The Boosey and Hawkes Bartók Edition showcases brand new stylish arrangements of highlights from the leading twentieth century composer for developing musicians to learn and enjoy. The Romanian Folk Dances were originally written in 1915 as a suite of six short piano pieces, which Bartók subsequently orchestrated for small ensemble. In this edition, Hywel Davies has arranged the suite for cello with piano accompaniment. / Violoncelle Et Piano

Arranged For Violoncello and Piano-In 1891 Dvorák arranged the final eighth dance of his popular first set of the Slavonic Dances Op.46 for violoncello and piano. The Czech composer Jir Gemrot born in 1957 has followed his example and has arranged the remaining dances for the same scoring. However in order to approach Dvorák?s ideal sound Gemrot based his arrangements on the composer's orchestral score.Dvorák?s own arrangement of Slavonic Dance No. 8 has been taken from the Complete Edition of the Works of Anton n Dvorák Volume IV/3 (Compositions for Violoncello).First complete edition of the first set of Slavonic Dances arranged for violoncello and pianoby Jir GemrotIncludes Dvorák?s own arrangement of Dance No.8With fingering and bowing by Tomá? Jamn kForeword (Cz/Eng/Ger) by Eva Velická

for piano and woodwind quintet. Par JALBERT PIERRE. Wind Dances is in seven short contrasting movements, each containing dance-like rhythms, both slow and fast. Having two sons who both play the clarinet, I've heard many a woodwind quintet, so I've been wanting to write for the medium for quite a while. In this instance, I also added my own instrument, the piano. The work opens with a fast movement containing driving rhythms in the winds, which are then answered by the piano. The second movement features colorful effects in the winds and piano (slap tongue, air sounds, muted tones) leading to a long extended lyrical line, gradually orchestrated to involve all the winds. The third movement is a dynamic scherzo, with a separate middle section similar to a traditional Trio section. The slowly unfolding fourth movement is the longest of the piece and anchors the middle of the work. The fifth movement is a kind of echo of the third movement, though this time the dynamic scherzo is high and light, rather than low and dark. The sixth movement is related to the second movement, and is basically a solo cadenza for the clarinet, with a few accompanimental gestures in the piano. The seventh and final movement reprises material from the first movement, this time with new and driving dance-like gestures added. - Pierre Jalbert / Niveau : Avancé / Répertoire / Flûte Traversière (Piccolo), Hautbois, Clarinette,

Songs Dances and Ellipses was commissioned by the Barbican Centre for the Chilingirian String Quartet on the occasion of their 25th anniversary.Quoting Saxton: 'The title Songs Dances and Ellipses refers both to the characterand the architecture of my quartet. The fundamental nature of the relationship between the extra-human music of the spheres and human musical expression manifest in song and dance lies behind much of my music; in the case ofSongs Dances and Ellipses I was absorbed by the idea of the most humanly intimate medium - the string quartet - set in the context of the all-embracing and very real elliptical orbits of the planets. The music consists of fivelinked movements which form three larger sections. Movements one and two form the first part the central slow movement is the second part and movements four and five form the third and final section.

Par COHEN MARY. Dance Duets can be enjoyed by cello players of about grade 2-3 upwards. It is excellent concert material and offers a wide range of techniques including (easy) fast finger work, extensive pizzicato, leggiero bowing, long legato lines, double stopping- and even the occasional chance to stamp! The cello parts are of equal interest, taking players on a journey across Europe to South America, exploring the energetic flow and crispy rhythms of different cultural dances along the way. / Instrumental Music / Recueil / 2 Violoncelles

Demanding salon music for string quartet (with double-bass ad libitum) is provided by Wolfgang Birtel in his 'Latin Dances' with four titles which can be played individually or as a little suite. The first dance is the chorinho 'Não me toques' by Zequinha de Abreu (1880-1935) who not only wrote 'Tico Tico' but also other rousing pieces of music. Ernesto Nazareth (1863-1934) is considered to be the 'inventor' of the Brazilian tango and waltz: He titled the waltz, which follows as second title, 'Ingenious'. These rather unknown titles are followed by two absolute worldwide hits: 'Bolada de Aficionado' by A.G. Villoldo and then the everlasting beguine 'Bésame Mucho' by the Mexican composer Consuelo Velázques (1916-2005). Whether individually or as a 'four-pack' - the fingers will be twitching and the toes will be tingling for this music carries away musicians and audience alike. / Quatuor A Cordes

Bright Sheng's Dance Capriccio is inspired by the dance folk music of the Sherpa people a small ethnic group mostly living in western Nepal in the high mountains of the Himalayas.

1. Uncle Bebop 2. Rays Of Light 3. Latin Dance. Violoncello-Stimme Allein. Par GERNOT WOLFGANG. Hörbeispiele unter www. gernotwolfgang. com / Date parution : 2000-01-01/ Répertoire / Musique de Chambre

Dance of the Hours comes from the only work of Ponchielli's which is still known today - his opera La Gioconda. This piece is ideal as a light concert item or for other similar occasions.

The 2018 album by these popular YouTube instrumental stars is presented in this matching folio of 13 songs arranged for solo piano/cello as performed by the Piano Guys. Songs include: DNA - Epiphany - First Dance - Flicker - In My Blood/Swan Lake - Limitless - A Million Dreams - Miracles - North Cape - Perfect - Rewrite the Stars - Something Just like This/Hungarian Rhapsody - Walking the Wire/Largo. Includes a separate pull-out cello part.

Ten superb concert pieces in a wide variety of styles arranged by Bernice and Robin De Smet for the Cello and Piano.The pieces include traditional folk melodies such as Floral Dance and Scarborough Fair alongside popular tunes by Holst Joplin and other musical greats. An ideal resource whatever you performance occasion!

Ballroom Dances (ABRSM grade level 1 - 6) is a new exciting work for cello and piano from performer and composer Mats Lidström.As with Traffic Spooky Pieces and Hotel Suite Ballroom Dances makes a point of introducing less experienced players to the air of a professional recital through a corresponding piano part (full throttle!). There is passion and lyricism wide dynamic range and swift musical contrasts. All dances comply with the international rules for competitive ballroom dancing.Cover Design by Sebastian Örnemark www.ornemark.se / Drawing (Indian ink) by Per-Erik 'Pelle' Lidström.

Kevin Volans' String Quartet No. 9: Shiva Dances was commissioned by BBC Radio 3 and first performed by the Smith Quartet at the 2004 Huddersfield Contemporary Music Festival.Kevin Volans (the composer) notes on the piece:In the past I have been interested in trying to go beyond historicism (1970s) beyond style(1980s) and beyond form (1990s) in my work. Looking back over the music of the twentiethcentury I was struck by the fact the nearlyall of it is extremely 'busy' almost cluttered. Italmost seemed that composers felt compelled to look industrious. In the new millennium Ithought it would be interesting to try and eliminate content. I also aspired to movingfrommusic (sound as art) to art (art as sound). This of course has already been done by a numberof composers (many from New York Phil Niblock and La Monte Young to name but two) butit was something I had never tried.AlthoughI found it annoying that the label 'minimalist' was given to my African-based work and fearing this would make the label stick I set out to write a piece which reflected my loveof minimal painting and architecture. The Japanesehave a term 'wabi' meaning 'voluntarypoverty' or 'emptiness' to describe their restrained minimal aesthetic an aesthetic which however pays greatest attention to the quality of material and fine detail. I like to think thatthelack of excessive pitch material in this piece reflects a kind of voluntary poverty.When Shiva is portrayed dancing (as Nataraj) He is depicted in a circle of flames crushing asmall figure the ego underfoot.You get theimpression He dances on the spot not movingaround at all. I like that.The piece is dedicated to Pablo Pascual Cilleruelo.