| I Can See It (from the musical The Fantasticks) Choral 3-part SAB [Octavo] Alfred Publishing
By Tom Jones, music by Harvey Schmidt. Arranged by Larry Shackley. Choir Secular...(+)
By Tom Jones, music by Harvey Schmidt. Arranged by Larry Shackley. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Pop Choral. Broadway. 24 pages
$2.50 $2.375 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| I Can See It (from the musical The Fantasticks) Choral SATB SATB [Octavo] Alfred Publishing
By Tom Jones, music by Harvey Schmidt. Arranged by Larry Shackley. Choir Secular...(+)
By Tom Jones, music by Harvey Schmidt. Arranged by Larry Shackley. Choir Secular. SATB choir. Choral Octavo. Pop Choral. Broadway. 24 pages
$2.50 $2.375 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Witches on Broomsticks Piano solo [Singles] FJH
By Mary Leaf. For Piano. Written For You. Halloween. Solo Sheet. Published by Th...(+)
By Mary Leaf. For Piano. Written For You. Halloween. Solo Sheet. Published by The FJH Music Company Inc. Level: Pre-Reading.
$2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| I Can See It (from the musical The Fantasticks) Choral SATB SATB [Octavo] Alfred Publishing
By Tom Jones, music by Harvey Schmidt. Arranged by Larry Shackley. Choir Secular...(+)
By Tom Jones, music by Harvey Schmidt. Arranged by Larry Shackley. Choir Secular. Men's Choir. Choral Octavo. Pop Choral. Broadway. 24 pages
$2.50 $2.375 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Moonsticks Marimba Subito Music
Solo Marimba SKU: SU.80118801 For solo Marimba. Composed by Meyer ...(+)
Solo Marimba SKU: SU.80118801 For solo Marimba. Composed by Meyer Kupferman. Percussion, Solo Percussion. Marimba. Score. Subito Music Corporation #80118801. Published by Subito Music Corporation (SU.80118801). Moonsticks (1986) is a fantasy for solo Marimba based on fragments of the old French Crusader song L'homme Armé. The work contains an extended improvisatory section. Published by: Soundspells Productions. $12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| I Can See It (from the musical The Fantasticks) Choral SATB SATB [Octavo] Alfred Publishing
By Tom Jones, music by Harvey Schmidt. Arranged by Larry Shackley. Choir Secular...(+)
By Tom Jones, music by Harvey Schmidt. Arranged by Larry Shackley. Choir Secular. Women's Choir. Choral Octavo. Pop Choral. Broadway. 24 pages
$2.50 $2.375 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Fantasticks (Vocal Selections) Piano, Voice Alfred Publishing
The Fantasticks (Vocal Selections). (Piano/Vocal). By Tom Jones, music by Harvey...(+)
The Fantasticks (Vocal Selections). (Piano/Vocal). By Tom Jones, music by Harvey Schmidt. For Keyboard; Piano; Voice. This edition: Piano/Vocal. Book; Piano/Vocal/Chords; Shows & Movies. Broadway. 52 pages. Published by Alfred Music Publishing
$12.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Christmas Chopsticks Choral 3-part 3-Part Mixed - Easy Hal Leonard
(Discovery Level 2). By Fred Heider. Arranged by Audrey Snyder. For Choral (3-Pa...(+)
(Discovery Level 2). By Fred Heider. Arranged by Audrey Snyder. For Choral (3-Part Mixed). Discovery Choral. 16 pages. Published by Hal Leonard
$2.75 $2.6125 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Fantasticks (Choral Selections) Choral SATB SATB Hal Leonard
By Tom Jones, Harvey Schmidt. Arranged by Robert H. Noeltner. (SATB). Choral. S...(+)
By Tom Jones, Harvey Schmidt. Arranged by Robert H. Noeltner. (SATB). Choral. Size 6.8x10.5 inches. 24 pages. Published by Hal Leonard.
$3.50 $3.325 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Chopsticks For Three - One Piano, Six Hands 1 Piano, 6 hands [Singles] - Beginner Alfred Publishing
Chopsticks For Three - One Piano, Six Hands arranged by Eric Steiner. For piano ...(+)
Chopsticks For Three - One Piano, Six Hands arranged by Eric Steiner. For piano six hands. Piano Trio (1 Piano, 6 Hands); Trio. Elementary level piece for the Piano Trio event with the National Federation of Music Clubs (NFMC) Festivals Bulletin 2008-2009-2010. Classical. Difficulty: easy. Single piece. Standard notation and fingerings. 8 pages. Published by Alfred Music Publishing
$4.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Prairie Lullaby String Orchestra [Score and Parts] - Beginner Carl Fischer
Orchestra String Orchestra - Grade 1 SKU: CF.BAS5 Composed by Joseph Comp...(+)
Orchestra String Orchestra - Grade 1 SKU: CF.BAS5 Composed by Joseph Compello. SWS - FS. Carl Fischer Beginning String Orchestra Series. Classical. Score and Parts. With Standard notation. 12+8+8+5+5+5+3+2 pages. Duration 2:30. Carl Fischer Music #BAS5. Published by Carl Fischer Music (CF.BAS5). ISBN 9780825845086. UPC: 798408045081. 8.5 X 11 inches. Key: D major. The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes. The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes. The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes. The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes. The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes. The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible.Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score.The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes.Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead.The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54.Performance time with the repeat is two and a half minutes. About Carl Fischer Beginning String Orchestra Series This series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by: - Limited parts (often 2nd violin and viola are the same part, cello and bass are same part)
- Limited keys and rhythms - only simple 8th note patterns
- Limited independence of parts
- Playable after limited study time
- First position and natural bowings
- Piano for rehearsal and reinforcement
$50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 20 Etudes for Vibraphone Vibraphone - Intermediate De Haske Publications
Vibraphone - late intermediate SKU: BT.DHP-0970889-401 By Gert Bomhof. By...(+)
Vibraphone - late intermediate SKU: BT.DHP-0970889-401 By Gert Bomhof. By Hein de Jong. De Haske Percussion Series. Educational Tool. Book Only. Composed 1997. 36 pages. De Haske Publications #DHP 0970889-401. Published by De Haske Publications (BT.DHP-0970889-401). ISBN 9789073252660. International. This volume presents twently interesting and full-size studies for vibraphone players to practice technique and rhythm.During the last decade there have been enormous developments in the technical possibilities and playing methods of the vibraphone. Alongside this, much new and interesting music has been available to the advanced vibraphone player, making use of a variety of techniques. However, not much has been done for the beginner on the vibraphone, and it is for this group that the studies in this book are intended.This book deals with the following techniques:a. Stick of the pedalb. Stick mutingc. Independence of the left and right handsd. Changing from playing chords to melodywith two stickse. Independent use of the sticks in one handVibraphone enthousiasts will love it!
Dit boek bevat uitstekend lesmateriaal dat speciaal is geschreven voor beginnende slagwerkers - die over slechts een aantal basisvaardigheden beschikken. In de twintig etudes komen de volgende technieken aan bod: pedaalgebruik, stokdempen,onafhankelijkheid van de linker- en rechterhand, wisselen van akkoordspel naar melodiespel met twee stokken, en het onafhankelijk gebruik van de stokken in één hand.
In den vergangenen Jahrzehnten haben sich die technischen Möglichkeiten und Spielweisen des Vibraphonsentscheidend verändert. Au�erdem wurde, gerade für fortgeschrittene Vibraphonisten, interessante Musik geschrieben, in der unterschiedliche Techniken verarbeitet wurde. Für Anfänger, die nur über Grundfertigkeiten verfügen, ist bisher aber wenig geeignetes Studienmaterial vorhanden. Die 20 Etüden in diesem Buch sind für diese Zielgruppe geschrieben und schlie�en somit die vorhandene Lücke. In die 20 Etüden wurden wichtige Techniken, wie z.B. der Pedalgebrauch, Schlägeldämpfen, unabhängiges Spiel von rechter und linker Hand und Wechsel von Akkord- und Melodiespieleingearbeitet. Endlich ein Buch mit richtigen Spielstücken für flei�ige Vibraphonschüler.
Durant ces dernières décennies, de nombreux changements sont apparus dans les différentes techniques et méthodes dâ??interprétation du vibraphone. Parallèlement, une musique de plus en plus moderne et intéressante utilisant des techniques variées, a été offerte au vibraphoniste chevronné. Comparativement, il ne fut pas fait grand chose pour le musicien débutant et câ??est ce dernier que sont destinées les 20 études contenues dans ce fascicule.Il contient les techniques suivantes :a. utilisation de la pédaleb. mise en sourdine de la baguettec. utilisation en alternance des mains : gauche et droited. passage dâ??un accord une mélodie (utilisation de deux baguettes)e. utilisation desdeux baguettes avec une seule main. $20.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Xtreme Drums Drums [Sheet music] Music Sales
Composed by Mark Walker. Music Sales America. Instruction. Book Only. 80 pages. ...(+)
Composed by Mark Walker. Music Sales America. Instruction. Book Only. 80 pages. Music Sales #SMT1155. Published by Music Sales
$11.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Tumbao Talk [Score and Parts] Row-Loff Publications
By Julie Davila. Concert Ensemble. For (1) Conga or Hand Drum per player, (1) se...(+)
By Julie Davila. Concert Ensemble. For (1) Conga or Hand Drum per player, (1) set of Blasticks or wooden dowel sticks per player. Duration 3:12. Published by Row-Loff Publications. Level: 3.
$20.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Shakin' It Up! Musical course - Solfege [Sheet music + CD] Alfred Publishing
By Sally K. Albrecht, Jay Althouse. General Music and Classroom Publications. Bo...(+)
By Sally K. Albrecht, Jay Althouse. General Music and Classroom Publications. Book and CD. 60 pages. Published by Alfred Publishing.
$54.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Comic Relief Percussion [Score and Parts] Row-Loff Publications
By Chris Crockarell. Concert Ensemble. For (2) pair of thin sticks, (2) pair of ...(+)
By Chris Crockarell. Concert Ensemble. For (2) pair of thin sticks, (2) pair of thick sticks, Snare Drum, Splash or Small Cymbal. Level: 3. Duration 2:50. Published by Row-Loff Publications.
$30.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| First Gymnopedie Vibraphone and Marimba Imagine Music
Composed by Erik Satie (1866-1925). Arranged by Jeff Gorbski. Score and Parts...(+)
Composed by Erik Satie
(1866-1925). Arranged by
Jeff Gorbski. Score and
Parts. Imagine Music
Publishing #PES183.
Published by Imagine Music
Publishing
$8.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Alter Ego Snare drums [Sheet music + CD-ROM] Tapspace Publications
(for solo snare drum with audio soundscape). Composed by Pat Jacobs. For Snare D...(+)
(for solo snare drum with audio soundscape). Composed by Pat Jacobs. For Snare Drum Solo with Audio. Percussion Solos. Advanced. Solo part and CD-ROM. 12 pages. Duration 8 minutes, 20 seconds. Published by Tapspace Publications
$24.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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