Sherwin Manning's A Nightingale Sang In Berkeley Square arranged by Michael Neaum for SSAA Choir with Piano accompaniment.

Edited by Thurston Dart 23 madrigals for SSA by Bateson, Byrd, East, Hilton, Holborne, Johnson, Jones, Morley, Porter, Tomkins, Ward, Weelkes, Wilbye and Youll. CONTENTS BATESON, Thomas Nightingale BYRD, William Benedictus EAST, Michael See Amaryllis shamed How merrily we live HILTON, John If it be love HOLBORNE, William Gush forth, my tears Since Bonny-boots was dead JOHNSON, Robert Full fathom five Where the bee sucks JONES, Robert Sweet Kate MORLEY, Thomas It was a lover and his lass Lady, those eyes See mine own sweet jewel This love is but a wanton fit Though Philomela lost her love PORTER,Walter When first I saw thee TOMKINS, Thomas Sure there is no god of love WARD, John Fly not so fast Go wailing accents WEELKES, Thomas Those sweet delightful lilies Though my carriage be but careless WILBYE, John Away, thou shalt not love me YOULL, Henry While joyful springtime lasteth

Bonk'apaphable is a tremendously fun arrangement by South African musicicians Michael Barrett and Mbuso Ndlovu. This celebratory isiZulu song is a quick learn that will pay dividends for audiences and choirs! Add percussion, clapping, and ululations to make the most of this work.

A lovely piece for high school women's voices SSAA set to poetry by Emily Dickinson. With piano.

Transcontinental Music's all-time bestseller. The text was found written on a wall in a basement in Cologne Germany by Allied troops after World War II.Available separately: SATB SSAA and TTBB.

A setting of the text of Emily Dickinson for Upper Voices (SSSSAA) and Piano and Bass.

It would be more appropriate to label this piece as a composition for piano and divisi treble voices because the accompaniment is equally significant to the singers. A stimulating and thought-provoking musical setting the textfrom Lord Byron applauds nature and that which is larger than ourselves.