Par STRAUSS JOHANN (FILS). Détails de la formation instrumentale: Piano (Direktion), Akkordeon (bzw. Harmonium), 2 Violinen I (Direktion), Violine obligat, Violoncello, Kontrabass, Flöte, Oboe, Klarinette, evt. Saxophon I, II, III, Trompete, Posaune III, evt. Gitarre, Pauken und Schlagzeug -/ Répertoire / Orchestre de Salon

Par STRAUSS JOHANN (FILS). Détails de la formation instrumentale: Piano (Direktion), Akkordeon (bzw. Harmonium), 2 Violinen I (Direktion), Violine obligat, Violoncello, Kontrabass, Flöte, Oboe, Klarinette, evt. Saxophon I, II, III, Trompete, Posaune III, evt. Gitarre, Pauken und Schlagzeug - Durée: 10' -/ Répertoire / Orchestre de Salon

Par STRAUSS JOHANN (FILS). Détails de la formation instrumentale: Piano (Direktion), Akkordeon (bzw. Harmonium), 2 Violinen I (Direktion), Violine obligat, Violoncello, Kontrabass, Flöte, Oboe, Klarinette, evt. Saxophon I, II, III, Trompete, Posaune III, evt. Gitarre, Pauken und Schlagzeug - Durée: 10' -/ Répertoire / Orchestre de Salon

Par ZULEHNER CARL. Détails de la formation instrumentale: Akkordeon · Violine · Violine obligato · Violoncello · Kontrabass · Flöte · Oboe · Klarinette · Saxophon I · Saxophon II · Saxophon III · Trompete I · Trompete II · Posaune · Schlagzeug -/ Répertoire / Orchestre de Salon

Par ZULEHNER CARL. Détails de la formation instrumentale: Akkordeon · Violine · Violine obligato · Violoncello · Kontrabass · Flöte · Oboe · Klarinette · Saxophon I · Saxophon II · Saxophon III · Trompete I · Trompete II · Posaune · Schlagzeug -/ Répertoire / Orchestre de Salon

Par ELIA ALESSIO. Commissioned by I Solisti della Scala for the CD ''Octet'', a project conceived by the conductor Andrea Vitello, which includes also the first recording in the performance of I Solisti della Scala of the Octet by Stravinsky and the first world recording of the Octet by Peter Eötvös, the Octet by Alessio Elia is described by the Italian musicologist Guido Barbieri in these terms: ''In the Octet written in 2016 by Alessio Elia, the musical elements, or their strongly contrasted combination, significantly shape the structure of the piece. The utilization of different scales - a technique defined by the composer as ''polysystemism'' - further emphasizes his concept of sound as a phenomenal entity.'' / Date parution : 2022-07-23/ Répertoire / Ensemble de Chambre

Par STRAUSS JOHANN (FILS). Détails de la formation instrumentale: Piano (Direktion), Akkordeon (bzw. Harmonium), 2 Violinen I (Direktion), Violine obligat, Violoncello, Kontrabass, Flöte, Oboe, Klarinette, evt. Saxophon I, II, III, Trompete, Posaune III, evt. Gitarre, Pauken und Schlagzeug -/ Répertoire / Orchestre de Salon

for Chamber Orchestra. Par HENZE HANS WERNER. Hans Werner Henze used original music by Scarlatti, Handel and Vivaldi to evoke the baroque lifestyle for a TV film of José Montes-Baquer based on the novella ’Concierto Barocco’ by the Cuban Alejo Carpentier; the film music of L’amour à mort by the French master director Alain Resnais was turned into a sonata by Henze./ Répertoire / Orchestre de Chambre

Par KRAUS JOSEPH MARTIN. The first volume of the new scholarly edition contains the complete chamber music without a keyboard instrument. The most important group of works comprises the string quartets, 10 of which have survived. They were composed during the 1770s, whenHaydn was developing this class of music. The differing balance between such contrasting musical elements as entries in imitation, courtly melody, swift changes of tempo and unexpected modulations gives each of the quartets its special charm. Thefact that six of them were published in 1784 as Krauss 'Opus 1' by the publisher J. J. Hummel shows that the composer himself was convinced by his quartets. With the Flute quintet this volume alsocontains another key work in Kraus’s chamber music. Composed in Vienna about 1783 and also issued in manuscript copies, this work was printed by Ignaz Pleyel in Paris in 1799./ Répertoire / Ensemble de Chambre