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Klaus Heizmann: Vocal warm-ups: Vocal Score
Voice solo
[Sheet music]
Schott
200 Exercises for Chorus and Solo Singers-What choral conductor or soloist has n...
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200 Exercises for Chorus and Solo Singers-What choral conductor or soloist has not looked around for new ideas for warming up the voice? Here are 200 suggestions all at once!And these creative exercises do more than just warm up the voice: they help to relax the body train the ear and develop an awareness of dynamics and rhythm.Klaus Heizmann's collection is a wonderful new resource of ideas and techniques: practical varied challenging relaxing and stimulating. I am always looking for new ideas as I like to use a different set of warm-ups at every rehersal with my choirs and I tend to choose specific exercises to suit the repertoire for the day. This collection gives us 200 excellent tools-of-the-trade; they areclearly lebeled intelligently set out well-designed and extremely useful. (Simon Carrington Director of Choral Activities New England Conservatory since 2001; Director of Choral Activities The University of Kansas 1994-2001; Founder and co-director of the King's Singers 1968-1993)
15.99 GBP - Sold by Musicroom UK
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Murphy Henry: The Murphy Method: Harmony Singing Made Easy: Voice: Vocal Tutor
Voice solo
Mel Bay
Harmony Singing Made Easy teaches you to sing harmony by ear. Murphy and friends...
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Harmony Singing Made Easy teaches you to sing harmony by ear. Murphy and friends Bill Evans Janet Beazley and Chris Stuart join together to sing some beautiful trios and quartets. First you hear thethree (or four) voices blending together then you hear each harmony part sung separately. You learn your part by singing along with us. We sing several songs in three different keys so no matter what your vocal range you can tryyour hand at singing the lead part. Sometimes the men (Bill Chris) take the lead; sometimes the women (Murphy Janet) take the lead. With three keys to choose from you can also find a harmony part to suit yourvoice.Along the way we offer some helpful hints such as 'What key do I sing in?' 'How do I find my harmony part?' and 'How can I get a good blend?' At the very end Murphy and Bill break out their banjos for a rousing quartetversion of 'Over in the Gloryland.' Very entertaining!If you've been wondering how to sing harmony we've made it as easy as possible. Or as we say in Virginia 'It's as easy as pie.' Read even more details on our blog.Will the Circle Be Unbroken Bury Me Beneath the Willow All the Good Times Are Past and Gone Don't This Road Look Rough and Rocky Amazing Grace Over in the Gloryland
26.00 GBP - Sold by Musicroom UK
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Banished (MC NEFF STEPHEN)
Voice solo
[Sheet music]
Peters
Par MC NEFF STEPHEN. My research for Banished began with a small group of studen...
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Par MC NEFF STEPHEN. My research for Banished began with a small group of students during a Trinity Laban co-lab period in 2013, though the idea goes back over 30 years when I first saw Steve Gooch’s Female Transport and stored the idea of adapting it as an opera until the right opportunity arose. I have been involved in opera for a long time and it has always been a frustration for me that while there is an abundance of female talent (particularly so in conservatories and colleges) there is a noticeable lack of challenging roles available for young women. The roles most often undertaken are maids or innocent girls, compliant wives or tomboys. Not that the problem is necessarily confined exclusively to young women, but where good roles exist, the women are all too often merely passive or victims. Things happen to them rather than them making things happen. They are unable to influence their circumstances and are usually resigned to their fate. Worse still, they are often judged in some way responsible for what happens to them, culpable even because of their looks, their way of life or a streak of independence. Just think about Mimi, Carmen and Violetta (to name only three on a long list). All these characters die, and their attempts at individuality contribute to their demise in some way that they have no control over. With some exceptions female characters in opera are too often sad, mad or bad. Redressing this balance and taking advantage of the richness in vocal talent is only one reason to write an opera reflecting the reality of a group of strong women who work things out for themselves. The transportation of people to Australia at the beginning of the nineteenth century is not a particularly well understood part of history beyond a sort of folk myth. What were the circumstances, who were the people and what happened to them? Opera does not exist to completely answer these questions, but it can focus on the women as individuals and help tell their story. (All the women named in the opera actually existed.) My approach has to been to put the women’s narrative centre stage and, in the confines of an oppressive, dangerous environment go with them on their journey as they survive or sink. The demands on the women are huge. At every turn they are oppressed by their jailers, the system that brought them here and their own low expectations. They have to work out ways to overcome these odds. We discover them through their music in solos and ensembles, sometimes reflective, at other times boasting about their lives a petty criminals and trying to establish status and pecking order. Alongside this I have used references to music of the time to create another reality built on larger ensembles and choruses. This is a sort of collective consciousness aware of loss, longing and context – even of a broad political dimension to the realities of Transportation. Despite the acute awareness of their circumstances in these ensembles, there is also a resilience and strength that transcends the individual stories. Stephen McNeff / Instrumental Music / Répertoire / Voix
370.31 EUR - Sold by LMI-partitions
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Great Standards: Melody Lyrics and Chords: Vocal Album
Voice solo
[Sheet music + CD]
Hal Leonard
Pro Vocal Men's Edition Volume 22-Whether you're a karaoke singer or preparing f...
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Pro Vocal Men's Edition Volume 22-Whether you're a karaoke singer or preparing for an audition the Pro Vocal series is for you. The book contains the lyrics melody and chord symbols for eight hit songs. The CD contains demos for listening and separate backing tracks so you can sing along. The CD is playable on any CD but it is also enhanced for PC and Mac computer users so you can adjust the recording to any pitch without changing the tempo! Perfect for home rehearsal parties auditions corporate events and gigs without a backup band. This volume includes 8 songs: Beyond the Sea • Blame It on My Youth • For All We Know • I Don't Know Why (I Just Do) • ILeft My Heart in San Francisco • The Way You Look Tonight • What a Wonderful World • Where or When.
15.99 GBP - Sold by Musicroom UK
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Hunger For Justice
Voice solo
Kevin Mayhew
/ Voix
25.73 EUR - Sold by LMI-partitions
(Seller in french langage)
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