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VIOLA
Cello, Piano
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Voice (3)
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Mario Castelnuovo-Tedesco: Chant Hébraïque For Cello And Piano: Cello:
Cello, Piano
Leduc, Alphonse
Born into a family of bankers that had lived in Florence since the expulsion of ...
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Born into a family of bankers that had lived in Florence since the expulsion of the Jews from Spain in 1492 Mario Castelnuovo-Tedesco (1895-1968) studied under Pizzetti at the city’s Conservatoire. He soon became one of the leading members of the young Italian school which broke with the tyranny of bel canto to return to the instrumental tradition of the Italian masters from the Baroque era. In 1928 Amédée-Landély Hettich a vocal teacher in Paris asked Castelnuovo-Tedesco to write a vocalise for the Répertoire moderne de Vocalises-Études the publication of which he was supervising at Leduc. Castelnuovo-Tedesco’scontribution entitled Vocalise-Étude for Medium Voice became so popular that it was immediately transcribed several times over. The present adaptation for cello and piano was created with prior consent from the composer by the famous Catalan cellist Gaspar Cassadó in 1930. The works opens with a poignant lamento that grieves the tragic fate of the Jewish people; it is followed by a folk dance whose “brisk and stubborn” movement marks with panache an imperious refusal to yield to resignation. The composer adopted the same proactive stance himself when in 1939 fleeing Mussolini’s antisemitic laws he decided to emigrate to the United States a land of refuge to which he would remain faithful until his death some thirty years later.
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The Piano Guys - Uncharted - Piano and Violoncelle
Cello, Piano
Hal Leonard
The Piano Guys' sixth studio album, Uncharted, reached number 1 in the US classi...
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The Piano Guys' sixth studio album, Uncharted, reached number 1 in the US classical charts following its release in 2016. The album contains Themes from Pirates Of The Caribbean, Can't Stop The Feeling from the DreamWorks Animation film Trolls and an inspired blend of Adele's Hello and Mozart's Lacrimosa, amongst eight other beautiful melodies. This matching folio contains all 11 songs from the album in arrangements for solo Piano with optional Cello as performed by The Piano Guys.
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10 Easy Christmas Solos (BARCLAY TED)
Cello, Piano
[Sheet music]
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Easy
Editions Marc Reift (Swiss import)
Arrangeur: Ted Barclay. Par BARCLAY TED. / Niveau : Assez Facile / Répertoire...
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Arrangeur: Ted Barclay. Par BARCLAY TED. / Niveau : Assez Facile / Répertoire / Violoncelle et Piano
37.90 EUR - Sold by LMI-partitions
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Gustav Holst: Invocation - Cello And Piano: Cello: Instrumental Work
Cello, Piano
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Intermediate/advanced
Faber Music Limited
Invocation was composed in 1911 and first performed on May 2nd of that year in t...
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Invocation was composed in 1911 and first performed on May 2nd of that year in the Queen's Hall London by May Mukle with the New Symphony Orchestra conducted by Landon Ronald. The work received several performances with Piano accompaniment before 1914 but with the public success of The Planets it became one of many works that Holst never had time to revise or publish. A certain amount of editing of dynamics and phrasing has been necessary and the Piano reduction has occasionally been slightly adjusted to match the orchestral accompaniment more closely. The separate Cello part has been edited by Julian Lloyd-Webber.
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Frank Bridge: Scherzo & Melodie: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Faber Music Limited
Two small chamber works by Frank Bridge available together for performance by C...
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Two small chamber works by Frank Bridge available together for performance by Cello and Piano. Edited by Julian Lloyd Webber.
12.99 GBP - Sold by Musicroom UK
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Carl Vine: Concerto for Cello: Cello: Score and Parts
Cello, Piano
Faber Music Limited
Composed for Steven Isserlis in 2004 Carl Vine’s Cello Concerto is an ex...
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Composed for Steven Isserlis in 2004 Carl Vine’s Cello Concerto is an exhilarating 20-minute work that traverses a vast emotional palette. The Concerto begins arrestingly with soloist pitted against orchestra though as it develops the two factions move towards union. A slow chorale led by the cellist frames the central section whilst relentless motor rhythms drive the work to its close.
15.99 GBP - Sold by Musicroom UK
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Notturno Sull'Acqua (CASTELNUOVO-TEDESCO MARIO)
Cello, Piano
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Intermediate
Ricordi
Per Violoncello E Pianoforte. Par CASTELNUOVO-TEDESCO MARIO. Italian / Niveau : ...
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Per Violoncello E Pianoforte. Par CASTELNUOVO-TEDESCO MARIO. Italian / Niveau : Intermédiaire / Répertoire / Violoncelle et Piano
19.71 EUR - Sold by LMI-partitions
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Johann Sebastian Bach: Sonate G (J.Chr.): Cello: Score and Parts
Cello, Piano
Barenreiter
Johann Christoph Friedrich Bach was the eldest surviving son of Johann Sebastian...
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Johann Christoph Friedrich Bach was the eldest surviving son of Johann Sebastian Bach and his second wife Anna Magdalena Wulcken; he was born in Leipzig in 1732. His father gave him his first music instruction. After his initial studies in law he devoted himself entirely to music. In 1750 he entered the services of Count Wilhelm zu Buckeburg where he first of all was engaged as the Count's chamber musician (Hochgraflicher Schaumburg-Lippischer Cammer-Musicus) later as orchestral director a post which he held until his death in 1795. The 'Buckeburg Bach' is described as an amiable and devout person who was highly respected and esteemed for his 'rectitude greatness of soul readiness to oblige and kindness' (Schlichtegroll Nekrolog). He was an exceedingly industrious and gifted composer in whom one couldnot fail to recognise that the spirit of his great father had also been communicated to him' (Dulon). Johann Christoph Friedrich Bach's Sonata A Violoncello Solo Col Basso appears in print for the first time with this edition. The autograph which served as source was held at the time in the University Library at Tubingen depot of the former Prussian State Library under the call-mark Mus. ms. autogr. Bach P 382 which has subsequently been moved to the Staatsbibliothek zu Berlin Preussischer Kulturbesitz. For practical use the accompaniment has been realised from the unfigured Bass. - Piano reduction and separte parts for Cello and Basso continuo.
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Sonata in F major for Violoncello and Piano op. 99: Cello: Instrumental Work
Cello, Piano
Barenreiter
Brahms completed his Cello Sonata Op.99 during the productive summer of 1886. Th...
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Brahms completed his Cello Sonata Op.99 during the productive summer of 1886. The first public performance took place in Vienna on 24 November of the same year. Robert Hausmann played the Cello part and the composer himself was his partner at the Piano. Even though the work was generally received positively it took some years until it was fully appreciated and gained its irrevocable place in the Cello repertoire.Of particular value to the editors were the two early performance editions of the Cello Sonata Op.99 by Hugo Becker and Carl Friedberg as well as by Julius Klengel. Both cellists Becker and Klengel had aconnection to Brahms who very much admired and trusted Becker's playing and who performed together with Klengel. This edition not only incorporates Becker's and Klengel's performance markings but also Hausmann's for whom the piece was written. As such the Barenreiter edition comes with a Cello part marked with fingering and bowing by the editors which are based on the practices of Brahms' contemporaries. We also provide an unmarked Urtext part.An important part of this edition is the extensive Preface. Firstly it informs about the work's origin early performances its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation String Instrument fingering String Instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight into Romantic musical interpretation.- A pioneering Urtext edition.- With an unmarked Urtext part.- With a second part including fingering and bowing based on the practices of contemporaries of Brahms.- With
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Gabriel Fauré: Sonata no. 1 in d minor op. 109: Cello: Score and Part
Cello, Piano
G. Henle
Immediately after finishing his second Violin Sonata op. 108 Fauré started wor...
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Immediately after finishing his second Violin Sonata op. 108 Fauré started work on a sonata for Cello and Piano in early 1917 thus realising a long-conceived plan. In their predisposition and attitude both works are very closely related. In the Cello sonata a sombre dramatic opening movement is also followed by a calm relaxed slow middle movement and a graceful finale. The critical response to the first performances was subdued but on account of increasing interest in Fauré?s complete late chamber music this sonata has recently been rediscovered as a substantial part of his oeuvre. The Henle Urtext edition constitutes the first criticaledition of this work. David Geringas a master of his craft supplied the markings in the Cello part.
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Robert Schumann: Concerto for Cello and Orchestra (Concertstück): Cello and
Cello, Piano
Peters
Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Redisc...
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Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Rediscovered. In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. It is presented in a beautifully printed edition for cello with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Matching orchestral material available separately from Edition Peters Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions. It is presented in a beautifully printed edition for cello, with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. ?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.?
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Barry John - James Bond Collection + Cd - Cello And Piano
Cello, Piano
[Sheet music + CD]
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Intermediate
Alfred Publishing
Category: String Series Format: Book & CD Instrument: Cello Instrumentation: Cel...
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Category: String Series Format: Book & CD Instrument: Cello Instrumentation: Cello (with Piano Acc.) Level: Level 2-3 The arrangements in this new series were written especially for violin, viola, and cello, taking into account the specific needs of each instrument. All the arrangements are completely compatible with each other and can be played in small ensembles or as solos. Each book features a specially designed piano accompaniment that can be easily played by a teacher or intermediate piano student, and a carefully crafted removable part, complete with bowings, articulations, and keys well suited for the Level 2-3 player. Each song on the fully orchestrated accompaniment CD includes a demo track, which features a live string performance, followed by the play-along track by itself. Titles are: Diamonds Are Forever * For Your Eyes Only * From Russia with Love * Goldfinger * The James Bond Theme * Live and Let Die * Nobody Does It Better * On Her Majesty's Secret Service * Thunderball * Tomorrow Never Dies * The World Is Not Enough * You Only Live Twice.
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Williams John - Indiana Jones - Crystal Skull + Cd - Cello And Piano
Cello, Piano
[Sheet music + CD]
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Easy
Alfred Publishing
In the Summer of 2008, the long-awaited Indiana Jones And The Kingdon Of The Cry...
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In the Summer of 2008, the long-awaited Indiana Jones And The Kingdon Of The Crystal Skull hit our cinemas. Filled with the intrigue and drama characteristic of all the classic Indiana Jones films, Harrison Ford once again reprised his role as our adventerous hero. This book includes selections from that film arranged for cello with a fully orchestrated CD accompaniment as well as a piano accompaniment part. The book contains a carefully edited part that is appropriate for the intermediate level player. The CD includes a demo track, which features a live instrumental performance, followed by the play-along track itself. Also included are eight pages of colour photographs from the movie. Raider's March; Marion's Theme; The Adventures Of Mutt; Irina's Theme; The Journey To Akator.
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Star Wars : Episodes I II And III Instrumental Solos For Strings
Cello, Piano
Alfred Publishing
This book is part of a String series arranged for Violin, Viola, and Cello. The ...
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This book is part of a String series arranged for Violin, Viola, and Cello. The arrangements are completely compatible with each other and can be played together or as solos. Each book features a specially designed piano accompaniment that can be easily played by a teacher or intermediate piano student, and a carefully crafted removable part, complete with bowings, articulations, and keys well suited for the Level 2-3 player. A fully orchestrated accompaniment CD is also provided. Each song on the CD includes a DEMO track, which features a live string performance, followed by the PLAY-ALONG track by itself. / Violoncelle Et Piano
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Christmas Carols for violoncello
Cello, Piano
[Sheet music]
Carus Verlag
20 easy carols for winter, Advent and Christmas for 1-3 violincellos and piano. ...
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20 easy carols for winter, Advent and Christmas for 1-3 violincellos and piano. Par . What would Christmas time be without making music together? Advent, Christmas, and winter songs play an important role for all beginners on a melody instrument, because with these they can show off their progress on the instrument during the first year. And nothing is better suited to this than well-loved and popular Christmas classics.The volumes in our series for instrumental teaching, developed in collaboration with the Landesakademie für die musizierende Jugend in Baden-Württemberg, all contain 20 easy carols arranged in progressive level of difficulty. Experienced instrumental teachers have made a selection of carols for each instrument according to specific criteria. These can be mastered as part of music school lessons after just a few weeks and months. All the carols have been chosen and transposed so that the range and fingering combinations do not exceed the level of difficulty for the first three years of learning.The piano accompaniment is of moderate difficulty. For many of the carols, an ad lib upper or lower part is included which can also be played by instrumental pupils. The volumes are therefore suitable for individual as well as group tuition.The arrangements are based on the piano and instrumental books from the CHRISTMAS CAROLS project (Carus 2.403/03 und 2.404/03) which is part of the LIEDERPROJEKT, the charitable project to further singing with children. The books contain singing texts for all the carols, providing a full range of options for singing and playing together at Christmas.All the books include the printed music of the piano accompaniment. Digital playalong tracks are available for all the books.Further editions for flute, clarinet, alto saxophone, trumpet, violin, cello / Date parution : 2022-10-12/ Recueil / Violoncelle et Piano
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Earnshaw Alfred - Tarantella Op.44 N°4 - Cello & Piano
Cello, Piano
Stainer and Bell
A highly respected cello teacher and performer, Alfred Earnshaw counted among hi...
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A highly respected cello teacher and performer, Alfred Earnshaw counted among his peers such notable twentieth-century composers of music for young cellists as Adam Carse and W. H. Squire. His Tarantella for cello and piano features on Children's Cello the delightful collection of cello miniatures recorded by Steven Isserlis and pianist Stephen Hough on a recent BIS recording (BISCD1562). Earnshaw commanded a fluent, graceful idiom ideally suited to inspire beginners with real musical values, and the piece combines open-string and first-position playing with the flair and character of an impressive recital item.
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Sonata C Major, Op. 40/1
Cello, Piano
Schott
It is impossible to imagine today's cello lessons without the works by Jean-Bapt...
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It is impossible to imagine today's cello lessons without the works by Jean-Baptiste Bréval (1753-1823).This sonata is the first of the Six Sonates non difficiles pour le violoncelle Op. 40 (1795). To this day it remains popular among cello teachers and pupils alike. Because of its comfortable tonality and technical simplicity, it is an interesting classical sonata for cello students who are experienced in playing in first position and do not shy away from occasional excursions into other positions.As a performance piece, the sonata can be accompanied either by a second cello, as in Bréval's original version, by piano, or even by both instruments. The sonata is particularly suitable for music lessons and concertos in the popular version for violoncello and piano by Joachim Stutschewsky, which was revised for the Schott Student Edition by Rainer Mohrs and edited and prefaced by Beverly Ellis.The new Schott Student Edition series offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano
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Sonate F-Dur (STRAUSS RICHARD)
Cello, Piano
Schott
Arrangeur: Florence Eller. Par STRAUSS RICHARD. The Cello Sonata Op. 6 was compo...
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Arrangeur: Florence Eller. Par STRAUSS RICHARD. The Cello Sonata Op. 6 was composed over an apparently frequently interrupted period of three years, an extraordinarily long time for Strauss's early creative phase. The compositional process spawned two independent versions of the work, the first of which is published for the first time on the basis of the text in the Critical Edition of the Works of Richard Strauss in the current edition as a practical musical text. The genesis of the two versions and the reasons for revision can only be reconstructed in part: only one of the surviving autographs bears a date and the second version only survives in printed form. What is more, Strauss did not communicate in greater detail on this composition in correspondence with his family and friends. There are enormous differences between the two versions of the Sonata: Strauss deleted the entire second and third movements Larghetto and Allegro vivace, replacing them with a newly composed Andante and Finale. In the first movement, Allegro con brio, Strauss retained the thematic-motivic material and compositionally complex passages such as the three-voice fugue in the development section (from bar 241 in the first version and bar 275 in the second version) almost intact in the new version of the sonata, but also undertook extensive alterations, particularly in the structure of the piano part, the motivic-thematic development of the movement and its harmony which became far more ambitious.12 Particular attention should be drawn to the repetitive accompaniment of the con espressione theme beginning in bar 32 and the significantly shorter development in the first version. The current printed edition of the first version of Richard Strauss's Cello Sonata now makes it possible to follow Strauss's compositional development during this period. The significance of the differences between the versions also mean that two sonata compositions for violoncello and piano by Richard Strauss with fundamental disparities in their underlying character are now available for performance. (from the foreword by the editors)/ Répertoire / Violoncelle et Piano
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Gabriel Fauré: Romance In A Op. 69 For Violoncello And Piano: Cello: Score and
Cello, Piano
G. Henle
For Violoncello And Piano-This brief utterly charming and tuneful piece was pro...
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For Violoncello And Piano-This brief utterly charming and tuneful piece was probably committed to paper in 1894 though Fauré based it on an older version for cello and organ. The subsequent tempo change to ?Andante quasi Allegretto? made the work?soriginal title of ?Andante? obsolete. The change of name to ?Romance? was also better suited to its songlike nature. After its first performance in November 1894 the piece rapidly became popular and is a well-loved encore piece atconcerts today. This ?Romance? continues the Henle Urtext series of short pieces for cello by Fauré for which we have been able to engage David Geringas to add the performance markings.
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Gabriel Fauré: Papillon Op 77 Cello/Piano: Cello: Instrumental Work
Cello, Piano
G. Henle
for Violoncello and Piano-After the great success of his Élégie (HN 563) Faur...
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for Violoncello and Piano-After the great success of his Élégie (HN 563) Fauré?s publisher Hamelle urged him to write another similarly effective piece for cello and piano. Papillon was probably already composed in 1884 though it was only published in1898. Whereas Fauré just wanted to call it ?Piece for violoncello? his publisher insisted on a more evocative title and ultimately succeeded in giving it its present name (meaning ?butterfly?). But Fauré is said to have beenindignant remarking: ?Butterfly or dung fly use whatever you want?. The success of the work proved Hamelle right Papillon is today just as popular with cellists as the Élegie and is now available as a Henle Urtext edition.
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18th Century Sonatas for Cello and Continuo: Cello
Cello, Piano
Ricordi
The six sonatas for cello and basso continuo in this volume all belong to the ?F...
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The six sonatas for cello and basso continuo in this volume all belong to the ?Fondo Correr? collection held in the library of the conservatory of music ?Benedetto Marcello? in Venice. This valuable collection consists of about thirty printed editions and some 1600 original manuscripts from various sources. The majority of these works is composed by Venetian musicians among them Bonaventura Furlanetto one of the last masters at the Ospedale della Pietà Gaetano Latilla Andrea Bernasconi Giovanni Porta Giuseppe Sarti and Antonio Martinelli. The latter (Antonio Martinelli) was one of the best known music teachers at the Ospedali Grandi in Venice. The three sonatas edited in this volume are his only compositions for cello accompanied by basso continuo that survive today. First edition.
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Hungarian Rondo (Cello And Piano)
Cello, Piano
EMB (Editio Musica Budapest)
Hungarian Rondo was composed by Zoltán Kodály in December 1917, drawing on mat...
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Hungarian Rondo was composed by Zoltán Kodály in December 1917, drawing on material from the incidental music he had written for Zsigmond Móriczs play Pacsirtaszó (Skylarking). The rondo form is shaped out of four new-style Hungarian folk songs and an instrumental dance melody. Kodály prepared the piece in two somewhat different versions, one for two clarinets, two bassoons and string orchestra, and the other for cello and piano. The orchestral version received its first performance in Vienna on 12 January 1918 at a 'historical concert' organized by the War Ministry of the Austro-Hungarian Monarchy. The cello version was premi?red by Miklós Zsámboky and Ottó Herz at the Budapest Academy of Music on 4 November 1927. Neither version appeared in print in the composers lifetime. The version for string orchestra was edited in 1976 by Ferenc Farkas and István Máriássy (and is distributed as a hire material under the order number K-1). The cello version appears here in print for the first time. The publication is based on the composers surviving manuscript and a contemporary manuscript copy of this. The fingerings are by the editor. / Violoncelle Et Piano
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20th Century Italian Composers Vol. 1: Cello
Cello, Piano
Ricordi
Compositori Italiani del XX secolo Vol. 1-• New volume of the Ricordi Inst...
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Compositori Italiani del XX secolo Vol. 1-• New volume of the Ricordi Instrumental Library series dedicated to the instrumental repertoire of the Twentieth Century. The series includes publications for piano violin/piano guitar and now cello/piano.• This anthology fills an editorial void by re-proposing a series of pieces that would otherwise be difficult if not downright impossible to find and yet have played a special role in the evolution of music for cello and piano in Italy.• The criteria adopted in choosing these pieces are: their musical value their interest from a piano teacher’s point of view and their ability to represent a given period in the history of Italian music and culture.
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Francis Poulenc: Sonata For Cello And Piano: Cello: Instrumental Work
Français
Cello, Piano
Leduc, Alphonse
Composed in 1948 the Cello Sonata or Sonata for Cello and Piano by Francis Poul...
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Composed in 1948 the Cello Sonata or Sonata for Cello and Piano by Francis Poulenc (1899-1963) was dedicated to Pierre Fournier the French cellist. Its four movements mainly ternary are as listed below: - Allegro (Tempo di Marcia) - Cavatine - Ballabile - Finale Pierre Fournier partly helped Francis Poulenc to compose the Cello part as this latter was not a specialist of this instrument. Francis Poulenc is French composer and pianist. He also produced Piano and Chamber pieces Operas ('Dialogues des Carmélites') ballets ('Les Biches') as well as some orchestralworks.
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Sonate
Cello, Piano
[Sheet music]
Bote and Bock
Par WINTERBERG HANS. Hans Winterberg, born in Prague in 1901, lived through almo...
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Par WINTERBERG HANS. Hans Winterberg, born in Prague in 1901, lived through almost the entire period of the 20th century and was influenced as a composer by its most important artistic innovations. Already a brilliant pianist as an adolescent, he studied with Alois Hába and Alexander von Zemlinsky in Prague. Both his life and his music reflect the Austrian-Czech-Jewish cultural symbiosis; he saw himself as a bridge builder between Western and Eastern, i.e. Slavic, cultures. Owing to his Jewish ancestry, he was deported to the Terezin concentration camp after the annexation of Czechoslovakia by Nazi Germany. He was the only Jewish representative of the Czech musical avant-garde of the 1920s and 1930s to survive the Shoah and, in 1947, followed his non-Jewish wife and their daughter to the FRG in the course of the expulsion of the German-speaking population from Czechoslovakia. Winterberg's fascinating oeuvre, which was kept under lock and key in a German music archive for years after his death, is now being made accessible in first editions due to a cooperation between the Exilarte Center for Banned Music at the University of Music in Vienna and Boosey & Hawkes. The first printed edition is Winterberg's Cello Sonata, composed in 1951, in which all the characteristics of his unmistakable personal style come to the fore: dance-like energy, polyrhythm, intimate yet unsentimental melos, subtle handling of folkloristic material, and an unerring sense of form and balance. This work is of medium technical and great interpretative difficulty. / Date parution : 2024-01-06/ Répertoire / Violoncelle et Piano
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Sonate (POULENC FRANCIS)
Cello, Piano
[Sheet music]
Heugel
Par POULENC FRANCIS. Composed in 1948, the Cello Sonata or Sonata for Cello and ...
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Par POULENC FRANCIS. Composed in 1948, the Cello Sonata or Sonata for Cello and Piano by Francis Poulenc (1899-1963) was dedicated to Pierre Fournier, the French cellist. Its four movements, mainly ternary, are as listed below: - Allegro (Tempo di Marcia) - Cavatine - Ballabile - Finale Pierre Fournier partly helped Francis Poulenc to compose the Cello part as this latter was not a specialist of this instrument. Francis Poulenc is French composer and pianist. He also produced Piano and Chamber pieces, Operas ('Dialogues des Carmelites'), ballets ('Les Biches') as well as some orchestralworks./ Répertoire / Violoncelle et Piano
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Edward Elgar: Salut d'Amour Op. 12 For Violoncello And Piano: Cello: Score
Cello, Piano
[Sheet music]
G. Henle
Salut d'amour op. 12 for Violoncello and Piano-Edward Elgar’s Salut Dâ...
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Salut d'amour op. 12 for Violoncello and Piano-Edward Elgar’s Salut D’Amour is one of those pieces by the British composer that has a particularly haunting melody. Composed in 1888 for his future wife Caroline Alice Roberts the work became anenormous success early on. There are numerous arrangements but the only versions for which the autograph manuscripts survive are those for Violin and Piano (HN 1188) Piano solo (HN 1190) and Violoncello and Piano.Up tonow there has only been an arrangement of the Cello part made by the original publisher presumably with Elgar’s approval. We are now for the very first time publishing the version following Elgar’s autographmanuscript which for unknown reasons had never been released. In addition we are publishing the trusted musical text from the first edition.
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Ludwig van Beethoven: 5 Sonatas: Cello and Accomp.: Instrumental Work
Cello, Piano
Schirmer
Beethoven's composition of sonatas for Cello and Piano was unprecedented; he had...
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Beethoven's composition of sonatas for Cello and Piano was unprecedented; he had no models in the works of Haydn or Mozart. Only recently had the instrument begun to liberate itself from its role in the traditional basso continuo. The first two Sonatas in this book comprising Op. 5 were composed in 1796 while Beethoven was in Berlin. He would not embark on another such project until 1807 when he composed the Sonata in A (Op. 69). Eight years later he would return to the idiom to write the two last Sonatas (Op. 102). This is a Great Performers Edition edited by cellist Janos Starker.
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Felix Mendelssohn Bartholdy: Song Without Words: Cello: Score and Parts
Cello, Piano
Barenreiter
Op. 109-This standard work of the cello literature has been extracted from volum...
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Op. 109-This standard work of the cello literature has been extracted from volume II of the Complete Works for Violoncello and Pianoforte (BA 9096 and BA 9097) which was published in 2016. Mendelssohn scholar R. Larry Todd edited the scholarly-critical edition of “Song without Words”.This work is not based on the surviving autograph manuscript which could not have been the basis for the posthumous first edition but rather on the only plausible source: the German first edition itself. This was published in 1868 as op. 109 and is unquestionably based on an untraceable complete final manuscript perhaps once previously owned by the dedicatee French cellist LisaBarbier Cristiani.The publication is free from editorial amendments and modern performance instructions and provides an excellent basis for musical interpretation.
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Camille Saint-Saëns: Allegro appassionato op. 43: Cello: Score
Cello, Piano
G. Henle
für Violoncello und Klavier / for Violoncello and Piano-Camille Saint-Saëns Al...
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für Violoncello und Klavier / for Violoncello and Piano-Camille Saint-Saëns Allegro Appassionato Op. 43 for Cello and Piano. Urtext edition score.At the beginning of the 1870s Saint-Saëns displayed a particular partiality for theVioloncello. He composed his first Cello sonata in December 1872 immediately after having completed the first Cello concerto. It was presumably directly after this that he wrote the Allegro Appassionato for Celloand Piano op. 43 that also appeared in a version for Orchestra three years later.We do not know why he wrote the work but it is likely that after having written two weighty works for Cello Saint-Saëns wanted towrite something ?easier? that was also suitable as an encore. In this Henle Urtext edition David Geringas has kindly provided the fingering and bowing for the brilliant Cello part.
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