Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et Basse Continue

Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et Basse Continue

Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et Basse Continue

a cura di | edited by Italo Vescovo. Par PAGANINI NICCOLO. Nicolò Paganini?s Trio in G major for viola and cello ? the autograph manuscript of which is preserved in the Biblioteca Casanatense in Rome ? represents the only work of the Genoese composer expressly scored for these instruments. In addition to expanding Paganini?s treasured catalogue, its rediscovery could provide scholars with new insights into the famed virtuoso?s chamber music output. / Date parution : 2023-07-31/ Répertoire / Alto et Violoncelle

für verstärktes Ensemble bzw. Kammerorchester nach dem Scherzo aus der 2. Sinfonie von Beethoven. Par NEMTSOV SARAH. / Date parution : 2023-03-11/ Répertoire / Orchestre de Chambre

per quartetto d'archi. Par MININNI EUGENIO. / Date parution : 2022-09-20/ Répertoire / Quatuor à Cordes

Par . String duets tend to be somewhat upstaged by other instrumentations for string chamber music?especially string quartets, yet the string duet is an ideal introduction to the world of chamber music for anyone who is learning an instrument. Fabian Payr and Ruth Bamberger have selected 15 suitable harpsichord works from the Baroque period and have arranged them for two string instruments. These easily playable duet pieces are especially appropriate as material for instrumental lessons but also as repertoire for student performances. They encourage the study of Baroque performance practice and promote the somewhat overlooked subject of chamber music ensemble playing. / Date parution : 2022-07-20/ Recueil / Alto et Violoncelle

per quartetto d'archi. Par FRANCESCHINI MATTEO. / Date parution : 2022-05-03/ Répertoire / Quatuor à Cordes

pour quatuor à cordes. Par ZINSSTAG GERARD. / Date parution : 2022-04-01/ Répertoire / Quatuor à Cordes

Ed. Critica M. Talbot - Per Quattro Violini Soli, Archi E Basso Continuo. Par VIVALDI ANTONIO. / Répertoire / 4 Violons, 2 Altos, Violoncelle, Basse et Basse Co

Ed. Critica M. Talbot - Per Violino, Archi E Basso Continuo. Par VIVALDI ANTONIO. / Répertoire / 4 Violons, 2 Altos, Violoncelle, Basse et Basse Co

Per Coro A 4 Voci Miste, 2 Vl., Vla E B. - Partituur. Par VIVALDI ANTONIO. / Date parution : 1905-06-12/ Répertoire / Ensemble à Cordes

Ed. Critica M. Talbot - Per Quattro Violini Soli, Archi E Basso Continuo. Par VIVALDI ANTONIO. / Répertoire / 4 Violons, 2 Altos, Violoncelle, Basse et Basse Co

Ed. Critica M. Talbot - Per Quattro Violini E Violoncello Soli, Archi E Basso Continuo. Par VIVALDI ANTONIO. / Répertoire / 4 Violons, 2 Altos, Violoncelle, Basse et Basse Co