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Cello Part
VIOLONCELLO - CELLO
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Go Fourth - Position Changing For The Cello
Cello, Piano
Spartan Press
Easy to follow, structured material to teach pupils whatever their age, 4th posi...
(+)
Easy to follow, structured material to teach pupils whatever their age, 4th position and the process of shifting between 1st and 4th positions. See also 'Taylor Made'.Complete with Cello part, pull-out piano accompaniment and CD. Easy to follow, structured material to teach pupils whatever their age, 4th position and the process of shifting between 1st and 4th positions. These cello tunes have fairly easy but effective piano accompaniments. See also 'Taylor Made'. / Violoncelle Et Piano
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CONCERTO FOR TWO VIOLONCELLOS IN G MINOR RV 531 (VIVALDI ANTONIO)
2 Cellos, Piano
[Sheet music]
Barenreiter
Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty in...
(+)
Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establish this still young instrument in the music of that time. The Concerto RV 531 is the only double concerto in Vivaldi?s ?uvre for two solo violoncellos. The two solo parts take centre stage with virtuosic passages but lie on the instrument so well that they can be comfortably mastered by advanced students. The edition is based on the careful evaluation of Vivaldi?s autograph score which is the main source and several inconsistencies found in previous editions have been clarified. At the same time the edition allows for a flexible realisation of this concerto: it can be performed by a full tutti orchestra or by one performer per part. The cello part in the basso continuo group can be played by orchestral cellists or by the soloists./ Répertoire / 2 Violoncelles, Cordes et Basse Continue
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CONCERTO FOR TWO VIOLONCELLOS IN G MINOR RV 531 (VIVALDI ANTONIO)
2 Cellos, Piano
[Sheet music]
Barenreiter
Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty in...
(+)
Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establish this still young instrument in the music of that time. The Concerto RV 531 is the only double concerto in Vivaldi?s ?uvre for two solo violoncellos. The two solo parts take centre stage with virtuosic passages but lie on the instrument so well that they can be comfortably mastered by advanced students. The edition is based on the careful evaluation of Vivaldi?s autograph score which is the main source and several inconsistencies found in previous editions have been clarified. At the same time the edition allows for a flexible realisation of this concerto: it can be performed by a full tutti orchestra or by one performer per part. The cello part in the basso continuo group can be played by orchestral cellists or by the soloists./ Répertoire / 2 Violoncelles et Piano
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Cello School Cello Part Vol.6 Rev. Edition (SUZUKI SHINICHI)
Cello
[Sheet music]
Alfred Publishing
Par SUZUKI SHINICHI. This material is part of the worldwide Suzuki Mehod of teac...
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Par SUZUKI SHINICHI. This material is part of the worldwide Suzuki Mehod of teaching. Companion recordings should be used with these publications. In addition, there are piano accompaniment books that go along with this material. This book contains four classical pieces for cello / Méthode en anglais / Méthode / Violoncelle
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Made Pieces For Cello Positions
Cello, Piano
Spartan Press
Each piece in this book stays in one position, so that pupils, whatever their ag...
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Each piece in this book stays in one position, so that pupils, whatever their age, can become familiar with the geography of the cello fingerboard across the strings. These cello tunes have easy but effective piano accompaniments, which are now also available as a play-along CD recording.Complete with Cello part, pull-out piano accompaniment and CD. A book of pieces each one staying in one position so pupils whatever their age, get to know the geography of the cello fingerboard across the strings in 2nd, 3rd, half, extended 2nd, extended 3rd and extended 4th positions, this is easy to follow, structured material. These cello tunes have fairly easy but effective piano accompaniments. See also 'Go Fourth'. / Violoncelle Et Piano
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Après Un Rêve, Violin 2 Part
Violin (band part)
Musicland
Solo Cello transcription with easy string orchestra / Ensemble A Cordes
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Après Un Rêve, Viola Part
Viola (band part)
Musicland
Solo Cello transcription with easy string orchestra / Ensemble A Cordes
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10 Duets For The Beginning Cellist With Play - Along
2 Cellos (duet)
[Sheet music + CD]
Spartan Press
Ten original cello duets including a play along 'cello partner' CD. The 'cello p...
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Ten original cello duets including a play along 'cello partner' CD. The 'cello partner' compact disk (performed by a real cellist) includes tuning notes, complete performances of all ten duets, and separate upper/lower part only performances of each duet, all individually tracked for ease of use. Each duet contains a count in bar to prepare the tempo.These duets may be played by a first year cellist and used in conjunction with any private study or school string class method. Perfect motivation for the beginning cellist. / 2 Violoncelles
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Duets For Cello (Book/2 Cds)
2 Cellos (duet)
[Sheet music + CD]
Chester
Written by Gabriel Yared, composer to the scores for The English Patient, Cold M...
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Written by Gabriel Yared, composer to the scores for The English Patient, Cold Mountain and The Talented Mr Ripley, this folio of 22 original Cello pieces has been designed to inspire and encourage duettists, especially teacher/pupil collaborations.The idea grew out of composer Gabriel Yared's own learning experience which suggested a need for one part to be written for the experienced teacher and another for the developing novice.The duets themselves progress from beginner to advanced levels, gradually addressing new technical problems as they go as well as providing varied and stimulating music to play.The accompanying CD includes a full recording of each duet as well as two alternative playalong versions each giving prominence to one part or the other.The publication comes with individual parts, completing a package that was developed, composed and produced as a completely original way of learning cello duets. / 2 Violoncelles
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Sheet Music Collection
2 Cellos (duet)
Hal Leonard
Ten cello duets performed by Luka Sulic and Stjepan Hauser on their four success...
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Ten cello duets performed by Luka Sulic and Stjepan Hauser on their four successful album releases, 2Cellos (2011), In2ition (2013), Celloverse (2015) and Score (2017). The book includes transcriptions of their duets for advanced cellists as well as separate pull-out sections for each cello part. / 2 Violoncelles
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Chamber Music For Cellos Vol.15 (Sc/Pts)
4 Cellos
EMB (Editio Musica Budapest)
The latest volume of Chamber Music for Violoncellos contains four sacral works, ...
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The latest volume of Chamber Music for Violoncellos contains four sacral works, two of which were arranged for cello quartet by the editor of the series, Árpád Pejtsik. Both Angelus!, Liszt's piano piece of ethereal beauty, and the Kyrie of Mozart's Requiem, an irresistibly surging four-part fugue, are magnificent when played with the immensely rich sound of the four cellos. The second part of the volume contains a pair of inspired works by two prominent cellists and composers of the 19th century: Karl Friedrich Wilhelm Fitzenhagen's Consecration Hymn and Friedrich Grützmacher's Ave Maria. While an instrumental skill of at least intermediate level is required for playing the upper parts due to the use of higher positions, the lower parts can be performed by beginner cellists. The editor has assisted the appropriate interpretation of the works by providing the fingering and bowing. / 4 Violoncelles
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Classic Hits For 2 Cellos
2 Cellos (duet)
[Sheet music]
-
Easy
Barenreiter
Classic Hits pour 2 violoncellesEdité par Margaret EdmondsonLes thèmes populai...
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Classic Hits pour 2 violoncellesEdité par Margaret EdmondsonLes thèmes populaires d'oeuvres de compositeurs classiques et romantiques ont été organisées pour deux violoncelles, en s'inclinant avec ajouté et de doigté.La valeur pédagogique de ces arrangements faciles réside principalement dans l'égalité de traitement des deux parties. Contenu Carl Maria von Weber, 'Jägerchor? (from 'Der Freischütz?) / Wolfgang Amadeus Mozart, ?Das klinget so herrlich? (from 'The Magic Flute?) / Franz Schubert, 'Wiegenlied? (Cradle Song) / Ludwig van Beethoven, 'Ode to Joy? et plus ... / 2 Violoncelles
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Celloschule Band 1
Cello
[Sheet music + CD]
-
Easy
Schott
Cette école de violoncelle nouvelle jette les bases d'une solide formation tech...
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Cette école de violoncelle nouvelle jette les bases d'une solide formation technique et musicale. Il est simplement conçu et destiné à des enfants plus âgés, les adolescents et les adultes. Mais il est également pionnier, celui qui concerne la sélection de la littérature, car en plus de pièces baroques et classiques pour la première fois de nombreuses pièces dans le style populaire offert que le violoncelle Flensburg pédagogue Gabriel Koeppen composé précisément pour ce sujet musicale et technique. Vent si frais dans les tableaux de formation violoncelles! Deuxièmement, la créativité des élèves est encouragée dès le départ, par des exercices d'improvisation simples, en jouant par coeur, la transposition, des suggestions, ou de continuer à varier à partir de mélodies. Le CD d'accompagnement comprend de nombreuses pièces d'une rythmique, la lecture de la motivation. C'est ainsi que du plaisir à jouer du violoncelle! / Violoncelle / 80 pages / niveau : Facile / Partition Cd
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Cello School, Vol.6 (SUZUKI SHINICHI)
Violoncelle et Accompagnement Piano
[Sheet music]
Alfred Publishing
Par SUZUKI SHINICHI. Teach cello with the popular Suzuki Cello School. Materials...
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Par SUZUKI SHINICHI. Teach cello with the popular Suzuki Cello School. Materials include: Cello Parts (Vol. 1-10) * Piano Accompaniments (Vol. 1-8) * Recordings (Vol. 1-3, 7, & 8 performed by Tsuyoshi Tsutsumi, Vol. 4-6 performed by Ron Leonard)./ Méthode / Violoncelle et Accompagnement Piano
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Pop Rounds - 2 Part (SCHMITZ MANFRED)
Cello
AMA Verlag
2-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same time also...
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2-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same time also help develop the ability to listen and play along, thus making them an important enhancement to musical training. With 109 pop style melodies in two volumes Manfred Schmitz work provides comprehensive and diversified material which can be flexibly implemented in teaching single pupils, for group lessons and for ensemble classes. The instruments violin, viola, violoncello and flute can thus stay „among themselves“ or play music together in all imaginable instrumental combinations. 2 part: 23 MINI-Canons – from the very start - 37 Canons – for the progressing demands This collection is particularly well-suited for the playing together ofpupil and teacher, but it also works well in group lessons. A collection of canons for the first learning steps on the instrument as well as for more advanced levels of learning. Through the universal versions for viola, cello and flute, different instruments can also play together. / Niveau : Débutant à Intermédiaire / Contemporary - Solos / Recueil / Violoncelle
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Concerto for Cello and Orchestra (Concertstück)
Cello, Piano
[Sheet music]
Peters
Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’...
(+)
Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer’s manuscript held in the Biblioteka Jagiellonska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann’s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann’s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann’s original conception of the work – not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann’s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiellonska in Kraków, to reveal Schumann’s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann’s original conception of the work as a Concertstück and restores Schumann’s musical text, free of posthumous interventions. ‘My ultimate wish,’ says the editor, ‘is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character – one that is lighter and happier, even “cheerful”, as Schumann himself described the work.'/ Répertoire / Violoncelle et Piano
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Let's Swing
Cello
[Sheet music + CD]
Spartan Press
15 Original Swing Numbers, (Grades 2 - 5), with Piano or CD backing tracks.15 Or...
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15 Original Swing Numbers, (Grades 2 - 5), with Piano or CD backing tracks.15 Original Blues, Jazz and Swing Pieces for Cello with Piano or CD backing tracks. The cello part on the CD was recorded by Janet Smith. / Violoncelle
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Modern Cello Method, Grade 1 (RENATA BRATT)
Cello
[Sheet music + Audio access]
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Beginner
Mel Bay
Par RENATA BRATT. Une méthode étape par étape écrite pour violoncelles étud...
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Par RENATA BRATT. Une méthode étape par étape écrite pour violoncelles étudiants de tout âge, avec ou sans un enseignant à partir. La page de gauche donne des informations sur la mélodie : où les taches difficiles sont, diverses techniques et quelque théorie de la musique. La page de droite fournit archet différents patrons et une ligne de la musique en bas en vous montrant toutes les notes qui sont utilisés dans la mélodie. Des échelles et des arpèges sont inclus dans la plupart des airs. Le CD compagnon enseigne toutes les mélodies, les études, les échelles et les arpèges dans ce livre à l'oreille. Apprendre à lire codé de musique dans la première position du violoncelle, jouant des airs celtiques et blues classiques, américain, comment suivre une corde graphique et accompagner les autres musiciens. / Niveau : Débutant / All Styles - Methods / Méthode / Violoncelle
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Ragtime, Sérénade And Rumba, Cello 2 Part
Clarinet Quartet: Clarinet, Violin, Viola, Cello
Musicland
Musicland est spécialisée dans la publication de la musique ensemble de chaîn...
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Musicland est spécialisée dans la publication de la musique ensemble de chaîne depuis sa création en 1987. Une grande partie de sa production est de oeuvres spécialement composée pour le bénéfice des jeunes cordistes, mais elle a également accessibles des oeuvres du passé qui ont été injustement négligé. / Ensemble A Cordes
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Cello Recital Album, Vol.1
Cello, Piano
Barenreiter
18 Recital Pieces in First Position for Cello and Piano or Two Celli. The 18 pie...
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18 Recital Pieces in First Position for Cello and Piano or Two Celli. The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the 'Early” Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound. The 'Cello Recital Album”, Volume 1 (BA 8994), can be used as a supplement to the 'Early Start on the Cello” method, Volumes 1 and 2 (BA 8996 and BA 8997). Collections of recital pieces for the cello: - Charming collections of easy pieces in first position - Each cello part is supported by a piano accompaniment for student performances - Alternately a second cello part allows duo playing with the teacher during lessons. This early introduction to chamber music brings joy and satisfaction to the young cellist and teaches the student to hear the music as a whole. - The two volumes (BA 8994, Ba 8995) are designed as companion publications to the Early Start on the Cello method. However, they work equally well as a supplement to any other cello method. - A variety of rarely published works by well-known cellists and pedagogues such as Wilhelm Fitzenhagen, Hugo Schlemüller, and August Nölck make these publications attractive to teachers and students. / Recueil / Violoncelle et Piano
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Cello Recital Album, Vol.2
Cello, Piano
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Easy
Barenreiter
The 12 pieces in Volume 2 are structured to follow the same progression of finge...
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The 12 pieces in Volume 2 are structured to follow the same progression of finger patterns introduced in the 'Early Start? method, Volumes 2 and 3. The later repertoire in this volume includes a careful introduction of downward and upward extensions.The 'Cello Recital Album?, Volume 2 (BA 8995), can be used as a supplement to the 'Early Start on the Cello? method, Volumes 2 and 3 (BA 8997 and BA 8998).Collections of recital pieces for the cello: - Charming collections of easy pieces in first position - Each cello part is supported by a piano accompaniment for student performances - Alternately a second cello part allows duo playing with the teacher during lessons. This early introduction to chamber music brings joy and satisfaction to the young cellist and teaches the student to hear the music as a whole. - The two volumes (BA 8994, Ba 8995) are designed as companion publications to the Early Start on the Cello method. However, they work equally well as a supplement to any other cello method. - A variety of rarely published works by well-known cellists and pedagogues such as Wilhelm Fitzenhagen, Hugo Schlemüller, and August Nölck make these publications attractive to teachers and students. / Violoncelle Et Piano
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Fiddler's Nursery For Cello And Piano (CARSE ADAM)
Cello, Piano
[Sheet music]
Stainer and Bell
Arrangement: Max. Par CARSE ADAM. Cello part and Piano part A favourite with vio...
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Arrangement: Max. Par CARSE ADAM. Cello part and Piano part A favourite with violinists for nearly 80 years, The Fiddler's Nursery is now available for cellists as well. Wendy Max, one of Britain's most highly respected specialist teachers of young players, has edited the transposed solo part with bowings and fingerings to reflect contemporary approaches to early-stage learning for the instrument, but leaving the music unaltered. No less suited to the cello than to the violin, the results offer ideal material for individual or group tuition of players at pre-grade 1 and elementary level./ Répertoire / Violoncelle et Piano
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Tenor Clef
Cello, Piano
[Sheet music + CD]
Spartan Press
This series takes cellists through the process of learning to read the tenor cle...
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This series takes cellists through the process of learning to read the tenor clef in a step-by-step, structured approach.Complete with Cello part, pull-out piano accompaniment and CD. To read the higher notes it is necessary to use 5th, 6th, 7th and 8th positions all of which are covered. The book thus provides a follow-up to Lorna Taylor's 'Go Fourth' and 'Taylor-Made'. / Violoncelle Et Piano
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Cello School 5 (SUZUKI SHINICHI)
Cello
[Sheet music]
Alfred Publishing
Par SUZUKI SHINICHI. Suzuki Cello School: Cello Part Volume 5 contains 5 classic...
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Par SUZUKI SHINICHI. Suzuki Cello School: Cello Part Volume 5 contains 5 classical pieces for Cello. For the student: This volume is part of the worldwide Suzuki method of teaching. The companion recording should be used along with this publication. A Piano accompaniment book is also available for this material. For the teacher: In order to be an effective Suzuki teacher, ongoing education is encouraged. Each regional Suzuki association provides teacher development for its membership via conferences, institutes, short-term and long-term programs. In order to remain current, you are encouraged to become a member of your regional Suzuki association, and, if not already included, the International Suzuki Association. For the parent: Credentials are essential for any Suzuki teacher you choose. We recommend you ask your teacher for his or her credentials, especially those related to training in the Suzuki method. The Suzuki Method experience should foster a positive relationship among the teacher, parent and child. / Pédagogie / Méthode / Violoncelle
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Cello Time Runners + Cd (BLACKWELL KATHY / DAVID)
Cello
[Sheet music + CD]
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Beginner
Oxford University Press
A second book of easy pieces for cello. Par BLACKWELL KATHY / DAVID. Pièces en ...
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A second book of easy pieces for cello. Par BLACKWELL KATHY / DAVID. Pièces en utilisant un doigt deuxième Pièces à l'aide avant et en arrière des extensions Une gamme de styles allant du folk au jazz Semi-croches, noires en pointillé, et 6 / 8 temps Duos avec des pièces de difficulté égale Gammes et arpèges des clés dans le livre, plus G Major 2 octaves Une musique Fact-Finder page à contribuer à expliquer les mots et les signes CD avec des spectacles de toutes les pièces pour jouer sur ses Accompagnements au piano simples disponibles. Kathy Blackwell et David Blackwell Kathy Blackwell est un professeur expérimenté chaîne itinérant, qui enseigne actuellement en privé après plusieurs années de travail pour l'Oxfordshire County Council. Elle a un intérêt particulier dans l'enseignement du violon et l'alto à de jeunes enfants, à la fois individuellement et en groupes. Sa détermination à trouver les meilleurs morceaux - bien écrit et accessible, mélodieux et accrocheur - conduit directement à la création du violon / alto / violoncelle séries chronologiques. David Blackwell a étudié la musique à l'Université d'Edimbourg, depuis quand il a poursuivi une carrière dans l'édition musicale, d'abord à ABRSM, où il devient directeur de la rédaction, puis à Oxford University Press, où il est maintenant chef de l'édition de musique. Il est co-éditeur de OUP In the Mood: 17 Jazz Classics pour les Chorales et chants de chorales d'5, et a publié un certain nombre de dispositions simples chorale. Il est co-auteur avec son épouse primés de la série OUP cordes, violon / alto / violoncelle Temps, qui ont remporté deux fois le prix MIA pour la meilleure publication pour l'éducation Kathy. / Niveau : Débutant / Recueil / Violoncelle
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Fiddle Fancies For Cello And Piano (CARSE ADAM)
Cello, Piano
[Sheet music]
Stainer and Bell
Arrangement: Max. Par CARSE ADAM. Cello part and Piano part The seven pieces for...
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Arrangement: Max. Par CARSE ADAM. Cello part and Piano part The seven pieces for cello in this collection are of a slightly more challenging level of difficulty than those of Fiddler's Nursery, which, like Fiddle Fancies, have been transposed and edited for young cellists by noted teacher Wendy Max. As ever, Carse fits the solo and accompaniment together to make a complete musical picture, testing both the player's technical skills and imaginative gifts. The seven pieces encompass a variety of moods and styles, ranging from the tranquillity of Sweet Sorrow, Bluebell Chimes and Sadness to the exuberance of Swinging, Hopping Dance, WaltzSteps and the ever-popular Frog Dance./ Répertoire / Violoncelle et Piano
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