Hoffmeister Quartet and Prussian Quartets-Over the next few years all 26 of Wolfgang Amadeus Mozart?s String Quartets will be published by Henle in an Urtext Edition of both score and parts. All previous editions have left much to be desired for example asconcerns the correct placement of dynamic markings.Henle?s edition made with the artistic collaboration of the Armida Quartet draws upon the large body of modern knowledge concerning Mozart philology andperformance practice. We begin with what are chronologically speaking the final four quartets: the so-called ?Hoffmeister? Quartet K. 499 and the three ?Prussian? Quartets K. 575 589 and 590.It is possible that the impulse behind the composition of these last three works was the Prussian King Friedrich Wilhelm II who was an excellent cellist. Modern cellists will find many beautiful melodies to enjoy in thesequartets.

Hoffmeister Quartet and Prussian Quartets-Over the next few years all 26 of Wolfgang Amadeus Mozart's String Quartets will be published by Henle in an Urtext Edition of both score and parts. All previous editions have left much to be desired for example asconcerns the correct placement of dynamic markings.Henle's edition made with the artistic collaboration of the Armida Quartet draws upon the large body of modern knowledge concerning Mozart philology andperformance practice. We begin with what are chronologically speaking the final four quartets: the so-called 'Hoffmeister' Quartet K. 499 and the three 'Prussian' Quartets K. 575 589 and590.

Voici une des nombreuses partitions de Wolfgang Amadeus Mozart. Ce génie, mort à l'âge de 35 ans, a révolutionné la musique classique. Vous retrouverez à travers la partition Sonate B-dur nach KV 292(196 c) für Violoncello (Fagott) und Klavier oder für zwei Baßinstrumente (Celli, Fagotte) tout le talent de Mozart. Cette partition a été composée pour Violoncelle (Ou Basson), Piano Ou 2 Bass-Instruments. C'est l'éditeur Bärenreiter qui a publiée cette oeuvre. / Violoncelle (Ou Basson), Piano Ou 2 Bass-Instruments / Partition

Par MOZART WOLFGANG AMADEUS. / Répertoire / Flûte Traversière ou Hautbois ou Violon), Violon e

Par MOZART WOLFGANG AMADEUS. / Répertoire / Hautbois, Violon, Alto et Violoncelle

Par MOZART WOLFGANG AMADEUS. / Répertoire / Clarinette, 2 Violons, Alto et Violoncelle

Par MOZART WOLFGANG AMADEUS. / Répertoire / 2 Violons, 2 Altos, Violoncelle et Contrebasse Ad

Par MOZART WOLFGANG AMADEUS. / Répertoire / Quintette à Cordes ou Orchestre à Cordes)

Le mouvement final de la Sonate en un 331 majeure de KV de Wolfgang Amadeus Mozart, le Rondo Alla Turca, est l'une des pièces pour piano plus célèbres de tous les temps. Une fois seulement familier aux experts musicaux, plus tard, un universal piece pour tous les élèves de piano, ses melod d'ouverture / 6 Violoncelles (Ou Sextuor A Cordes)

Three arrangements including Ave Verum Corpus and the Lacrimosa from the Requiem.During the year 1771 when Mozart was 15 years old he and his father Leopold were touring Italy which was at that time the most formidable citadel of the music world. In the following four years the young Mozart was received at the homes and villas of Italy's aristocracy. He met the most famous musicians of the time including Niccolo Piccinni operatic rival to Gluck and Padre Martini from whom he was to benefit from studies in counterpoint. He also met many noted male soprano singers and for one the celebrated Venanzio Rauzzini he wrote in 1773 the motet Exsultate Jubilate from whichcomes the well known Alleluia.At the end of his life only 19 years later in Vienna 1791 Mozart was very ill and working on a number of massive works such as the operas The Magic Flute and Titus also the Requiem. Titus was completed in 18 nerve-shattering days as it had to be performed in Prague in September 1791. At its premiere it was a complete flop. This affected the now overworked almost penniless composer's spirit and he returned to Vienna suffering from mental and physical exhaustion. Rest was denied him. The Magic Flute had to be finished for its premier on September 30th 1791. The task of the Requiem still faced him. In this weakened state Mozart thought that he was in fact writing his own requiem reading evil omens into the commissioning of the work. He thought someone had calculated the precise time of his death and was thus troubled with sombre thoughts. He completed the first two of the twelve parts. The next six parts were in an unfinished state and his manuscript ceased at the Lacrimosa. Süssmayer who was working closely with Mozart at the time was given the task of finishing the Requiem.Ave Verum Corpus is also one of his final works. It is a setting of an anonymous hymn written as a motet for Anton Stoll the choirmaster at Baden in June 1791.Mozart was a composer of great genius who

After Volumes IV and III of the series with Mozartâ??s complete string quartets appeared as Henle Urtext editions in early 2017 and 2019 respectively Mozart expert Wolf-Dieter Seiffert now presents Volume II â?? in full score and individual parts. Included are the â??Early Viennese Quartetsâ? from 1773 K. 168â??173. Entries in the autograph manuscript by the composerâ??s father Leopold however suggest that the ordering of the six works into a unified series of quartets was his doing. In his preface Wolf-Dieter Seiffert shares brand-new findings on the actual chronology of the genesis of these quartets. Moreover he succeeds in correcting what in prior editions were occasionalinaccuracies in dynamics and articulation thereby producing a new assured musical text. With artistic input from the Armida Quartet Volume II of the String Quartets also sets the benchmark in the Mozart Edition! After Volumes IV and III of the series with Mozartâ??s complete string quartets appeared as Henle Urtext editions in early 2017 and 2019 respectively Mozart expert Wolf-Dieter Seiffert now presents Volume II â?? in full score and individual parts. Included are the â??Early Viennese Quartetsâ? from 1773 K. 168â??173. Entries in the autograph manuscript by the composerâ??s father Leopold however suggest that the ordering of the six works into a unified series of quartets was his doing. In his preface Wolf-Dieter Seiffert shares brand-new findings on the actual chronology of the genesis of these quartets. Moreover he succeeds in correcting what in prior editions were occasionalinaccuracies in dynamics and articulation thereby producing a new assured musical text. With artistic input from the Armida Quartet Volume II of the String Quartets also sets the benchmark in the Mozart Edition!

'Mr. Mozart Kapellmeister wishes to announce to the most worthy public the appearance in print of three of his recently contrived Piano concertos. These three concertos may be performed not only with a large Orchestra including wind instruments but also a quattro that is with two Violins one Viola and Violoncello. They will be issued early in April of this year (1783).'As this advertisement shows it was Mozart's intention to keep the accompaniment part flexible in his Piano concertos K.413-5 and as we know from a letter Mozart wrote to his father in K.449 as well. In addition to orchestral forces it is also possible to use achamber setting with string instruments one to a part. This chamber music edition accommodates this option thereby enriching Mozart's charming chamber music with Piano.These editions of Mozart's Piano Concertos are based on the Urtext editions published in the New Mozart Edition. In the present arrangement for two Pianos the solo part - as well as the strings - are unchanged and thus identical with the version in the NMA. The Piano arrangement adheres to the original orchestral score.Chamber music editions available for:Piano Concerto No.11 in F major K.413 BA4875Piano Concerto No.12 in A major K.414 BA4877Piano Concerto No.13 in C major K.415 BA4879Piano Concerto No.14 in E-flat major K.449 BA4871

La présente édition Urtext due à Henrik Wiese maître-flûtiste munichois et expert de Mozart est enrichie par un passionnant avant-propos et un apparat critique exhaustif. On y lit par exemple quelques particularités dans la réception des quatre quatuors pour flûtes de Mozart: l?un des quatuors est très vraisemblablement un faux et n?est donc pas de Mozart (Ut majeur Anh. 171 [K. 285b]) un autre n?a que deux mouvements et de plus de réception bizarre ce qui légitime pour le moins quelques soupçons quant à l?authenticité de la version connue (Sol majeur K. 285a) un troisième certes un authentique quatuor pour flûtes de Mozart a été jusqu?à présent fort mal daté àla suite du catalogue Köchel (La majeur K. 298 année de composition 1786 ? et non 1778 !). Seul le premier quatuor pour flûtes en Ré majeur (K. 285) est lié avec certitude au séjour de Mozart à Mannheim en 1777. C?est là comme on le sait qu?il s?est immortellement épris d?Aloysia Weber la s?ur aînée de Constanze qu?il épousa bien plus tard. L?acquisition de cette magistrale édition s?impose ? ne serait-ce que pour cette ?uvre.