A second book of easy pieces for cello. Par BLACKWELL KATHY / DAVID. Pièces en utilisant un doigt deuxième Pièces à l'aide avant et en arrière des extensions Une gamme de styles allant du folk au jazz Semi-croches, noires en pointillé, et 6 / 8 temps Duos avec des pièces de difficulté égale Gammes et arpèges des clés dans le livre, plus G Major 2 octaves Une musique Fact-Finder page à contribuer à expliquer les mots et les signes CD avec des spectacles de toutes les pièces pour jouer sur ses Accompagnements au piano simples disponibles. Kathy Blackwell et David Blackwell Kathy Blackwell est un professeur expérimenté chaîne itinérant, qui enseigne actuellement en privé après plusieurs années de travail pour l'Oxfordshire County Council. Elle a un intérêt particulier dans l'enseignement du violon et l'alto à de jeunes enfants, à la fois individuellement et en groupes. Sa détermination à trouver les meilleurs morceaux - bien écrit et accessible, mélodieux et accrocheur - conduit directement à la création du violon / alto / violoncelle séries chronologiques. David Blackwell a étudié la musique à l'Université d'Edimbourg, depuis quand il a poursuivi une carrière dans l'édition musicale, d'abord à ABRSM, où il devient directeur de la rédaction, puis à Oxford University Press, où il est maintenant chef de l'édition de musique. Il est co-éditeur de OUP In the Mood: 17 Jazz Classics pour les Chorales et chants de chorales d'5, et a publié un certain nombre de dispositions simples chorale. Il est co-auteur avec son épouse primés de la série OUP cordes, violon / alto / violoncelle Temps, qui ont remporté deux fois le prix MIA pour la meilleure publication pour l'éducation Kathy. / Niveau : Débutant / Recueil / Violoncelle

Brentwood-Benson Music Publications presents Vol. 4 in its Instrumental Worship Series with I Could Sing of Your Love Forever: 12 instrumental duets for piano and cello. These tasteful, worship-centric arrangements by Christopher Phillips, Music Director at Christ Church Nashville, are perfect for offertories, postludes, or as intimate, stand-alone performances. With a focus on flexibility, these inspiring arrangements also offer the solo instrumental part transposed to include C instruments (Violin/Flute/etc.) and Bb instruments (Trumpet/Clarinet/etc.).As an added bonus, this folio comes with a complete demonstration listening CD which can be used both as a reference recording for your rehearsals or simply for your own listening pleasure and quiet times of reflection and worship.Further enhancing the value and usability of this featured publication, a CD Piano Accompaniment Track is available as a separate purchase. This enables the solo instrumentalist to perform these arrangements without the need of live piano accompaniment. / Violoncelle Et Piano

Par . This book presents the most widely played fiddle tunes in easy-to-read arrangements for cello. The cello edition features the same tunes in the same keys as the author?s original The Fiddlin? Workshop and The Fiddlin' Workshop for Viola, so the instruments could conceivably jam together. Includes helpful hints for fingerings and bowing as well as a bit of fiddlin? history and related folklore. Designed for beginning through intermediate players, the arrangements are progressively arranged with suggested guitar accompaniment chords. Includes access to an excellent online audio recording of all tunes and variations. / Date parution : 2022-02-03/ Recueil / Violoncelle

A practical and resourceful first tutor with a wide selection of well-known tunes, familiar to even the youngest beginner. Accompaniments for the early pieces are included. Forces or Category : Tutor Difficulty : Very easy 48 pages 04 January 1990 Margaret Martindale and Robert Cracknell Debbie Cracknell studied guitar and piano at Trinity College of Music in London. After graduating with licentiate diplomas in both instruments, she has been teaching as a peripatetic guitar teacher for Buckinghamshire County Council for many years. Her very successful series, Enjoy Playing Guitar, has been followed by many solo and ensemble works aimed mainly at beginners and those in the early grades.

Par DUNCAN CRAIG. Introduit l'étudiant aux notes de position de la première base sur toutes les quatre chaînes, renforce et l'indépendance des doigts gauche et offre une multitude de matériel d'étude original à renforcer la main gauche, à améliorer la vision de lecture et plus encore. / Niveau : Débutant / All Styles - Technic / Etude / Violoncelle

Richard Reed Parry's Quartet For Heart And Breath is an innovative and original piece based on the performers' own bodily rhythms. This sheet music is for String Quartet (Violin/Violin/Viola/Cello).Richard Reed Parry is familiar to millions as the lead singer of rock band Arcade Fire, yet his foray into classical music is equally worthy of attention. Quartet For Heart And Breath is an experiment into using the performers' heartbeats and breathing to dictate the tempo. The performers are instructed to wear stethoscopes in order to listen to their heartbeats closely, while one complete breath corresponds to one bar and two heartbeats equal two crotchets.The result is a quiet and subtle piece, as each instrument has to play softly so as to be able to keep in time. The piece also has a naturally occurring dynamism in that the players' heart rates constantly change as the performance goes on, with each instrument falling in and out of sync sometimes culminating in a beautiful moment of all heartbeats matching each other. Interestingly, this unique aspect means that no performance will ever be the same, meaning to hear or play this composition will be a truly once in a lifetime experience.Quartet For Heart And Breath is a superbly one-of-a-kind composition by Richard Reed Parry. Commissioned by the Kronos Quartet, this piece makes for a wonderfully distinctive performance, with fascinating implications for the connection between the music and the body. / Quatuor A Cordes

Brahms completed his Cello Sonata op. 99 during the productive summer of 1886. The first public performance took place in Vienna on 24 November of the same year. Robert Hausmann played the cello part and the composer himself was his partner at the piano. Even though the work was generally received positively, it took some years until it was fully appreciated and gained its irrevocable place in the cello repertoire.Of particular value to the editors were the two early performance editions of the Cello Sonata op. 99 by Hugo Becker and Carl Friedberg, as well as by Julius Klengel. Both cellists, Becker and Klengel, had a connection to Brahms who very much admired and trusted Becker's playing and who performed together with Klengel. This edition not only incorporates Becker's and Klengel's performance markings but also Hausmann's for whom the piece was written. As such, the Barenreiter edition comes with a cello part marked with fingering and bowing by the editors which are based on the practices of Brahms' contemporaries. We also provide an unmarked Urtext part.An important part of this edition is the extensive Preface. Firstly it informs about the work's origin, early performances, its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way, the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato. In this way, the edition offers an exciting and often surprising insight into Romantic musical interpretation.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend the text booklet: 'Performance Practices in Johannes Brahms' Chamber Music?, BA 9600 / Violoncelle Et Piano

This book is part of a String series arranged for Violin, Viola, and Cello. The arrangements are completely compatible with each other and can be played together or as solos. Each book features a specially designed piano accompaniment that can be easily played by a teacher or intermediate piano student, and a carefully crafted removable part, complete with bowings, articulations, and keys well suited for the Level 2-3 player. A fully orchestrated accompaniment CD is also provided. Each song on the CD includes a DEMO track, which features a live string performance, followed by the PLAY-ALONG track by itself. / Violoncelle Et Piano

Easy Instrumental Duets. 22 showstoppers in easy duet arrangements for two instrumentalists are featured in this collection, including: Any Dream Will Do - Bring Him Home - Cabaret - Edelweiss - For Forever - Hello, Dolly! - I Believe - Memory - One - Popular - Seasons of Love - Seventy Six Trombones - Tomorrow - Where Is Love? - You've Got a Friend - and more. Arrangements work for two cellos or can be used with the other string titles from this series. 22 showstoppers in easy duet arrangements for two instrumentalists are featured in this collection. Arrangements work for two Cellos or can be used with the other woodwind titles from this series. / TV, Film, Comédie musicale / Recueil / 2 Violoncelles

La musique de Aaron Copland est typiquement et évidente américaine. Les efforts inlassables de Copland pour s'assurer que ses oeuvres parlerait pour le citoyen moyen, aussi bien quant à ses collègues artistes fait de lui une des plus honorés culturel figures dans l'histoire des Etats-Unis. Parmi les innombrables prix adn honneurs, Copland a reçu le prix Pulitzer et la médaille présidentielle de la liberté. Cette passionnante série d'arrangements offre solistes la possibilité de profiter de certaines des réalisations musicales dans l'établissement d'un idiome typiquement américain d'avant-garde de Copland. / Violoncelle Et Piano

Par DUNCAN CRAIG. Celtic Gems for Cello contains 68 of the most played and loved melodies from the Celtic tradition including 25 reels, 31 jigs, 8 slip jigs and 4 Irish hornpipes. Tunes of similar style are grouped with melodies that work well in sets, or medleys. Stylistic bowing and ornament ideas as well as suggested chord changes are included to give options in interpreting the tunes. / Date parution : 2022-06-08/ Recueil / Violoncelle

Edited From The Sources And Realization Of The Figured Bass By Bernhard Moosbauer. Provided With Notes On Interpretation By Gerhardt Darmstadt.. Par VIVALDI ANTONIO. Les neuf sonates pour violoncelle et basse continue, par Antonio Vivaldi sont parmi les plus célèbres oeuvres violoncelles de l'époque Baroque. Grâce à leurs exigences techniques modérées, les pièces sont partie intégrante des leçons de musique ainsi que de fabrication de musique privée. Mais même pour la scène professionnel de la musique au début, ils forment un accent du répertoire violoncelle. La nouvelle édition de la Wiener Urtext édition répond aux besoins et exigences de tous les trois groupes cibles semblables, fournissant un texte musical fiable n'est plus fondé sur la première édition de Paris non autorisée par Le Clerc and Boivin, mais sur une copie de Naples révisé de Vivaldi lui-même ainsi que sur les deux autres manuscrits associés avec le compositeur de la Bibliothèque Nationale de Paris et de la bibliothèque de musique des comtes de Schönborn à Wiesentheid. Hormis la partie solo, l'édition comprend une note de piano (clavecin) avec réalisé basse continue, qui devrait être très bienvenue aux élèves et amateurs. Une partie de continuo latent basso a été ajouter.../ Répertoire / Violoncelle Solo, Clavecin ou Piano Violoncelle Co

21 pieces for cello players with piano accompaniment. Par COLLEDGE HUGH / COLLEDGE KATHERINE. La collection Easy String Music de Boosey & Hawkes, dirigée et composée par Katherine et Hugh Colledge, compte quatre volumes d’un répertoire pour cordes destiné aux instrumentistes débutants et en cours d’apprentissage. Ces titres sont très appréciés des professeurs comme de leurs étudiants en raison de leurs vertus pédagogiques : ils introduisent des techniques nouvelles et proposent doigtés, notes et rythmes conçus pour acquérir la maîtrise nécessaire et poser des fondations solides en vue de la suite de l’apprentissage. Chaque titre est disponible en deux versions : l’une est fournie avec un CD de démonstration et de pistes audio d’accompagnement - l’autre comprend un livret d’accompagnement au piano et l’accès à des ressources audio téléchargeables. / Niveau : Très Facile / Recueil / Violoncelle et Piano

Par YSAYE EUGENE. Longtemps nous avons rêvé à ce projet… Unir la pensée d'un grand témoin de notre époque au Les sonates pour violon seul d'Eugène Ysaÿe illustrent parfaitement l'esthétique du grand musicien et compositeur que fut ce génial violoniste et chef d'orchestre : elles portent en elles la quintessence de son style. Il fallait rencontrer une personnalité forte pour les enregistrer, et le choix s'est tout naturellement porté sur la jeune violoniste Fanny Clamagirand, dont la radieuse maîtrise instrumentale et musicale nous entraîne allègrement vers ces sommets. / Partition brochée / Date parution : 2011-03-25/ Répertoire / Violoncelle

Bärenreiter?s new scholarly-critical edition of op. 87 edited by Christopher Hogwood is based on the score and parts from the first edition; where necessary he also consulted the autograph.

The first edition parts were engraved after the manuscript parts and not after the score. Here the readings of the legato phrasing and the dynamics more accurately reflect the composer?s intentions than in the first edition score.

? Informative introduction (Ger/Eng) with a valuable insight into the genesis and performance history of this work
? In a larger format 25.5 x 32.5 cm
? Includes a critical commentary (Eng) with facsimile pages / [Trio pour Violon, Violoncelle et Piano Opus 87 (avec parties séparées)] / Classique / Partition /