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DOUBLE BASS
VIOLONCELLO - CELLO
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Gioachino Rossini: Duetto for cello and double bass: Trombone: Instrumental
Violoncello, Basso continuo
Yorke Edition
It was a chance visit to a second hand bookshop in Nottingham that set me on the...
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It was a chance visit to a second hand bookshop in Nottingham that set me on the trail of Rossini's now well-known Duetto for cello and double bass. But the story begins earlier than that. In the 1960s I was studying the double bass at the Royal College of Music with Adrian Beers who was at that time principal of the English Chamber Orchestra on the front desk of the Philharmonia Orchestra and a member of the Melos Ensemble of London (then one of the leading ensembles of the world). I was working on the 'Dragonetti Concerto' as most young players do and I wanted to find out a bit about it. My teacher said he thought the autograph manuscript might be in the British Library which was all the encouragement I needed to secure a pass to the Reading Room so I could go and see for myself. There sure enough I found a large collection of Dragonetti's autograph manuscripts together with other bound volumes relating to his life. The papers had been lovingly collated and annotated by Vincent Novello one of Dragonetti's closest friends then deposited in the library before his departure to Italy in 1848 two years after Dragonetti's death. One of the volumes included a lot of letters about various engagements and music festivals copies of orders for strings Dragonetti wanted from Italy details about paintings he wanted to buy and numerous invitations to private functions. The manuscript of the 'Dragonetti Concerto' of course wasn't among the papers we now know it to have been written by Edouard Nanny a century or so later. One name that came up regularly in the documents was that of Sir George Smart. Smart had been a violinist in Salomon's orchestra and had played for Haydn at his London concerts in the 1790s. As a child he had learnt much about music from his father who had in turn been present at many of Handel's rehearsals when he was preparing some of his major works for the first time. Smart was also a fine keyboard player becoming organist of the Chapel Royal in 1822. As a conductor
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Gioachino Rossini: Duetto: Cello & Double Bass: Score and Parts
Cello, String Bass (duet)
[Score and Parts]
Barenreiter
Duetto Per Violoncello E Contrabbasso.Composed in London near the end of 1824 t...
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Duetto Per Violoncello E Contrabbasso.Composed in London near the end of 1824 the Duetto is one of the few chamber music works regularly performed today. It is a light and charming composition yet requires experienced performers.The work was often performed in the 19th century by the Double Bass virtuoso Domenico Dragonetti (called ?Il drago? or ?Paganini of the Double Bass?) and we know that Rossini was acquainted with and consulted Dragonetti on matters dealing with the instrument.Bärenreiter?s critical edition is the only currently available publication which is based on Rossini?s autographand not on the first edition.- Urtext based on the ? Works of Gioachino Rossini?.- First critical edition of the work.- Reference score and separate parts.- With a foreword (Ger/Eng/Ital) and Critical Commentary (Eng).
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Quintet (AHO KALEVI)
Saxophone Alto, Basson, Alto, Violoncelle et Contr
[Sheet music]
Fennica Gehrman
For Alto Saxophone, Bassoon, Viola, Cello And Double Bass. Par AHO KALEVI. / Ré...
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For Alto Saxophone, Bassoon, Viola, Cello And Double Bass. Par AHO KALEVI. / Répertoire / Saxophone Alto, Basson, Alto, Violoncelle et Contr
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Franz Schubert: Octet In F Op.Post.166 D 803: Ensemble: Study Score
Clarinette, Basson, Cor, 2 Violons, Viole, Violonc
[Sheet music]
Barenreiter
Octet in F major Op.post.166 D 803 for Clarinet (in B-flat) Bassoon Horn Viol...
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Octet in F major Op.post.166 D 803 for Clarinet (in B-flat) Bassoon Horn Violin (2) Viola Violincello Double Bass?I have done little new by way of lieder. In compensation I have tried my hand at several instrumental things for I have composed two quartets for Violins Viola and Violincello [A minor D 804; D minor D 810] and an octet [F major D 803] and will write yet another quartet [not carried out]. Indeed in this way I hope to prepare the way to the full-scale symphony. The latest news in Vienna is that Beethoven will give a concert [on 7 May 1824] ...I too am inclined to give a similar concert next Year God willing.?ThusSchubert writing on 31 March 1824 to his friend Leopold Kupelwieser in Rome in a lengthy letter whose first section is decidedly low-spirited. In order to prepare the way to the full-scale symphony by which he doubtless meant the genre as a whole rather than any specific work he wrote string quartets and a large-scale piece of chamber music for strings and winds taking Beethoven as his guide.Urtext of the New Schubert EditionParts (BA5617) and study score format 22.5 x 16.5cm (TP302) available for sale
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Jindrich Feld: Jindrich Feld: Nonetto: Chamber Ensemble: Score
Français
Flûte, Hautbois, Clarinette, Basson, Cor, Violon,
[Sheet music]
Leduc, Alphonse
Ensemble-Mixed 8 or more-for flute oboe clarinet bassoon horn violin viola...
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Ensemble-Mixed 8 or more-for flute oboe clarinet bassoon horn violin viola cello and double bass
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Holger Sassmannshaus: Früher Anfang auf dem Kontrabass 3 / Early Start 3: Double
Cello, String Bass (duet)
[Sheet music]
Barenreiter
13 Lektionen-The long awaited Sassmannshaus method Early Start on the Double Bas...
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13 Lektionen-The long awaited Sassmannshaus method Early Start on the Double Bass is now here. At last students of the largest instrument in the string family can make use of this tried and tested method for beginners developed by Egon Sassmannshaus for the other string instruments and applied here to the double bass by Holger Sassmannshaus and J. Peter Close. This method will meet the needs of the growing number of young bass students. Early Start on the Double Bass encompasses everything that one would expect from a Sassmannshaus method: an easy start progression at a suitable rate many cross-references to the other string instruments songs and scales in different positions from early on as well as many duets. Lively and colourful illustrations by Charlotte Panowsky complete the edition. For more than three decades “The Sassmannshaus Tradition” has been the household name for excellence in beginner string methods in German-speaking countries. The English editions for violin viola and violoncello which were introduced to the international market in 2008 have proven to be very successful particularly in the United States. Kids to the Bass!While children learning other string instruments can start as early as the age of four the appropriate age to begin the double bass is approximately eight (possibly even six); this allows for a faster progression than on the other string instruments and the method consists of only three volumes. The first volume will be published separately in an English and a German edition; the following two volumes will have German and English text in each book. Original compositions by Boguslaw Furtok enrich the volumes. Based on the tried-and-tested Sassmannshaus methods for violin viola and cello Volume 1: Separate editions in German and English Volumes 2 and 3: Bilingual German/English editions Moderate increase in difficulty Position playing duets Includes new original compositions to B. Furtok Volume 3 with piano accompaniments to 7 pieces The authorsHolger Sassmannshaus is a double bass player with the Niederrheinische Sinfoniker in
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Gaelic Suite
String Quintet: 2 violins, viola, cello, bass
Barenreiter
Dvorák's 'String Quintet in G major? op. 77, had five movements when it was pre...
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Dvorák's 'String Quintet in G major? op. 77, had five movements when it was premiered on 18 March 1876. Its second movement was the 'Intermezzo? from his 'String Quartet in E minor? (1870). Later Dvorák removed this movement from the quintet, expanded it, and published it as a separate 'Notturno? for string orchestra op. 40. The 'Intermezzo? is included in its original version in the appendix of the score.This edition is based on the 'Complete Edition of the Works of Antonín Dvorák?, the principal source being the first edition of 1888, for which Dvorák subjected the work to revision.- Dvorák's famous quintet with double bass- New detailed foreword by Dvorák scholar David Beveridge (Eng/Cz/Ger)- Musical text based on the 'Complete Edition of the Works of Antonín Dvorák? (series IV, vol. 8) / Quatuor A Cordes
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S. Nelson: Essential String Method:: Cello & Double Bass: Instrumental Album
Cello, String Bass (duet)
Boosey and Hawkes
Cello/Double Bass Books 1
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Carl Stamitz: Double Concerto In B Flat: Chamber Ensemble: Instrumental Work
Basson, Clarinette, Orchestre et Piano
[Sheet music]
Sikorski
Piano score of Carl Stamitz's Double Concerto In B Flat for Clarinet Bassoon an...
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Piano score of Carl Stamitz's Double Concerto In B Flat for Clarinet Bassoon and a Piano reduction of the original orchestral part.
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Sassmannshaus H. / Close J. Peter - Early Start On The Double Bass Vol.3
String Trio: violin, viola, cello
Barenreiter
The long awaited Sassmannshaus method “Early Start on the Double Bass” is no...
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The long awaited Sassmannshaus method “Early Start on the Double Bass” is now here. At last students of the largest instrument in the string family can make use of this tried and tested method for beginners, developed by Egon Sassmannshaus for the other string instruments and applied here to the double bass by Holger Sassmannshaus and J. Peter Close. This method will meet the needs of the growing number of young bass students. “Early Start on the Double Bass” encompasses everything that one would expect from a Sassmannshaus method: an easy start, progression at a suitable rate, many cross-references to the other string instruments, songs and scales in different positions from early on, as well as many duets. Lively and colourful illustrations by Charlotte Panowsky complete the edition. For more than three decades “The Sassmannshaus Tradition” has been the household name for excellence in beginner string methods in German-speaking countries. The English editions for violin, viola and violoncello, which were introduced to the international market in 2008, have proven to be very successful, particularly in the United States. Kids to the Bass! While children learning other string instruments can start as early as the age of four, the appropriate age to begin the double bass is approximately eight (possibly even six); this allows for a faster progression than on the other string instruments, and the method consists of only three volumes. The first volume will be published separately in an English and a German edition; the following two volumes will have German and English text in each book. Original compositions by Boguslaw Furtok enrich the volumes. - Based on the tried-and-tested Sassmannshaus methods for violin, viola and cello - Volume 1: Separate editions in German and English - Volumes 2 and 3: Bilingual, German/English editions - Moderate increase in difficulty - Position playing, duets - Includes new original compositions to B. Furtok - Volume 3 with piano accompaniments to 7 pieces The authors Holger Sassmannshaus is a double bass player with the Niederrheinische Sinfoniker in Mönchengladbach/Krefeld. He also teaches the double bass and performs with several other ensembles. J. Peter Close is a teacher for violoncello and double bass in Munich.
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Benedetto Marcello - Six Sonatas - Cello Or Double Bass
Cello, Piano
[Score]
-
Intermediate/advanced
Schirmer
Description Benedetto Marcello: Six Sonatas For Cello Or Double Bass Six Sona...
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Description Benedetto Marcello: Six Sonatas For Cello Or Double Bass Six Sonatas for Cello or Double Bass with Piano accompaniment. Songlist Six Sonatas For Cello (Double Bass) And Piano
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Klar/Obskur (SCHWEITZER BENJAMIN)
Hautbois, Basson et Piano
[Score]
Schott
Par SCHWEITZER BENJAMIN. The chiaroscuro-technique developed by painters of the ...
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Par SCHWEITZER BENJAMIN. The chiaroscuro-technique developed by painters of the Italian renaissance served to intensify contrasts and effects of optical depth. In Klar/Obskur, I tried to transfer the general idea of this technique on the rather unusual instrumentation of two double-reed woodwinds and piano. On the one hand, a clear, well articulated playing is characteristic for these instruments, on the other hand, they have an often underestimated potential of „twilight“: air-sounds and fragile, shady colours have a especially attractive when being produced by double-reed instruments (which are often, and superficially regarded as being less capable of differentiated sounds than flute or clarinet). The piano, too, has a broad bandwidth of possibilities between percussive and delicate playing to complement the woodwinds which, in return, can absorb and continue the fading piano sounds. The beginning introduces the two contrasting elements that form the basic material for the piece: a clear, sharp chord, followed by fragile, dim sounds. The changes between these elements as well as their combination and amalgamation produce an enormous spectrum of colours and gesture. After this „motto-like“ opening follow four quite clearly separated short sections, each of them being characterised by a well-defined texture: a partly almost imperceptible air-sound passage, a short sequence of microintervallic notes, a burst of virtuosity and a recourse to the fragile sounds of the beginning. The second, longer main part consists of three sections merging subtly into each other: a short unisono-passage, marked elastic [federnd], is being dissolved into its basic elements; from these remainders, a confrontation of low, ‚arcane‘ bassoon and piano sounds and a strongly ornamented melodic line of the oboe emerges, leading to a short but powerful climax. The piece is concluded by an extended, relaxed epilogue, containing a short piano solo and a duet of oboe and bassoon and, finally, a quotation of the „elastic“ character of the middle section. Benjamin Schweitzer / Date parution : 2007-11-20/ Répertoire / Hautbois, Basson et Piano
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Antoine Duhamel: Contrebasse Oblige Violin Piano & Double Bass (Score/Parts). Sheet Music for Violin Piano Double Bass
Français
Violon, Piano et Contrebasse
[Score and Parts]
Chant du Monde
Antoine Duhamel's Contrebasse Oblige Violin Piano & Double Bass.
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Music From Around The World For Solo And Ensemble (MILLER DONALD)
Cello, String Bass (duet)
Bill's Music Shelf
Cello-Bass. Par MILLER DONALD. Plusieurs sélections dans ce volume sont uniques...
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Cello-Bass. Par MILLER DONALD. Plusieurs sélections dans ce volume sont uniques et jusqu'à présent ont été inaccessibles au répertoire chaîne ensemble. Ces pièces sont destinées aux chaînes multiples pour la performance en classe ainsi que le rendement en concerts. Plusieurs joueurs peuvent être utilisés sur chaque partie. Chaque fois que possible, tous les efforts faits pour garder l'alto et violoncelle ou double parties bass mélodique plutôt que de simplement remplir les progressions harmoniques chord divers. Les pièces effectué peut-être comme un solo pour chaque instrument (violon 1, 2 de violon, alto ou violoncelle) avec accompagnement piano ou duos ou trios, ainsi que l ' orchestre complet. Si le produit avec l'orchestre complet, l'accompagnement au piano n'est pas nécessaire. La série d'ensemble de chaîne répond à toutes les normes pour ASTA avec NSOA (American String Teachers Association/National School Orchestra Association) et l'Association Suzuki de l'accompagnement au piano libre Americas, Inc. et ensemble score téléchargements sont disponibles pour une utilisation avec ce titre. / Niveau : Débutant à Intermédiaire / World Music - Ensemble / Recueil / Violoncelle et Contrebasse
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Paul Ramsier: Silent Movie: Double Bass: Instrumental Album
Contrebasse, Orchestre à Cordes (Quintette à Corde
[Reduction]
Boosey and Hawkes
Suite-Double Bass Piano. Ramsier P
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Bread And Butter Pudding, Cello/Double Bass And Piano
Cello, Piano
Musicland
Easy pieces for Cello and Piano complimenting Musicland Cello Book 1. Can also b...
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Easy pieces for Cello and Piano complimenting Musicland Cello Book 1. Can also be played in String Ensemble, Violin, Viola and Double Bass parts available. / Violoncelle Et Piano
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Strolling around the World - Bass: String Quartet: Instrumental Work
String Quartet: 2 violins, viola, cello
Kjos Music Company
Strolling Strings Vol. 4-Double Bass with Piano accompaniment. Arranged by James...
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Strolling Strings Vol. 4-Double Bass with Piano accompaniment. Arranged by James 'Red' McLeod.
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James Mcleod: A Musical Buffet of All-Time Favorites - Bass: String Quartet:
String Quartet: 2 violins, viola, cello
Kjos Music Company
Strolling Strings Vol. 1-A collection of some of the most popular tunes of all-t...
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Strolling Strings Vol. 1-A collection of some of the most popular tunes of all-time arranged for easy level Double Bass with Piano accompaniment by James 'Red' McLeod.
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2 Pieces For String Orchestra, Double Bass Part
2 Clarinettes Et Basson
Musicland
/ Ensemble A Cordes
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Quintette A Cordes N02 (MILHAUD DARIUS)
2 Violons, Alto, Violoncelle et Contrebasse
Heugel
Par MILHAUD DARIUS. Composed in 1952, String Quintet No. 2 is an alternative, ex...
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Par MILHAUD DARIUS. Composed in 1952, String Quintet No. 2 is an alternative, exciting String Quintet for 2 Violins, Viola, Cello and Double Bass. Milhaud makes use of variation in bowings, complex rhythms, chromaticism, altering tempos, double stops, harmonics, variation in dynamics and a wide tessitura, among other aspects. Milhaud`s String Quintet No. 2 is essential to all advanced String Quintets seeking modern and exciting repertoire. French composer and teacher, Darius Milhaud (1892-1974) was a prolific composer of the 20th Century as a member of 'Les Six'. His compositions remain highly regarded, String Quintet No. 2 being no exception. Milhaud 's compositions are influenced by jazz and polytonality, as exemplified in String Quintet No. 2, which is the second of four String Quintets by the composer. Composed in 1952, String Quintet No. 2 is an alternative, exciting String Quintet for 2 Violins, Viola, Cello and Double Bass. Milhaud makes use of variation in bowings, complex rhythms, chromaticism, alteringtempos, double stops, harmonics, variation in dynamics and a wide tessitura, among other aspects. Milhaud 's String Quintet No. 2 is essential to all advanced String Quintets seeking modern and exciting repertoire./ Répertoire / 2 Violons, Alto, Violoncelle et Contrebasse
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Franz Reizenstein: Serenade F-Dur op. 29: Wind Ensemble
Flûte Traversière, 2 Hautbois, 2 Clarinettes, 2 Co
Boosey and Hawkes
Flute 2 Oboes 2 Clarinets 2 Bassoons 2 Horns Double Bass. Reizenstein F
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Five Nordic Melodies for string orchestra (SONNINEN AHTI)
String Orchestra
Fennica Gehrman
Viisi pohjoismaista sävelmää jousiorkesterille. Par SONNINEN AHTI. Ahti Sonni...
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Viisi pohjoismaista sävelmää jousiorkesterille. Par SONNINEN AHTI. Ahti Sonninen's brisk arrangements of Nordic melodies are set for string orchestra without violas (violin I, II, III, cello I, II and double bass). Idiomatic, variable writing and short movements make the the five-movement-series perfect for for young string players. This product includes the full score and a set of parts (3-3-3 violin parts, 2-2 cello parts and 1 double bass part). Movements: I Merimiestanssi ? Folk melody from Iceland II Je beder eder, alle mine maend ? Folk song from Denmark III Pål sine høner ? Folk song from Norway IV Värmlandsvisan ? Folk melody from Sweden V Karjalan kisa ? Folk melody from Finland / Date parution : 2022-12-12/ Répertoire / Orchestre à Cordes
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Kathy Blackwell: String Time Starters Cello Book: Cello: Instrumental Album
Cello
Oxford University Press
21 Pieces for Flexible String Ensemble-String Time Starters is an exciting new e...
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21 Pieces for Flexible String Ensemble-String Time Starters is an exciting new ensemble collection for beginner strings from the authors of the award-winning Fiddle Time series. A prequel to 'String Time Joggers' this collection provides inventive and enjoyable ensemble repertoire for groups of all sizes. This volume contains 21 pieces for Cello. 21 easy characterful ensemble pieces plus fun warm ups. Flexible scoring for Violin Viola Cello and Double Bass with Piano or CD accompaniment - from duets in any combination to large ensembles. The level approximately corresponds to the Starters books for Violin Viola and Cello - some parts use open strings only someuse open strings and first fingers and some use all fingers catering for groups of mixed ability. Pupil books for Violin Viola Cello and Double Bass with lively illustrations. Teacher's book with score including Piano part and a CD with performances and backing tracks for all pieces. Full performances and backing tracks also available to download from the Companion Website.
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Bryars G. - Lauda: The Flower Of Friendship - Musique De Chambre
Schott
for Electric Guitar, Viola, Cllo and Double Bass / electric guitar, viola, cello...
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for Electric Guitar, Viola, Cllo and Double Bass / electric guitar, viola, cello and double bass
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Hope 2021 for string quintet and piano (ALAKOTILA TIMO) (ALAKOTILA TIMO)
Piano Quintet: piano, 2 violins, viola, cello
[Score and Parts]
Fennica Gehrman
Par ALAKOTILA TIMO. Composer, musician Timo Alakotila (b. 1959) is a distinguish...
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Par ALAKOTILA TIMO. Composer, musician Timo Alakotila (b. 1959) is a distinguished, active and versatile talent in the Finnish music scene whose long career working with different genres of music ? folk music in particular ? has been ground-breaking. Alakotila?s works showcase his versatility: he has produced highly acclaimed classical music compositions and arrangements for Pekka and Jaakko Kuusisto, the Meta4 quartet, the Kamus and Tempera quartets, Eeva Oksala, Dalia Stasevska and Jorma Hynninen, among others. Timo Alakotila's Hope 2021 was commissioned by Kaustinen Chamber Music Week and its artistic director, violinist Kaija Saarikettu. The topic of the work invokes the hope for brighter future after the pandemic. It is scored for string quintet (two violins, viola, cello and double bass) and piano. The middle section, a wistful minuet with folk music features is enveloped with hopeful melody both opening and closing the work. Duration: c. 4' This product includes the full score (=piano part) and the string parts (2 violinis, viola, violoncello, double bass). / Date parution : 2023-01-24/ Répertoire / Quintette à Cordes et Piano
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Benedetto Marcello: 6 Sonatas: Chamber Ensemble: Instrumental Work
Cello
Schirmer
Six Sonatas for Cello or Double Bass with Piano accompaniment. Keyboard realisat...
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Six Sonatas for Cello or Double Bass with Piano accompaniment. Keyboard realisation and cello part edited by Analee Bacon. Double bass part edited by Lucas Drew.
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Georg Friedrich Händel: Ode For Saint Cecilia's Day: Continuo: Part
[Part]
Novello & Co Ltd.
Ode For Saint Cecilia's Day (Cello Double Bass and Continuo)Cello Double Bass ...
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Ode For Saint Cecilia's Day (Cello Double Bass and Continuo)Cello Double Bass and Continuo parts only.Handel's majestical setting of John Dryden in a cantata to honour the patron saint of music first performed in London in 1739.
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Gershwin George - Summertime - String Quartet
String Quartet: 2 violins, viola, cello
Schott
from Porgy and Bess Instrument : string quartet (double bass ad lib.) Type : sc...
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from Porgy and Bess Instrument : string quartet (double bass ad lib.) Type : score and parts Nombre de Pages : 16 There is hardly any other lullaby in the field of classical music - apart from Brahms' 'Guten Abend, gute Nacht' - that has gained such popularity as George Gershwin's (1898-1937) 'Summertime'. It is a song from his opera Porgy and Bess“ which was premiered in New York on 10 October 1935 with only moderate success at first. Every important jazz musician insisted on presenting his own version of this rather evocative and catchy song with which Clara rocks her child to sleep at the beginning of the opera. The present version now offers the opportunity to play this famous 'Summertime' with a string quartet (and double-bass ad lib.) or string orchestra - let's swing!
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String Time Starters (BLACKWELL KATHY)
Cello
[Sheet music]
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Easy
Oxford University Press
24 Pieces For Flexible String Ensemble. Par BLACKWELL KATHY. 21 easy, characterf...
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24 Pieces For Flexible String Ensemble. Par BLACKWELL KATHY. 21 easy, characterful ensemble pieces, plus fun warm ups Flexible scoring for violin, viola, cello, and double bass with piano or CD accompaniment - from duets in any combination to large ensembles The level approximately corresponds to the Starters books for violin, viola, and cello - some parts use open strings only, some use open strings and first fingers, and some use all fingers, catering for groups of mixed ability Pupil books for violin, viola, cello, and double bass with lively illustrations Teacher's book with score, including piano part, and a CD with performances and backing tracks for all pieces / Niveau : Facile / Recueil / Violoncelle
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Mårten Jansson: Missa Popularis: String Orchestra: Parts
String Quartet: 2 violins, viola, cello
Barenreiter
Set of parts ( Violin I II; Viola; Cello; Bass)As the name suggests the ???Miss...
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Set of parts ( Violin I II; Viola; Cello; Bass)As the name suggests the ???Missa Popularis??? has its musical roots in folk music.This becomes clear in the very first bars of the Kyrie where the Violin plays amelody in the style of a Swedish folk tune above a Bass Ostinato. The musical charm of the Mass derives from the combination of Choir [SSA(TB)] and String Quartet.The Choral parts enable performances by female choir or mixed choir. In the latter case the String Quartet is reinforced by a Double Bass.The version for female choir was premi?red in Poznan on 25 April 2015 with Alicja Szeluga conducting the Skowroniki GirlsChoir.also available for sale full score (BA7420) and vocal score (BA7420-90)
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