Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et Basse Continue

Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et Basse Continue

Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection was published without the composer’s assistance and perhaps even his agreement - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principalviolin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi’s Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole. / Niveau : Intermédiaire à Avancé / Date parution : 1905-07-09/ Répertoire / Violon, Ensembles de Cordes et Basse Continue

for clarinet, violin, and marimba. Par PUTS KEVIN. / Date parution : 2023-10-31/ Répertoire / Clarinette, Violon et Marimba

a cura di Danilo Rossi. Par . A collection of the most important solo and ensemble excerpts for viola edited by Danilo Rossi, first viola soloist of the Orchestra del Teatro alla Scala in Milan for over 35 years. The aim of the edition is to make a significant educational, as well as professional, contribution to orchestra work. / Date parution : 2024-01-06/ Recueil / Alto

Series Six: Theory of Games. Par LANG BERNHARD. / Date parution : 2023-03-11/ Répertoire / Ensemble de Chambre

Par HAAS GEORG FRIEDRICH. / Date parution : 2023-03-11/ Répertoire / Ensemble de Chambre

für Stimme und Streichquartett. Par PLATZ ROBERT H.P.. / Date parution : 2023-03-11/ Répertoire / Quatuor à Cordes et Voix

für großes Ensemble. Par HAAS GEORG FRIEDRICH. / Date parution : 2023-03-11/ Répertoire / Ensemble de Chambre

for Clarinet and String Quartet. Par FUJIKURA DAI. / Date parution : 2023-03-11/ Répertoire / Quatuor à Cordes et Clarinette

für Flöte, Klarinette (B), präparierte Harfe und Schlagzeug mit Projektion und Verstärkung ad lib.. Par NEMTSOV SARAH. / Date parution : 2023-03-11/ Répertoire / Flûte, Clarinette, Harpe, Batterie

für verstärktes Ensemble bzw. Kammerorchester nach dem Scherzo aus der 2. Sinfonie von Beethoven. Par NEMTSOV SARAH. / Date parution : 2023-03-11/ Répertoire / Orchestre de Chambre