyi. D?Aranyi?s alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D?Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto. - First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano - Includes Jelly D?Aranyi?s fingering
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Piccolo Paganini Vol. 2
Violin and Piano
[Sheet music]
Peters
30 intermediate recital pieces for violin and piano. Par . Following the success...
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30 intermediate recital pieces for violin and piano. Par . Following the successful first volume, Piccolo Paganini Vol. 2 contains 30 original intermediate-level pieces for violin and piano. Violin experts Christiane Schmidt and Gudrun Jeggle focus on musically sophisticated and rarely-heard concert pieces by composers ranging from Handel and Elgar to Pauline Viardot GarcÃa and Grazyna Bacewicz. This appealing and attractive repertoire will help every little Paganini shine ? a real treasure trove for teaching, performance, and competitions. 30 intermediate-level compositions for violin and piano (mainly 1st and 3rd positions, but going up to 5th position) Appealing and musically rewarding repertoire pieces Ideal for developing fluency, bowing technique and basic double-stop playing With performance notes and short biographies For teaching, performance, and competitions / Date parution : 2023-06-01/ Recueil / Violon et Piano
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Violin Concerto 'Concentric Paths'
Violin and Piano
[Sheet music]
Faber Music Limited
Par ADES THOMAS. Thomas Adès?s Violin Concerto ?Concentric Paths?, written in 2...
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Par ADES THOMAS. Thomas Adès?s Violin Concerto ?Concentric Paths?, written in 2005, is one of the most important additions to the violin concerto repertoire since Ligeti?s. Cast in three contrasting movements ? each linked by a preoccupation with circling musical figures ? the concerto, subtitled ?Concentric Paths? now occupies a place in standard repertoire. Two lithe, rhythmically driven movements ? Rings and Rounds ? bookend Paths, an intensely emotional and gritty exploration of passacaglia-like sequences, which peaks in a lyrical outpouring of exceptional beauty. ?In just 20 minutes, this three-movement piece does something magical. The way it swirls ethereally in the first movement, exerts a tragic and vice-like grip in the chaconne-like second part and finally propels you into the uninhibited flight of the finale is like being spun into an infinite space.? The Guardian (Tom Service) / Date parution : 2023-07-31/ Répertoire / Violon et Piano
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Johannes Brahms: Sonatas In F Minor And E-Flat For Violin: Violin: Instrumental
Violin and Piano
Barenreiter
for Violin and Piano-Brahms had already announced his ?retirement? from composit...
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for Violin and Piano-Brahms had already announced his ?retirement? from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld?s much admired playing and inspired him to write two Clarinet sonatas in the summer of the same year.Brahms conceived an alternate version of the works for Viola from the beginning and already before the publication of these two versions he intended to do another one for Violin a version which was to require changes and was to result in an independent edition. While the Clarinet and Viola versions havedeveloped a rich performance tradition the Violin version is almost unknown. Yet for the Violin version the composer revised the original Clarinet part much more extensively than he did for the Viola version and also rewrote the Piano part to achieve a thoroughly convincing Violin and Piano idiom. This Bärenreiter edition aims to bring the neglected Violin Sonatas Op. 120 back into players? hands.An important part of this edition is the extensive preface. Firstly it informs about the sonatas? origins their compositional process pre-publication performances their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time the edition offers an exciting and
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Wieniawski H. - 2eme Polonaise Brillante Op. 21 - Violon Et Piano
Violin and Piano
PWM (Polskie Wydawnictwo Muzyczne)
2me Polonaise brillante pour violon avec acompagnement de piano op.21 Henryk Wi...
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2me Polonaise brillante pour violon avec acompagnement de piano op.21 Henryk Wieniawski wrote only two polonaises. The first one, op. 4 in D minor, is one of his youthful works; the other, op. 21 in A major, is one of the last works he composed. Moreover, H. Wieniawski is the co-author of another polonaise, op. 8, for violin and piano, which he wrote with his brother Józef Wieniawski, a pianist. The latter polonaise, like the Polonaise in D minor op. 4, is also a youthful composition (1852). The polonaise as a genre, therefore, does not occupy much space in Wieniawskis heritage. Nonetheless, both polonaises, in D minor and A major, constitute an essential part of his artistic inheritance. Likewise, both polonaises had been composed in two versions: for violin and orchestra, and for violin and piano. The Polonaise in A major was completed in 1870. It is not known precisely which of the versions, the one with the piano, or the one with the orchestra first came into being. It was the version with orchestra that the composer performed for the first time on 17 March 1870, in the Grand Theatre in St. Petersburg. But merely two months later he performed the Polonaise in Warsaw, accompanied by his brother Józef at the piano. It is quite possible that Wieniawski had already performed this version of the Polonaise. It is certain, nonetheless, that both versions either appeared simultaneously, or one was composed shortly after the other. From its first public performance until the end of his concert career, Wieniawski often included this Polonaise in his concert repertoire, playing one version or another, the choice depending on the needs and circumstances. Just to mention one occasion, he played the orchestral version during a concert tour of Sweden in 1870, when he dedicated and presented a manuscript of this piece to King Charles XV of Sweden. The dedication, however, was changed in print, and both versions were eventually dedicated to François van Hal. Both versions were published simultaneously, by Schott Publishers in Mainz, with the same plate number, though the orchestral version appeared only in parts, which was a common practice in those days. The piece was most probably not published earlier than 18751. The Polonaise was praised by the critics. The reviews reported that it was a magnificent piece2, and this opinion was shared by later critical reviews, both Russian and West European. The Polonaise remained popular after the composer had died, which is evident from the number of later editions of the piece (more than ten) issued by different publishers, mostly German, and prepared by different editors. In Poland, the Polonaise was published twice after the Second World War. All the editions introduced some more or less significant changes into the text, mostly concerning performance indications, but in a sense blurring the composers intentions. All those changes were pertinent to the violin and piano version, and it was mostly in this form that the piece appeared in concert and teaching repertoires. The performances with an orchestra were much more seldom which was, among other factors, due to limited availability of the orchestral version, as it had never been published again after the first edition, until now. The Polonaise in A major was composed approximately at the same time as the Violin Concerto No. 2 in D minor3. This convergence in time had influenced a certain similarity with regard to both composition and technical means, and also to the themes. In particular, the similarity becomes quite obvious in the second theme of the Allegro in the Concerto, and in the theme of the Polonaise. The Polonaise in A major is also in a certain way similar to the first Polonaise (in D minor), the motifs of the themes in both polonaises are alike. However, both pieces differ in style. The Polonaise in D minor shows the composers fascination with technical writing. Wieniawski makes the most of double-stops, chords, and all other sophisticated virtuoso techniques. The Polonaise in A major, written 18 years later, is much more mature. Although it is a virtuosic piece as well, the techniques used are somewhat more limited and subordinated to the expression. The virtuoso character of this piece is more fragile, much closer to the brillant style. At the same time, the Polonaise is typical of Wieniawskis violin playing technique. Here the composer uses the means regarded by his contemporaries to be typical of him, e.g., long staccato fragments played with one bow. The Polonaise is a concert piece in one movement extended form with a considerably abbreviated return of the first section at the end. The middle section is contrasting in character, due to the modulation to F major, change of tempo (meno mosso) and the reduction in the number of instruments (in the orchestral version). All the sections show thematic similarity. The first section, too, consists of three subsections, including a contrasting middle subsection (in E major). Zofia Chechlińska Footnotes 1. See The Critical Commentary, p. ? and onward. 2. See V. Grigoriev, Henryk Wieniawski. Życie i twórczość. [Life and Work] Warszawa - Poznań 1986, p. 184. 3. The first version of the Concerto No. 2 in D minor was completed in 1862, but in 1870, i.e., not until the Polonaise in A major was completed, Wieniawski had been working on the Concerto and implemented quite a few changes. Publisher: PWM/Towarzystwo Muzyczne im. Henryka Wieniawskiego w Poznaniu Series: Henryk Wieniawski - Complete Works Cover: softback Nr ISMN: 979-0-2740-0753-9 Number of pages: 34+8 Format: N4 stoj. 235x305 Language version of text: pol., Eng.
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César Franck: Sonate / Andantino quietoso op. 6 / Mélancolie: Violin:
Violin and Piano
-
Intermediate
Barenreiter
for piano and violin-Pioneering new Urtext edition.Informative text on the genes...
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for piano and violin-Pioneering new Urtext edition.Informative text on the genesis and reception history of the sonata and its versions (Ger/Fr/Eng).Two small individual movements for Violin and Piano published for the first time.Detailed Critical Commentary (Eng).Cesar Franck’s Sonata For Piano And Violin is one of the most treasured works in the Violin repertoire a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugène Ysaÿe.Franck’s correspondenceproves that he was directly involved in the printing of the sonata. Consequently Barenreiter's scholarly performing edition draws mainly on the first edition of the separate Violin part. For the Piano part the first edition of the version for Violoncello and Piano which appeared during Franck
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Dueling Carmens: Two Carmen Fantasies (SARASATE PABLO DE / HUBAY JENO)
Violin and Piano
[Sheet music]
Hal Leonard
by Hubay and Sarasate for Violin and Piano. Par SARASATE PABLO DE / HUBAY JENO. ...
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by Hubay and Sarasate for Violin and Piano. Par SARASATE PABLO DE / HUBAY JENO. Georges Bizet\'s opera Carmen had its first performance in Paris in 1875. In the audience was the 17-year-old Hungarian violin virtuoso and budding composer Jenö Hubay. After the performance Hubay started writing his Carmen Fantasy from memory. The following season for his debut recital in Paris, he included his newly created composition. It is a lyrical work of great beauty and brilliance. Hubay combined his career of a concertizing virtuoso, composer and violin pedagogue. At the Royal Conservatory in Brussels he became the successor of Vieuxtemps and Wieniawski. Later, Franz Liszt invited Hubay to lead the violin department in the newly created Budapest Music Academy. He created the world-renowned Hungarian school of violin playing. His student, Franz von Vecsey, recorded theCarmen Fantasy in 1904 at age 11! His other students included Joseph Szigeti, Zoltán Szekely, Sándor Végh, Endre Gertler, György Garay and many more. Hubay was a very active composer, creating over 120 works including operas, ballets, concertos, songs and instrumental compositions. Pablo de Sarasate wrote his Carmen Fantasy in 1882. It is a composition of drama and passion, written with his unparalleled brilliance for violin writing. This work has remained in the standard repertory, on programs of virtuoso soloists, as well as a required work for major competitions. / Date parution : 2021-12-09/ Recueil / Violon et Piano
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10 Brilliant Miniatures (SARASATE PABLO DE)
Violin and Piano
[Sheet music]
Hal Leonard
Par SARASATE PABLO DE. Sarasate\'s concert career began at age seventeen after h...
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Par SARASATE PABLO DE. Sarasate\'s concert career began at age seventeen after he was awarded the coveted Premier Prix from the Paris Conservatoire for both violin and composition. After his London debut, the playwright and music critique George Bernard Shaw wrote in his review that Sarasate \'left criticism gasping miles behind him.\' Shaw also declared that there were many composers of music for the violin; there were but few composers like Sarasate for violin music. His vast concert repertory included many works written for and dedicated to him by Bruch, Saint-Saëns, Wieniawski, Dvorak and many others. He performed his own works in an inimitable, brilliant and charming manner. His contemporaries marveled at his perfect intonation and stunning rhythmic acuity. His bowing technique was the pride of the French School of violin playing. The works presented in this volume are among his finest. All are based on Spanish popular music and are a virtuosic set for violin and piano. They are and have been in virtually every great violinist\'s repertory. They are also exceptionally popular as encore pieces, as well as favorites of budding virtuosos. / Date parution : 2022-01-14/ Recueil / Violin et Piano
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Georges Catherine: Famous Pieces for Violin and Piano: Violin: Instrumental
Violin and Piano
Leduc, Alphonse
Parisian violinist Georges Catherine (1872-1958) compiles an exciting addition t...
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Parisian violinist Georges Catherine (1872-1958) compiles an exciting addition to the Violin repertoire. Including pieces by Schumann Rameau Lully Handel Couperin Byrd Beethoven and Bach Catherine ensures that the best Violin works of the Baroque genre are compiled in one essential volume. In the first volume of his compilation Famous Pieces for Violin and Piano Catherine transcribes and arranges famous works by the great composers of all eras for the Violin ensuring that necessary additions and edits are made. Pieces include Lully's Menuet from Les Bourgeois Gentilhomme and a J. S.Bach Menuet and Gigue. The changes by Catherine include articulation phrasing tempo marks dynamics and other performance directions. Famous Pieces for Violin and Piano compiled by Georges Catherine provides excellent expansion to the repertoire of Violin beginners ensuring that students are inspired by the works of the great composers from the start of their instrumental study.
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Ludwig van Beethoven: Violin Sonatas - Volume 2: Violin: Instrumental Album
Violin and Piano
G. Henle
Violin Sonatas Volume II-Volume II of Ludwig van Beethoven’s Sonatas for ...
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Violin Sonatas Volume II-Volume II of Ludwig van Beethoven’s Sonatas for Piano and Violin includes Violin sonatas No. 6-10 - Beethoven wrote 10 sonatas for Violin and Piano in total (No. 1-5 can be found inVolume I of this edition). Out of these 5 sonatas Violin Sonata No. 9 (commonly known as the ‘Kreutzer Sonata’) is the most widely known because of its demanding Violin part unusual length of slightlyless than 40 minutes (with the other four averaging at ca. 23 minutes) and emotional scope - while the first movement is predominantly furious the second is meditative and the third joyous and exuberant. This Urtextedition provides you with a clear and accurate representation of the composer's original intentions. Two copies of the Violin score are included as separate inserts as well as a preface in German English and French.
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Sonata No 2 for Violin and Piano (SAINT-SAENS CAMILLE)
Violin and Piano
[Sheet music]
Barenreiter
In E-flat major Op.102. Par SAINT-SAENS CAMILLE. The second half of the 19th cen...
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In E-flat major Op.102. Par SAINT-SAENS CAMILLE. The second half of the 19th century represented something of a ?Golden Age? of the violin sonata in France: influential violin sonatas such as those by Franck, Fauré and Saint-Saëns were among the successful works of this genre, inspiring many further compositions. Saint-Saëns? Violin Sonata No.2 was written in 1896 during a stay of several months by the composer in Egypt: he began the main themes of all four movements as well as the canonic trio in Luxor and Aswan. The sonata was then completed on the Nile journey back to Cairo. That same year the sonata was premiered by Saint-Saëns and Pablo Sarasate in a concert celebrating the composer?s fiftieth stage anniversary. Astoundingly, he had first appeared on stage when he was only ten years old. This performing edition edited by Fabien Guilloux and François de Médicis is based on ?Saint-Saëns ? ?uvres instrumentales complètes?, volume III/4. It reflects the most up-to-date state of research on this work which the edition presents in a spacious engraving. - With a detailed Foreword (Fr/Eng/Ger) on the genesis and performance history - Performing edition based on the Urtext of the ?Saint-Saëns ? ?uvres instrumentales complètes? - Optimum layout in the violin part and piano score / Date parution : 2022-11-08/ Répertoire / Violon et Piano
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