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VIOLA
Choral SATB
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Triptych (Vocal Score)
Choral SATB
SATB, Orchestra
Novello & Co Ltd.
Cantata for string orchestra and chorus. Triptych represents the concatenation a...
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Cantata for string orchestra and chorus. Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church, Spitalfields on 18th December, 2004 - the work, premièred as Threnody, was subsequently toured by the Choir to Jerusalem and the West Bank from 19th-26th December, 2004. Movements II and III, commissioned by Portsmouth Grammar School with financial support from the PRS Foundation, were premièred as And There Was a Great Calm in a contiguous version for lower strings and upper voices by the Portsmouth Grammar School Chamber Choir and the London Mozart Players in a concert at Portsmouth Anglican Cathedral on 13th November, 2005 conducted by Nicolae Moldoveanu. The title of this latter section is taken from Thomas Hardy's poem of the same name, written at the signing of the Armistice on 11th November, 1918 - a couplet from which is set, in a moment of tranquillity, in the final movement. Relatively new to living in New York, I am much more aware of the independent, vibrant cultural plurality that exists today - it's probably the single most dazzling facet of the City and is largely responsible for the infamous 'edginess' that pervades daily life there. With this in mind, I set to work on Threnody (movement I here) in 2004 - I wanted to write something that was relevant to the Israeli/Palestinian issue without losing that City 'edge'. The texts, in English, are excerpted from a variety of sources: William Penn, William Blake, the Psalms of David and Muhammad Rajab Al-Bayoumi, an Egyptian poet of the early twentieth-century. Fast and rhythmically influenced by the music of North Africa in its syncopations, this movement was the first composition that evolved entirely from my New York perspective. From the moment that the commission for And There Was a Great Calm (movements II and amp - III here) was offered, I knew the piece I was about to embark upon would end up being linked with Threnody in some way. I realized that what I had been aiming for in Threnody served as a template for this new piece, originally composed for a Remembrance Sunday concert. Musical works connected with commemoration or memorials are often suitably pensive and slow - I wanted to start with that concept, but to bring in some of the relentless urban rhythms that had been such a large influence on my life in the preceding two years. The result is that that the second movement is quiet and gentle (a moment of recollection), while the final movement is much faster and vibrant, returning to a more openly elated rendering of the start of Triptych (the texts here dealing with transmigration and the future). and nbsp - I gratefully acknowledge the assistance of Bruce Ruben and Judith Clurman, as well as that of my parents, with the collation of the texts. Tarik O'Regan New York, February 2006 / Soprano, SATB Et Orchestre De Cordes
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John Purifoy: Hymn of the Nativity: SATB: Vocal Score
Choral SATB
[Vocal Score]
Hal Leonard
This setting of a 17th century English poem proclaims the wonder of Christmas an...
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This setting of a 17th century English poem proclaims the wonder of Christmas and the oneness of all things. While the opening two stanzas feature broad and expansive phrases over an arpeggiated accompaniment the work's emotionalcore is found in the contrasting section: “Welcome all wonders in one sight/Summer in winter day in night” before the final recapitulation of the opening strains. Available separately: SATB SAB SSA. Duration: ca.3:20.
11.25 GBP - Sold by Musicroom UK
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Astor Piazzolla: Verano Porteno: SATB: Vocal Score
Choral SATB
[Vocal Score]
Kjos Music Company
It has been said that you can see Buenos Aires while listening to Astor Piazzoll...
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It has been said that you can see Buenos Aires while listening to Astor Piazzolla’s music. This is one of his talents that sets him apart from other composers. Piazzolla made a revolution with the tango which createdmany problems for him in his country (traditionalists did not accept his music as tango). But everybody finally accepted his changes because his music put the Argentine dance the tango at the highest level.VeranoPorteno (Summer of Buenos Aires) is the first of four tangos that Piazzolla wrote about the seasons of Buenos Aires.. SATB A Cappella
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Anders Íhrwall: Song of summer: SATB: Vocal Score
Choral SATB
[Vocal Score]
Walton Music
Song of summer
1.50 GBP - Sold by Musicroom UK
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Neil Pfeifer Thomas Moore: The last rose of summer: SATB: Vocal Score
Choral SATB
[Vocal Score]
Walton Music
The last rose of summer
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Carmen Scialla: Tis the Last Rose of Summer: SATB: Vocal Score
Choral SATB
[Vocal Score]
Fred Bock Music Company
Tis the Last Rose of Summer
12.50 GBP - Sold by Musicroom UK
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Sting: Fields of Gold: SATB: Vocal Score
Choral SATB
SATB A Cappella
[Vocal Score]
Hal Leonard
The golden colours of a summer sunset and the depth of human feelings are the ba...
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The golden colours of a summer sunset and the depth of human feelings are the basis of this simple and lovely song by Sting in a gently undulating setting for unaccompanied mixed voices. Stunning!
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Thea Musgrave: Song Of The Burn: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
-
Intermediate/advanced
Novello & Co Ltd.
Song Of The Burn is a 'cantata for a summer's day' written in 1954 by Thea Musgr...
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Song Of The Burn is a 'cantata for a summer's day' written in 1954 by Thea Musgrave for SATB voices with a Piano accompaniment supplied for rehearsal. Based on a text by Maurice Lindsay.
3.99 GBP - Sold by Musicroom UK
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Edward Elgar: Scenes From The Saga Of King Olaf: SATB: Vocal Score
Choral SATB
[Vocal Score]
Novello & Co Ltd.
The plot of Elgar’s King Olaf cantata has been criticized for it lack of ...
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The plot of Elgar’s King Olaf cantata has been criticized for it lack of cohesion but the musical settings contain power majesty stirring melodies joyous lyricism and a finale of immense proportion and emotional effect. As a lesser work of a great composer it certainly bears study. As a work on its own King Olaf rewards performers and listeners with superb moments. A final a capella Chorus As Torrents In Summer is frequently performed on its own.Scenes from the Saga of King Olaf is widely considered to be the best of Elgar’s pre-Enigma compositions. He was commissioned to write this work for the North Staffordshire Music Festival in 1896 and he chose to adaptsections of Longfellow’s Tales of a Wayside Inn with the assistance of his neighbour the translator H A Acworth. Acworth reduced the length of Longfellow’s twenty-two sections to just eight with added material.
27.99 GBP - Sold by Musicroom UK
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Franz Joseph Haydn: Mass in B-Flat (Schoepfungsmesse): SATB: Vocal Score
Choral SATB
[Vocal Score]
Schirmer
This was Haydn's penultimate Mass composed in the summer of 1801 as a central p...
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This was Haydn's penultimate Mass composed in the summer of 1801 as a central part of the name-day celebrations for Princess Marie Hermenegild Esterhazy. Written for SATB chorus and accompaniment.This version is edited by H.C. Robbins Landon and contains a piano/organ accompaniment.
14.50 GBP - Sold by Musicroom UK
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Sting: Fields of Gold: Mixed Choir a Cappella: Vocal Score
Choral SATB
[Vocal Score]
De Haske Publications
Evoke the imagery of a summer sunset and the depth of human emotion through this...
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Evoke the imagery of a summer sunset and the depth of human emotion through this simple and lyrical song by Sting with its delicate arpeggiated accompaniment and pure fluid vocal lines in this expressive setting. Available separately: SATB SSA. Duration: ca. 3:50.
16.25 GBP - Sold by Musicroom UK
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The Last Rose of Summer: Mixed Choir a Cappella: Vocal Score
Choral SATB
[Vocal Score]
Hal Leonard
The Last Rose of Summer
11.25 GBP - Sold by Musicroom UK
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Lloyd Larson: Follow the Way of the Lord: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
Uses: General Lent commitment youth praise teamScripture: Proverbs 3:6 Matt...
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Uses: General Lent commitment youth praise teamScripture: Proverbs 3:6 Matthew 16:24 Mark 8:34 Luke 9:23Like a summer breeze this warm sentiment of faith refreshes and delights. A true call todiscipleship this text is a thoughtful choice for early Lent or for churches observing the 40 days of purpose. The music is immediately endearing and singers will find it easy to sing. The inclusion of I Have Decided to FollowJesus is inspired! A winner! Also available: LiteTrax CD.
13.75 GBP - Sold by Musicroom UK
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Common Praise: SATB: Vocal Work
Choral SATB
[Vocal Score]
Canterbury Press
The Definitive Hymn Book (Hardback)-Since it was first introduced in the Summer ...
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The Definitive Hymn Book (Hardback)-Since it was first introduced in the Summer of 2000 Common Praise the new Hymns Ancient & Modern has sold over one hundred thousand copies and been adopted by parishes in every diocese in England and Wales including eight English cathedrals and in five of the seven dioceses in Scotland. It is also used in numerous schools colleges hospitals residential homes retreat houses religious communities crematoria missions and military garrison chapels.
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John Bacchus Dykes: Jesus the Very Thought of Thee: SATB: Vocal Score
Choral SATB
[Vocal Score]
Hinshaw Music Inc.
This easy arrangement of the traditional Latin hymn would be a wonderful additio...
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This easy arrangement of the traditional Latin hymn would be a wonderful addition to your summer program!
14.25 GBP - Sold by Musicroom UK
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Margaret Petty: Brightness Of Eternal Glory: SATB: Vocal Score
Choral SATB
[Vocal Score]
Hinshaw Music Inc.
This is a joyous piece for summer or any time you do not have a full compliment ...
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This is a joyous piece for summer or any time you do not have a full compliment of voices. The vocal line is actually unison until the last phrase it is rather like a duet for choir and organ.
11.25 GBP - Sold by Musicroom UK
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Joseph Horovitz: Summer Sunday: SATB: Classroom Musical
Choral SATB
SATB, Piano
[Sheet music]
-
Easy
Novello & Co Ltd.
A challenging comical-tragical-ecological Pastoral for SATB and piano. Although ...
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A challenging comical-tragical-ecological Pastoral for SATB and piano. Although this work has a serious message about the preservation of the countryside it also has a great sense of fun which will be enjoyed by audiences and choirs alike. Indications like ‘solo’ or ‘small group’ should be distributed according to talents available and any solo which bears a ‘character-name’ like ‘cow’ or ‘crow’ may be sung by any type of voice regardless of pitch.A Double Bass part is available seperately - Catalogue No. NOV200174-01
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Duncan Sheik: The Song of Purple Summer: SATB: Vocal Score
Choral SATB
[Vocal Score]
Hal Leonard
(from Spring Awakening)-Winning eight Tony Awards Spring Awakening explores the...
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(from Spring Awakening)-Winning eight Tony Awards Spring Awakening explores the confusion the frustration the joy and excitement of the teenage years through vivid and emotional songs and a powerful and dramatic score. This final song of life and hope brings the show to its passionate close. Available separately: SATB SAB SSA ShowTrax CD. Rhythm section parts available digitally (syn gtr b dm). Duration: ca. 3:30.
12.50 GBP - Sold by Musicroom UK
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Herbert Howells: Summer Is Coming: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Novello & Co Ltd.
For SATB. Inscribed 'To the memory of Arnold Bax' composed for the 1965 Cork Int...
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For SATB. Inscribed 'To the memory of Arnold Bax' composed for the 1965 Cork International Festival.
3.99 GBP - Sold by Musicroom UK
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Benjamin Kornelis: A Summer Night and You and Paradise: Mixed Choir a
Choral SATB
[Vocal Score]
Walton Music
The composer has set Garrison Keillor's lovely words with sensitivity and care ...
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The composer has set Garrison Keillor's lovely words with sensitivity and care evoking the warmth longing and hopefulness of love. The setting allows for the choir to be driven by the natural rhythm and text stress of the poetry to shape each phrase. A beautiful love song not to be missed. Duration: ca. 5:00
1.70 GBP - Sold by Musicroom UK
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Andrew Cusworth: There Is No Rose (Novello New Choral Series): SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Novello & Co Ltd.
There is no rose may be considered as having three distinct but musically interl...
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There is no rose may be considered as having three distinct but musically interlinked phases. The first is reflective in nature a set of musings on the mysteries of Mary as the Mother of God the nature of God Creation and the Trinity; the music lends a sense of the rising expectation appropriate to the season of Advent. This increasing tension breaks out into the angelic chorus Gloria in excelsis Deo a brief glimpse of something other which is then echoed by the fading repetitions of Gaudeamus (we rejoice). Finally the poem moves on joining the procession towards Christmas; a new key the expanding range and Transeamus (we go/proceed/cross over) fading intothe distance serve to provide a musical metaphor for the journey.The Novello New Choral Series is an inspiring selection of new works from a range of contemporary composers offering pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles. This collection is perfect for choirs looking to broaden their repertoire and explore some of the best new music around.Andrew Cusworth (b.1984) read music at Magdalene College Cambridge where he was also an Organ Scholar. Recent compositions include Factum est silentium for double choir and organ which won the first New Music for St Paul’s Cathedral Composition Competition and Give ear O ye heavens which was shortlisted for the King James Bible Trust Composition Awards. 'This is a piece whose effect greatly exceeds its simple means and it would be welcome in any serious carol service.' - Jeremy Summerly Choir & Organ
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Tarik O'Regan: Triptych: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Novello & Co Ltd.
Cantata for string orchestra and chorus.Triptych represents the concatenation an...
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Cantata for string orchestra and chorus.Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church Spitalfields on 18th December 2004; the work premièred as Threnody was subsequently toured by the Choir to Jerusalem and the West Bank from 19th-26th December 2004. Movements II and III commissioned by Portsmouth Grammar School with financial support from the PRS Foundation were premièred as And There Was a Great Calm in a contiguous version for lower strings and upper voices by thePortsmouth Grammar School Chamber Choir and the London Mozart Players in a concert at Portsmouth Anglican Cathedral on 13th November 2005 conducted by Nicolae Moldoveanu. The title of this latter section is taken from Thomas Hardy’s poem of the same name written at the signing of the Armistice on 11th November 1918; a couplet from which is set in a moment of tranquillity in the final movement.Relatively new to living in New York I am much more aware of the independent vibrant cultural plurality that exists today; it’s probably the single most dazzling facet of the City and is largely responsible for the infamous ‘edginess’ that pervades daily life there. With this in mind I set to work on Threnody (movement I here) in 2004; I wanted to write something that was relevant to the Israeli/Palestinian issue without losing that City ‘edge’. The texts in English are excerpted from a variety of sources: William Penn William Blake the Psalms of David and Muhammad Rajab Al-Bayoumi an Egyptian poet of the early twentieth-century. Fast and rhythmically influenced by the music of North Africa in its syncopations this movement was the first composition that evolved entirely from my New York perspective.From the moment that the commission for And There Was a Great Calm (movements II & III here) was offered I knew the piece I was
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Grease (choral highlights): SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Hal Leonard
As part of the Discovery Pop Series this light-hearted fun-loving medley of fi...
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As part of the Discovery Pop Series this light-hearted fun-loving medley of five songs from the Broadway-classic Grease is a guaranteed crowd pleaser. Including the well known tune of the title song Grease the iconic duets Summer Nights and You’re the One That I Want the familiar ‘rama lama lama ka dingitty ding de dongs’ of We Go Together and Rock’n’Roll Party Queen this clever arrangement by Roger Emerson for SATB (Soprano Alt Tenor Bass) Voices and Piano accompaniment with optional Guitar chords will have audiences on their feet throughout. Best effects are achieved when all songsare performed together as intended but these fifties-inspired numbers are just as successful individually. Performance time is approximately 6 minutes.Grease first opened in 1971 in Chicago but was soon moved to Broadway where the story of the students of Rydell High remains the 15th longest running show. The multiple revivals and adaptations make it a staple on all levels of theatre.The film-adaptation of the same name released in 1978 starring John Travolta Olivia Newton-John Stockard Channing and Jeff Conaway was highly successful both critically and at the box office keeping it the No. 1 highest-grossing musical in the United States to date. With the announcement of a three-hour live television broadcast of Grease in 2016 this score is not only guaranteed to be fun to rehearse and perform but is also more relevant than ever!
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Music For Royal Occasions: SATB: Vocal Score
Choral SATB
SATB
Novello & Co Ltd.
Music for Royal Occasions is an exciting volume of pieces written for coronation...
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Music for Royal Occasions is an exciting volume of pieces written for coronations and other royal celebrations over the past five centuries. It includes long-standing favourites such as Handel's Zadok the priest and Parry's I was glad; and works from earlier years such an Henry Purcell's I was glad and the delightful Rejoice in the Lord alway.Many well-loved composers were commissioned to write motets for the coronation of Queen Elizabeth II and several are published here including George Dyson's stirring Confortare William Harris's Let my prayer and Herbert Howells's Behold O God ourdefender. In addition two pieces performed at the wedding oF the present Duke and Duchess of Cambridge are included: Paul Mealor's beautiful Ubi caritas and Hubert Parry's epic anthem Bless pair of sirens.Music for Royal Occasions provides a well-rounded concert programme in itself for choral societies or community choirs. The collection offers many useful and accessible pieces for church choirs suitable for a wide variety of occasions.'an inventive selection of festive music' - Jeremy Summerly Choir & Organ
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Peace, I Leave With You
Choral SATB
Peters
Peace, I leave with you was originally written as part of a summer retreat at th...
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Peace, I leave with you was originally written as part of a summer retreat at the Norfolk Music Festival. Appropriate for any time of the church year, the work is set in a fresh, flowing harmonic style that works well with choirs of all sizes and abilities. The text from John 14 works well as a choral benediction, introit, or offering. The work is also a good choice for concert occasions, as the text is inherently ecumenical and inclusive in its message. The premiere performance was given in 2007 by the Harvard Choral Fellows and Carson Cooman, conductor. / Choeur Mixte (SATB)
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