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Vivaldi
VIOLONCELLO - CELLO
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Violon, Cordes et Basse Contin… (355)
Violin and Piano (349)
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Flute and Piano (208)
Matériel D'Orchestre (198)
Divers (193)
Violin (144)
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Parties Orchestrales (104)
Chamber Orchestra (104)
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Edition Critique des oeuvres d… (63)
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Cello, Piano (56)
Cello (55)
Bassoon, Piano (duet) (52)
Soli, Mixted choir and accompa… (51)
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String Orchestra (40)
Musical course - Solfege (40)
Cordes (39)
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4 Violons, Cordes et Basse Con… (37)
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Concert band (36)
Trumpet, Piano (36)
2 Violons, Cordes et Basse Con… (35)
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Flûte Traversière ou Flûte … (30)
Flute and String Quartet (29)
Clarinet (29)
Flûte Traversière ou Flûte … (25)
Clarinet and Piano (25)
Piano, Vocal and Guitar (25)
Viola, Piano (25)
Recorder (25)
Flute and Guitar (24)
Flûte à Bec Alto, Cordes et … (24)
Guitar notes and tablatures (24)
Double bass, Piano (duet) (23)
Viola (23)
Violon, Instruments à Cordes … (22)
Violon, Ensembles de Cordes et… (21)
Tuba and Piano (20)
4 Violons, Violoncelle et Cord… (20)
Partition D'Orchestre (20)
2, 3 ou 4 Violons (20)
Orchestre à Cordes et Basse C… (19)
2 Violins, Piano (19)
Piano, Guitar (duet) (19)
2 Guitars (duet) (18)
Marching band (18)
Mandolin (18)
Easy Piano (18)
Solistes SATB, Choeur SATB/SAT… (17)
Trumpet (17)
Choral 3-part (17)
Flûte Traversière, Violon, B… (16)
Flûte Traversière, Instrumen… (16)
Flûte Traversière ou Flûte … (16)
4 Violons, Violoncelle, Cordes… (16)
Alto Saxophone (16)
4 Guitars (Quartet) (15)
Saxophone (15)
Double Bass (15)
Oboe and Orchestra (15)
Conducteur (15)
Brass ensemble (14)
Flûte Traversière, Cordes et… (14)
Violoncelle, Cordes et Basse C… (14)
Basson, Cordes et Basse Contin… (14)
String Trio: 2 violins, cello (14)
2 Violons, Violoncelle Obligat… (13)
1 ou 2 Hautbois (13)
Trio (13)
Violon, Orchestre à Cordes et… (13)
Brass Quintet: 2 trumpets, hor… (13)
Violon, Cordes et Orgue (13)
Trombone and Piano (13)
Alto, Cordes et Orgue ou Clave… (12)
Flûte-Piccolo, Cordes et Bass… (12)
2 Violons, Violoncelle Obligat… (12)
CD (12)
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Oboe (12)
2 Cellos, Piano (12)
3 Guitars (trio) (11)
2 Violons, Violoncelle, Cordes… (11)
Mezzo-Soprano voice, Piano (11)
2 Violons Obligatoires, Cordes… (11)
1 Piano, 4 hands (11)
Violon et autres Cordes en Sol… (11)
Divers Ensembles Avec Orchestr… (11)
Alto Saxophone and Piano (11)
Flûte à Bec F2, F1, C1 et F (10)
Orchestre à Cordes avec 2 Vio… (10)
Hautbois, Cordes et Basse Cont… (10)
Solo S, Choeur SATB/SATB, 2 Or… (10)
Guitar Ensemble (10)
French horn (10)
Choeur SATB/SATB, 2 Orchestres… (10)
Keyboard (10)
Choral (10)
French Horn and Piano (9)
Orchestre à Cordes avec 4 Vio… (9)
1 ou 2 Flûtes Traversières (9)
2 Mandolines Et Orchestre D'In… (9)
2 SATB Choeur, Cordes Et Orgue… (9)
Violon, Ensembles de Cordes et… (9)
Choral SSAA (9)
Euphonium, Piano (duet) (9)
2 Trumpets, Keyboard (piano or… (9)
Tenor Saxophone and Piano (9)
Choral 2-part (9)
Soprano voice, Piano (9)
Solistes SSAT, Choeur SATB, 2 … (8)
Flute, Orchestra (8)
Flûte Traversière Hautbois, … (8)
2 Trompettes, Cordes et Basse … (8)
2 Violons, Violoncelle et Orch… (8)
2 Cors et Cordes et Basse Cont… (8)
Solistes SSATBB, Choeur SATB/S… (8)
Treble (Alto) Recorder (8)
Flûte Traversière, Hautbois,… (8)
Violon, Orgue Obligatoire, Cor… (8)
Solistes SSA, Choeur SATB, Hau… (8)
Partition D'Orchestre In 16 Po… (8)
Violon et Cordes (8)
String Quintet: 2 violins, vio… (8)
Recorder Quartet (8)
Tuba (8)
:: (7)
2 Flûtes Traversières, Corde… (7)
Divers Ensembles Sans Orchestr… (7)
Partie Séparée (7)
Piano Trio: piano, violin, cel… (7)
3 Recorders (trio) (7)
Tenor Saxophone (7)
Voix et Piano Réduction (7)
Piccolo, Piano (7)
Hautbois, 2 Violons, Altos, Vi… (7)
Bass Trombone and Piano (7)
Treble (Alto) Recorder, Basso … (7)
Orchestre (7)
Ensemble Instrumental (7)
Violoncelle, Cordes et Claveci… (7)
Descant (Soprano) Recorder (7)
Flute, Basso continuo (7)
Musique de chambre (7)
Choeur SATB, 2 Violons, Alto e… (6)
Exemplaire Complet (6)
Flute ensemble (6)
Wind ensemble (6)
Guitar, Orchestra (6)
Violon, Orchestre à Cordes et… (6)
Ensemble de Chambre Mixte (6)
Violin, Viola (duet) (6)
Flûte à Bec F1, 2 Violons et… (6)
Trombone et Piano ou Orgue (6)
Violon Et 2 Orchestres (6)
2 Violons, Orchestre à Cordes… (6)
Cello, Orchestra (6)
Basse En Bb Et Piano (Orgue) (6)
Violon Solo, 2 Cors, 2 Hautboi… (6)
Accordion ensemble (6)
Saxophone ensemble (6)
2 Trumpets (duet) (6)
Recorder, Piano (6)
High voice, Piano (6)
Tenor voice, Piano (6)
Book (5)
Violon, Hautbois et Orchestre (5)
Voice solo (5)
Flautino, 2 Violons, Alto, Cla… (5)
Solo S, Hautbois, 2 Violons, A… (5)
2 Mandolines et Orchestre d'In… (5)
Descent (Soprano) Recorder, Pi… (5)
Violoncelle, Orchestre à Cord… (5)
Flûte Traversière, Violon et… (5)
Saxophone Quartet: 4 saxophone… (5)
Dulcimer (5)
2 Recorders (duet) (5)
Ochestre à Cordes (5)
Ensemble à Cordes (5)
2 Violins and Basso (5)
Piano and Orchestra (5)
Musette (Hurdy Gurdy, Flûte T… (5)
Hautbois, Basson et Orchestre (5)
Mezzo-Soprano voice (5)
Alto, Cordes et Basse Continue… (5)
Contralto, 2 Violons, Alto Et … (5)
Violon, 2 Violons 'Per Eco' et… (5)
Violon, Cordes Et Clavecin (5)
Flûte à Bec Alto ou Flûte T… (5)
2 Violas, Piano (5)
Trombone (5)
C Instruments (5)
Saxophone Quintet: 5 Saxophone… (5)
2 Flutes (duet) (5)
Soprano et Cordes (5)
Opera (5)
Flûte Traversière, Hautbois,… (4)
Basson et Concert Band ou Harm… (4)
Flûte Traversière Violon, Ba… (4)
Flûte Traversière ou Flûte … (4)
Low voice, Piano (4)
Violon/Instrument à Cordes/Ba… (4)
Flûte Traversière Hautbois e… (4)
Flûte à Bec Soprano ou Flût… (4)
Choral, Orchestra (4)
3 Violons, Orchestre et Clavec… (4)
Orchestre à Cordes, Guitare e… (4)
Flûte Traversière, Hautbois,… (4)
Flûte à Bec Alto et Basse Co… (4)
Mandoline, Cordes et Basse Con… (4)
Flûte, Cordes Et Basse Contin… (4)
Solistes SSMsAA (SATBarB), Cho… (4)
2 Violons, Ensembles de Cordes… (4)
2 Sopranos, Alto, Ténor, Bass… (4)
Alto, Cordes et Orgue (4)
2 Altos, Cordes et Basse Conti… (4)
Hautbois et Basse Continue (4)
Flûte Traversière, Hautbois,… (4)
Flûte à Bec Alto, Hautbois e… (4)
Fac-similé (4)
Euphonium (4)
Violin, Guitar (duet) (4)
Flûte Traversière Violoncell… (4)
Flûte à Bec Alto ou Flûte T… (4)
2 Violons, Violoncelle Ad Libi… (4)
Flûte Traversière, 2 Violons… (4)
Flûte à Bec Alto, Basson et … (4)
Flûte à Bec, Cordes et Basse… (4)
Choeur SATB, Cordes et Orgue o… (4)
Ukulele (4)
Flûte Traversière, 2 Violons… (4)
C Trumpetor et Trompette Sib/C… (4)
Nursery rhyme (4)
Violon, Orchestre à Cordes et… (4)
Piano Quintet: piano, violin, … (4)
Flûte à Bec Alto ou Flûte T… (4)
Recorder, Bass Continuo (4)
Harp (4)
Flûte à Bec Alto ou Flûte T… (4)
Voix et Orchestre (4)
Flûte à Bec Alto ou Flûte T… (4)
Flûte à Bec Alto, 2 Violons … (4)
Violin, Cello (duet) (4)
Organ, Trumpet (duet) (4)
Violon, Orchestre A Cordes Et … (4)
Flûte Traversière Cordes et … (4)
2 Mandolines et Guitare (4)
Biography (3)
Tuba Solo (3)
Choeur Mixte (SATB), Cordes et… (3)
2 Cellos (duet) (3)
Flûte A Bec, Cordes Et Basse … (3)
Contralto Et Basse Continue (3)
Basson, Cordes et Clavecin (3)
3 Violons, Orchestre à Cordes… (3)
Instruments A Vent (3)
Alto, Guitare Et Cordes (3)
Brass Quartet: 2 trumpets, hor… (3)
Bass guitar (3)
Violon, Orchestre à Cordes et… (3)
Violin, Violoncello and Double… (3)
Choral TTBB (3)
Parties Supplémentaires (3)
Saxhorn and Piano (3)
Brass Quartet: 4 trombones (3)
Banjo (3)
Soprano voice (3)
High voice (3)
2 Clarinets (duet) (3)
Solistes SATB, Choeur SATB, 2 … (3)
Hautbois, Violon, Orchestre A … (3)
School Ensemble (3)
Descant (Soprano) Recorder, Ba… (3)
Alto, Cordes Et Orgue (Ou Clav… (3)
Recorder Ensemble (3)
String quartet: 4 violins (3)
Voix, Flûte à Bec et Basse C… (3)
2 Violons et Orchestre à Cord… (3)
2 French horns (duet) (3)
Guitare et Instruments Divers (3)
2 Choeurs SATB, Cordes et Orgu… (2)
2 Voix Femmes/Orchestre à Cor… (2)
Harpsichord (2)
Voice and Orchestra (2)
Violoncelle, Orchestre à Cord… (2)
Partition d'Ensemble (2)
Violin ensemble (2)
Basson et Concert Band/Harmoni… (2)
Voix, 2 Violons, Alto Et Basse… (2)
Oboe, Basso continuo (2)
Voice, Guitar (2)
Contreténor et Orchestre à C… (2)
Treble (Alto) Recorder, Piano (2)
Choeur SATB, Cordes Et Orgue (… (2)
Set de Cordes (2)
Piccolo Flûte à Bec ou Flût… (2)
Flute, Oboe, and Cello (2)
Musical Awakening (2)
Violon et Clavier (2)
Ensemble (2)
Tenor (2)
Soli (SSA), gemischter Chor (… (2)
Flöte, Streicher und Basso c… (2)
Violon, Orchestre A Cordes Et … (2)
Orchestre d´Harmonie (2)
Flûte Traversière, Orchestre… (2)
2 Oboes, Piano (2)
Hautbois solo (2)
2 Hautbois et Orchestre (2)
Voix de femme (Soprano ou Mez… (2)
Partie de Mandoline (2)
Bass Clarinet, Piano (2)
Scores (2)
Vocal duet, Piano (2)
Saxophone Soprano ou Clarinett… (2)
Soprano Solo, Cordes Et Basse … (2)
Violon Solo, 2 Cors, 2 Hautboi… (2)
2 Saxophones (duet) (2)
Trompette Solo (2)
Marimba (2)
2 Flûtes Et Orchestre A Corde… (2)
Mandolin, Piano (duet) (2)
2 Trompettes et Orchestre (2)
Medium voice, Piano (2)
Clavier et Piano (2)
Soprano voice, Orchestra (2)
Alto (Partie séparée) (2)
Flûte Traversière, Orchestre… (2)
Flute Trio: 3 flutes (2)
Violon (2), Cordes Et Basse Co… (2)
Violon, Violoncelle Et Basse C… (2)
Octavin Et Piano (Ou Clavecin)… (2)
Clarinet Ensemble (2)
Trompette et Piano ou Orgue (2)
ELECTRONIC KEYBOARD GROUPS (2)
ContreTénor et Cordes (2)
Cordes Et Basse Continue (2)
2 Sopranos, Alto, SATB Choeur,… (2)
Basse (2 Basses) Et Piano (2)
Pocket, Study conductor (2)
5 Trompettes (2)
Choeur Mixte Sans Accompagneme… (2)
Saxophone Alto et Piano ou Org… (2)
2 Violoncelles, Basse Continue… (2)
Harmonica (2)
2 Flûtes à Bec Alto ou Flût… (2)
2 SATB Choeur, Cordes et Orgue… (2)
2 Mandolines (2)
Violon et Instruments à Corde… (2)
Choeur A 4 Voix Mixtes, Violon… (2)
2 Flutes, Piano (2)
Carte Postale (2)
4 Sopranos, 2 Choeurs à 4 Voi… (2)
Accordion (2)
Alto Solo (2)
Orgue Sans Pédale (2)
Solistes:2 Sopranos, Alto, Ten… (1)
Chant et Réduction Piano (1)
2 Sopranos, Alto, Choeur SATB,… (1)
Catalogue des Oeuvres (1)
Orchestre à Cordes et 4 Violo… (1)
Partition D'Etude (1)
Flûte, Violon Et Piano (1)
Violon 2 (1)
Ensemble de Flûtes à Bec (3 … (1)
3 Violons et Piano (1)
Instruments à Cordes (1)
4 Contrebasses (1)
Mixed Ensemble (1)
2 Violes d'Amour et Basse Cont… (1)
4 Violons, 2 Altos, Violoncell… (1)
CLT/ENS::Clarinette/Ensemble d… (1)
1 Ou 2 Mandoline(s) (1)
Livres Education (1)
6 Violoncelles (1)
Percussion (1)
2 Parties Voix Aigües (SS) et… (1)
Opéra Strumentali Di Antonio … (1)
Partie de Violon (1)
Brass Sextet, 3 Trompettes, Co… (1)
Flûte à Bec Solo (1)
Trombone Solo (1)
3 Violons et Orchestre (1)
Basse (1)
3 Saxophones (trio) (1)
Choeur de Femmes et Piano (1)
2 Sopranos Et Contralto, Choeu… (1)
Alto voice, Piano (1)
Hautbois Et Orchestre A Cordes… (1)
Flûte Traversière, Hautbois,… (1)
3 Flûtes A Bec Soprano (1)
2 Trompettes en Do et Piano (1)
Flûte Traversière Et Hautboi… (1)
Violoncelle Ou Contrebasse (1)
2 Violons, 2 Violoncelles, Cor… (1)
3 Violoncelles et Piano ad lib… (1)
2 Accordions (1)
Instrument En Sib (1)
Soprano Et 3 Contraltos, Choeu… (1)
Medium Voice (1)
Violon Solo (1)
2 Sopranos, Alto, Ténor, 2 Ba… (1)
Flute, Bassoon, and Piano (1)
Violon, Cordes, Clavecin et Or… (1)
Chœur Mixte SATB et Clavier (1)
Flûte à Bec, Hautbois, 2 Vio… (1)
Soprano and Alto Soli, Soprano… (1)
Violoncelle ou Contrebasse (Pa… (1)
Piccolo Et Orchestre A Vent (1)
2 Pianos, 4 hands (1)
Stationery (1)
Violoncelle Et Clavier (1)
Affiche (1)
2 Choeurs SATB sans Accompagne… (1)
Violon, Violoncelle Et Claveci… (1)
4 Pianos Et Cordes (1)
Oeuvres Théâtrales/Oratorios… (1)
All Instruments (1)
2 Violins, 2 Cellos, Strings a… (1)
Soprano et 3 Contralto Soliste… (1)
Trumpet ensemble (1)
Choeur Mixte Et Ensemble (1)
Partition de Poche (1)
Flûte Traversière (Ou Violon… (1)
2 Saxophones Alto (1)
1 ou 2 Violoncelles et Piano (1)
2 Hautbois, Basson et Cordes (1)
Choeurs SATB sans Accompagneme… (1)
4 Trompettes, Cor, 3 Trombones… (1)
Alto ou Violoncelle et Piano (1)
Music Theory (1)
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2 Recorders, Basso continuo (t… (1)
Flute Quartet: 4 flutes (1)
4 Flûtes Traversières Et Orc… (1)
Choral Unison (1)
4 Violons et Piano (1)
Violon, Flûte Traversière Ba… (1)
Saxophone Alto Solo (1)
2 Sopranos, 2 Choeurs A 4 Voix… (1)
Choeur A 4 Voix Mixtes Et Orch… (1)
VLN/ORCH::Violin, Orchestra (1)
1 ou 2 Xylophones, Timbales, P… (1)
Violoncelle, Orchestre A Corde… (1)
Guitare et Accompagnement Pian… (1)
Vibraphone Et 3 Marimbas (1)
Flûte Traversière ou Plusieu… (1)
Flûte Traversière Et Piano O… (1)
Chorale (1)
2 Flûtes Traversières et Orc… (1)
2 Flûtes A Bec Alto Et Basse … (1)
Flûte Traversière, Hautbois,… (1)
Choeurs (1)
Violoncelle et Accompagnement … (1)
Piano Accompaniment (1)
Violine und Basso continuo, V… (1)
GTR/STR ORCH::Guitar, String O… (1)
Recorder, Violin, Basso contin… (1)
Viola da Gamba (1)
Flûte A Bec Tenor Et Piano (1)
Hautbois et Basse Continue (Fa… (1)
Flûte Traversière ou Hautboi… (1)
Livret Italien Anglais (1)
Flûte Traversières (Hautbois… (1)
Violon 1 (1)
Violoncelle Solo (1)
Violoncelle (Partie Séparée)… (1)
Saxophone Baryton (1)
Accessoire (1)
2 Flûtes Traversières et Bas… (1)
Voix, Instrument(s) Et Basse C… (1)
Clarinette Solo (1)
Soprano, Alto, Voix D'Hommes (1)
Instruments à Vent (1)
2 Trombones (duet) (1)
Instruments Divers dont le Bas… (1)
Flûte à Bec Alto et Basse Co… (1)
Vibraphone et Marimba (1)
Viole d'Amour (1)
Soli/Choeur et Orchestre (1)
ORCH/VLN::Orchestre/Violon (1)
Saxophone en Sib ou Clarinette… (1)
Solistes (SSA), Choeur Mixte (… (1)
Flûte à Bec et Piano (1)
Contralto, 2 Violons, Alto Et … (1)
Trompette et Cordes (1)
String Quartet : 4 violas (1)
8 Ensembles De Cuivres (1)
Guitare ou Luth (1)
Trompette (B) et Piano (1)
Ensemble Mixte (1)
Clarinette Ou Saxophone En Sib… (1)
Violon et Clavecin ou Piano L'… (1)
Voix, Flûte Traversière et B… (1)
Flûte à bec (1)
Instruments En Si Et Ut (1)
Contrebasse (Partie séparée)… (1)
2 Sopranos, 2 Choeurs et 2 Orc… (1)
Flûte Traversière, Violon, B… (1)
Soprano, Violon Unisson, Alto … (1)
Parties Séparées (1)
2 French horns, Piano (1)
Choeur d'Enfants (1)
2 Clarinettes en Sib et Piano (1)
Cor en Mib et Piano ou Orgue (1)
Piccolo et Orchestre à Vent (1)
String Trio: 3 violins (1)
Solo S, (Hautbois), 2 Violons,… (1)
Clarinet Quintet: 5 clarinets (1)
Ténor, 2 Trompettes et Ensemb… (1)
Solistes Et 2 Choeurs A 4 Voix… (1)
Alto, Ténor (2), Basse, Flût… (1)
Saxophone en Mib et Piano (1)
Flûte à Bec Piccolo, 2 Violo… (1)
Soprano (1)
Hautbois, Basson Et Piano (1)
Percussions A Claviers (1)
Piccolo et 4 Flûtes (1)
Solistes et Basse Continue (1)
Cello, Piano Accompaniment (1)
Saxophone and Piano (1)
Soprano, Flûte Traversière E… (1)
2 Choeurs à 4 Voix Mixtes et … (1)
Organ, Mixed Choir and Orchest… (1)
Solistes (Sa), Choeur (SATB) E… (1)
Soprano, Violon Et Basse Conti… (1)
Voix, Flûte Et Basse Continue… (1)
Choeur de Femmes (1)
Soprano Saxophone (1)
Guitare Et Flûte Traversière… (1)
4 Guitares Solo et Ensemble de… (1)
2 Sopranos, 2 Altos, 2 Choeurs… (1)
Violon, 2 Violons 'Per Eco' Et… (1)
Voix Mixtes (1)
Chant (1)
Tenor voice (1)
Cor en Fa Solo (1)
Voix Elevée(s)/Moyenne(s) Et … (1)
Solo et Accompagnement de Cord… (1)
3 Ou 4 Violons Et Piano (1)
Flûte, Hautbois, Alto, Basson… (1)
Violoncelle Et Basse Continue … (1)
VLC/ENS/PFA::Violoncelle/Ensem… (1)
Luth (Ou Guitare), 2 Violons E… (1)
Voix d'Alto Solo, Cordes et Or… (1)
Conducteur d'Orchestre (1)
Solistes, Choeur et Ensemble d… (1)
Flûte à Bec Alto ou Flûte T… (1)
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Sonate In C-Dur (VIVALDI ANTONIO)
Guitare et Musique de Chambre
[Sheet music]
Doblinger
Für Flöte Und Gitarre (Basso Continuo). Par VIVALDI ANTONIO. Fl Git/ Répertoi...
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Für Flöte Und Gitarre (Basso Continuo). Par VIVALDI ANTONIO. Fl Git/ Répertoire / Guitare et Musique de Chambre
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Sonatas For Cello And Basso Continuo (VIVALDI ANTONIO)
Violoncello, Basso continuo
Wiener Urtext
Edited From The Sources And Realization Of The Figured Bass By Bernhard Moosbaue...
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Edited From The Sources And Realization Of The Figured Bass By Bernhard Moosbauer. Provided With Notes On Interpretation By Gerhardt Darmstadt.. Par VIVALDI ANTONIO. Les neuf sonates pour violoncelle et basse continue, par Antonio Vivaldi sont parmi les plus célèbres oeuvres violoncelles de l'époque Baroque. Grâce à leurs exigences techniques modérées, les pièces sont partie intégrante des leçons de musique ainsi que de fabrication de musique privée. Mais même pour la scène professionnel de la musique au début, ils forment un accent du répertoire violoncelle. La nouvelle édition de la Wiener Urtext édition répond aux besoins et exigences de tous les trois groupes cibles semblables, fournissant un texte musical fiable n'est plus fondé sur la première édition de Paris non autorisée par Le Clerc and Boivin, mais sur une copie de Naples révisé de Vivaldi lui-même ainsi que sur les deux autres manuscrits associés avec le compositeur de la Bibliothèque Nationale de Paris et de la bibliothèque de musique des comtes de Schönborn à Wiesentheid. Hormis la partie solo, l'édition comprend une note de piano (clavecin) avec réalisé basse continue, qui devrait être très bienvenue aux élèves et amateurs. Une partie de continuo latent basso a été ajouter.../ Répertoire / Violoncelle Solo, Clavecin ou Piano Violoncelle Co
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Sonate Nr. 5 E-Moll (VIVALDI ANTONIO)
Guitare et Musique de Chambre
[Sheet music]
-
Easy
Doblinger
Gitarre-Continuo Von Walter Haberl. Par VIVALDI ANTONIO. Vc Git / Niveau : Assez...
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Gitarre-Continuo Von Walter Haberl. Par VIVALDI ANTONIO. Vc Git / Niveau : Assez Facile / Répertoire / Guitare et Musique de Chambre
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Morton Gould: Vivaldi Gallery: String Quartet: Study Score
String Quartet: 2 violins, viola, cello
[Sheet music]
Schirmer
Score-Morton Gould's Vivaldi Gallery for String Quartet and Divided Orchestra.Vi...
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Score-Morton Gould's Vivaldi Gallery for String Quartet and Divided Orchestra.Vivalid Gallery is based on materials drawn from various orchestral chamber and choral works of AntonioVivaldi. It was first performed by Milton Katims and the Seattle Symphony Orchestra in the Seattle Opera House on March 25 1968. The same artists have recorded Vivaldi Gallery for RCA Victor.
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Concerto Per Violino, Archi E Bc, Rv 239 Op. Vi/6 (VIVALDI ANTONIO)
Violon, Ensembles de Cordes et Basse Continue
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Intermediate/advanced
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...
(+)
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et Basse Continue
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Concerto Per Violino, Archi E Bc, Rv 280 Op. Vi/5 (VIVALDI ANTONIO)
Violon, Ensembles de Cordes et Basse Continue
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Intermediate/advanced
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...
(+)
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et Basse Continue
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Concerto Per Violino, Archi E Bc, Rv 259 Op. Vi/2 (VIVALDI ANTONIO)
Violon, Ensembles de Cordes et B.C.
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Intermediate/advanced
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...
(+)
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et B.C.
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Concerto Per Violino, Archi E Bc, Rv 324 Op. Vi/1 (VIVALDI ANTONIO)
Violon, Ensembles de Cordes et Basse Continue
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Intermediate/advanced
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...
(+)
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et Basse Continue
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Concerto Per Violino, Archi E Bc, Rv 216 Op. VI/4 (VIVALDI ANTONIO)
Violon, Ensembles de Cordes et B.C.
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Intermediate/advanced
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...
(+)
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et B.C.
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Concerto Per Violino, Archi E Bc, Rv 318 Op. Vi/3 (VIVALDI ANTONIO)
Violon, Ensembles de Cordes et Basse Continue
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Intermediate/advanced
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Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership wi...
(+)
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et Basse Continue
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CONCERTO FOR TWO VIOLONCELLOS IN G MINOR RV 531 (VIVALDI ANTONIO)
2 Cellos, Piano
[Sheet music]
Barenreiter
Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty in...
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Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establish this still young instrument in the music of that time. The Concerto RV 531 is the only double concerto in Vivaldi?s ?uvre for two solo violoncellos. The two solo parts take centre stage with virtuosic passages but lie on the instrument so well that they can be comfortably mastered by advanced students. The edition is based on the careful evaluation of Vivaldi?s autograph score which is the main source and several inconsistencies found in previous editions have been clarified. At the same time the edition allows for a flexible realisation of this concerto: it can be performed by a full tutti orchestra or by one performer per part. The cello part in the basso continuo group can be played by orchestral cellists or by the soloists./ Répertoire / 2 Violoncelles, Cordes et Basse Continue
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CONCERTO FOR TWO VIOLONCELLOS IN G MINOR RV 531 (VIVALDI ANTONIO)
2 Cellos, Piano
[Sheet music]
Barenreiter
Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty in...
(+)
Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establish this still young instrument in the music of that time. The Concerto RV 531 is the only double concerto in Vivaldi?s ?uvre for two solo violoncellos. The two solo parts take centre stage with virtuosic passages but lie on the instrument so well that they can be comfortably mastered by advanced students. The edition is based on the careful evaluation of Vivaldi?s autograph score which is the main source and several inconsistencies found in previous editions have been clarified. At the same time the edition allows for a flexible realisation of this concerto: it can be performed by a full tutti orchestra or by one performer per part. The cello part in the basso continuo group can be played by orchestral cellists or by the soloists./ Répertoire / 2 Violoncelles et Piano
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Concerto Per Flauto Traversiere, Archi, Bc Rv 431A (VIVALDI ANTONIO)
Flûte Traversière Cordes et Basse Continue
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Intermediate
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a cura di Federico Maria Sardelli. Par VIVALDI ANTONIO. Among Vivaldi’s many f...
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a cura di Federico Maria Sardelli. Par VIVALDI ANTONIO. Among Vivaldi’s many flute and recorder concertos, two, both for transverse flute, were known until a few years ago only in incomplete form: RV 431 and 432. Both are written in the comfortable and expressive key of E minor, are transmitted inautograph manuscripts and lack their second movement (RV 432 also lacks its third movement). The seemingly enigmatic instruction “Grave sopra il libro” replacing the second movement has given rise to the most fanciful hypotheses. The discovery in Edinburgh, in 2010, of a concerto for transverse flute in D minor entitled “Il gran Mogol” suddenly shed light on the situation: this was an earlier version of RV 431, now complete with its middle movement, a “Larghetto” that is verypossibly identical with the one missing in RV 431. This “Gran Mogol”, which belonged to Robert Kerr, a Scottish nobleman and amateur flautist, was already known by name to scholars on account of its listing in an eighteenth-century catalogue as partof a set of Vivaldi concertos bearing geographical titles: more recently, there has come to light a letter written by Vivaldi three months before his death in which the composer describes this set in detail. It is very likely that RV 431 and RV 432belonged to this group of works, the last known collection of its kind in Vivaldi’s oeuvre. This critical edition places these closely related works side by side for the first time, placing them in their historical context and making them performable through its reconstruction of some lost parts. / Niveau : Intermédiaire / Date parution : 1905-07-09/ Répertoire / Flûte Traversière Cordes et Basse Continue
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Antonio Vivaldi: Complete Sonatas For Cello: Cello: Instrumental Work
Cello
Wiener Urtext
The nine sonatas for Cello and Basso Continuo by Antonio Vivaldi are among the m...
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The nine sonatas for Cello and Basso Continuo by Antonio Vivaldi are among the most famous Cello works of the Baroque era. Thanks to their moderate technical demands the pieces are an integral part of music lessons as well as of private music-making. But even for the professional early music scene they form a focus of the Cello repertoire. The new edition of the Wiener Urtext Edition serves the needs and demands of all three target groups alike providing a reliable musical text which is no longer based on the unauthorized first Paris edition by Le Clerc & Boivin but on a copy from Naples revised by Vivaldi himself as well as on two othermanuscripts associated with the composer from the Bibliothèque Nationale in Paris and the music library of the Counts of Schönborn at Wiesentheid. Apart from the solo part the edition comprises a Piano (Harpsichord) score with realized Basso Continuo which should be very welcome to pupils and amateurs. An unrealized Basso Continuo part has been added for the professional Continuo player in which the figures of the first Paris edition has been included. Even if they do not trace back to Vivaldi himself they bear witness to the contemporary Basso Continuo practice and can serve as a guide for the execution of Vivaldi's unfigured Bass part. More detailed information on the performance practice is provided in the notes on interpretation by Gerhart Darmstadt which are based on contemporary sources.
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Concerto Pour 2 Violons Et Cordes En La Mineur Op. 3 No. 8 Rv 522 Mvt. I (VIVALDI ANTONIO)
String Quartet: 2 violins, viola, cello
[Score and Parts]
-
Intermediate/advanced
FLEX Editions
Arrgt: Sarah Labrousse-Baert. Par VIVALDI ANTONIO. Formation : Musique de Chambr...
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Arrgt: Sarah Labrousse-Baert. Par VIVALDI ANTONIO. Formation : Musique de Chambre, Quatuor - Instrumentation :Quatuor à Cordes : 2 Violons 1 Alto 1 Violoncelle - Niveau de Difficulté : 5/6 - Intermédiaire/Avancé - Durée : 4 mn 50 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Antonio VIVALDI - Arrangeur : Sarah LABROUSSE-BAERT / Niveau : Intermédiaire à Avancé / Classique / Répertoire / 2 Violons, Alto et Violoncelle
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Antonio Vivaldi: Complete Sonatas for Violoncello and Bc. RV 39-47: Cello:
Violoncello, Basso continuo
[Sheet music]
Barenreiter
Performance Score and Parts-This scholarly-critical edition is based on all the ...
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Performance Score and Parts-This scholarly-critical edition is based on all the known sources whether printed or handwritten that have come down to us for these frequently played pieces. By closely scrutinizing the source material the editor has arrived at interesting findings that considerably differ from earlier editions of these works. Rather than taking as her principal source Le Clerc’s 1740 print of Sonatas I to VI – an edition probably made without the composer’s consent – the editor has examined the Naples and Wiesentheid manuscripts prepared under Vivaldi’s direct supervision. The editor has also managed to identify a previously unknown source forSonata RV 44. All departures from the sources in the printed text and all editorial additions are listed in the critical report. Cellists are thus given ready access to every alternative reading including deleted bars and the many inevitable variants in articulation. A detailed preface provides essential information on sources and their assessment with a section on performance practice offering valuable suggestions on interpretation. All of Antonio Vivaldi's works for violoncello and continuo in a single edition Scholarly-critical edition for performance purposes Detailed preface on sources and performance practice (German/English) With new findings that considerably differ from earlier editions 'This edition is invaluable for all performers of the Sonatas .' (Ensemble January 2004) 'This is certainly the definitive edition of these works.'(Strings August/September 2003)
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Concerto Pour Violon En Ré Mineur Op. 3 No. 9 Rv 230 (VIVALDI ANTONIO)
String Quartet: 2 violins, viola, cello
[Score and Parts]
-
Intermediate/advanced
FLEX Editions
Arrgt: Sarah Labrousse-Baert. Par VIVALDI ANTONIO. Formation : Musique de Chambr...
(+)
Arrgt: Sarah Labrousse-Baert. Par VIVALDI ANTONIO. Formation : Musique de Chambre, Quatuor - Instrumentation :Quatuor à Cordes : 2 Violons 1 Alto 1 Violoncelle - Niveau de Difficulté : 4/6 - Intermédiaire/Avancé - Durée : 4 mn 50 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Antonio VIVALDI - Arrangeur : Sarah LABROUSSE-BAERT / Niveau : Intermédiaire à Avancé / Classique / Répertoire / 2 Violons, Alto et Violoncelle
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Concerto Pour 2 Violons Et Cordes En La Mineur Op. 3 No. 8 Rv 522 Mvt. III (VIVALDI ANTONIO)
String Quartet: 2 violins, viola, cello
[Score and Parts]
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Intermediate/advanced
FLEX Editions
Arrgt: Sarah Labrousse-Baert. Par VIVALDI ANTONIO. Formation : Musique de Chambr...
(+)
Arrgt: Sarah Labrousse-Baert. Par VIVALDI ANTONIO. Formation : Musique de Chambre, Quatuor - Instrumentation :Quatuor à Cordes : 2 Violons 1 Alto 1 Violoncelle - Niveau de Difficulté : 5/6 - Intermédiaire/Avancé - Durée : 4 mn 50 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Antonio VIVALDI - Arrangeur : Sarah LABROUSSE-BAERT / Niveau : Intermédiaire à Avancé / Classique / Répertoire / 2 Violons, Alto et Violoncelle
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Concerto Pour 2 Violons Et Cordes En La Mineur Op. 3 No. 8 Rv 522 Mvt. II (VIVALDI ANTONIO)
String Quartet: 2 violins, viola, cello
[Score and Parts]
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Intermediate
FLEX Editions
Arrgt: Sarah Labrousse-Baert. Par VIVALDI ANTONIO. Formation : Musique de Chambr...
(+)
Arrgt: Sarah Labrousse-Baert. Par VIVALDI ANTONIO. Formation : Musique de Chambre, Quatuor - Instrumentation :Quatuor à Cordes : 2 Violons 1 Alto 1 Violoncelle - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 3 mn 05 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Antonio VIVALDI - Arrangeur : Sarah LABROUSSE-BAERT / Niveau : Intermédiaire / Classique / Répertoire / 2 Violons, Alto et Violoncelle
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Sonata E Minor (VIVALDI ANTONIO)
Violoncello, Basso continuo
Schott
Par VIVALDI ANTONIO. Les sonates de Antonio Vivaldi (1678-1741) sont sans aucun ...
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Par VIVALDI ANTONIO. Les sonates de Antonio Vivaldi (1678-1741) sont sans aucun doute parmi les meilleures compositions pour violoncelle et basse continue, créé à l'époque baroque. De ces oeuvres, c'est la Sonate en mi mineur (RV 40) qui jouit d'une popularité particulière. C'est pourquoi il/ Répertoire / Violoncelle et Basse Continue
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Sonata A Tre G-Moll Op. 5 / 6 Op. 5/6 (VIVALDI ANTONIO)
Chamber Orchestra
Doblinger
2Vl Bc. Par VIVALDI ANTONIO. Den Solo-Violinsonaten Op. 5 von Vivaldi sind zwei ...
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2Vl Bc. Par VIVALDI ANTONIO. Den Solo-Violinsonaten Op. 5 von Vivaldi sind zwei Triosonaten beigegeben. Während die drei Sätze der B-Dur-Sonata die beiden Canti gIeichberechtigt führen und in ihrer polyphonen Grundhaltung, mit Echostellen (Corrente!) und hochbarockem Pathos ... / Niveau : 2 - 3/1 - 2/1 - 2/2 - 3 / Répertoire / Musique de Chambre
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Antonio Vivaldi: Concerto In A Minor Rv.418: Cello: Instrumental Work
Cello, Piano Accompaniment
[Sheet music]
-
Advanced
Peters
This is an Edition Peter's German language edition of Vivaldi's Concerto In A Mi...
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This is an Edition Peter's German language edition of Vivaldi's Concerto In A Minor. Whilst not one of Vivaldi's more popular Cello concertos this is still a wonderful piece full of grace and energy.
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Antonio Vivaldi: Two Sonatas RV40 And RV46: Cello: Instrumental Album
Violoncello, Basso continuo
[Sheet music]
-
Intermediate/advanced
Barenreiter
Edition specially prepared for the ABRSM & TRINITY GUILDHALL exam syllabuses-Viv...
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Edition specially prepared for the ABRSM & TRINITY GUILDHALL exam syllabuses-Vivaldi was familiar with the technique and idiomatic qualities of the cello and writing for the cello seems to have drawn from Vivaldi a special empathy: there is a degree of seriousness and expressive depth which is encountered much less consistently in his violin music. Perhaps it has something to do with the cello's low register since similar qualities inform his writing for bassoon.This Urtext edition edited by Bettina Hoffmann provides you with a clear and accurate realisation of the composer’s original intentions with thoroughly detailed editorial markings and suggestions. The solo cello part is also included on a separate insert.
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Classical Music For Children
String Trio: 2 violins, cello
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Beginner
Schott
Classical music for children: 36 easy pieces from the Baroque to the Romantic er...
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Classical music for children: 36 easy pieces from the Baroque to the Romantic era in easily playable arrangements for string trio or beginners' string orchestra. Ideal for early ensemble work, and includes pieces from Vivaldi's Four Seasons, Mozart's Magic Flute and many more! / 2 Violons Et Violoncelle
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Schott Cello Library
Cello, Piano
Schott
13 pieces of easy to intermediate standard ideal for lessons and concerts. As we...
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13 pieces of easy to intermediate standard ideal for lessons and concerts. As well as popular Baroque sonatas by the likes of Vivaldi and de Fesch, there are also some charming, lesser-known compositions by Lanzetti and Zocarini. Also included are Classical sonatas by J. C. F. Bach, Stephen Paxton and Beethoven alongside pieces from the Romantic era including Mendelssohn's Song Without Words Op. 109, Fauré's Sicilienne Op. 79 as well as two little pieces by Goltermann. / Violoncelle Et Piano
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Concerto D Major Op. 3/9 Rv 230 (VIVALDI ANTONIO)
Violon, Cordes et Basse Continue
[Sheet music]
Amadeus Verlag
Par VIVALDI ANTONIO. L'Estro Armonico/ Répertoire / Violon, Cordes et Basse Con...
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Par VIVALDI ANTONIO. L'Estro Armonico/ Répertoire / Violon, Cordes et Basse Continue
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Stabat Mater Vln2 (VIVALDI ANTONIO)
Alto, Cordes et Orgue ou Clavecin
[Part]
Universal Edition
Violin. Par VIVALDI ANTONIO. / Répertoire / Alto, Cordes et Orgue ou Clavecin
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Baroque Concerto Str.Orch (VIVALDI)
String Orchestra
[Sheet music]
Theodore Presser Co.
Par VIVALDI. / Répertoire / Orchestre à Cordes
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Cello Concerto In D Minor Op. 26 #9 (VIVALDI ANTONIO)
Cello, Piano
[Sheet music]
Kunzelmann
Par VIVALDI ANTONIO. Violoncelle - Piano/ Répertoire / Violoncelle et Piano
19.60 EUR - Sold by LMI-partitions
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