Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum” in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum”. Here it is called 'Te Deum for Cannons” after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plus a choir (one soprano, three tenors and a bass) probably reflects the musicians which were available at Cannons, bearing in mind that three tenors were used also in 'Acis and Galatea”, the masque which was composed at almost the same time. Though in many respects this 'Te Deum” is reminiscent of the 'Utrecht Te Deum”, its smaller forces tend to give it more the character of chamber music. This edition is based on the Urtext from the 'Halle Handel Edition” (BA 10708), which offers the first complete scholarly text of the music for the 'Te Deum”./ Répertoire / Orchestre à Vent

Par ARNOLD MALCOLM. Malcolm Arnold's 'Clarinet Concerto #2, Op. 115', was dedicated to Benny Goodman, and first performed by him as part of the 'Red Rocks Music Festival' with the Denver Symphony Orchestra conducted by Brian Priestman on 17 August 1974. The third movement, known affectionately as 'The Pre-Goodman Rag', is an outrageous ragtime parody with a hauntingly wistful middle section. The work has now been made more widely available in this transcription for wind band. This version conmtains full score and parts. / Niveau : 3 / Répertoire / Clarinette et Ensemble à Vent

Par SONNTAG GOTTFRIED. Über Motive Aus R. Wagners 'Ring Des Nibelungen'/ Répertoire / Wind Band

Par DOBSON SIMON. Firefly was composed by award-winning composer Simon Dobson (b.1981) to provide an entertaining uptempo concert work for community and youth bands. Composed in funk-rock style, and is based on the groove beat with which it opens. Dobson says, 'Firefly was written as a break from my more serious music and as a 'hat tip' to the various types of beat orientated music I listen to.” It was first performed by Oslofjord Brass in Norway and in its wind version by Harmonie Shostakovich, Switzerland. Duration: 5-6 minutes. INSTRUMENTATION: 1 Eflat Sop. Cornet, Solo Cornets (4), Bflat Rep. Cornet (1), 2nd Bflat, Cornets (2), 3rd Bflat Cornets (2) - Flugel horn, Solo Eflat Horn, 1st Eflat Horn, 2nd Eflat Horn - 1st Bflat Bar., 1 2nd Bflat Bar., 1st Trombone, 2nd Trombone, Bass Trombone - Bflat Euphoniums (2) - Eflat Tubas (2) - Bflat Tubas (2) - 2 percussion/ Répertoire / Orchestre à Vent

Marsch für Harmonie-Musik. Par BLON FRANZ VON. / Répertoire / Ensemble à Vent

Interdisziplinäre Beiträge Über Die Vorgänge Im Menschen Und Im Musikinstrument Während Des Musizierens - Nagy Michael (Editeur). Par WIDHOLM GREGOR. Bericht vom Internationalen Symposion in Wien, 12. 14. April 1988, herausgegeben vom Institut für Wiener Klangstil. 330 Seiten, brosch./ Accessoire / Ensemble à Vent

Marsch für Harmonie-Musik. Par BLON FRANZ VON. / Répertoire / Ensemble à Vent

Quarter Military Band QMB 209. Par PISTON WALTER. Symphonic Band (score & parts). Piston, W/ Répertoire / Ensemble à Vent

Par ARMITAGE DENNIS. / Niveau : Intermédiaire / Répertoire / Orchestre à Vent