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Chamber orchestra
VIOLONCELLO - CELLO
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Frédéric Chopin: Complete Works XVI: Chamber Music: Chamber Ensemble: Score and
Chamber Orchestra
PWM (Polskie Wydawnictwo Muzyczne)
for Cello and Piano Violin Cello and Piano Flute and Piano-Chopin's works for...
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for Cello and Piano Violin Cello and Piano Flute and Piano-Chopin's works for piano and strings were usually made for a specific occasion and we owe their existence to the repertoire needs of specific individuals. The exception is the Sonata in G minor for cello the last work by the composer intended for publication a work reflecting his current style highly reflective the result of imagination encroaching into post-romantic areas. Chopin's chamber works belong to the regular concert repertoire. These works were edited by by I. J. Paderewski L. Bronarski and J. Turczy ski.Chopin's works for piano and strings were usually made for a specific occasion and we owe their existence to the repertoire needs of specific individuals. The exception is the Sonata in G minor for cello the last work by the composer intended for publication a work reflecting his current style highly reflective the result of imagination encroaching into post-romantic areas. Chopin's chamber works belong to the regular concert repertoire. These works were edited by by I. J. Paderewski L. Bronarski and J. Turczy ski.
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Per Nørgård: Cantica Concertante: Orchestra: Score
Cello, Orchestra
Wilhelm Hansen
Per Nørgård's Cantica Concertante for Violoncello Solo and Chamber Orchestra (...
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Per Nørgård's Cantica Concertante for Violoncello Solo and Chamber Orchestra (2012). Based on CANTICA for cello and piano (1977). The present orchestral version was edited by Steve Ferrein in collaboration with the composer. Parts are available on hire: hire@ewh.dk
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Michael Torke: Adjustable Wrench: Chamber Ensemble: Score
Chamber Orchestra
Boosey and Hawkes
Hawkes Pocket Scores HPS 1155-For Chamber Ensemble.
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Quarteto In Dis Op. 3/1 (ZIMMERMANN ANTON)
Chamber Orchestra
Doblinger
Für 2 Violinen, Viola, Violoncello. Par ZIMMERMANN ANTON. Der gebürtige Schles...
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Für 2 Violinen, Viola, Violoncello. Par ZIMMERMANN ANTON. Der gebürtige Schlesier wirkte den Großteil seines Lebens in Pressburg (Bratislava) und hinterließ ein umfangreiches kompositorisches oeuvre. Zwar ist in seinem kammermusikalischen Schaffen die Nähe zu Joseph Haydn unverkennbar, doch gelangt er durch die Verwendung orchestraler Stilmerkmale die Bildung zu durchaus eigenwilligen Schöpfungen, die sich vom gängigen galanten Kammerstil seiner Zeit abheben./ Répertoire / Musique de Chambre
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Sadie Harrison: Architechtonia: Cello: Score
Cello, Orchestra
[Sheet music]
University Of York Music Press
Architechtonia was expertly composed in 1986 by Sadie Harrison. Architechtonia...
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Architechtonia was expertly composed in 1986 by Sadie Harrison. Architechtonia received its first performance by Projects/London conducted by Richard Bernasat St. John's Smith Square November 1987.Australian born freelance composer and performer Sadie Harrison’s unique fusion of elements from indigenous Lithuanian music and poetry with her own modernist often abrasive style have led her to be compared with Bartok but with her own warmth and grandeur. Since 2012 Harrison has been working along side a long list of well accomplished musicians; PaulCarey Peter Sheppard Skaerved Sergej Okrushko Alex South Duncan Honeybourne are among many who have had the privilege work with Harrison so far. Performances of Harrison's works have beengiven across the world by Lontano London Chamber Symphony Music Projects/ London Ixion Okeanos Bournemouth Sinfonietta Kokoro and the St. Christopherus Chamber Orchestra and many others.
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I Thank You God (BYSTROM BRITTA)
Chamber Orchestra
[Score]
Wilhelm Hansen
Par BYSTROM BRITTA. Feather Music (2020) composed by Britta Byström for chamber...
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Par BYSTROM BRITTA. Feather Music (2020) composed by Britta Byström for chamber orchestra. To Ensemble Pluma. Commissioned by Ensemble Pluma, with support from Dansk Komponistforening and the William Demant Foundation./ Répertoire / Orchestre de Chambre
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Aulis Sallinen: Aulis Sallinen: Chamber Ensemble: Score
Clarinet, Cello, Piano (trio)
[Score]
Novello & Co Ltd.
The Concerto for Clarinet Violoncello and Chamber Orchestra is an alternative s...
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The Concerto for Clarinet Violoncello and Chamber Orchestra is an alternative scoring of the originalConcerto for Clarinet and Viola Op. 91.
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Cheryl Frances-Hoad: Katharsis: Cello: Study Score
Cello, Orchestra
[Sheet music]
Cadenza Music
Cheryl Frances-Hoad's Katharsis for Cello and Chamber Orchestra.Duration: 25 min...
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Cheryl Frances-Hoad's Katharsis for Cello and Chamber Orchestra.Duration: 25 minutes
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Kraus: Kammermusik I. Musikalische Werke, Bd. Vi/1 (KRAUS JOSEPH MARTIN)
Chamber Orchestra
[Sheet music]
Carus Verlag
Par KRAUS JOSEPH MARTIN. The first volume of the new scholarly edition contains ...
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Par KRAUS JOSEPH MARTIN. The first volume of the new scholarly edition contains the complete chamber music without a keyboard instrument. The most important group of works comprises the string quartets, 10 of which have survived. They were composed during the 1770s, whenHaydn was developing this class of music. The differing balance between such contrasting musical elements as entries in imitation, courtly melody, swift changes of tempo and unexpected modulations gives each of the quartets its special charm. Thefact that six of them were published in 1784 as Krauss 'Opus 1' by the publisher J. J. Hummel shows that the composer himself was convinced by his quartets. With the Flute quintet this volume alsocontains another key work in Kraus’s chamber music. Composed in Vienna about 1783 and also issued in manuscript copies, this work was printed by Ignaz Pleyel in Paris in 1799./ Répertoire / Ensemble de Chambre
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Antwerp Hymn for String Orchestra (GLORIEUX FRANCOIS)
String Orchestra
[Sheet music]
Metropolis Music Publishers
Score and Parts. Par GLORIEUX FRANCOIS. François Glorieux was born in Belgium i...
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Score and Parts. Par GLORIEUX FRANCOIS. François Glorieux was born in Belgium in 1932, and acclaimed throughout Europe, the USA, Latin America, Canada, Japan, China, the Middle East and Africa. He is one of the most widely accomplished and versatile musicians traveling the international circuit today: pianist composer conductor, commentator, entertainer, honorary professor of chamber music at the Royal Music Conservatory of Ghent and guest professor at Yale University (USA). His particular art was the rare one of improvisation presented in five languages. Glorieux practices all musical styles and has been highly considered by great artists such as André Cluytens, Arthur Rubinstein, Yves Nat, Hiroyuki Iwaki, Enrique Jorda, Raphael Frühbeck de Burgos, but also Michael Jackson, Stan Kenton, Stéphane Grappelli, Paul McCartney, Toots Thielemans, Jacky Collins, Annie Girardot, Dionne Warwick, A.C. Jobim, and so on. / Date parution : 2022-11-29/ Répertoire / Orchestre de Cordes
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Sinfonietta No. 1 'Quadri Triestini' (FIRMI MATTEO)
Chamber Orchestra
[Score and Parts]
Da Vinci Publishing
for Chamber Ensemble. Par FIRMI MATTEO. / Date parution : 2022-03-15/ Répertoi...
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for Chamber Ensemble. Par FIRMI MATTEO. / Date parution : 2022-03-15/ Répertoire / Ensemble de Chambre
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Rheinberger Ga 31 (RHEINBERGER JOSEF GABRIEL)
Chamber Orchestra
[Sheet music]
Carus Verlag
Par RHEINBERGER JOSEF GABRIEL. Volume 31 contains, among other works, the Piano ...
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Par RHEINBERGER JOSEF GABRIEL. Volume 31 contains, among other works, the Piano Quartet, which was enthusiastically received by the critics in Rheinberger’s time: “The themes are noble, with significant content, the motivic development is rich and interesting, above all free from anything resembling a mould … and such a healthy musical wind blows through the entire work that I believe I am not mistaken if I forsee for this work a great success. ” This is how a contemporary critic reviewed the work. Indeed, op. 38 proceeded to become the most successful of Rheinberger’s chamber music works during his lifetime. The Sextet op. 191b is an effective arrangement of his Piano Trio No. 4 op. 191, for flute, oboe, clarinet, bassoon, horn and piano. All works are also available in separate editions./ Répertoire / Ensemble de Chambre
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String Quartets For Beginning Ensembles - Vol.3 (SUZUKI SHINICHI)
Chamber Orchestra
[Sheet music]
-
Intermediate
Alfred Publishing
Arrangeur: Joseph Knaus. Par SUZUKI SHINICHI. Comprised of works from Volumes 1,...
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Arrangeur: Joseph Knaus. Par SUZUKI SHINICHI. Comprised of works from Volumes 1, 2, and 3 of the Suzuki Violin School, which have been arranged for string quartet by violinist/arranger Joseph Knaus. With lower string parts providing melodic and rhythmic counterpoint to set off the simple melodies (which match the Suzuki Method repertoire), these quartets are nevertheless simple enough for beginning level players ready for their first chamber music experience. String Quartets for Beginning Ensembles are sold in sets including full score and one part book per instrument. Volume 3 contents are: Gavotte (P. Martini) * Minuet, BWV Anh. II 114/Anh. III 183/Anh. II 115 (J. S. Bach) * Gavotte in G Minor, Gavotte en Rondeaufrom Suite in G Minor for Klavier, BWV 822 (J. S. Bach) * Humoresque, Op. 101, No. 7 for Piano (A. Dvorák) * Gavotte (J. Becker) * Gavotte from Orchestral Suite No. 3 from Overture in D Major, BWV 1068 (J. S. Bach) * Bourree, Bourrees I and II from Suite III in C Major for Violoncello, BWV 1009 (J. S. Bach). / Niveau : Intermédiaire / Recueil / Orchestre de Chambre
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kammersymphonie Op, 9 (SCHOENBERG ARNOLD)
Chamber Orchestra
[Study Score / Miniature]
Universal Edition
Par SCHOENBERG ARNOLD. Here the fourths, springing from an entirely different ex...
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Par SCHOENBERG ARNOLD. Here the fourths, springing from an entirely different expressive urge, shape themselves into a defi nite horn theme, spread themselves out architectonically over the whole piece, and place their stamp on everything that happens. Thus it turns out that they do not appear here merely as melody or as a purely impressionistic chord effect; their character permeates the total harmonic structure, and they are chords like all others.' (Arnold Schoenberg, Theory of Harmony, 1911) The Chamber Symphony Op.9 heralded a breakthrough in Schoenberg's compositional style. While the work did not go hand in hand with the complete destruction of the old tonal system it does show an extension in chordal and melodic constructions. It's focus on the interval of the fourth rather than the third is stated right at the start with the horn fanfare and this leads into the use of the whole tone scale soon after. These two elements open up a new sound space which he would explore further in the works to follow. Certainly not a work to be missing from any library where contemporary music is one of the main focuses./ Répertoire / Ensemble de Musique de Chambre
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Snapshots (TURNAGE MARK-ANTHONY)
Chamber Orchestra
[Study Score / Miniature]
Schott
for large ensemble. Par TURNAGE MARK-ANTHONY. One of the movements in Scorched (...
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for large ensemble. Par TURNAGE MARK-ANTHONY. One of the movements in Scorched (arrangements of seventeen tunes by John Scofield for jazz trio and orchestra) has a coda, which repeats a dense, two-bar tag which sounded like it could be developed. Snapshots starts off by revealing bits of each of the two bars (with episodes placed in-between). The full two bars of music are then revealed at the end of the piece. Snapshots is a tribute to Olly [Oliver Knussen] on his 50th birthday. Mark-Anthony Turnage/ Répertoire / Ensemble de Musique de Chambre
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Schichten (ALSINA CARLOS ROQUE)
Chamber Orchestra
[Sheet music]
Suvini Zerboni
per orchestra da camera. Par ALSINA CARLOS ROQUE. / Répertoire / Orchestre de C...
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per orchestra da camera. Par ALSINA CARLOS ROQUE. / Répertoire / Orchestre de Chambre
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Quarteto In Dis Op. 3/1
Chamber Orchestra
Doblinger
2Vl Va Vc / Musique De Chambre
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John Joubert: Concerto in Two Movements: Cello: Instrumental Work
Cello, Piano
Novello & Co Ltd.
for Cello and Chamber Orchestra (Cello/Piano)-John Joubert’s Concerto in ...
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for Cello and Chamber Orchestra (Cello/Piano)-John Joubert’s Concerto in Two Movements for Cello and Chamber Orchestra was first performed on Sunday 4th March 2012 in St Mary’s Church Shrewsbury by the Northern Chamber Orchestra conducted by Jonathan Berman with cellist Raphael Wallfisch.This edition is for Cello and Piano (reduction from the chamber orchestra score).Written for the composer's daughter Anna.
24.99 GBP - Sold by Musicroom UK
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Peter Maxwell Davies: Strathclyde Concerto No. 2: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Chester
This work for cello and orchestra was commissioned by the Strathclyde Regional C...
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This work for cello and orchestra was commissioned by the Strathclyde Regional Council and the Scottish Chamber Orchestra. It is the second of ten concerti to be written for principal players of the Scottish Chamber Orchestra. Thefirst performance was given in February 1989 by William Conway and the Scottish Chamber Orchestra conducted by the composer.If Davies's Cello Concerto has already evoked comparisons with Elgar's that is perhaps an indicationnot only of its wealth of solo melody (there is hardly a page where the cello is not singing or if not that then dancing) and of its predominantly slow tempos but also of its musical stature. This second Strathclyde concertois a virtuoso piece for the entire ensemble which is used almost throughout as a clutch of soloists rather than as a tutti block. The general tone is one of passionate but interior dialogue especially in the opening Moderato andthe slow movement; and though the finale is more extrovert the work ends back in quietness and rumination.This book contains the solo cello part and a piano reduction of the orchestral score.
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Pyotr Ilyich Tchaikovsky: Tchaikovsky: Cello Solo: Instrumental Album
Cello
[Sheet music + CD]
Music Minus One
For Violoncello and Orchestra Op. 33-The theme that forms the basis for this mu...
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For Violoncello and Orchestra Op. 33-The theme that forms the basis for this much-loved concert work is an original Tchaikovsky theme written in a classical rococo style. In a nod to the classical era Tchaikovsky wrote the piece for a smaller orchestra than wastypical in his High Romantic era. Each of the eight variations are run together with only a fermata to separate them. It is pure magic minus you! Performed by Dominique de Williencourt on violoncello accompanied by Les OrpheistesChamber Orchestra of Vienna.
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Serieschamber Ensemble In Children Music School'. Waltz (From The Filmbeware Of The Car') - Call Of The Blue (From The Filmblue Bird') . Facilitated Arrangement For Flûte (Violin), Clarinet And Piano.
Chamber Orchestra
[Sheet music]
Kompozitor
/ Musique De Chambre / 12 pages / Partition
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Serieschamber Ensemble In Children Music School'. I 'M Walking Along Moscow (From The Film Of The Same Name) . Facilitated Arrangement For Two Flûtes (Violins, Xylophones) And Piano. Piano Score And P
Chamber Orchestra
[Sheet music]
Kompozitor
/ Musique De Chambre / 8 pages / Partition
12.50 EUR - Sold by LMI-partitions
(Seller in french langage)
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Wolfgang Amadeus Mozart: String Quartets Volume 1: String Quartet: Study Score
String Quartet: 2 violins, viola, cello
G. Henle
Italian Quartets Salzburg Divertimenti. This volume brings together Mozart?s yo...
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Italian Quartets Salzburg Divertimenti. This volume brings together Mozart?s youthful attempts at this later so central genre of the string quartet: the astonishing ?Lodi Quartet? K. 80 by the only fourteen-year-old composer, the three ?Quartet-Divertimenti? K. 136?138 which are also readily played by chamber orchestras, and Mozart?s first true string-quartet cycle K. 155?160 which was composed during his third (north-)Italian journey in 1772/73. Mozart?s cleanly written scores of all the compositions have been preserved so that the edition stands on a secure foundation. In his informative commentary, Wolf-Dieter Seiffert, the experienced Mozart editor at G. Henle Publishers, devotes a separate, comprehensive explanatory section to the well-known articulation problem ?dot or wedge?. The Armida Quartet provided artistic input for this edition.
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Wolfgang Amadeus Mozart: String Quartets Volume 1: String Quartet: Parts
String Quartet: 2 violins, viola, cello
G. Henle
This volume brings together Mozart?s youthful attempts at this later so central ...
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This volume brings together Mozart?s youthful attempts at this later so central genre of the string quartet: the astonishing ?Lodi Quartet? K. 80 by the only fourteen-year-old composer, the three ?Quartet-Divertimenti? K. 136?138 which are also readily played by chamber orchestras, and Mozart?s first true string-quartet cycle K. 155?160 which was composed during his third (north-)Italian journey in 1772/73. Mozart?s cleanly written scores of all the compositions have been preserved so that the edition stands on a secure foundation. In his informative commentary, Wolf-Dieter Seiffert, the experienced Mozart editor at G. Henle Publishers, devotes a separate, comprehensive explanatory section to the well-known articulation problem ?dot or wedge?. The Armida Quartet provided artistic input for this edition.
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Wolfgang Amadeus Mozart: Grande Sestetto Concertante For String Sextet: String
Violon 1, Violon 2, Alto, Violoncelle, Violoncelle
[Sheet music]
Barenreiter
for String Sextett-For String Sextet (2 Violins 2 Violas 2 Cellos Bass) set o...
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for String Sextett-For String Sextet (2 Violins 2 Violas 2 Cellos Bass) set of parts.Mozart?s Sinfonia Concertante for Violin and Viola K. 364 (320d) is his only complete surviving work in this genre. He wrote it in 1779 after returning from Paris and Mannheim.For two decades it was known only in a few copyists? manuscripts. The first edition did not appear until 1802. The work achieved great popularity that same year particularly the arrangements for Piano four-hands and Piano trio.This arrangement for String Sextet dating from 1808 is interesting not only for its unusual scoring but also for the way the two concertante instrumentsinteract with the other strings.This edition revives this arrangement after almost two centuries drawing primarily on the sole surviving source: the first edition in parts published by the Vienna Stamperia Chimica in 1808.The editor Christopher Hogwood recounts the history of the work and the particulars of the arrangement in a trilingual preface (Eng ./ Ger./ Cz .) and a critical report. Barenreiter's new edition takes into account both the original print and the text from the ?New Mozart Edition?.New edition of a historical transcription for String Sextet (1808)Available in print again after almost two centuriesAlso suitable for Chamber OrchestraDetailed preface and critical report (Eng./Ger./ Cz .)Includes facsimiles
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Søren Nils Eichberg: Endorphin - Concerto Grosso: String Quartet: Score
String Quartet: 2 violins, viola, cello
[Sheet music]
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Intermediate/advanced
Wilhelm Hansen
Version For String Quartet And String Orchestra (Score)-Endorphin - Concerto G...
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Version For String Quartet And String Orchestra (Score)-Endorphin - Concerto Grosso - Version for String Quartet and String Orchestra by Søren Nils Eichberg (2011/2016). Originally written for String Quartet and Chamber Orchestra.
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Søren Nils Eichberg: Endorphin - Concerto Grosso: String Quartet: Parts
String Quartet: 2 violins, viola, cello
[Sheet music]
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Intermediate/advanced
Wilhelm Hansen
Version For String Quartet And String Orchestra (Solo Parts)-Solo quartet parts ...
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Version For String Quartet And String Orchestra (Solo Parts)-Solo quartet parts for Endorphin - Concerto Grosso for String Quartet and Chamber Orchestra (or String Orchestra) by Søren Nils Eichberg (2011/2016).
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Gioachino Rossini: Duetto for cello and double bass: Trombone: Instrumental
Violoncello, Basso continuo
Yorke Edition
It was a chance visit to a second hand bookshop in Nottingham that set me on the...
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It was a chance visit to a second hand bookshop in Nottingham that set me on the trail of Rossini's now well-known Duetto for cello and double bass. But the story begins earlier than that. In the 1960s I was studying the double bass at the Royal College of Music with Adrian Beers who was at that time principal of the English Chamber Orchestra on the front desk of the Philharmonia Orchestra and a member of the Melos Ensemble of London (then one of the leading ensembles of the world). I was working on the 'Dragonetti Concerto' as most young players do and I wanted to find out a bit about it. My teacher said he thought the autograph manuscript might be in the British Library which was all the encouragement I needed to secure a pass to the Reading Room so I could go and see for myself. There sure enough I found a large collection of Dragonetti's autograph manuscripts together with other bound volumes relating to his life. The papers had been lovingly collated and annotated by Vincent Novello one of Dragonetti's closest friends then deposited in the library before his departure to Italy in 1848 two years after Dragonetti's death. One of the volumes included a lot of letters about various engagements and music festivals copies of orders for strings Dragonetti wanted from Italy details about paintings he wanted to buy and numerous invitations to private functions. The manuscript of the 'Dragonetti Concerto' of course wasn't among the papers we now know it to have been written by Edouard Nanny a century or so later. One name that came up regularly in the documents was that of Sir George Smart. Smart had been a violinist in Salomon's orchestra and had played for Haydn at his London concerts in the 1790s. As a child he had learnt much about music from his father who had in turn been present at many of Handel's rehearsals when he was preparing some of his major works for the first time. Smart was also a fine keyboard player becoming organist of the Chapel Royal in 1822. As a conductor
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Nicolas Bacri: Concerto Amoroso 'Le printemps' (2005) opus 80/2: Vocal
Français
Hautbois, Violon ou 2 Violons et Orchestre à Corde
[Sheet music]
Chant du Monde
Solo for Oboe or Violin- Nicolas Bacri's Concerto Amoroso Op. 80 N°2 'le prin...
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Solo for Oboe or Violin- Nicolas Bacri's Concerto Amoroso Op. 80 N°2 'le printemps' for Chamber Orchestra and Soloists. From 'The Four Seasons opus 80 (four concertos for oboe - or violin - cello - or bassoon - and string orchestra opus 80). The Concerto Amoroso 'Le printemps' is dedicated to François Leleux and Lisa Batiashvili. Commissioned by the Alte Oper-Frankfurt and the Tapiola Sinfonietta. Mosaïca (Allegro giocoso) - Notturno (Recitativo - Aria - Duo - Recitativo II - Passacaglietta - Alla breve) - Mosaïca II (Allegro giocoso - Fughetta - Molto giocoso) Composed in 2005. Duration: c. 13 minutes
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Edward Gregson: A Song For Chris: Cello: Instrumental Work
Cello, Piano
[Sheet music]
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Advanced
Novello & Co Ltd.
In memory of Christopher Rowland. Originally a concerto for Cello and chamber or...
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In memory of Christopher Rowland. Originally a concerto for Cello and chamber orchestra now for Cello with a Piano reduction of the orchestral part.The concerto is in four movements which are played without a break: Meditation Intermezzo Toccata-Scherzo and Song. The work lasts for some 18 minutes and was scored for two oboes two horns timpani (doubling tubular bells) and strings(found here in a Cello/Piano form). It is organised in one large arch-shaped structure with two fast inner movements flanked by two outer slow ones. The solo cello opens the work reflectively and introduces core melodic material which is continuously developed throughout theconcerto. Gradually the strings enter then wind and timpani and build a pyramid twelve-note chord at the peak of which there is a dramatic climax. The music then subsides (solo cello again) but links to the two faster middle movements. The second movement Intermezzo has an ABA structure and in its middle section quotes the opening of Shostakovich's Third String Quartet (written in the same year as Christopher Rowland was born!). Indeed the ghost of Shostakovich looms large throughout the concerto in more ways than one. The Toccata-Scherzo is energetic and rhythmically-charged again using an ABA structure. Here the writing for solo cello is quite virtuosic but not I hope in a shallow sense. The music builds inexorably towards a powerful climax underpinned by the opening twelve-note chord's re-appearance together with a violent outburst from the timpani at which point a tonal resolution (on G) arrives through a pianissimo held chord on strings which leads directly to the final movement - Song. And so the music arrives at its emotional heart through a simple melody (present in other forms throughout the work) announced by solo cello at the very top of its register against a quiet backdrop of horns and strings. A solo oboe enters with cello in canonic reply and all the time the music builds in texture and
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