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Michael Nyman: String Quartet No.3: String Orchestra: Score
String Quartet: 2 violins, viola, cello
[Sheet music]
-
Intermediate/advanced
Chester
The composer made this arrangement of the Third String Quartet for string orches...
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The composer made this arrangement of the Third String Quartet for string orchestra in March 2003. The first performance was given by the Eos Orchestra New York conducted by Ken Selden in the Concert Hall Ethical CulturalSociety New York City on 24 April 2003.Quoting composer: In the summer of 1989 I composed a choral work Out of the Ruins for Agnieszka Piotrowska’s BBC2 documentary which dealt with the physical and emotional responsesof some of the inhabitants of Leninakhan to the earthquake which devastated Armenia the previous December. When he heard the recording of the work that I made with the Holy Echmiadzin Chorus under the fervent conducting of KhorenMeykhanejian Alex Balanescu suggested turning Out of the Ruins into a string quartet. There seemed no reason or opportunity to do this until I felt the need to add to the intensity of my experiences in Armenia the no lessprofound experience of witnessing the images of the Romanian revolution on television during the latter part of December 1989.Just as the structure of my Third String Quartet (1990) may connect it with the First so they alsoshare a debt to Thurston Dart (my professor at King’s College London between 1961 and 1965). It was Dart who had the inspiration to send me to Romania in 1965 ostensibly to study folk music. The volumes of transcriptions that Ibrought back with me had remained unopened until with this proposed ‘celebratory’ string quartet (though at the time it was difficult to know quite what to celebrate in postrevolutionary Romania) an occasion arose where I coulduse this material in what seemed to me was a non-exploitative manner. The compositional procedure was as follows: to take Out of the Ruins as a template on which the Romanian vocal or instrumental music would besuperimposed quite often stretched into new intervallic shapes through the demands of the completely pre-formed harmonic structure.
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Peter Maxwell Davies: A Sad Paven For These Distracted Tymes (Parts): String
String Quartet: 2 violins, viola, cello
[Sheet music]
Chester
This work was a test piece for the International string Quartet competition in 2...
(+)
This work was a test piece for the International string Quartet competition in 2005 Premio Paulo Borciani It was inspired by a keyboard piece of the same name A Sad Paven for these Distracted Tymes by Thomas Tomkins(1572-1656). Tomkins had a long association with Worcester Cathedral where he was organist - appointed magister choristarum in 1596 - and lived within the precincts until shortly before his death. At the same time he wasorganist of the Chapel Royal. When the city of Worcester surrendered to Cromwell's parliamentary forces in 1646 Tomkins had to watch the hasty dismantling of his cathedral organ and the abolition of all choral services. Thesewere the 'distracted tymes' of the 'sad paven' which he wrote in enforced retirement at Worcester.
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Peter Maxwell Davies: A Sad Paven For These Distracted Tymes: String Quartet:
String Quartet: 2 violins, viola, cello
[Sheet music]
Chester
This work was a test piece for the International string Quartet competition in 2...
(+)
This work was a test piece for the International string Quartet competition in 2005 Premio Paulo Borciani It was inspired by a keyboard piece of the same name A Sad Paven for these Distracted Tymes by Thomas Tomkins(1572-1656). Tomkins had a long association with Worcester Cathedral where he was organist - appointed magister choristarum in 1596 - and lived within the precincts until shortly before his death. At the same time he wasorganist of the Chapel Royal. When the city of Worcester surrendered to Cromwell's parliamentary forces in 1646 Tomkins had to watch the hasty dismantling of his cathedral organ and the abolition of all choral services. Thesewere the 'distracted tymes' of the 'sad paven' which he wrote in enforced retirement at Worcester.
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Bent Sørensen: Angels' Music String Quartet No.3: String Quartet: Study Score
String Quartet: 2 violins, viola, cello
[Sheet music]
-
Intermediate/advanced
Wilhelm Hansen
The full score for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988...
(+)
The full score for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988) Premiered by the Arditti String Quartet at the Danish Radio Concert Hall 16 November 1988. Parts available: KP00249The composer writes:'Even when I was writing 'Adieu' I knew that I wished to write 'Angel’s Music'. The title existed in an incomplete form in my mind and gradually more and more ideas and a few outlines became clear. The actual work on 'Angel’s Music' was started in Rome where I spent the autumn of 1987 staying at 'The Danish Academy'. Whether this stay has influenced the quartet or not is impossible to say. however it is true tosay that in the Roman churches I visited I saw countless angels playing in the top of frescoes and altars. Without these angels together with the many crackled-gold paintings in this city and my general fascination with the Italian renaissance painter Fra Angelico (in fact there are only a few paintings by him in Rome but even his name..!) I am not sure my quartet would have been what it is. Anyway I do feel that there is a bit of Italy in the piece. The angels apart there are in the short rhythmic agitating part of the quartet reminiscences of the Italian medieval Trotto dance and in the most expressive part of the piece there are flashes of Puccini-like music. From the very beginning of my work on the quartet the distant extremely muted sound in the high register which opens the piece was on my mind. A sound satiated with a dense heterophonic and polyphonic texture of elegiac melody and vibrating trills. I imagined that 'little songs' (maybe angel songs) could be created in this density these songs constantly echoing themselves. Gradually as this sound got a more and more concrete musical and instrumental form I felt that not only should the 'little songs' be created played and die out in an echo but also that the general pattern of the quartet should give the feeling of music which from the distance is getting closer and
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Nine-channeled Pearl for piano quintet (HYNNINEN MAIJA)
Quintette avec Piano
Fennica Gehrman
Par HYNNINEN MAIJA. Maija Hynninen's piano quintet Nine-channeled Pearl flows ef...
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Par HYNNINEN MAIJA. Maija Hynninen's piano quintet Nine-channeled Pearl flows effortlessly. Beginning with rhythmical gamelan-inspired movement it continues through twirling scales that lead to the heart of the piece – a sonorous bell-like harmonic on the piano. From this calm center the music continues floating in a dream-like world ending with a chorale played by the strings. Duration: 10' This product includes the score (=piano part) and the string parts. Composer Maija Hynninen (b. 1977) is working in the areas of concert music, electronic instrument design and multidisciplinary performances. The essence of her music builds on the unique moments where the parameters of this world are slightly altered to allow a glimpse of another reality to be present. It can be a moment where the timbre of purely acoustical writing gives surprising results or when electronics project sounds into another domain, another space and reality. / Date parution : 2023-06-01/ Répertoire / Quintette avec Piano
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101 Peaceful Melodies
Cello
[Sheet music]
Hal Leonard
for Cello. Par . Les musiciens apprécieront cette fabuleuse collection de 101 c...
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for Cello. Par . Les musiciens apprécieront cette fabuleuse collection de 101 chansons classiques apaisantes : Ave Maria, Op. 52, No. 6 - Bridge over Troubled Water - Come Away with Me - Desperado - Edelweiss - Faithfully - In Your Eyes - Misty - Nobody Does It Better - Yesterday - et plus encore. / Date parution : 2022-05-31/ Recueil / Violoncelle
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Audrey Akerman: Tricks to Tunes Book 1 Cello: Cello: Instrumental Tutor
Cello
Flying Strings
The Tricks To Tunes series is designed for teaching mixed string instruments in ...
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The Tricks To Tunes series is designed for teaching mixed string instruments in groups. It is a systematic program developed over many years from many years experience teaching strings in schools. The tutors are aimed at the primary and lower secondary school age group but are also suitable for older beginners.The children learn ‘tricks’ for their fingers or bows which are fun when done in a group. Reading skills are developed at the same time.Each page represents a small step in musical and technical development based on reading music from the very first lessons. Theory homework is included at the end of most sections providing the complete theoryrequired as children progress.The tutors for each instrument are identical in content except where differences are required to accommodate the different instruments.Books 1 and 2 of the series are each intended to cover one year of group tuition based on a school year of 40 weeks. Book 3 provides material for two years. Progress will vary according to the age of the children the size of the group and the extent of their previous musical experience.Additional repertoire at the end of the books provides: extension work for pupils who reach the end of the book before the rest of the group additional work for those who want it and end of year concert pieces. These brilliant tutors make playing music fun as it should be!
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Audrey Akerman: Tricks to Tunes Book 2 Cello: Cello: Instrumental Tutor
Cello
Flying Strings
The Tricks To Tunes series is designed for teaching mixed string instruments in ...
(+)
The Tricks To Tunes series is designed for teaching mixed string instruments in groups. It is a systematic program developed over many years from many years experience teaching strings in schools. The tutors are aimed at the primary and lower secondary school age group but are also suitable for older beginners.The children learn ‘tricks’ for their fingers or bows which are fun when done in a group. Reading skills are developed at the same time.Each page represents a small step in musical and technical development based on reading music from the very first lessons. Theory homework is included at the end of most sections providing the complete theoryrequired as children progress.The tutors for each instrument are identical in content except where differences are required to accommodate the different instruments.Books 1 and 2 of the series are each intended to cover one year of group tuition based on a school year of 40 weeks. Book 3 provides material for two years. Progress will vary according to the age of the children the size of the group and the extent of their previous musical experience.Additional repertoire at the end of the books provides: extension work for pupils who reach the end of the book before the rest of the group additional work for those who want it and end of year concert pieces. These brilliant tutors make playing music fun as it should be!
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Rodgers And Hart The Best Of - Piano-Vcl (RODGERS RICHARD / HART L)
Cello, Piano
[Sheet music]
Hal Leonard
Par RODGERS RICHARD / HART L.. 27 de leur mieux, y compris : ensorcelé, tomber ...
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Par RODGERS RICHARD / HART L.. 27 de leur mieux, y compris : ensorcelé, tomber en amour avec amour, n'est-il pas romantique?, la Dame est un clochard, My Funny Valentine et plus encore ! / Date parution : 2005-06-27/ Recueil / Violoncelle et Piano
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Resolutio Op. 74 (AMANTI LUCIO)
String Quartet: 2 violins, viola, cello
[Score and Parts]
-
Advanced
Schott
Impressions On Beethoven's Harp Quartet. Par AMANTI LUCIO. When Cuarteto Casals ...
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Impressions On Beethoven's Harp Quartet. Par AMANTI LUCIO. When Cuarteto Casals approached me with the idea of illuminating Beethoven´s quartets anew, you can imagine the many thoughts and feelings that where going through my mind: what a joy, what a great honor… What an intriguing head-scratcher! How can you possibly shine a new light on something that is already perfect? Weeks, months went by in search of a common ground between the Master and myself until I finally found it in the realization that a word lays “hidden” in the St. John’s hymn that gave musical notes their original name: ‘Re, Sol, Ut, Io’ (D, G, C, B in English music notation) Perfect! “Resolutio” in Latin means both the resolution of a problem and the re-solution: a re-blend of many elements that will eventually coagulate to make something new. There was finally the melodic and a rhythmical canvas for my piece. On this canvas I wrote the story of a funny little contest, played on a sunny Mediterranean square, between street musicians and Cuarteto Casals just minutes before they are about to go on stage to perform Beethoven´s “Harp Quartet”. After all the characters, each in his own way, had the chance to tell their story, a gentle rain starts to fall, dissolving (Re-solving) again the music sheet to eventually leave us with just a white piece of paper for somebody else to continue the Work. (Lucio Franco Amanti) / Niveau : Avancé / Répertoire / 2 Violons, Alto et Violoncelle
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Ernest Bloch: String Quartet No. 3: String Quartet: Instrumental Work
String Quartet: 2 violins, viola, cello
Schirmer
Score and Parts-Bloch was 73 years old when the String Quartet No. 3 was premier...
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Score and Parts-Bloch was 73 years old when the String Quartet No. 3 was premiered in 1953 by the Griller Quartet. It is far more 'pared-down' than his earlier works and avoids the influence of Jewish music which he was well-known for in workssuch as 'Schelomo' and the 'Suite Hebraique for viola'. The first movement is forceful; trills and stark rhythms predominate whereas the second is more tranquil. Next there is is a strange kind of off-kilter scherzo followed by a finale based on a 12-tone theme. This is the Schirmer edition and contains the Score and Parts.
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Ernest Bloch: String Quartet No. 3: String Quartet: Score
String Quartet: 2 violins, viola, cello
Schirmer
Study Score No. 63-Bloch was 73 years old when the String Quartet No. 3 was prem...
(+)
Study Score No. 63-Bloch was 73 years old when the String Quartet No. 3 was premiered in 1953 by the Griller Quartet. It is far more 'pared-down' than his earlier works and avoids the influence of Jewish music which he was well-known for in works such as 'Schelomo' and the 'Suite Hebraique for viola'. The first movement is forceful; trills and stark rhythms predominate whereas the second is more tranquil. Next there is is a strange kind of off-kilter scherzo followed by a finale based on a 12-tone theme. This is the Schirmer edition of the Score.
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Bent Sørensen: String Quartet No.3 'Angel's Music': String Quartet: Instrumental
String Quartet: 2 violins, viola, cello
Wilhelm Hansen
Parts for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988) Premier...
(+)
Parts for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988) Premiered by the Arditti String Quartet at the Danish Radio Concert Hall 16 November 1988. Score available: KP00250The composer writes:'Even when I was writing 'Adieu' I knew that I wished to write 'Angel’s Music'. The title existed in an incomplete form in my mind and gradually more and more ideas and a few outlines became clear. The actual work on 'Angel’s Music' was started in Rome where I spent the autumn of 1987 staying at 'The Danish Academy'. Whether this stay has influenced the quartet or not is impossible to say. however it is true to say that inthe Roman churches I visited I saw countless angels playing in the top of frescoes and altars. Without these angels together with the many crackled-gold paintings in this city and my general fascination with the Italian renaissance painter Fra Angelico (in fact there are only a few paintings by him in Rome but even his name..!) I am not sure my quartet would have been what it is. Anyway I do feel that there is a bit of Italy in the piece. The angels apart there are in the short rhythmic agitating part of the quartet reminiscences of the Italian medieval Trotto dance and in the most expressive part of the piece there are flashes of Puccini-like music. From the very beginning of my work on the quartet the distant extremely muted sound in the high register which opens the piece was on my mind. A sound satiated with a dense heterophonic and polyphonic texture of elegiac melody and vibrating trills. I imagined that 'little songs' (maybe angel songs) could be created in this density these songs constantly echoing themselves. Gradually as this sound got a more and more concrete musical and instrumental form I felt that not only should the 'little songs' be created played and die out in an echo but also that the general pattern of the quartet should give the feeling of music which from the distance is getting closer and closer
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Kaija Saariaho: Neiges For Eight Cellos: Cello Ensemble: Score
Cello Ensemble
[Sheet music]
-
Intermediate/advanced
Chester
Composer's Note When I considered the ensemble of eight cellos I first thought ...
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Composer's Note When I considered the ensemble of eight cellos I first thought of matt and dark textures. I also wanted to go back to some ideas on symmetry. While I was pondering all that I saw snow flakes fallingfrom the dark sky of the Finnish autumn. Focusing on the snow the idea of writing variations on it and its various forms became clearer in my mind.Nuages de neige is a uniform and linear texture in which I realise my firstimpressions of that ensemble. The two Etoiles de neige are based on the idea of symmetry and repetition: the first one develops up to a certain point where it doubles back as in a mirror image the second one consists of eightsections in which the harmonic structure is repeated as well as a linear gesture that becomes ever more present. Aguilles de glace focuses on different pizzicati and superimposed ostinati. With Fleurs de neige I sought to recallthe texture of those harmonic trills at the end of the first section although more airy and diversified here. Kaija Saariaho
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Christopher Tambling: Tunes You Know Cello - Book 1: Cello: Instrumental Album
Cello
Kevin Mayhew
These fifteen well-known pieces have been imaginatively arranged by the ever-pop...
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These fifteen well-known pieces have been imaginatively arranged by the ever-popular Chris Tambling for cellists of grade 1 to 2 standard with Piano accompaniment.Christopher Tambling (b.1964) studiedthe Organ with Malcolm McKelvey at Christ's Hospital Horsham Sussex. He went on to gain Organ scholarships to Cantebury Cathedral and St Peter's College Oxford where he studied with Geoffrey Webber and David Sanger and wasOrganist of Pusey House. He started his teaching career at Sedbergh School in Cumbria where he was Organist from 1986 to 1989: he then became Director of Music at Glenalmond College near Perth in Scotland also taking on rolesof Perth City Organist and Conductor of Perth City Orchestra.Tunes You Know Book 1 (Cello) includes Amazing grace Ave Maria Can Can from 'Orpheus in Underworld' Cocklesand Mussels Early One Morning Hallelu! Hornpipe form 'Water Music' Jupiter from 'The Planets' Largo from 'New World' Symphony Marche Militaire Waly Waly Prelude form 'Te Deum' Spring from 'The Four Seasons' The Entertainer and When the Saints Go Marching In.
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101 Most Beautiful Songs: Cello Solo: Instrumental Collection
Cello
Hal Leonard
Instrumentalists will love this jam-packed collection of 101 timeless pop hits a...
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Instrumentalists will love this jam-packed collection of 101 timeless pop hits and favorite standards: The Boxer · City of Stars · Daughters · Every Breath You Take · Gabriel's Oboe · Have I Told You Lately · Just Give Me a Reason · Love Me Tender · Michelle · Never Enough · Perfect · River Flows in You · She's Always a Woman · Strangers in the Night · Three Times a Lady · What a Wonderful World · Your Song · and more.
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Where Have All The Flowers Gone? (SEEGER PETER / SEEGER PETER)
Flûte Traversière, Hautbois, Violon, Windchimes, C
[Sheet music]
Boosey and Hawkes
Arrangeur: Mark Sirett. Par SEEGER PETER / SEEGER PETER. Pete Seeger's classic f...
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Arrangeur: Mark Sirett. Par SEEGER PETER / SEEGER PETER. Pete Seeger's classic folksong is as moving and relevant today as when it was first written in 1955. This lyrical arrangement adds layers of voicing while retaining the song's original beauty and clarity./ Répertoire / Flûte Traversière, Hautbois, Violon, Windchimes, C
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Pop Hits : Instrumental Soloists + Cd - Cello Solo
Cello
[Sheet music + CD]
Alfred Publishing
The arrangements are completely compatible with each other and can be played tog...
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The arrangements are completely compatible with each other and can be played together or as solos. Each book contains a carefully edited part that is appropriate for the Level 2-3 player. The arrangements in the string instrument books, however, are not compatible with those in the wind instrument books due to level considerations regarding keys and instrument ranges. Titles are: Breakaway * Bridge Over Troubled Water * Everything Burns * Inside Your Heaven * The Notebook (Main Title) * The Prayer * To Where You Are * Untitled (How Can This Happen to Me?) * When You Say You Love Me * When You Tell Me That You Love Me * You Raise Me Up.
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